Progradar – 2016 – Best of the First Six Months

David

(Yours truly and Prog Guru™ himself)

Welcome ladies and gentlemen to the first official Progradar Reviewers and Friends ‘Best Of…’ feature.

I asked those who wished to contribute to cogitate over what great music they had heard, released 1st January to 30th June, in the first half of 2016 and come up with a list of their definitive five favourites.

Not an easy task, let me tell you but, here are the selections of nine (including me) erstwhile wordsmiths and friends, including a few words as to why these particular releases made the cut.

Emma

Emma Roebuck (Progradar reviewer)

Cover 2

Cosmograf – The Unreasonable Silence

This is Robin Armstrong on some amazing form.  I loved ‘Capacitor’ and I thought ‘Man Left in Space’ was a hard one to beat. I was clearly wrong and happy about it too. Robin is at his best when looking at the human condition when viewed through a less than regular lens. The mythology of Sisyphus and alien abduction combine to make such a lens.  I will treasure seeing his one and only live performance so far at Celebr8.3 fondly. The album is dark and melancholy which is the way I like my music to be honest.

This film might change your life and Relativity being high points in an album that is a mountain range of achievement.

Aftermath

Preacher – Aftermath

Their second album, and independently released like the Cosmograf album (and another 2 in my, selection if I remember rightly.) Preacher craft both songs and albums exceedingly well. ‘Signals’, the previous album, shows signs (poor, but unintentional, pun) of a band with tons to offer. They draw their roots from 70s Floyd and the melodic side of the genre.  It could be said that this is the album that Floyd should have released instead of ‘The Endless River’, I could easily agree but this is not that Floyd this is a band that use melody, harmony and song in a way that could go beyond the genre.

Stand out Tracks

War/ War reprise and Vinyl show how we look to emotions and actions and make things or deeds of them as people.

Cover

Drifting Sun – Safe Asylum

I was too young to be really aware of the genuine impact of the classic period of Prog rock. I caught the periphery in my early teens but felt no ownership of Yes, Genesis, VDGG, Floyd, Gentle Giant, etc only a serious attraction to the music as a 14 year old in 1975. In the early 80s, having ridden the horror that was punk, I remember seeing Marillion, IQ and Pallas in small pubs and clubs in 82 and it was a pure emotional and intellectual epiphany. It felt like I was hit in the heart and the brain with a piece of 2 by 4. I found home and ownership of music.  I liked ‘Trip the Light Fantastic’ immensely and when I heard this album I felt all those emotions again. I was in the Sheffield Limit club again hearing something of very high quality and I connected immediately to this music. It is Neo Prog of a very high standard.  They sound like themselves with echoes of the last 40 years resounding through the music.

Standout Tracks Intruder and DesolationRetribution.

Jump Over The Top Cover

Jump – Over The Top

I have been a fan of Jump for the best part of 21 years. It is the Classic rock society that I owe big style, not just for these but many others, in times of musical desolation.  I found my first sample of these by old school recognition and recommendation by word of mouth. Fast forward to many Jump gigs later, the new album ‘Over the Top’ comes out and it was ‘yes, get in!’. Some of the current live set had been used to fine tune some of the songs over the last 18 months or so and it shows. John Dexter Jones is a storyteller par excellence and the band are an excellent vehicle for those stories. The words are heartfelt and the music comes from the same place. If they lived in medieval times they would be the bards of old. The use of the past to illustrate the way of the world we live in now is the stock in trade here.

Stand out tracks, I want to say all of them but if I was to choose The Beach and the Wreck of the St Marie are those choices.

Cover-500K

Kiama – Sign of IV

Just when you think you have Rob Reed figured out, Sanctuary, Magenta and so on, he does something out of the blue and blows the socks of you. Take good old rock sensibilities from the 60s and 70s, put them in the hands of some very talented individuals and they become a band which sounds like they have been a unit for years. I recently saw them support Frost* and wow, just wow.

This is a hybrid, musically drawn from the past in a very real sense, and is a homage to how they used to work but it does not feel like a tribute band in anyway.  It results in a multifaceted album of light and shade with some fantastic songs and heartfelt lyrics. It is some of Luke Machin’s best work outside of Maschine & Rubidium.  Rob Reed has a blast playing with sound and tone to create things like ‘Muzzled’, which is a tribute to the Floyd Album ‘Animals’, using the tones from the period to reflect the music and the time it came out. Dylans voice is amazing, we need more Kiama …

Stand Out Tracks  Muzzled and Slip away.

Leo2

Leo Trimming – (Progradar and TPA reviewer)

Tales From The Bookcase Cover

Red Bazar – Tales From The Bookcase

This was my TPA’s review’s conclusion early in the year for this surprise package, and I’ve had no reason to change it since…

This is an excellent collaboration: Red Bazar have helped Peter Jones express more of his serious, darker side and also allowed him to display more vocal dexterity. In return Red Bazar have gained a talented and very fine rock vocalist who has added great lyrical skill and vocal feeling  to their own fine emotional musical palette…

This may be a bit of a dark horse, but Red Bazar may just have released one of the Prog albums of the year.

All Our Yesterdays cover

Matthew Parmenter – All Our Yesterdays

A favourite on two levels – it’s a great album of subtle artistry and fine music, and on another level the artist & his music  touched me personally. My Progradar review concluded:

Matthew Parmenter has stepped aside from the magnificent, gothic group dynamic of Discipline to create a solo work of art suffused with dramatic shades and emotional lyricism, conveying tragedy and hope. This is an album that is likely to captivate and beguile with subtlety and delicate emotion. It certainly gave me unexpected comfort – Inside.’

BEM023 cover

Nine Stones Close – Leaves

A darkly trippy and psychedelic album. Part dream, part nightmare – this is an album for which repeated listens gradually unpeal the layers, like all the best progressive releases. My Progradar review observed:

Nine Stones Close create rich musical landscapes suffused with a sense of the dramatic and psychedelic… They do not stick to their old formula and want to progress. My advice is stick with these guys because you are never quite sure in which direction their songs or this albums may turn, but it sure is an imaginative and fascinating ride!’

Cover

Big Big Train – Folklore

A much anticipated release does not disappoint as the album describes modern folklore, ancient legend, elegies for lost love and epic stories of heroism and loss … plus bees (!) in a rich tapestry of folk tinged progressive rock. Lyrically intelligent and insightful, conveyed with integrity and emotion, and played with consummate skill and passion. Impossible to ignore – we all sort of knew it would be great. Of course it’s great!

Cover 2

Cosmograf – The Unreasonable Silence

Simply stunning. Robin Armstrong has imagined a rich narrative of alien incursion (or paranoid breakdown?!) with sonic brilliance. The imaginative story is unnerving, whilst the music is captivating on a human level but cinematic in scope – ranging from crunching Purple riffs, through atmospheric acoustic passages to sweeping Floydian soundscapes. Undoubtedly, major contender for Album of the Year already from one of the best Progressive Rock artists of this generation.

Gary

Gary Morley – (Progradar reviewer)

HAWKWIND The Machine Stops

Hawkwind – The Machine Stops

Everything that Hawkwind evoke distilled into one disc. Great musicianship, tunes and tons of atmosphere make this the top of the pops for me. It’s been a long time since a Hawkwind album had such a buzz about it. Biggest regret – that I missed the live shows. Biggest hope – a proper live blu-ray & CD set is coming.

Aftermath

Preacher – Aftermath

Prog at it’s best for me needs a driver. Preacher use guitars. Proper guitars like your dad waffles on about when he talks about Pink Floyd, Steve Hillage, Jimmy Page and that time he watched Rory Gallagher play for 3 hours at the Hexagon Theatre and your mum was drinking pints and ended up paralytic, singing along to “Wayward Child” sat on his boss’s shoulders…

cover

I Am The Manic Whale – Everything Beautiful In Time

Local boy’s debut embraces everything that is good about music. It has great tunes, off the wall lyrics and subjects that place it head and shoulders above most of what passes for modern music from the under 30’s. I’m looking forward to their next offering, be it a live gig in Reading or more music.

cover-1

Gandalf’s Fist – The Clockwork Fable

‘The Clockwork Fable’ is a Steam punk opera, like a space opera or a soap opera but without the bad romance and dodgy backdrops.

I loved the variety of musical genres used to tell a totally bonkers tale of clockwork suns and steam powered boys looking for missing cogs in a giant machine all played out in a cavernous underground city. There are rock tracks, some great drumming, some “epic” prog , some plaintive melodies and a host of guest vocalists and musicians, all of which add to the mix without overegging the lily.

The first time you listen you get sucked into the world presented here. It’s a Post apocalyptic, dark dystopian world but there are flashes of humour and the absurdity does not detract from the sheer brilliance of the effort here.

Cover

Steven Wilson – 4 1/2

“left over’s” from ‘Hand .Cannot .Erase’ these track might have been, but as a snapshot of Mr Chuckletrousers ( © Angus Prune I Think) and his Zeus like stature in the modern Prog pantheon  this is sublime in its perfection. Hints of Zappa referencing impossible “stun guitar”, epic soundscape that demonstrate his skill as an arranger and bleak yet beautiful lyrics are all wrapped in a package that sticks 2 fingers up at the download and go generation. This is a quality production in every detail, lovingly constructed and presented for your pleasure.

Shawn Dudley

Shawn Dudley – (Progradar reviewer)

Press_cover

Messenger – Threnodies

It took several spins for this album to truly work its magic on me, but once hooked it just won’t let me go.  A beautifully organic record, informed and powered by vintage sounds but not a slave to them.  The tastefully arranged guitar work on this album is a particular highlight.  Favorite tracks:  Balearic Blue, Celestial Spheres. 

Press_cover

Haken – Affinity

Haken leaves the 1970s sounds of ‘The Mountain’ behind, makes a brief stop in the 1980s for the song 1985 and then ventures forward into the future on Affinity.  An endlessly inventive collection of intricately designed and passionately performed pieces it’s one of the most thrillingly forward-looking albums of 2016.  It’s time to drop the “Prog Metal” genre tag, these guys have transcended it.  Favorite tracks:  The Architect, Red Giant

purson-desires-magic-theatre-cover

Purson – Desire’s Magic Theatre

Purson’s follow-up to ‘The Circle And The Blue Door’ is essentially a solo album from Rosalie Cunningham who wrote, arranged, produced and performed the majority of D.M.T. herself.   A conceptual psychedelic journey influenced by her Father’s record collection and her own experimentation with mind-expanding substances.  Another case of an artist using the canvas of vintage instrumentation and production techniques to create very personal and unique modern music.   Favorite tracks:  The Sky Parade, The Bitter Suite.

Cover

Big Big Train Folklore

Another beautiful collection of immaculately arranged and produced “pastoral prog” from this master collective of musicians.  I recommend going for the extended track-list available on the LP and High-Res download editions, I believe an even stronger collection than the shorter CD version.  Favorite tracks:  Salisbury Giant, London Plane

Print

Knifeworld – Bottled Out OF Eden

A wonderfully quirky concoction of pop sensibility, progressive experimentation and the harmonic sophistication of jazz all mixed together into a thoroughly accessible brew.  And it’s fun!  Favorite tracks:  I Am Lost, I Must Set Fire To Your Portrait.

Roger

Roger Trenwith – (TPA reviewer and Astounded by Sound blog)

cover low

Bent Knee – Say So

An unparalleled triumph of invention, melody, and strangeitude, it will take some beating for album of the year.

cover

David Bowie – Blackstar

Hardly seems right relegating this poignant artistic statement and full stop on a career of a true visionary to No.2, but from a purely musical point of view, them’s the breaks.

Print

Knifeworld – Bottled Out OF Eden

A chronicle of loss leavened by hope, Knifeworld get better with each release. Criminally underrated.

cover

Body English – Stories of Earth

Is there a sub-genre called “prog-pop”? If not, this is it. A truly joyous record shining a light in this dark Year of Stupid.

KCr

King Crimson – Live In Toronto – Queen Elizabeth Theatre, Toronto, Canada, 20th November 2015

Whatever I put here means leaving out at least half a dozen albums equally as good, so this came out on top after a complicated mathematical randomisation process involving dice, incantations, dead frogs, toads, and copious amounts of single malt. The mighty Crim remake, remodel like no-one else. The version of Epitaph will make you shiver, unless you have no soul. Superb!

Kev

Kevin Thompson (LHS) – (Progradar reviewer)

Cover

Big Big Train – Folklore

Does this really need a reason?, best of the Band’s excellent output so far and an album that will always be on my desert island disc list. As near to perfect as it gets…

Press_cover

Long Distance Calling – Trips

There are so many bands in this area of music it’s hard to stand out, but, on this release, Long Distance Calling have…..

cover-1

Gandalf’s Fist – The Clockwork Fable

A tremendous 3 disc concept package of such quality. Never been better value for money and shames the bigger bands!!

cover

Iamthemorning – Lighthouse

A delicately beautiful album from this Russian duo added further poignancy with the heartfelt vocals from Mariusz Duda on the title track.

Cover Album low res

Downriver Dead Men Go – Tides

Another band who came recommended and I’d not heard before buying. Slow, dark and emotional, this Dutch band surpassed my expectations.

David

David Elliott – (Prog Guru™, TEP, Bad Elephant)

Cover

Lazuli – Nos Âmes Saoules

There is nothing else quite like them, and they keep on going from strength to strength….

cover low

Bent Knee – Say So

My first exposure to this amazing American band…genuine innovators, and hairs-on-the-back-of-the-neck exciting!!

Cover

The Dowling Poole – One, Hyde Park

Unashamedly unoriginal, but huge fun, and immaculately crafted. Big smiley music.

Print

Knifeworld – Bottled Out Of Eden

Banging tunes, a great groove, and more bassoon!!

Press_Cover_01

Frost* – Falling Satellites

A great return to the arena from the masters of modern progressive. Progressive rock with pop sensibilities – what’s not to like?

John Simms

John Simms – (Progradar reviewer, Rev Sky Pilot blog)

Cover

Big Big train – Folklore

Consistently turning out excellent pastoral English progressive music, BBT have hit the motherlode again with this suite of songs celebrating the British folkloric tradition. From the sublime beauty of ‘Transit’ to the quirky tale of ‘Winkie’ the Pigeon, this is music of the highest calibre.

IoK cover

Anderson/Stolt – Invention of Knowledge

This, for me, is simply the best music anyone connected with Yes has produced since ‘Awaken’. It draws on the bestaspects of Yes and Flower Kings and produces something sublime and beautiful. It was a very close call between my Top 2.

cover

Southern Empire – Southern Empire

One of the up sides to Unitopia folding a few years ago is that we now have both UPF and Southern Empire to carry on the legacy. This is a fine collection of melodic progressive rock music, exhibiting high levels of virtuosity and songmanship.

Print

Knifeworld – Bottled Out of Eden

Another band with a unique style and approach to music making. This is a wonderful follow-up to ‘The Unravelling’ and Kavus and his band of minstrels continue to delight.

BEM021 album cover

Mothertongue – Unsongs

The best music is that which stands out from the crowd, and Mothertongue certainly do that. Ecclectic, bizarre, unexpected and bonkers, this is a wonderful collection of (un)songs.

Hutch

And finally my thoughts, this selection of five albums was incredibly difficult to pick but I’m pretty certain that, at this moment in time, it is my definitive top five!!!

BEM021 album cover

Mothertongue – Unsongs

With its incisive, intelligent lyrics and first-class musicianship, Unsongs is unlike anything you will have heard in recent years. The music will lead you on a roller-coaster journey of acid jazz inventiveness that’s a big heap of noisy and light and also includes a lot of brass because everyone likes brass, right? A musical breath of fresh air that you will return to again and again, it’s just brilliant!

Cover

Big Big Train – Folklore

The acknowledged masters of pastoral progressive rock and intelligent and incisive storytelling return with a fresh collection of tales gleaned from our heritage and history. With their penchant for heartfelt lyrics and beautiful music it is an involving and mesmerising journey that everyone should take at least once in their life.

Cover 2

Cosmograf – The Unreasonable Silence

Thought provoking, questioning and inventive, ‘The Unreasonable Silence’ has all that I ask for in my music. A well constructed and intelligent concept brought to reality by a gifted musician with incomparable support from some incredible guests. It makes you really think about what you have heard and, above all, is a peerless, outstanding and incomparable listening experience that you will not forget any time soon.

cover

Iamthemorning – Lighthouse

‘Lighthouse’ is an amazing musical journey from the first note to the last. It is bewitching and beguiling and removes you from your everyday life to a place of wonder. Darkly captivating, it is not all sweetness and light but is a musical legacy that iamthemorning can build on and the ‘Lighthouse’ can light the way. These two exceptional artists have now moved into the major leagues and it is well deserved, album of the year? why not!

Tilt Album

Tilt – Hinterland

A superb album by a cast of very accomplished musicians. Brilliant vocals, burning guitar solos, a thunderous rhythm section and songwriting of the highest quality combine to deliver one kick ass release that I keep returning to again and again. By the way, three of these guys are better known as Fish’s backing band but, oh my god, have they risen well above that soubriquet now….

So, there you have it, a small selection of our own, very subjective, opinions on what has been the best music of a highly impressive first six months of 2016. You may agree, you may not but, one thing that everything agrees on is that the music just keeps getting better, and long may it continue!!

 

 

 

 

 

 

 

 

 

 

 

 

 

Review – Opeth – Deliverance and Damnation (remixed) – by Shawn Dudley

D&D_Vinyl

2015 has been a retrospective year for Opeth. Their 25th anniversary tour was celebrated by adding a full performance of the 2005 album ‘Ghost Reveries’ in addition to their regular ‘Pale Communion’ set and the year closes out with a deluxe remixed reissue of their classic albums ‘Deliverance’ and ‘Damnation’.

Two albums that were recorded during the same sessions and intended for release together, but their record label at the time (Music For Nations) split them up and issued them 6 months apart. This reissue fixes that mistake and the new mixes from Steven Wilson (‘Damnation’) and Bruce Soord (‘Deliverance’) offer up a fresh perspective on this material, which was so important to the evolution of the band and what they’ve been able to accomplish in the ensuing years.

The creation of this double album was far from a painless process however…

Opeth was coming off their breakthrough release ‘Blackwater Park’, an album that finally opened the doors to the US market so expectations were very high.  Mikael Akerfeldt remarks in the liner notes: “I remember that even though I was determined to write the heaviest record to date, I kept coming up with these beautiful snippets of acoustic music. It was disturbing. My muse wasn’t cooperating. Where’s the fucking metal?”

Mikael’s best friend Jonas Renkse (Katatonia) suggested that the answer was to record two albums; one heavy, one softer. Mikael latched onto the idea immediately but their record label took some convincing. The only way the label would agree to a double album was if the record only counted as a single release against their contract and if they recorded it in the same amount of time and on the same budget as a single release.

Despite only having three completed songs ready and a month to record the entire project, Mikael dove into writing and recording on the fly, often staying up all night writing and then recording the next day. To add to the stress of the situation, the first studio they booked was not well maintained and frequent equipment breakdowns quickly put them behind schedule.

They soldiered on, changed studios and completed recording of the basic tracks, but Mikael was utterly exhausted and called on his friend Steven Wilson (who had co-produced ‘Blackwater Park’) to assist them with finishing the project. Wilson would help to put the finishing touches on the ‘Deliverance’ half and then him and Mikael worked together to craft ‘Damnation’.

Steven contributed keyboards and backing vocals for both albums in addition to writing the lyrics for the song Death Whispered A Lullaby.

Opeth-Deliverance

Deliverance

“Deliverance was always meant to be a dark and heavy record. I can’t remember why I wanted it to be, to be honest. At the time of writing the songs, I wasn’t listening to any music like that. I only played soft singer/songwriter stuff or progressive rock. 

I can’t remember listening to any extreme forms of metal at all. In retrospect, I think I might have been afraid of losing touch with the form of music that had shaped the band in the first place.”  – Mikael Akerfeldt

Based on the finished result, any fears Mikael may have had about losing touch with their heavy side were utterly unfounded. ‘Deliverance’ is one of their heaviest and most intense records; probably made even more so by the stressful circumstances that birthed it. It’s the perfect mirror image to ‘Damnation’; the stylistic breadth of Opeth’s ‘from a whisper to a scream’ approach on full display.

‘Deliverance’ is a fairly uncompromising listen for the most part, but it also contains many moments of beauty and progressive rock sophistication. A Fair Judgment is my personal favorite track from these sessions, a multi-layered epic that begins with Steven Wilson’s plaintive solo piano intro and then ebbs and flows in dramatic intensity for the remaining 9 minutes. Mikael sticks to his clean voice throughout (at this stage getting more assured with each album) and the song also features some fine guitar solos and a nice doomy outro.

The title track deserves special mention as well as it’s arguably the best prog-metal arrangement in their discography. If I could only pick one song to demonstrate their breadth of sound it would be this one. Military-precision death metal and delicate acoustic passages flow effortlessly into one another creating dramatic tension and release throughout the 13 ½ minute composition. The wonderfully hypnotic repeated rhythmic figure during the ending segment is thrilling, I can think of few bands that could pull it off. It may be a cliché but this song is definitely a jaw-dropper.

Bruce Soord’s meaty remix of the album really brings out the dynamics of the original recording and is quite different in character to the original mix. The most noticeable difference is in the drums and the low end. Bruce removed the triggered “clicks” on the kick drums that were omnipresent during that era and that suddenly allows the bottom end to breathe, the kicks now push massive amounts of air. The original mix had very little low-end definition, now it will rattle the rafters.

He has also used a wider stereo spread and more three-dimensional positioning of the vocal tracks and lead and acoustic guitar parts, giving the entire album increased depth and presence. While it’s still a fairly compressed sounding recording this version is a dramatic overall improvement and sounds fantastic in the 24bit/96khz stereo mix on the DVD. It can be cranked loudly with no discernable distortion.

 

Opeth-Damnation

Damnation

“Damnation” is a happier memory, even if it really shouldn’t be, as its writing and recording was almost equally difficult. I guess it was a more interesting album to make, since the music/direction/everything else about Opeth was moving and progressing in actual real time. In the same pace as the music was created. Quite odd, when you think about it now.” – Mikael Akerfeldt

It’s going to sound like hyperbole but I honestly believe ‘Damnation’ is one of the most unique and beautiful albums of the past decade. Opening track Windowpane was my first exposure to Opeth and it just sounded utterly timeless and classic from that very first listen. It’s not often that I hear a single song that starts an obsession, but that’s exactly what happened in this case.

‘Damnation’ is 44 minutes of melodic progressive rock perfection, one that acknowledges Mikael’s many musical influences while still sounding unmistakably like Opeth. The band responds brilliantly to the new challenges introduced by these arrangements and each member puts in a career-best performance. Special mention goes to Martin Mendez (bass) and Martin Lopez (drums) for their deft rhythm section work, I can think of few metal bands that could so convincingly alternate from the delicate swing of a track like To Rid The Disease to the full-on metallic assault of Master’s Apprentices.

Steven Wilson provides an array of classic prog keyboard sounds to the recording and would inspire Mikael to expand Opeth’s lineup to feature a full-time keyboardist from this point forward.

Steven Wilson’s remix stays true to the character of his original mix from 2002 while bringing out even more depth and detail to the intricate arrangements. It’s not quite as dramatic of an improvement as ‘Deliverance’, but ‘Damnation’ was a good sounding album to begin with; now it sounds phenomenal. It’s an essential upgrade.

Being able to experience both of these albums together, as they were intended, really helps illustrate what an important stylistic step they were for the band. ‘Damnation’ allowed Mikael to fully explore his progressive rock side without being restricted by stylistic concerns and that freedom carried onto his writing on subsequent albums. ‘Deliverance’ would simultaneously close one chapter of their career (the 4-piece lineup) while pointing toward the expanded creative direction they would follow on ‘Ghost Reveries’, ‘Watershed’ and beyond.

For a deeper understanding of this material and the circumstances surrounding the recording sessions I highly recommend picking up the DVD set ‘Lamentations’. It features a documentary film made during the recording of the albums with interviews of the band and Steven Wilson.  The concert recording features 2 sets, the first set including the entire ‘Damnation’ album and the second set featuring tracks from ‘Deliverance’ and ‘Blackwater’ Park. The concert was filmed at Shepherd’s Bush Empire in 2003.

The Box set was released on 14th September 2015

Buy the box set direct from the artists webshop

 

 

 

 

 

 

Progradar’s – ‘Best of 2015 So Far’ – Edition

ProgradarPic

Don’t be put off by the scary picture, that is actually me getting ready to tell you what albums have made my ‘Best of 2015’ list. These lists are always subjective and incredibly hard to compile. Let’s be honest, at the end of it all, it is only my opinion which can agree with or differ from, all it is meant to be is a guide to what music has really inspired me this year so far.

Firstly a self-imposed rule that I won’t include any Bad Elephant Music releases because, as you know, I attempt to be the Head of PR for this rather special record label and it could be seen as bias.

BEM logo

To be honest, all the BEM releases this year are as excellent as ever and would probably have made my list anyway so please do go to:

The BEM bandcamp site

And check out this years releases from Audioplastik, jh, We Are Kin, Tom Slatter, Emmett Elvin and The Fierce and the Dead, superb, eclectic and downright brilliant.

Right, that’s the advertising out of the way now on with the main course…..

In no particular order, here are my top 15 releases so far for 2015.

Album cover - lower resolution

Sylvium – Waiting for the Noise

Superb progressive rock with tones of Porcupine Tree and Riverside. A musical experience that emphasizes emotions rather than the eternal quest for a perfect pop song.

Cover

The Tangent –  A Spark in the Aether

A return to traditional progressive rock, incredibly addictive, flippant and irreverent and, well, just darn good fun!

cover

The Wynntown Marshalls – The End of the Golden Age

Scottish tinged Americana with powerful and haunting songwriting and outstanding musicianship.

Cover

Karnataka – Secrets of Angels

The first album written specifically for vocalist Hayley Griffith’s voice, a symphonic prog- rock masterpiece with towering anthems and delicate ballads concluding with the epic twenty-minute plus title track.

2CD Wallet with Spine.pdf

Tiger Moth Tales – Storytellers Part One

An album that is even better than the delights of ‘Cocoon’. My inner child is brought to the fore by the magic, charm and allure of ‘Story Tellers Part 1′, it takes me away to an inner nirvana where nothing can touch me or spoil my mood.

cover

Hibernal – After the Winter

Mark Healy’s cinematic and evocative soundscapes waft over a post-apocalyptic spoken word storyline to deliver an immensely visceral listening experience.

DARKBLUE COVER low-res

Transport Aerian – Darkblue

A deeply dark, disturbing and highly original work of art from this talented, serious musician. Well worth a listen but, be afraid, very afraid!

cover

Echolyn – I Heard You Listening

Storytelling by music, getting to the heart of the matter and opening up small town America, sometimes a band can come very close to perfection with a new release and this album is as close to a must buy album as I’ve heard this year.

Cover

The Aaron Clift Experiment – Outer Light, Inner Darkness

An excellent new release full of sophistication and depth and powerful, thoughtful songs that resonate deeply with you. An album about duality, darkness and light and imbued with intricate compositions, complex arrangements and virtuosic performances, you will want this delight in your collection, trust me…..

coverart-flat-1920px_final

Glass Hammer – The Breaking of the World

Let’s get the Yes comparison out of the way, these guys do traditional progressive rock so well they have transcended that to stand in their own circle of praise. A highly impressive effort once again.

cover

Built for the Future – Chasing Light

All sorts of influences combine in this impressive melting pot to deliver a debut album of sheer beauty. I was so surprised by the quality and heartfelt emotion of this album, it is that good!

Cover2

Maddison’s Thread – self-titled

Folk is rooted at the core of Maddison’s Way but this album is all about the music and the way Lee can diversify with aplomb is very impressive. A contender for album of the year for me and one that will stay with me for a very long time.

Eidos - Cover

Kingcrow – Eidos

Progressive metal that is more prog than metal. I will probably upset some people here but, to me, this is the thinking man’s Opeth, much more accessible and quite deeply, darkly moving.

cover

Barock Project – Skyline

An unexpected highlight of the year so far, hopefully the fourth album by this extremely talented and still relatively young band will see them break into the mainstream of the progressive rock market. I for one think that, with music as deeply enjoyable and illuminating as this, that they definitely deserve it!

cover image jpg

Kinetic Element – Travelog

An album of ‘opulent ear candy’ featuring 5 tracks of classic progressive rock that harks back to the 70’s. Superb musicianship featuring everything from jazz basslines, intricate guitar work and soaring keyboards combine with delightful vocals to deliver something that every prog fan will like.

I chose not to include E.P’s but there have been a couple that have stood out for me this year so far Big Big Train’s ‘Wassail’ and Progoctopus’ ‘Transcendence’ are both excellent and well worth catching up on.

Like I have already said, lists like this are very subjective and other albums could have made it so here is a selection of ‘honourable mentions’ that have really struck a chord with me this year so far……

CoverMandala 'Midnight Twilight' â digital cover

covercover

Coversylva

HCE-finalcoverCover

Press_Cover_01cover

covercover

 

Covercover

So there we have it, just over half of 2015 has passed and we have so much more new music to look forward to. Let me know your thoughts, there will be albums you expected and some you didn’t no doubt and I’ll see you at the beginning of 2016 for the year end awards!