Progradar’s Review of 2021

I’ve had a little time to digest what was a rather wonderful year of music in 2021. Here is my review of the year with my favourite albums, in no particular order barring my number one!

Transatlantic – The Absolute Universe – Forevermore

A true return to form for the prog supergroup with melodies, tunes and overtures galore. Transatlantic gave us their best album since ‘Bridge Across Forever’.

Lifesigns – Altitude

I really think that Lifesigns have taken a massive step forward with this album, good as ‘Cardington’ was, this release is so very much better in my opinion.

Echoes & Signals – Mercurial

‘Mercurial’ trades some of Echoes & Signals’ signature post-rock sensibilities for a darker journey into the kind of prog-metal embraced by the likes of Tool and this new direction is one that I feel suits them perfectly. 

Cosmograf – Rattrapante

At the time, I said, “At this moment in time there is nothing I would rather listen to than this incredible new album from Cosmograf, will Robin’s latest pièce de résistance still be up there at the end of the year? Most probably but, here and now, it just does not get any better than this!” And here it is!

League of Lights – Dreamers Don’t Come Down

Not only a nod to the past but also a completely relevant piece of music in these present times, ‘Dreamers Don’t Come Down’ is a perfectly crafted collection of pop and electronica infused songs that really hit home.

Ana Patan – Spice, Gold and Tales Untold

Wearing her many influences proudly on her sleeve Ana Patan has just allowed the music and her excellent vocals to tell her many intriguing and involving stories and this has allowed them to breathe and come to life quite spectacularly. An album that has surprised me in its simple brilliance and one that, if you let it, will enrich your life in a myriad of ways.

The Vicious Head Society – Extinction Level Event

‘Extinction Level Event’ is shaping up to possibly be the best prog metal album of the last few years at least, I honestly don’t think I’ve had a prog metal album hit me so hard since Haken’s ‘The Mountain’

Catalyst*R – self-titled

When everything that is happening around you is making your life jaded, just press play on this bewitching collection of songs, light the spark and let the music start to take your cares away…

Michael Woodman – Psithurism

A hugely impressive and admirably different collection of songs that shows Woodman’s impish creativity at its best. A musical breath of fresh air that will leave a smile on your face and wonderment in your soul.

Vestamaran – Bungalow Rex

Get your hands on this album and, when the sun shines, get the barbecue lit, an ice cold beer in your hand, put the stereo on, turn it up to 11 and just enjoy this incredible album for, as the press release says, “Life is not just bungalow all day long, it also includes a lot of rex in the evenings.”

Tillison, Reingold, Tiranti – Allium – Una Storia

Simple but perfectly formed and harking back to the days when music just put a smile on your face, this is one album that deserves success just because of how it makes you feel and I love it for that.

Big Big Train – Common Ground

Vibrant and upbeat, thoughtful, wistful and even melancholy at times, it is a collection of amazing songs that will touch you on a basic level and move you on many others. ‘Common Ground’ is the album that will make you fall in love with the band all over again and I can’t give it any higher praise than that!

smalltape – The Hungry Heart

I’m a massive fan of music that makes me think, music that doesn’t give up its deepest delights easily and ‘The Hungry Heart’ has that in spades. HungerBurning House, Dissolution, the list goes on, cuts of pure musical brilliance that showcase this young German musician as a seriously precocious talent and one to follow closely.

Giancarlo Erra – Departure Tapes

If music could tell a story of a life lived, lost and, deep at its core, loved then ‘Departure Tapes’ is it. I am along term fan of this intelligent musician’s brilliant work and this new release is another entry into his very impressive discography.

Great North Star – self-titled

Step out of this confusing and hectic world that we live in, if only for the thirty nine minutes running time, and allow your mind and your soul to recharge. A wonderful and insightful masterpiece that will stay with you for a very long time.

Three Colours Dark – Love’s Lost Property

‘Love’s Lost Property’ is an exquisite creation, nine tracks of wondrously charming music with Rachel’s honeyed vocals lifting this release well above what you may have heard already this year. I suggest you get your hands on it as soon as you can, it is definitely worth seeking out.

The Holy Road – An Unshakeable Demon

Never be afraid to challenge yourself and listen to something different, I found the eclectic and evocative wonder of ‘An Unshakable Demon’ really hit home with me.

CYAN – For King And Country

A masterpiece of intricate melodies, mellifluous vocals and intelligent songwriting, ‘For King And Country’ delights on every level and makes you smile. You can’t really ask for much more than that, can you?

Glass Hammer – Skallagrim – Into The Breach

Epic in scope, majestic in scale and blurring the lines between progressive rock and progressive metal, Glass Hammer have given us their best album of recent years and possibly their best release ever and it should be another monster success for this evergreen band.

Findlay Napier – It Is What It Is

‘It Is What It Is’ sees this fine musician and songwriter on a higher plane and is a must buy for anyone who appreciates and treasures original music with heart and soul.

And the top gong for album of the year goes to….

HFMC – We Are The Truth

This superlative gem of release is worthy of all the praise that is being heaped upon it and finishes 2021 on an utter high for this reviewer, the finest of a wonderful crop of albums released this year!

So, there you have it, my selection of some of the great albums that graced 2021 and I am sure that 2022 is going to be just as good!

Review – The Holy Road – An Unshakable Demon

“Ordinary people are products of their environment and fit in. Artists transcend their environment and stand out.”Oliver Gaspirtz

When something is truly different to the norm (I use the phrase ‘the norm’ to mean what you are not normally used to) it tends to stand out and be noticed, whether for good or bad being for you to decide.

Jonathan Stolber came to my attention last year with his Nils Frahm curated Piano Day release in aid of tinychanges.com (to help raise mental health awareness) and I found his music difficult to pigeonhole (usually a good thing!) and it also got under my skin in a memorable way.

When Jonathan contacted me with regard to his soon to be released EP ‘An Unshakeable Demon’, my interest was immediately piqued. He spent the majority of our year of interminable and intermittent lockdowns locked in his studio putting the final touches to the record. Mixed by legendary engineer Steven Durose (Oceansize) & mastered at Abbey Road by the iconic Frank Arkwright (Mogwai), the EP was completed with the collaboration of some his favourite musicians including Chris Duffin (DrahlaVirginia Wing), James Saddington (EaststrikewestBridesmaid) and Ben Weedon (Maybeshewill).

From the electronica defining lo-fi shoegaze of opener Title Sequence through to the primal darkness of intriguing, mysterious instrumental closer Against / Social / Media, this beguiling collection of six tracks takes you on a brooding and dramatic musical journey to places your mind has never been before.

The industrial synth-heavy sinister beats of the iconic first single from the EP, Coming Up For Air, bring to mind echoes of a shadowy Radiohead where Jonathan’s vocals reflect Thom Yorke’s but with a hint of something more theatrical, like a symbiosis with Mark Almond. It is all deliciously enigmatic and murky and makes the hairs on the back of my neck stand up. This feeling bleeds into the teasing ambiguity of The Chauffer with its hushed, almost mumbled vocals and jazz infused drums. The slightly anarchic keyboards add a touch of the arcane and transcendental to another superbly cryptic piece of music.

The wistful, sepia tinged vibes of A Quiet Dedication reverberate delightfully before the calm solitude of Slow This Down (Epilogue) with its pensive and sombre tone, lays a forlorn, contemplative blanket across your soul.

Never be afraid to challenge yourself and listen to something different, I found the eclectic and evocative wonder of ‘An Unshakable Demon’ really hit home with me. There’s a knowing feel of contrast and distinction about this perceptive release and a pride of being different inherent in every note. One of this year’s most enlightening releases and one that still intrigues me after every listen.

Released 24th September, 2021

An Unshakable Demon by The Holy Road – DistroKid

The Holy Road To Release Debut EP ‘An Unshakable Demon’ 24th September.

Composer, singer, songwriter, multi-instrumentalist and producer, Jonathan Stolber has had a diverse, yet successful, career in music to date. Creating a propulsive electronic sound, Stolber would go on to perform with the likes of Her Name Is Calla, Guillemots and 65 Days Of Static, before going on to front cinematic art-rock outfit, To Bury A Ghost.

Now, having collected numerous individual awards including a twice nominated BBC Introducing artist as well as being selected by the BBC to represent Northamptonshire music at their Abbey Road Masterclass Session, Stolber has re-emerged under the guise of The Holy Road. Fresh off the back of his Nils Frahm curated Piano Day release in aid of tinychanges.com (to help raise mental health awareness), Stolber has spent “the most ridiculous year of our lives so far” locked in his studio putting the final touches to his first EP, An Unshakeable Demon.

Mixed by legendary engineer Steven Durose (Oceansize) & mastered at Abbey Road by the iconic Frank Arkwright (Mogwai), An Unshakeable Demon is a bristling, industrial collection of synth-heavy songwriting; theatrical, brooding and ominous. Tackling themes of mental health heightened by the pandemic, and exacerbated by social media, Stolber confronts issues we all face in reemerging into a post-COVID world. From the shoegaze synth-heavy opener ‘Title Sequence’, and forthcoming single Coming Up For Air abrasively unfurling with malignant intent, to the progressive instrumentals of the Explosions In The Sky inspired closer Against / Social / Media, An Unshakeable Demon effortlessly undulates from genre to genre throughout the eclectic six track EP.

Having spent the lockdown remotely collaborating with a cavalcade of his favourite musicians including Chris Duffin (Drahla, Virginia Wing), James Saddington (Eaststrikewest, Bridesmaid) and Ben Weedon (Maybeshewill), The Holy Road is now eager to share the evocative, diverse sound of An Unshakeable Demon with the world.

An Unshakeable Demon is is out on 24th September 2021.

An Unshakable Demon by The Holy Road – DistroKid

Tracks:

  1. Title Sequence (Fade In)
  2. Coming Up For Air
  3. The Chauffeur
  4. A Quiet Dedication
  5. Slow This Down
  6. Against/Social/Media

Check out the first single from the album – ‘Coming Up For Air’:

The Holy Road to Release 2 Track Download on ‘Piano Day’ – 28th March

These two tracks mark the fervent debut solo offering from erstwhile frontman/songwriter/misery troubadour Jonathan Stolber of the much loved To Bury A Ghost (“one of our favourite records of
 the year” – EchoesandDust.com)  

The Northampton based, former Abbey Road Masterclass graduate & twice-nominated BBC Weekender Artist returns this Piano Day with two deep cuts culled from forthcoming debut LP, “For The Blood Of England.”

The Minotaur (Mesto in A-Minor) is a majestic, blistering neo-classical piano-led instrumental that builds upon Stolber’s plaintive Michael Nyman-esque performance and will feature on this year’s Piano Day playlist. Backed by a searing string quintet, the song slowly evolves into a grandiose cinematic crescendo as a colossal thundering funeral march evokes an apocalyptic cacophony. The track is reminiscent in parts of Hope Of The States & Hans Zimmer and features live performances from some of the UK’s most talented string players, including David Dhonau (Her Name Is Calla) and Beni Weedon (Maybeshewill).

Slow It Down paints a different sonic picture. A dense symphony of discordant, glacial synths swell into an explosive wash of plucked harp and angelic, tumbling choir, whilst Stolber delivers his trademark vocal: a fragile, intimate croon that recalls early Elbow & ‘Kid A’ era Radiohead.

Mixed by Leeds producer James Kenosha (Grammatics / Dry The River) and mastered by John Davis
(Manic Street Preachers / Bloc Party / Joy Division).

Stolber has to date, had the pleasure of sharing the stage with many celebrated acts, including 65 Days of Static, James Yuill & Her Name Is Calla. The BBC, Drowned in Sound, Echoes & Dust, Gold Flake Paint, The 405, Sound Of Violence,John Kennedy and Gil Mills have all expressed support of his previous releases.

These two tracks serve as a gorgeous appetite-whetter ahead of the full debut scheduled for release later in 2020.

All proceeds from the Bandcamp download ‘The Minotaur’ will be donated in aid of mental health awareness : www.tinychanges.com