Tag: The Tangent

Review – The Tangent – Auto Reconnaissance

Welcome to the post-Covid-19 world. My day job has got ridiculously busy and I have not been able to write any reviews so I’m going to alter my usual in-depth method and just give things to you straight.

The Tangent, the progressive rock group led by Andy Tillison, are set to release their 11th studio album ‘Auto Reconnaissance’ on August 21st, 2020.

The follow-up to 2018’s ‘Proxy’, sees them taking the band philosophy of celebrating the golden age of prog, whilst bringing it to the present and exploring new paths for the music to take in the future. On ‘Auto Reconnaissance’, they bend that philosophy to their will, taking in prog rock foot Stomping, sublime Jazz, humour, narrative, a modern R&B love song, funk/soul and a 28 minute long emotional epic about the band’s home country of England.

Andy comments: “I utterly refuse to accept that Progressive Rock Music is some kind of museum piece. It is actually a living and breathing movement that has a past, a present and above all, a future. It once had an album-chart-topping golden age, but the genre was never about that. It has subtly and virally kept itself alive for decades where many new musical genres have risen to glory and faded away.”

For this release, Andy is once again joined by long-time collaborator Luke Machin (who also helped produce the album), Jonas Reingold, Theo Travis, and Steve Roberts. Together they bring to life an album that has been influenced by the likes of ELP, The Isley Brothers, Steely Dan, Aphex Twin, National Health, Rose Royce, Squarepusher and Return To Forever amongst others.

Right, that’s the record label PR out of the way, what do I think of the album…

Simply put, Andy is at his acerbic and witty best when it comes to the lyrics, especially on the travelogue-esque track 2, Jinxed In Jersey where he regales us with his journey around New York and it is a brillaint, amusing and tongue in cheek clash of cultures between the largesse of the good ol’ U.S of A and your basic, down to earth Yorkshireman.

The wonderful, laid back jazz-infused soundtrack to Andy’s spoken word is superbly judged and takes you back to the 70’s. To be fair, the whole album has that sepia tinged edge of halcyon days gone by but given that ‘turd polishing’ skill that only Andy Tillison can do.

You want funky, you’ve got it, the five and a half minutes of opening track Life On Hold is as good as anything released recently with even a passing resemblance to the decade that gave us disco and corduroy flares! It’s a song that makes you smile and we all need some of that at the moment.

Dare I say that Under Your Spell has the feel of a 70’s love song? Almost as if Andy is channelling his inner Barry White (now there’s an image!). Whether you agree with me or not, what it is is a wonderful, classy and velvet smooth piece of music and there’s no arguing with that, just listen to the way Luke’s solo just oozes empathy.

There’s a sea change and a move to the 80’s with the edgy keyboard note of Tower Of Babel and it’s direct and in-your-face chorus. Think Huey Lewis And The News get down with Talking Heads and you won’t be far from the mark.

Lie Back And Think Of England could well be seen as Andy’s Magnum Opus and, in my humble opinion, it is the best piece of music he has ever written. Twenty-eight minute progressive rock epics are everywhere nowadays but this never fails to engage the listener and keep them under its captivating spell. The highs and lows and dynamic crescendos are utterly brilliant, taking you on an engrossing musical journey through all that is good about prog rock and one where every word and every note have their place.

Back to the 70’s and the funky, disco edge of soundtracks like Shaft and Starsky and Hutch, the bedrock on which The Midas Touch could have been built. There’s wah-wah pedal and tinkling of ivories galore in a song awash with the feel of lazy, hazy summers. The album closes with the bonus track Proxima, a twelve minute instrumental that could have come straight from a Tangerine Dream record.

The Tangent are a British progressive rock institution and every new album is eagerly awaited by the fans and, while every fan will have their own opinion, ‘Auto Reconnaissance’ is my favourite album from the band yet. Andy is on top form, his song writing is as sharp and clever as ever and he has gathered around him a group of musicians who seriously have no peers. A superb release and one which cements The Tangent’s already exalted reputation.

Released 21st August 2020

Order from Burning Shed here:

https://burningshed.com/the-tangent_auto-reconnaissance_cd

The Tangent launch ‘Life On Hold’; first single from new album ‘Auto Reconnaissance’

The Tangent, the progressive rock group led by Andy Tillison, recently announced the release of their 11th studio album ‘Auto Reconnaissance’ on the 21st August 2020. The follow-up to 2018’s ‘Proxy’, sees them continuing the band philosophy of celebrating the golden age of prog, whilst bringing it to the present and exploring new paths for the music to take in the future. On ‘Auto Reconnaissance’, they bend that philosophy to their will, taking in prog rock foot stomping, sublime Jazz, humour, narrative, a modern R&B love song, funk/soul and a 28 minute long emotional epic about the band’s home country of England.

Today they launch the first track, titled ‘Life On Hold’, and you can listen now here:

Andy comments: “‘Life On Hold is  the cheerful up-tempo Prog Rock foot-stomper we chose to kick off our album. It sits alongside pieces we’ve done in the past like ‘GPS Culture’ and ‘Spark In The Aether’, ‘Crisis In Midlife’ etc and it’s a flavour we do like to return to now and then. This one is influenced by things like that first Asia album, stuff like Kansas and Boston, and the kind of thing that Transatlantic might bang out at you. It’s part of our genetic makeup, but of course only one part. Although there’s a fair amount of accessible tunes on the new album, there’s some seriously deep water around too.  And no, ‘Life On Hold’ has nothing to do with Lockdowns. It mentions Jean Paul Sartre, which is not normal in foot-stompers. Get it ON!! Bang, and the dirt is gone!”

‘Auto Reconnaissance’ will be available as a limited CD Digipak, Gatefold 2LP + CD + LP-Booklet and as a digital album. Pre-order now here: https://The-Tangent.lnk.to/AutoReconnaissance

 Andy comments: “I utterly refuse to accept that Progressive Rock Music is some kind of museum piece. It is actually a living and breathing movement that has a past, a present and above all, a future. It once had an album-chart-topping golden age, but the genre was never about that. It has subtly and virally kept itself alive for decades where many new musical genres have risen to glory and faded away.”

For this release, Andy is once again joined by long-time collaborators Jonas Reingold, Luke Machin (who  co-produced the album with Andy),  Theo Travis, and Steve Roberts. Together they bring to life an album that has been influenced by the likes of ELP, The Isley Brothers, Steely Dan, Aphex Twin, National Health, Rose Royce, Squarepusher and Return To Forever amongst others. 

Andy comments of the current line-up: “In the past 6 years the line-up of The Tangent has become more stable than at the beginning. I think that the identity of the Tangent as a “Group” rather than a “Project” started to come together on the album ‘A Spark In The Aether’ in 2014. Essentially Luke, Jonas, Theo and myself have appeared on the last four albums, and we added Steve Roberts for the tour that supported ‘Slow Rust’ in 2017 and we’ve settled on this line-up. I hope for a while because I find this unit to be productive, in tune with the band’s purpose and manifesto and a lot of fun to boot. The new album ‘Auto Reconnaissance’ is the first time that the core band has been identical in structure to its predecessor.  For the first time I feel that everyone is totally onboard with the fusion of Jazz, Prog, Punkishness and electronica that The Tangent likes to cook up. We are a good group of friends and although we don’t meet up often, it’s a real blast when we do. I’ve always considered Ed Unitsky the cover artist to have been a recurring member of the cast – his artwork has been a huge part of our story and although we move away, we always return.”

‘Auto Reconnaissance’ will be available as Limited CD Digipak (incl. bonus track), Gatefold 2LP + CD + LP booklet & as Digital Album, all featuring the artwork of Ed Untisky, whose visuals have not been seen on a Tangent album since 2014’s ‘A Spark In The Aether’. The full track-listing can be found below:

1.     Life On Hold

2.     Jinxed In Jersey

3.     Under Your Spell

4.     The Tower Of Babel

5.     Lie Back & Think Of England

6.     The Midas Touch

7.     Proxima (Bonus Track)

The Tangent are the following players:

Andy Tillison – Vocals, Lyrics, Keyboards, Composer

Jonas Reingold (The Sea Within, Steve Hackett Band) – Bass Guitar

Theo Travis (Soft Machine, David Gilmour, Travis-Fripp) – Sax & Flute

Luke Machin (Maschine, Francis Dunnery Band) – Guitar

Steve Roberts (David Cross Band, ex Magenta, Godsticks) – Drums

The Tangent announce new album ‘Auto Reconnaissance’

The Tangent, the progressive rock group led by Andy Tillison, are pleased to announce the release of their 11th studio album ‘Auto Reconnaissance’ on the 21st August 2020. The follow-up to 2018’s ‘Proxy’, sees them taking the band philosophy of celebrating the golden age of prog, whilst bringing it to the present and exploring new paths for the music to take in the future. On ‘Auto Reconnaissance’, they bend that philosophy to their will, taking in prog rock foot Stomping, sublime Jazz, humour, narrative, a modern R&B love song, funk/soul and a 28 minute long emotional epic about the band’s home country of England.

 Andy comments: “I utterly refuse to accept that Progressive Rock Music is some kind of museum piece. It is actually a living and breathing movement that has a past, a present and above all, a future. It once had an album-chart-topping golden age, but the genre was never about that. It has subtly and virally kept itself alive for decades where many new musical genres have risen to glory and faded away.”

For this release, Andy is once again joined by long-time collaborator Luke Machin (who also helped produce the album), Jonas Reingold, Theo Travis, and Steve Roberts. Together they bring to life an album that has been influenced by the likes of ELP, The Isley Brothers, Steely Dan, Aphex Twin, National Health, Rose Royce, Squarepusher and Return To Forever amongst others. 

Andy comments of the current line-up: “In the past 6 years the line-up of The Tangent has become more stable than at the beginning. I think that the identity of the Tangent as a “Group” rather than a “Project” started to come together on the album ‘A Spark In The Aether’ in 2014. Essentially Luke, Jonas, Theo and myself have appeared on the last four albums, and we added Steve Roberts for the tour that supported ‘Slow Rust’ in 2017 and we’ve settled on this line-up. I hope for a while because I find this unit to be productive, in tune with the band’s purpose and manifesto and a lot of fun to boot. The new album ‘Auto Reconnaissance’ is the first time that the core band has been identical in structure to its predecessor.  For the first time I feel that everyone is “in tune” with the fusion of Jazz, Prog, Punkishness and electronica that The Tangent likes to cook up. We are a good group of friends and although we don’t meet up often, it’s a real blast when we do. I’ve always considered Ed Unitsky the cover artist to have been a recurring member of the cast – his artwork has been a huge part of our story and although we move away, we always return.”  

‘Auto Reconnaissance’ will be available as Limited CD Digipak (incl. bonus track), Gatefold 2LP + CD + LP booklet & as Digital Album, all featuring the artwork of Ed Untisky, whose visuals have not been seen on a Tangent album ince 2014’s ‘A Spark In The Aether’. The full track-listing can be found below:

1.     Life On Hold

2.     Jinxed In Jersey

3.     Under Your Spell

4.     The Tower Of Babel

5.     Lie Back & Think Of England

6.     The Midas Touch

7.     Proxima (Bonus Track)

The Tangent are the following players:

Andy Tillison – Vocals, Lyrics, Keyboards, Composer

Jonas Reingold (The Sea Within, Steve Hackett Band) – Bass Guitar

Theo Travis (Soft Machine, David Gilmour, Travis-Fripp) – Sax & Flute

Luke Machin (Maschine, Francis Dunnery Band) – Guitar

Steve Roberts (David Cross Band, ex Magenta, Godsticks) – Drums

Review – The Tangent – Proxy – by Progradar

2018 has been a rather excellent year for new music. It seems like no sooner has one great album come along then another arrives into the inbox at Progradar Towers. Music of all sorts of genres and description but the overriding feeling I have got this year is that there is joy back in music. The majority of new releases I’m hearing have enforced my faith in the restorative abilities of music and the fact that music can simply put a smile on your face and make the world a happier place to be in.

The latest album to get me buzzing and happy to get out of bed on a wet and miserable October morning is the new release, and 10th studio release, from progressive rock stalwarts The Tangent:

“Entitled “Proxy” it’s a single CD and Vinyl – a riot of juxtopposing styles, presented in a really direct manner and despite being firmly rooted in the stylistic traits of the Progressive Rock Genre takes some unexpected turnoffs and a major swerve.

Recorded during the band’s tour with Karmakanic in 2017/18 – there were more chances than normal to work together on the record – hotel writing sessions, van discussions, soundcheck ideas – all of which have allowed the band to make an album that is organic and as close to being that band, as has happened to the group of far flung members since they began their career 15 years ago.”

Thank you press release, main man Andy Tillison goes on to say, “I often think of good progressive albums as being like the Bayeux Tapestry, an account of the times the band lives in, using all the history that got us to that point, commenting on the Now with the experience of the past.”

Andy agreed with me that ‘Proxy’ is a lighter album than ‘The Slow Rust of Forgotten Machinery’, the band’s previous studio release but it does start with the obligatory protest song, title track Proxy. A track about the continuing wars that share their name with the song. The Tangent have always brought politics into progressive rock and this song carries on that connection, Prog always being born from counterculture. It’s a complete prog reference journey with Tillison’s swirling hammonds and synths, Jonas Reingold’s signature punchy bass, Steve Roberts’ dynamic drums and Luke Machin’s stylistic guitar work. Take yourself on a sisteen minute nostalgic road trip punctuated by the ever so elegant sax and flute of Theo Travis, this is what the band have always been good at, delivering a potent message with lashings of fantastic music to ease it home. The guitar and vocal motif at the end puts a particularly large smile on my face, tipping a nod to the 70’s in the process, The Tangent are back!

Now the album takes a wander over into left-field territory with the jazz-fusion instrumental The Melting Andalusian Skies, a piece of music as laid back as they come, sit back, enjoy the warm, sunny feel and let the ever so smooth sounds flow over you. Luke and Andy trade guitar and synth like the best jazz pros and Theo gives the whole shebang the necessary chuzpah. Luke throws in some Gordon Giltrap guitar and even acid jazz to give a psychedelic overtone, this is music for the hell of it, these guys are having a seriously good time, it’s patently obvious.  Described by the band as an attempt to find the missing link between Porcupine Tree and Jamiroquai, A Case Of Misplaced Optimism is more funk than any man should have to handle! This track will get you digging the groove and saying ‘yeah man’ every five seconds, it is seriously infectious piece of music that put a huge grin on my face, yep, the joy is here for everyone to hear.

Rapidly becoming one of my all time favourite songs by the band, The Adulthood Lie is my stand out track on what is becoming a seriously good album. The Tangent do electronic dance music (yes you read that right, EDM!) and it works brilliantly. I know Andy wasn’t sure how the fans would take this homage to Ibiza, Fatboy Slim, Sophie Ellis Bextor and the rest but, to me, it’s a fantastic track. It’s chock full of catchy moments and a seriously infectious vibe that gets you up and dragging your dancing boots out of the cupboard before you even know what you’re doing. You know what, this is what progressive music should be about, you’re hearing a true progression and maturation of The Tangent’s sound and it’s bloody brilliant. As Andy says,

“Our belief is that Progressive Rock music is still a valid and viable musical form in 2018 and will continue to be so. Our band has always sought to take on board things from the present and add them to that magical mix. We don’t claim to be offering the FUTURE. We just claim to be offering one set of possibilities. Ours. Now.”

There’s a repeated vocal line that runs through the song that starts, “When I was young, I fell in love…”, trust me, that will rapidly become a glorious earworm! Andy admitted the band had gone a bit mad on this track but was really glad that they had.

“The whole of Supper’s Off came from a daft thing I said about “Cooking The Books Of Revelation” in a rather boring meeting at college…”

Being a fellow Yorkshireman, Andy has a particular sense of humour, Supper’s Off was a recording made at the time of (Tangent album) ‘Le Sacre Du Travail’. It wasn’t properly recorded until this album but it’s another iteration of The Tangent’s so called Fast Song. GPS Culture, Evening TV, Uphill From Here and Spark In The Aether could be said to be the others. My friend, and Bad Elephant Music boss, David Elliott has called it “an anthem for the modern progressive rock band” and he’s not wrong. A captivating and utterly addictive track with the funkiest keyboard hook and guitar riff going, it’s blasts into your mind at a mind-blowing rate of knots and takes everybody on a fun-fuelled musical roller coaster ride before tipping its hat and firing off into the distance.

Normality is resumed with the ten minute bonus of Excerpt From “Excerpt From “Exo-Oceans”, a little dip into Andy’s Kalman Filter material which is edgy, spaced out and best listened to in the dark with something addictive (legally, obviously!! you know, like Whiskey!) and this brings the heart rate down nicely so you can actually process what you’ve just listened to.

‘Proxy’ is a joyous celebration of music, done in The Tangent’s inimitable style. It’s an album that truly bears repeated listens, I’m sure Andy has left little chestnuts and references in there for people to pick up on. What we’re hearing is a true progression of the band’s sound that, while keeping what has always made them who they are, now resonates even more clearly with the world we live in. Music to make you think and music to lift your soul, what more can you ask for?

Released 16th November 2018

Check out the band’s website for pre-order details

 

The Tangent launch trailer for new album ‘Proxy’

THE TANGENT, the progressive rock group led by Andy Tillison, will release their 10th studio album ‘Proxy’ on November 16th, 2018. Recorded during the band’s tour with Karmakanic in 2017/18, which saw them with more chances than normal to work together on the record – hotel writing sessions, van discussions, soundcheck ideas – all of which have allowed the band to make an album that is as organic as they have ever achieved since their formation 15 years ago.

Watch a trailer for the album here, featuring some snippets of brand new music

‘Proxy’ is now available to pre-order as limited CD digipak, 180g vinyl + CD (including several coloured vinyl versions) & as digital download here: https://the-tangent.lnk.to/Proxy

Andy Tillison comments: “Our belief is that Progressive Rock music is still a valid and viable musical form in 2018 and will continue to be so. Our band has always sought to take on board things from the present and add them to that magical mix. We don’t claim to be offering the FUTURE. We just claim to be offering one set of possibilities. Ours. Now.”

‘Proxy’ is a riot of juxtaposing styles, presented in a really direct manner and despite being firmly rooted in the stylistic traits of the Progressive Rock Genre takes some unexpected turnoffs and a major swerve. The albums kicks off with a trademark Tangent prog fantasia based around growling Hammonds, shrieking Synths, whirling guitars and sharp percussive bass  – influences of ELP, Egg, Hatfield & the North, Caravan and Camel proudly worn on their sleeves.  This 16-minute title track eventually becomes a protest song about the continuing wars that share their name with the song.

But this album features no overall concept. The second track is a sun-drenched Mediterranean fusion instrumental, more Chick Corea than Che Guevara.  And the third track is referred to by the band as an attempt to find the missing link between Porcupine Tree and Jamiroquai.  By the time we reach the centrepiece epic track ‘The Adulthood Lie’, the rulebook has been left behind and the band are trying to fix the car with whatever is at hand.

The Tangent came of age some time ago now. After 15 years with a constant presence on the periphery of the scene, this album is the next step on the road from a band who have painstakingly revered and recreated the past, with one eye on the future.

The album will be available as a limited CD digipak, Vinyl LP + CD & as digital download. The full track-listing is as follows:

1.Proxy
2.The Melting Andalusian Skies
3.A Case of Misplaced Optimism
4.The Adulthood Lie
5.Supper’s Off
6.Excerpt From “Exo-Oceans” (Bonus Track)
The album features the following players:
Andy Tillison – Vocals, Lyrics, Keyboards, Composer
Jonas Reingold (The Sea Within, Steve Hackett Band) – Bass Guitar
Theo Travis (Soft Machine, Travis-Fripp) – Sax & Flute
Luke Machin (Maschine, Francis Dunnery Band) – Guitar
Steve Roberts (ex Magenta, Godsticks) – Drums
With special guest: Goran Edman (Karmakanic) – Vocals

The Tangent announce new studio album ‘Proxy’

The Tangent, the progressive rock group led by Andy Tillison, will release their 10th studio album ‘Proxy’ on November 16th,  2018. Recorded during the band’s tour with Karmakanic in 2017/18, which saw them with more chances than normal to work together on the record – hotel writing sessions, van discussions, soundcheck ideas – all of which have allowed the band to make an album that is as organic as they have achieved since their formation 15 years ago.

Andy Tillison comments: “Our belief is that Progressive Rock music is still a valid and viable musical form in 2018 and will continue to be so. Our band has always sought to take on board things from the present and add them to that magical mix. We don’t claim to be offering the FUTURE. We just claim to be offering one set of possibilities. Ours. Now.”

‘Proxy’ is a riot of juxtaposing styles, presented in a really direct manner and despite being firmly rooted in the stylistic traits of the Progressive Rock Genre takes some unexpected turnoffs and a major swerve. The albums kicks off with a trademark Tangent prog fantasia based around growling Hammonds, shrieking Synths, whirling guitars and sharp percussive bass  – influences of ELP, Egg, Hatfield & the North, Caravan and Camel proudly worn on their sleeves.  This 16-minute title track eventually becomes a protest song about the continuing wars that share their name with the song.

But this album features no overall concept. The second track is a sun-drenched Mediterranean fusion instrumental, more Chick Corea than Che Guevara.  And the third track is referred to by the band as an attempt to find the missing link between Porcupine Tree and Jamiroquai.  By the time we reach the centrepiece epic track ‘The Adulthood Lie’, the rulebook has been left behind and the band are trying to fix the car with whatever is at hand. The Tangent came of age some time ago now. After 15 years with a constant presence on the periphery of the scene, this album is the next step on the road from a band who have painstakingly revered and recreated the past, with one eye on the future.

The album will be available as a limited CD digipak, Vinyl LP + CD & as digital download. The full track-listing is as follows:

1.Proxy

2.The Melting Andalusian Skies

3.A Case of Misplaced Optimism

4.The Adulthood Lie

5.Supper’s Off

6.Excerpt From “Exo-Oceans” (Bonus Track)

The album features the following players:
Andy Tillison – Vocals, Lyrics, Keyboards, Composer
Jonas Reingold (The Sea Within, Steve Hackett Band) – Bass Guitar
Theo Travis (Soft Machine, Travis-Fripp) – Sax & Flute
Luke Machin (Maschine, Francis Dunnery Band) – Guitar
Steve Roberts (ex Magenta, Godsticks) – Drums
With special guest: Goran Edman (Karmakanic) – Vocals

Review – The Tangent – The Slow Rust Of Forgotten Machinery – by Craig E. Bacon

‘The Slow Rust of Forgotten Machinery’ by The Tangent succeeds at every level, from the incredible depth and texture of the colours in Mark Buckingham’s arresting album art to the pacing of the expansive musical compositions. Band leader Andy Tillison has talked about working to recover his ‘mojo’ after a long hospital stay, and ‘Slow Rust’ makes clear that he’s found it, perhaps in greater quantity even than before. In particular, the album comfortably engages an intriguing dialectic between global politics and individual relationships; broad social commentary and hyper-specific lyrical descriptions; fury and compassion; and the musical energies of seasoned and youthful collaborators. Along the way, Tillison & Co. play jazz, funk, punk, prog, techno, ambient, and heavy rock to great effect.

The album opens with the “pocket symphony” Two Rope Swings, which packs the musical and thematic expanse of a 20 minute epic into a mere 6.5 minutes. Each member of the band turn in lovely performances here, including newcomer Marie-Eve de Gaultier, whose vocals emphasize the mournful aspect of realizing our ignorance concerning those who live in a different skin from our own—whether human or otherwise. Tillison’s wonderfully detailed lyrics express the global import of the song through their very specificity:

“And we think Africa is like some fairyland/Like in the picturebooks we read when we played on the swings/Lions and tigers and wildebeests and zebra…Kilimanjaro”

What do we expect from each other, when we make our adult choices with the naivete of a child reading picture books on a rope swing? When we can’t even place an entire species of animals on the right continent, imagining African lions as living side by side with Asian tigers?

Doctor Livingstone (I Presume), besides possessing the perfect, playful title for a long instrumental, showcases the band’s seemingly limitless musical muscle. Leaping right over the gate with lithe bass, rolling organ, and a melodic synth lead, the track quickly sets the stage then shines the spotlight on guitarist Luke Machin’s searing but instantly accessible soloing. Theo Travis provides plenty of nuanced saxes and flutes along the way, while piano and acoustic guitar occasionally accent the trading off between bass, synth, guitar, and sax solos. What begins as a relatively mellow jazz exercise rolls to full boil midway with some heavier riffs and shredding from Machin; not content to climax at its most intense moment, the track slides into a more classically jazz section that highlights even further the god-level bass genius of Jonas Reingold. Taken all together, this instrumental melds early 70’s jazz-influenced prog with mid-60’s Impulse! Records jazz experimentation. It also succeeds as a test for a new addition to The Tangent’s line-up: if you want to prove the mettle of your new drummer, how better than with an extended jazz work-out? The spry young lad taking over drum controls makes a great showing here that matches but never overwhelms the contributions of his bandmates, and it’s quite the surprise that this talent has not been tapped by the band on previous outings.* Perhaps the snare could have been a bit punchier to better complement Reingold’s monster tone, or the crash treated with less decay, but those are minor differences of production opinion that don’t detract from a stellar debut performance.

On an album replete with highlights, title track Slow Rust is clearly the centrepiece. All the righteous indignation, cynical wisdom, and nimble musicality of the album are placed on full display for 22 intense minutes. On the face of it, this song is inspired by the same series of recent events that prompted A Few Steps Down the Wrong Road, namely, the horrendous slandering of “migrants” by the UK press in the wake of 2016’s Brexit vote. But Slow Rust is this and so much more. Rooting around behind the mere occurrence of such hateful news reporting, Tillison explores the contributing factors. How is it that celebrity gossip, local events, and national politics coexist on equal footing in the papers? We all know that this paper has this party bias and that one another, but how do the potentially myriad perspectives of numerous writers and editors fall out along such neat lines, and why must we find a ready group on which to place the blame for our perceived problems? When there’s profits to be had, and fear and hatred turn a profit, any story becomes about the insecurities of the reader; the actual story of another person’s hardship gets twisted into the story of how an influx of persecuted refugees affects my life:

“Ah, when the helpless are a threat/What does that say about the rest of us?”

Furthermore, when only binary choices are on offer, the rejection of one point of view becomes the ready adoption of another, and either way someone will be waiting to accept your payment. Even Education, the great salvation of the Enlightenment, is implicated. If schools are just an ideas factory for “Corporate automatons,” then the same principle of profit and binary choices will drive all learning:

“Become a teacher and bow your head/To the passing fashions where you get led/Recite your mantras, but say your prayers/’Cause what else have you done? The future’s theirs/To sell textbooks/That’s all they’re here to do”

Even for a Prog Epic, this is an incredibly expansive track, though it never feels stretched or repetitive. There’s no thesis, but it’s focused polemic more than angry rant. It also seriously rocks. Tillison turns in a number of noteworthy synth and vocal performances, especially in the funky and heavy “Binary Choices” section that includes effected spoken word vocals and a reference to President Biff. Reingold is, again, a force-beyond-nature on bass throughout the song, though de Gaultier is the key ingredient that lifts everything above the sum of its parts. Here and elsewhere on the album, the soft timbre of her voice pervades every open space, simultaneously smoothing, undergirding, and highlighting whatever else is happening musically. Depending on Tillison’s role at any moment, this includes supporting the more mournful notes in his voice or providing the comforting sweater counterpoint to his angry grandpa affectation.

De Gaultier’s vocals are also essential to the emotion of The Sad Story of Lead and Astatine, as she permeates the very pretty and hopeful chorus to an otherwise sad tale. Her reassuring suggestion for a repaired relationship sharpens the sadness of the song once you realize that of course, as per the song’s title, this advice will be ignored in favour of doubling down on prideful posturing. As such, this track provides the personal counterpoint to the album’s finale: in the microcosm, destructive pride and redirected fear can lead a person, as well as a country, a few steps down the wrong road. Musically, The Sad Story leaves plenty of room for jazzy solos, including some gorgeous flute work by Travis, a healthy dose of flittering piano, a classic drum solo, and more arresting guitar shredding from Machin.

‘The Slow Rust of Forgotten Machinery’ culminates in the Prog-Punk Theatre of A Few Steps Down the Wrong Road. The punk elements are noteworthy, but the spirits of Emerson and Lake are as strong here as that of Johnny Rotten, Tillison playing some particularly nice analogue synths to punctuate the story. Like Slow Rust, this song is about the post-Brexit rise of hatred toward those of ‘questionable origin’, but it’s also about the historical recurrence of inhumane attitudes, and serves as a cautionary tale of the dangers in not learning our history lessons already. Alternating between spoken word narration, explosive rock bombast, proggy excess, jazzy swagger, and punk aggression, this epic competes for “most quintessential Tangent track” as well as “most timely political commentary by a musical artist.” If ever a polemic needed pressing to a side of vinyl, it’s this one. When the album reaches its depressing conclusion, be sure to immediately start it over again. The opening strains of Two Rope Swings, with de Gualtier’s call of “halcyon days,” take on an elegiac character when placed immediately following A Few Steps Down the Wrong Road.

With ‘The Slow Rust of Forgotten Machinery (or, Where Do We Draw the Line Now?)’ The Tangent have progressed by retaining everything that made their previous work great while seamlessly integrating these elements with new musical contributions that hold up to the weighty subject matter. The album burns with all the conscience and compassion called for by our times. It simultaneously maintains a spirit of joy and playfulness in the performances. A clear contender for Album of the Year, ‘Slow Rust’ is wonderfully immediate while reserving unfathomable depths to be explored across repeated listens for years to come.

*This reviewer is simultaneously sincere and facetious: yes, I’m aware that the drummer is Andy Tillison himself. It is genuinely a surprise that Tillison’s drumming was not previously featured, because he’s quite good.

Released 21st July 2017

Buy ‘The Slow Rust Of Forgotten Machinery’ From Burning Shed

 

 

 

 

New Album From The Tangent – The Slow Rust Of Forgotten Machinery – Released 21st July 2017

FROM INSIDEOUT Music MAY 9 2017

The Tangent, the progressive rock group led by Andy Tillison, have announced the release of the first new music since 2015. Their new ninth studio album ‘The Slow Rust of Forgotten Machinery’ is set for release on 21st July 2017. The line-up for this album once again features Tillison on keyboards, vocals (and for the first time on a Tangent record – drums), Jonas Reingold on bass, Luke Machin on guitars and vocals, and Theo Travis on sax and flutes plus new member Marie-Eve de Gaultier on keys and vocals. There are also guest appearances from author/playwright and Chumbawamba founder Boff Whalley on vocals, and upcoming DJ/producer Matt Farrow.

Band leader Andy Tillison had this to say: “Roger Waters did prove the ability of Progressive Music to act as a vehicle to communicate ideas about the current world scene. In both Pink Floyd’s “The Final Cut” and his “Amused To Death” albums, Waters set a challenge to others in the genre. A challenge which has not been frequently accepted.”

The album sees The Tangent in political commentary mode once again – this time often focussing on the horrendous plight of refugees from war torn parts of the world – and the way in which they are treated by the West, and in particular by the tabloid press. The album laments the new trend in building walls and defending borders across the world yet takes time to look at the breakup of friendships and other more personal issues – along with a song about the fate of wildlife in the modern consumer world.

And it’s a Progressive Rock Record. Full of intricacies, long developed pieces, challenging arrangements and virtuoso playing from all members. New sounds and styles (the band have brought a DJ on board for some sections) – new voices and techniques (first female vocals in The Tangent since the “Not As Good As The Book” album 10 years ago). A new producer in the form of Luke Machin whose open and deep/clear sound is a major factor of this album, a new drummer in the form of Andy Tillison who decided at long last (after drumming for 30 years) to let his own performances guide the rest of the band rather than adding another musician later. And after 13 years of asking, Jonas finally agreed to play some double bass in a song where Luke also plays some Scat guitar and Andy does a full on drum solo.

“The Slow Rust Of Forgotten Machinery” also features stellar artwork from Marvel / DC Comics artist Mark Buckingham. The sleeve of the album is totally based on the music it contains and was especially created for this project.

The album will be available on limited digipak CD, gatefold 2LP + CD, and digital download, and you can find the full track-listing below:

Two Rope Swings
Doctor Livingstone (I Presume)
Slow Rust
The Sad Story of Lead and Astatine
A Few Steps Down the Wrong Road
Basildonxit

The band will head out on tour in support of the new record, once again joining forces with Sweden’s Karmakanic to present albums by both bands. The full list of dates is as follows:
Aug 26th 2017 – Bierkeller, Reichenbach, DE
Sept 1st 2017 – 2 days of Prog +1 Festival, Veruno, Italy
Sept 9th 2017 – The Boerderij, Zoetermeer
Oct 8th 2017 – SUMMERS END Festival, Chepstow, UK
Oct 21st 2017 – Progtoberfest, Chicago, USA
Oct 22nd 2017 – Shank Hall, Milwaukee WI, USA
Oct 24th 2017 – Token Lounge, Westland MI, USA
Oct 26th 2017 – Roxy & Dukes, Dunellen NJ, USA
Oct 27th 2017 – The Regent Theatre, Arlington MA, USA

Look out for more information in the coming weeks!
The Tangent online:
www.thetangent.org
https://www.facebook.com/groups/alltangentmembers/

INSIDEOUTMUSIC ONLINE:
www.insideoutmusic.com
www.youtube.com/InsideOutMusicTV
www.facebook.com/InsideOutMusic
www.twitter.com/insideouteu
www.myspace.com/insideoutlabel

Visit the new Insideout Shop:
www.insideoutshop.de

Summer’s End Festival announces (almost) complete 2017 line up…

We are delighted to announce the (almost) complete line up for Summer’s End 2017, to be held at the Drill Hall, Chepstow on October 6-8 2017.

Leap of Faith tickets have now come off sale and will be replaced by standard tickets on Tuesday 17th January.

• Hero tickets (including a t shirt and our very special thanks) priced £120
• Sponsor tickets (including a T shirt) priced £105
• Standard weekend tickets priced £85

A very limited number of day tickets will be available soon. The festival sold out quickly last year and we are already 50% to sell out just with LOF tickets, so very early purchasing is recommended. With one band still to announce, we are already very proud of what is our most varied and internationally-orientated line up yet!

Here’s the line up -with one major band still to announce. Day splits will be announced soon.

FROST* (UK)
www.frost.life

Our Saturday headliners are the inimitable Frost* making their first appearance at the festival since their remarkable performance in 2008. The line up of the band – Jem Godfrey, John Mitchell, Nathan King and Craig Blundell – is now stable and playing regular live gigs in support of last years’ excellent “Falling Satellites”,

THE TANGENT (UK / Sweden)
www.thetangent.org
KARMAKANIC (Sweden / UK)
www.facebook.com/KarmakanicOfficial/

As they did in 2014, The Tangent and Sweden’s Karmakanic will be touring in 2016 as an intriguing double act, comprising of (largely) the same members playing two sets, closing the festival on Sunday 8th October. The band(s) will comprise Andy Tillison, Jonas Reingold, Luke Machin plus Marie Eve De Gaultier and other members to be announced. The Tangent will be making their third appearance at the festival and release “The Slow Rust of Forgotten Machinery” in 2017, while Karmakanic released “DOT” in 2016 and last played Summer’s End in 2010.

FRANCK CARDUCCI (France)
www.franckcarducci.com

Those that have had the pleasure of seeing Franck Carducci and his superb band perform will know that they are one of the best – and most colourfully extravagant – live acts playing today. Mixing Prog with hard rock and just a touch of psychedelia, the band are sure to be one of the bands of the weekend following a successful UK tour in late 2016.

SOUTHERN EMPIRE (Australia)
www.unitopiamusic.com

Following his performance with Damanek in 2016 (and with Unitopia in 2010), Australian keyboard wizard Sean Timms returns to the festival with his current band Southern Empire. The band are riding high following the release of their superb debut album and will be touring Europe in late 2017 with Karibow.

MASCHINE (UK)
www.maschineuk.com

Few who were there will have forgotten the performance of a young band called Concrete Lake at Summer’s End 2011. Now called Maschine, guitar wizard Luke Machin‘s brilliant young band, which also includes bassist Dan Mash, released their magnificent second album ‘Naturalis’ during 2016 to great acclaim.

KARIBOW (Germany)
www.karibow.com

This well known German band have had an award winning, 20-year history. Led by vocalist and multi-instrumentalist Oliver Rusing, their powerful, crunchy, song orientated brand of Prog is often compared to Saga and It Bites. The band will tour Europe in 2017 with Southern Empire in suport of most recent album ‘Holophinium’.

ELEPHANTS OF SCOTLAND (USA)
www.elephantsofscotland.com

Following Phideaux, K2, Discipline and 3rDegree, Elephants of Scotland will become the 5th band from the USA to play the festival. Formed in Vermont in 2010, the band have 3 studio albums under their belts and played a triumphant set at the Rosfest festival in 2014 , later released as a CD and DVD set.

MIDNIGHT SUN (UK)
www.facebook.com/midnightsunprog/

Making their first appearance at the festival, but with several members that have played for us before are Midnight Sun, which comprises various former members of Unto Us and Also Eden in a combination which moulds the progressive and melodic textures of those bands with some heaver elements. Recording of the band’s debut album will begin in early 2017.

HALF PAST FOUR (Canada)
www.halfpastfour.com

Our first participants from Canada, Half Past Four have won a deserved reputation for their quirky, jazzy, playful take on prog. So strong was their 2016 third album ‘Land of the Blind’ that we knew that it was high time they made their debut at the festival.

WEENDO (France)
www.weendo.fr

This superb band from France – fronted by vocalist and keyboard player Laetitia – mix Prog with slightly more metallic textures. The band are currently working on their second album following their excellent 2011 debut ‘You Need to Know Yourself’.

More news soon!

Best wishes

Huw and Stephen
www.summersend.co.uk

Our facebook page:
www.facebook.com/…
Our facebook group: www.facebook.com/home.php#/group.php?gid=98170444873
One twitter: www.twitter.com/summersendfest
Email: stephen@summersend.co.uk

New lyric video from The Tangent – article by Progradar

Progressive rock stalwarts and innovators The Tangent return, after main man Andy Tillison’s heart attack last year, with  a great lyric video for single A Few Steps Down The Wrong Road and you can watch it here:

Andy wanted to return to the more socially aware music that he has generally written since he was a teenager.

Andy told me,

” …obviously it’s something where we;ve beaten the punks, the independents, the Bonos and Stings to the post in having something to say about the Post Brexit racism. The song is NOT about Brexit itself… that wouldn’t interest me enough to write a song…”

In an announcement on the band’s facebook page he went on to say,

“It’s a song from a man who loves his Yorkshire, his England, his Britain and his Europe more than the self serving hacks from the tabloid press seem to love anything.

This is The Tangent. We are a PROGRESSIVE ROCK BAND. This is our new song. Play as loud as you can – and make sure you listen to the very end.”

The track, and the band’s upcoming as-yet-untitled album, will feature artwork created by renowned UK comic artist Mark Buckingham, who has provided designs for both DC and Marvel as well as artwork for The Fierce And The Dead.