Tag: Roger Dean

Review – Downes Braide Association – Celestial Songs – by John Wenlock-Smith

Some albums you wait for eagerly only to be ultimately disappointed and let down. Well, that is certainly not the case here as this fifth instalment of the Downes Braide Association is a triumph in every sense, continuing on from the utterly wonderful and captivating release that was ‘Halcyon Hymns’ in 2021.

‘Celestial Songs’, due to be released in September, delivers a further eleven slices of perfectly concocted, aurally magical, progressive pop/rock brimming with melodies and inventiveness. It is a gloriously life affirming listen, with pretty much the same team that presented us ‘Halcyon Hymns’. With Geoff Downes adding his keyboard magic to a varied sound palette and Chris Braide providing vocals that are very expressive throughout, this material is possibly their strongest yet. They are joined by Dave Bainbridge who adds guitar to several tracks and Marc Almond, who provides a good vocal for Darker Side Of Fame, a tale of a faded rock star, possibly based on his own experiences? Also present is the stylish bass playing of Andy Hodge and Geoff had this to say about his fellow musicians;

“It’s very useful having this core of musicians that are ready to enhance our music,” agrees Geoff Downes. “Andy Hodge is very much an integral part of this unit. When we send him stuff to play, he has incredible feeling and creates a more interesting bass part than we could have thought of ourselves.

“Having Dave Bainbridge with us has added another dimension to the DBA-sound and I’m very happy with that. Dave’s got his own stamp and that’s something that we appreciate having on board.“

This album has a lot of variety to its tracks, every song is different yet each casts its own spell and it all provides an interesting spectrum of colours and sounds and is wonderfully produced and delivered with style and commitment. As always, the artwork for the album by Roger Dean is lush and vibrant and is eminently suited to the music the album contains, the power of the music definitely elevated by the magnificent and deeply impressive artwork. A further pleasing aspect of this album is the clever application of knowing when a track warrants an extended running time or benefits from brevity. These skills come from experience really and on this album they have the balance about right This means the three longer tracks get room to reach their full potential, making this is a rewarding aspect of the album it is stronger for it.

Highlights include the fantastic, ballad-like, opener Look What You Do, a lush and gorgeous evocation of love with Chris Braide’s hauntingly elegant vocal front and centre, Clear Light, the first single, which is pure 80’s prog-pop excellence in the vein of Asia (no surprise with Geoff Downes involved!) and the aforementioned Darker Side Of Fame, a nostalgic feeling song where Marc Almond and Braide deliver a stunning vocal performance. Hey Kid is a more laid back and piano led track with breathy, hushed vocals and a wistful tone and Will To Power is all electronic, swirling keyboards, funky guitar and dynamic bass that opens up into what would have been a shoe in for a single release, when people used to buy 7″ vinyl that is!

The first of the longer tracks, Heart Shaped Hole, begins with delicate keyboards and short guitar interjections, The track also benefits from a soaring guitar solo from Dave who is playing with fluidity and feeling, oozes emotion and is a sheer joy to listen to here. The song isn’t bad either. Dear Petra seems to be about war in Ukraine and is a sensitive and impassioned cry for help, support and an end to the inhumane and abhorrent practices of war. This song has real depth and empathy and its message will stay with you long after the song ends, this also has a strong spoken introduction.

On The Run is another storming track with a strident beat and excellent lyrics. In fact, all the lyrics on this album are generally excellent, helping to create great songs with real depth feeling and meaning. These things are rare in a world of shallow unfocused music that is unsightly heralded by the media, so, when you come across music that actually has real merit it should be encouraged, praised and, above all, noticed and this album showcases that perfectly. Goodbye To You (Sister Shame) is up next and this one is a musing on the nature of love and how fate plays its part in making connections. The words are very profound and earnestly sung and the sound has overtones of the Beatles in parts, a really good track with more expressive guitar from Dave.

Closing track Beyond The Stars is also the albums longest, opening with synths creating an aural soundscape before giving way to church organ sounds underpinning the spoken word introduction. The song moves into more epic keyboards before a meaty guitar line plays over the synthesised soundscape with an orchestral sound. The use of dynamics in this album is really impressive, creating wonderful moods and taking you, the listener, on a great journey of discovery through different worlds of wonder, hope and even joy. This is a journey that you need to experience for yourself through this excellent sounding and sublime album

Now I am going to listen to this again from the start and marvel again at the depth of talents that have made this a wonderful warm and life affirming album. DBA aren’t afraid to ask deep probing questions and offer their own interpretation on the big questions of life. Don’t be afraid to join in this quest, I think you will enjoy the challenge and hear some great music whilst you do so. If you like symphonic or orchestral type prog then this one is most certainly up your street for there is much that will entrance you here.

Released 8th September, 2023.

Order from Cherry Red here:

Downes Braide Association: Celestial Songs, CD Edition – Cherry Red Records

Watch the videos for Keep On Moving and Clear Light ;

Live Review – YES At Manchester Bridgewater Hall – by John Wenlock-Smith

This was a particularly good show, if not just a little strange at times. The evening started with a few words from legendary album cover artist Roger Dean, who has worked with Yes for over 50 years, a true gentleman and very enthusiastic about the works he has created for the band over the years.

He started off by talking about the loss of Alan White and played a short sequence of images of Alan’s time with the band, then Yes came onstage and started their first set with On the Silent Wings of Freedom from the ‘Tormato’ album, a song that rarely gets played live. The band were up for it though with Steve Howe especially energised for the proceedings.

There were a few gremlins sound wise but the band got through it very professionally. Billy Sherwood’s Bass was a huge sounding behemoth, very Chris Squire like in tone, and he played some exceptionally good lines throughout. Billy has a certain air about him, like a rock god from a bygone age with his long flowing hair and his boots very much an image, but he can certainly play that bass like a master. New drummer Jay Schellan kept things very tidy at the back, solid and uncluttered, much like Alan White used to really.

This latest incarnation of Yes is very much orchestrated, led and driven these days by Steve Howe, who was constantly issuing instructions to the other band members with his hands or voice. Steve is the last member with a connection to their golden age (of which ‘Close To The Edge’ is a major capstone of course). Sure, you could moan about the lack of the presence of either Rick Wakeman or Jon Anderson, however the integrity of this band stays true under Steve’s guidance. Jon Davison may not have the presence of Anderson but he is a very fine singer for this version of Yes.

The band then played Yours Is No Disgrace, which was the first of several longer pieces performed tonight. This song was obviously a long-time favourite of many of the audience who’s average age was sixty plus. It is very strange being part of a crowd this old and you definitely know it is odd when the toilet queue is twice as long for me as it is for women!

We then moved onto No Opportunity Necessary, No Experience Needed, from the ‘Time and a Word’ album, one that no one onstage had been a part of but still played it with much gusto, making it one of the highlights of the evening so far. This was followed by a rousing version of Does It Really Happen from ‘Drama’ and Geoff Downes’ keyboards really shone making it really stand out. We were then treated to Steve Howe’s solo guitar piece, The Clap, which he delivered to much acclaim and a rapturous response.

The latest Yes studio album is ‘The Quest’, which got a mixed critical response. Well, here tonight ,the two tracks they played, The Ice Bridge and Dare To Know, were both very well received, with Steve howe really on fire with his playing, he gave the recurring riff and melody some real oomph! This led to Heart Of The Sunrise from ‘Fragile’, another lengthy workout for all the members again with the thunderous bass from Billy really made this memorable, it was another highlight for me.

After a short break and queuing for the toilets the show recommenced with the main event of the evening, legendary album ‘Close To The Edge’ in its entirety.

The three songs, Close To The Edge, And You And I and Siberian Khatru are possibly the very essence of Yes, they were certainly different to much that was around in 1972. These pieces both retain and contain all that makes Yes so loved, mystical lyrics and driving and unorthodox time signatures where musicians really worked and stretched a piece of music to the maximum. This evening the songs did just that, with an especially fine rendition of And You And I. With some dramatic and effective pedal steel guitar from Steve at the end, it soared out over the audience and was again very well received. Siberian Khatru was also well received and was an excellent finale to proceedings, with the crowd up on their feet clapping along with the music.

Then it was encore time and what could it be but Roundabout and Starship Trooper, both of which really rocked out, sending everyone home extremely happy and satisfied at what they had seen, Yes doing what they do best, remembering a lost colleague and progressing onward as only they can. It was an astonishing and wonderful evening and performance plus, to top it all, Roger Dean signed my copy of the Topographic Oceans CD!

You can buy tickets for the remainder of the shows at this link:

https://yesworld.com/live/

Q&A With Jon Davison of Arc of Life – by John Wenlock-Smith

John Wenlock-Smith partakes in a Q&A with Jon Davison about the new Arc of Life project for which Jon is the vocalist.

1/ Arc of Life is a new project, how did to come into existence?

While on the road with YES a few years back, Billy and I found a mutual inspiration to start writing during the long drives on the tour bus. Jay was soon involved, supplying his creative input and positive perspective. We then unanimously felt Jimmy was a natural fit.

2/ Who suggested Dave Kerzner for the keyboard role?

Again we unanimously agreed, as with Jimmy, that Dave would bring the perfect musical ingredients into the Arc fold. We were all thinking the same thing in a sort of collective consciousness, but to answer your question accurately, I believe it was Billy who first gave voice to the idea.

3/ What are the main themes to the album?

The most prominent theme is the evolution of mankind. The concept of an arc of life signifying the rise in man’s consciousness and eventually leading to a far greater understanding, passed all political power play and the greed and indifference which plague and sustain the inequalities of our world. Through this ascension of evolution, man’s intelligence will become highly developed, revealing technological advancements beyond our wildest imaginations.

4/ Were you tempted to get a named producer in for the album or Roger Dean for the cover? 

We did seriously consider both at one early point.  We discussed the idea of working with Hugh Padgham, but eventually agreed that producing ourselves, with Billy’s skills at the helm, meant ultimately having complete creative freedom.

By choosing to not work with Roger Dean we thought we might minimize the Yes comparisons. I suppose they are inevitable anyway, but we certainly didn’t want to add to them (lol.)

5/ Aside from Yes, what other influences are apparent?

Back to Padgham and The Police sound. Another influence was Peter Gabriel, particularly in a song like, Talking With Siri.

6/ Is this a one off project or can we expect to hear more new material and, if so, is there a time frame for this?

We actually have a lot more material already in the works that will eventually surface on the next record. We have no time frame as of yet for ARC II. More importantly for now, we have so much to look forward to with this record.

7/ This band could have great potential for the live arena, could there be live shows post covid? Could you tour with Yes for example?

We want to be out on the road, sharing our music with as many people as possible, worldwide. We are totally keen to the idea of opening for a bigger arena type band. The only way it would be right touring with Yes is if each member of Yes also performed in the context of their respective solo and side projects. An event highlighting the current day Yes family tree, if you will, followed by a headline performance by Yes.

8/ I think the overall response has been overwhelmingly positive?

That is great to hear. The album has been a long time coming and it’s rewarding to finally witness its coming to light and the enthusiastic reaction of so many.

9/ What’s happening with Yes, is there any progress on new material yet?

We’ve been creating and recording since the pandemic hit and have our sights set on a new album. The rest I’ll leave as a surprise.

10/ What’s the story behind the album cover?

The album cover is symbolic of the dawning of enlightenment just off in the horizon as mankind perceives its light at the end of the long and treacherous tunnel through which we have journeyed – to reach at last the exit of the deep cave of darkness and ignorance. What can I say… I’m an optimist (lol!)

‘Arc of Life’ was released on February 12th 2021.

Order the album here:

ARC OF LIFE – Arc Of Life – CD Jewelcase | Frontiers Music Official Shop