“Music is an outburst of the soul…” – Frederick Delius
So much truth in such a simple statement; whether sad or joyous, music comes from within the soul of its composer. It can be a long and laboured task that is ultimately triumphal and that is the case with ‘The Lightbringers’, the second full album from Orion, the musical project of the prodigiously talented Ben Jones.
In the album liner notes Ben states that this was an album he fully expected not to make, he goes on to say, “My first album, ‘The End of Suffering’, was intended to be the realisation of an ambition that was born over 20 years ago. The hope was that it would put such notions to bed, once and for all! Within a few months of releasing that first album, it had sold all around Europe, as well as going as far as Japan, North America, and even New Zealand. Needless to say, this unexpected success sparked a few ideas…”
Ben had barely played a note in the 5-6 years leading up to that first album and had largely stopped listening to anything other than background noice, he knew he could do better, meaning that he knew he should do better. He wrote the first three tracks that appeared as the ‘Passing Through’ EP in December of last year and that ultimately became the genesis for this new, full-length release.
“So who/what are The Lightbringers? The basic idea is that maybe they’re a force that’s bringing everything to the ultimate good. Whatever horrors we might be experiencing in life, perhaps they serve the purpose of this ultimate good. Maybe The Lightbringers have no concept of bad, because everything they do is in the name of the best there can ultimately be. Is all of this unlikely? Probably, but you’ve got to have something to hold on to.“
I’m just looking for the light, a beacon on the shore.
A resting place to find what’s right, and a home forever more.
The opening track The Tumult of My Heart was inspired by a book of the same name by Jason Spencer from The Prog Mind. The book is about trying to deal with religious trauma from the author’s past. An imposing wall of sound is created by the layered widescreen guitar sound and the powerful rhythm section but the vocals add some real heart and soul so it’s not just a metal track. There’s a searching passion and questioning mind at the heart of this powerfully emotive piece of music and a feeling of fragility and a soul laid bare. It’s very compelling and influential and a great start to the album. The Ghosts Among Us is a profound piece of music written about the gut wrenching experience of caring for someone with a profound disability. Whilst it’s not something Ben has had to do, it is something he’s witnessed first hand. And I myself have a real affinity with this track as I have some experience of this myself and which came all flooding back as I listened to this brilliantly written song.
This Sickness is a diatribe about the negativity of social media and, man, is this track angry! Crunching guitars in the style of ‘Train Of Thought’ era Dream Theater and drums that are hewn out of granite open this thunderously compelling track. The vocals are distinct and authoritarian and the whole song just bleeds a potent intent. This is ‘proper’ prog-metal that puts a smile on my face, and not just because of the subject matter. The musicianship is sublime and Ben just seems to be having a whale of a time, venting his frustration in the best way he knows how. It’s a riot from beginning to end and I seriously enjoyed it. As Best We Can was intended to be a stripped back acoustic track that tackles the sadness of a failed relationship. Just to be clear, this is a failed relationship, not a concluded relationship. The people in this relationship have drifted apart, but they’re still together. The song opens with a gorgeous acoustic guitar and sweeping string-like synths before Ben’s hushed vocal creates a haunting atmosphere over and above the music. This elegant musical tapestry continues, imbuing the listener with a wonderful feeling of tranquility. This is the calm before the musical storm of the powerful ending to the track where everything begins to build up to a quite inspirational conclusion.
To everything, there’s a season.
A time, and a place, and a race, under the stars.
Spark opens The Cycle of Light suite, the epic that concludes the album, Ben had hoped to write an album that was in the 45-minute region as he believes that albums today are just too damned long was already around the 25-minute mark, so an epic seemed like the perfect fit! This track is a very impressive instrumental that takes you on a quite marvellous symphonic journey through the world of The Lightbringers and one where Ben really started getting into his orchestral sample libraries, hence the ramped up presence of strings, French horns, trumpets, and god knows what else during the second half of the album. Crunching guitars, thunderous, primeval drums, sweeping strings and a serious amount of grandeur add up to a truly wondrous way to begin an epic. As previously stated, The Lightbringers was a force, or a collection of entities, that have no concept of bad. They just do what they do to bring about a final state of good. The idea of The Scattering Stars is that these forces are seemingly chaotically moving. In reality, they’re just getting into position so they might exert their influence. I love this piece of music, it opens so peacefully with a delicate piano motif and the hushed vocals along with the heavenly horns and wistful strings before breaking out into an uplifting crescendo of symphonic prog metal with as much dynamism and drama as you can handle and the repeated lyric of, “They just bring gravity…” and that’s what this song fundamentally does, it pulls you into its willing embrace. We’ve all heard of people talking about the sky falling down around them. It’s catastrophic, it’s apocalyptic…. But maybe it’s necessary. Maybe these things are here to burn down our temples so that we might build better ones. The Falling Heavens is prog metal done just right, a truly incendiary cacophony of sound where every note, every drum beat and every word has a precise edge and dynamism. It’s primeval in feel and delivery, music that is hewn out of granite with djent style guitars and a passionate vocal. It all makes for a track that you aren’t going to forget in a hurry!
But is fate what they break, for those that survive the fall?
Left to rebuild the world, in the image of us all.
Although it’s tragic, maybe a person will pass away before they get to even see what light they brought to the world. I can’t imagine that in Anne Frank’s final moments, she had any concept of what her diary would bring to the world. Perhaps The Lightbringers had bigger plans.
And so we come to the conclusion of this epic album with the final track and the final part of The Cycle of Life. The Lightbringers is the best track that Ben has ever written, ten minutes of pure majesty and theatre laid out before you and what this sublime album has all been leading up to. Partly written from the perspective of the enigmatic Lightbringers, it is an utterly immersive and involving piece of music with so many brilliant hooks, riffs and motifs to keep you happy for a lifetime. The catchy chorus and addictive music are on another planet and I find myself singing the classic lines, “Let The Lightbringers burn us alive, let The Lightbringers bring us to life.” in all sorts of odd places but it has just stuck with me and isn’t that the sign of excellent music and songwriting? Just go with the flow and let the music take you along on this fantastical musical journey that is ultimately uplifting and life affirming.
The best music can take you on a wondrous, fantastical journey where, for a short while, you can forget about the trials and tribulations of this planet that we inhabit and with his latest superb Orion album, ‘The Lightbringers’, Ben Jones does just that. It is a highlight of another fantastic musical year and one that I feel will be on many people’s end of year lists and it deserves to be.
Released 16th august, 2024.
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