Review – Nova Cascade – The Navigator – by John Wenlock-Smith

‘The Navigator’, the upcoming latest album from Nova Cascade, is really rather interesting and impressive as it is, at its heart, a sincere, heartfelt tribute and celebration of the life and impact of violinist, guitarist and all round excellent musician, colleague, friend and inspirational muse Eric Bouillette, who sadly died of cancer last year after a long protracted battle. This album is based on the collective’s feelings and memories of Eric, he features throughout the album, as his magnificent violin work is on many tracks.

The album sales will raise funds in his honour and for Pancreatic Cancer UK, it is very much as one would expect, a collection of ambient progressive music with orchestrations and some vocals, flutes and guitars, all arranged and collated by Dave Hilborne, who adds keyboards and sequencers to create the atmosphere. Whilst the album is a personal tribute, it is not maudlin and is rather a series of generally positive pieces, the fact being that Eric did not wish for his friends to be sad but to celebrate his existence and his skills with their music and to make the music positive where possible.

Haunting, sympathetic and beautiful at times, this is largely instrumental music although there are vocalisations to some tracks. Charlie Bramald of Ghost Of The Machine provides the flute parts on several tracks and where there are vocals, they are performed by Dave Hilborne. He actually manages to sound not unlike Feargal Sharkey, which is actually oddly effective and the style suits the track.

The music is really rather superb, Submerged is a long epic guitar solo from Eric Bouillette, performed over an expansive keyboard sequence and given room to stretch out and soar. This is very expressive and impressively performed, the backing support adds to the dramatic dynamism of the guitar performance, it is only a short piece but thrilling nonetheless. Other memorable and notable tracks include opener Sleeping Dogs and Safe Haven, which is hinged on some stirring piano chords and motif, sounding not unlike the early 1990’s Windham Hill label albums in places and, yes, that is a good thing, I used to love those album.

A Walk Along The Canal is a moving expressive violin part from Nina Chikvildze. Its mood is one of dignity and expression and creates a warm tone in tandem with the sensitive backing and a great guitar line from Colin, possibly my favourite track of the album, such is its simple beauty. The Navigator is a centrepiece of the album and also the longest, opening with a sixteen piece choir from Chile and Charlie’s ethereal flute tones. This is an excellent track that builds and has another epic guitar solo section, the track moves through its various parts seamlessly and is both highly effective and very memorable with standout performances from all concerned. A delicate acoustic guitar part adds dynamics and allows space for the dreamy keyboards to shimmer and shine clearly and evocatively. This is a simply stunningly well realised track, all the more impressive when you know it was all recorded remotely as the band have never met!

The Night Crossing also impresses, especially Colin’s guitar, as does The Fever Dream that continues in a similar vein. Again, this is keyboard dominated with great supporting bass from Dave Fick, who adds solidarity when required and is more subdued at other times. Any Minute Now is another excellent track with more vibrato vocals from Dave, expressing how we are taken before our time, as was the case with Eric, it is a very moving song. The Noble Lion is a shortish track but one that has lots of movement within it. Ambient type sounds prevailing alongside prominent bass notes, before a memorable piano motif appears, as do the drums, and the track builds in intensity. This carries across into the next track Submerged which takes us back to where this review began.

Return To Haven features more fluid violin from Nina and acoustic guitar sounding synth trickery from Dave. Colin’s suitably fluid electric guitar provides great counterpoint to the violin and synth and this makes for another standout track. Somewhere Between Here & Now begins to draw the album to a close with a spoken introduction from Olivia Steele. Final track, Au Revoir, performed entirely by Eric, is a touching and tender moment, deeply personal and very profound too and serves as a fitting conclusion and celebration of a life taken too soon of a person who will be deeply missed but who leaves us a legacy of emotionally enriched musical excellence.

This is an album to listen to quietly with contemplation and affirms the importance of love and the companionship of friends and that we should treasure those whilst we can. Very impressive and highly recommended.

Released 29th September, 2023.

Order from bandcamp here:

The Navigator | NOVA CASCADE (bandcamp.com)

https://www.youtube.com/watch?v=Nl6lB3TgCOg

VLMV RELEASE NEW SINGLE ‘THE NAVIGATOR’ FROM FORTHCOMING ALBUM ‘SING WITH ABANDON’

 FEATURING GUEST VOCALS FROM HER NAME IS CALLA’S ANJA MADHVANI 

London ambient post-rock project VLMV have shared new single ‘The Navigator’ via Nice Weather For Airstrikes. His third musical offering of 2022, VLMV mastermind Pete Lambrou has crafted a timeless piece that showcases honesty and self-reflection via lush harmony arrangements and delicate piano lines. The single comes as a follow up to Steady, Thyself and For Empire in anticipation of their summer album release – Sing With Abandon

Listen now: VLMV – The Navigator (Revere Cut) (orcd.co)

 ‘The Navigator’ is organic and slow burning with a crushing, instant sense of nostalgia and vulnerability with soaring guest vocals from Anja Madhvani (Her Name Is Calla). The piano was recorded on Adele’s old touring grand piano at Old Chapel Studios in Chichester whilst bassoon and cello loops were created by recording legato notes and processed through a 4-track, reversed and tape-looped to create endless lo-fi drones. 

 An ambitious yet concise album, ‘Sing With Abandon’ was born as songwriter and producer Pete Lambrou explored navigating life in the pandemic, multiple lockdowns and a country deciding to break up with its loved ones. Lyrically focused on feelings of isolation and separation, from our shared collective human experience to the deeply personal and everything in between, ‘Sing With Abandon’ touches on the isolation found within the communal experience of a country locked down and in crisis. 

Formed in early 2015 by songwriter & producer Pete Lambrou (Codes In The Clouds, Monsters Build Mean Robots), VLMV released their debut mini album via Fierce Panda Records in August 2015, along with ‘Remixes & Reworkings’, a digital overhaul of their esteemed debut shortly after. Described as “heartachingly beautiful” by Prog Magazine,, VLMV shared the follow up,  ‘Stranded, Not Lost, in 2018, earning a nomination at the Prog Awards alongside critical acclaim.  

Hailing from London, VLMV have received widespread praise for their immersive live shows, gaining them slots across the UK and Europe including ArcTanGent, Dunk! Festival, Portals Festival, Post In Paris and many more. 

 ‘Sing With Abandon’ will be release on August 19th via Nice Weather For Airstrikes and can be pre-ordered now 

‘The Navigator’ is available now

 Pete Lambrou on ‘Sing With Abandon’:

“This album is founded on feelings of isolation and separation that lockdown had on each of us – both on a personal and on a human race level. We’d become a nation – a world-divided. And although I hadn’t tried to represent that in album form, these things tend to slip out. I could never sit down and write a song about the state-of-the-world, but I believe that if you don’t try and force it, whatever is there deep down, will come to the surface in some way.”