Review – The Mighty Ra – All Secrets Known – by John Wenlock-Smith

There is an old and unfair joke that when you get three Welshmen together that they form a choir, very untrue as here we have four Welsh musicians who have together formed a new progressive rock band! The four are Andy Edwards on guitars and vocals, Rob Griffiths on drums and percussion, Dave Rowe on bass and vocals and finally Rob Wilsher on keyboards. The four come from a wide prog background with Andy involved with Magenta and Cyan, Rob Wilsher with MultiStory, Rob Griffiths with EZRA V and Dave having been gigging for over 30 years, playing with countless big names in that time.

This project is a little different in that the four came together to work on some new ideas and found that they were so inspired that they formed a band. The idea is to write strong material together and then take it out on the road and play some gigs. This gained traction with interest from White Knight Records who have released the quartet’s debut release, ‘All Secrets Known’, which is a fine release for these times. The four bring much experience and skill to these songs, the album has a good mixture of long and shorter tracks in various styles, all with a great sound and some epic musical passages.

The albums kicks off in epic style with the lengthy, near ten minute title track, All Secrets Known (which also features Les Penning as the voice of God), with its tale of how knowledge was transmitted to earth through the minds of the ancient Egyptians  who translated this into physical form to create the mighty temple of Ra. The song opens with keyboards before a fine guitar line is introduced from Andy Edwards alongside vocals in which he is singing about knowledge, the pursuit of and the benefits of the same. The song has a strong sci-fi theme to it but it is the epic music that really takes this song to new heights. There is a fabulous and rather muscular guitar part about half way in that elevates the track into something very special indeed. This is followed by some fabulous keyboard sounds and textures to make a most impressive opening statement. Nothing Comes Too Easy follows and this hinges on a very  strong bass line that holds it all together well. The song talks of how less is always more and that life is a journey not a destination path, which is of course very true and such realisation can help one make both some sense of life and also enable us to enjoy the journey that we are each taking. This is a very positive song all told and the music is equally as enjoyable with fine guitar lines threaded throughout its six minute running time.

Freedom has an interesting opening sequence before a magnificent guitar part takes over with a fluid line and some funky riffing. There is a chorus of “Freedom” in all of this although the songs meaning is a little unclear to me although another great guitar solo and some epic keyboards again make for another strong track. Will We Ever Know is another longer track clocking in at eight and a half minutes and features a strong chorus and lots of spacey type sounds, along with some epic guitar riffing. This one can stand proud, it has touches of Hawkwind contained in its sounds and wouldn’t feel out of place on those early Hawkwind albums due to the epic sounding guitar at play here too, making it rather epic all round.

Seven Days flies in with a spring in its step, bouncing along nicely with lots happening in the sound, including a very fine bass to proceedings. This is another rather muscular track with a great chorus and another very fluid guitar line, it almost has a touch of Marillion to it lyrically, which is no bad thing to these ears, and makes it a rather brilliant track, I really like it. It’s a pity that there are no lyrics with the album as I feel this would make the whole album concept easier to understand and grasp but ,still, just sit back and appreciate the crafting on offer here. Rising Tide is next and this begins gently before taking a more full group sound, the song talks of trying to escape the Rising Tide, although quite how is unclear but the song has some urgency to it.

Another shorter track Rain follows and this is a fabulous little rocker that occurs before the epic final track Bigger Lie closes the album out. This is also the longest piece on the album at twelve and a half minutes. The song is about religion, it seems, and the mystery and lack of a God. Well, everyone has their own opinion on this and I guess the jury is still out on it but it certainly makes for an interesting finale and this has shadows of classic Pink Floyd, certainly in both the vocals and the guitar. Playing the song poses lots of questions yet it makes no claims either way but it does say that we are all living the bigger lie. It’s certainly a thought provoking song, I really like this one and its length allows lots of space for the song to breathe. The song has an epic guitar solo, very Gilmouresque unsurprisingly, but totally in keeping with the track.

This is an album you need to live with for quite a while to let its true colours emerge. At first I thought it could be a touch bland but close proximity has changed that view and now I can see the work that has gone into making this album and that this is a very fine effort and release indeed.

Released June 1st, 2022

Order from Bandcamp here:

All Secrets Known | The Mighty Ra (bandcamp.com)

Review – Omega Point – A Great Escape

Omega Point is the brain-child of bassist Matthew Cohen (Magenta, The Reasoning, Ghost Community) who not only brought the other musicians together but also produced the album. On lead vocals is John Paul Vaughan (Ghost Community) bringing a depth of emotion rarely heard on a debut, whilst the guitars and keyboards of Paul Davies (Karnataka / Panic Room) and Rob Wilsher (Multi Story) compete for the listeners’ attention with their virtuosity. Underpinning the album and its complexities is Vinden Wylde (The Reasoning) on drums. Together they have made a very accomplished and atmospheric progressive album for the discerning rock fan.

Matt Cohen tells us, “This was truly a record created with passion, drive and steely determination in the face of much adversity recently experienced by so many. It’s not a concept album, but there is a strong theme running through all of the songs and it definitely tells a story about looking at beauty from a very different perspective. It’s been a real labour of love for the band”

‘A Great Escape’ is a powerful statement in more ways than one, apart from the delicate brevity of opener Hourglass, the album is chock full of power chords, thunderous drums, dynamic keyboards and compelling vocals, all held together by the metronomic brilliance of Matt’s bass playing. A prog-rock album with more emphasis on the ‘rock’ than the ‘prog’ then? I definitely think so.

You can feel the influence of the past history of the band members throughout this great selection of songs, Fall of Empires and Darkest Son are grounded on the superb guitar playing of Paul Davies and John Paul Vaughan’s enigmatic vocals. Add in the excellent virtuosity of Vinden Wylde’s authoritative drums and the guiding light of Matt’s bass and we are on to something special, Rob Wilsher’s dextrous keys being the icing on the cake. Dynamic and dominant in delivery and intent, they stride confidently across the musical landscape.

A Great Escape is moody and magnificent, everything a ten minute plus track should be. There is a brooding disquiet to the track at the start and John’s vocals have a deliciously Delphian feel to them. It’s a true monster of a song with an intense feel to the keyboards and rhythm section and one that carries a thoughtful edge to it throughout.

Thank You brings a weighty dynamism to the album, a slow burning, extended opening of coruscating keyboards and guitar focusing your attention before the elegant vocals begin, soulful and reflective. Matt’s bass is in full flow on this great song as it opens up and becomes edgy and forceful, a piece of music that ebbs and flows as it weaves its magic and tells its story. The album closes with Shells, possible the most earnest track on the album, passionate and heartfelt but with a definite edge to it, the guitar riff is one with determination and direction. There is a 90’s stadium rock feel to the song, expansive and all-embracing.

Matt Cohen has brought together a stellar group of musicians and, in Omega Point, created a powerful musical statement, close-knit and cohesive. ‘A Great Escape’ is another fantastic addition to the ranks of accomplished new releases we have already been lucky enough to hear in 2022 and can proudly hold its head high along with the best of them. Let’s hope this is just the start of things to come!

Released 4th February, 2022.

Order from Rok Music here:

Omega Point – ROK Music Sales (therokshop.co.uk)

Review – Multi Story – CBF10 – by John Wenlock-Smith

Multi Story have a long and somewhat checkered history. Hailing from South Wales, they came to prominence in the mid 1980’s when their blend of symphonic progressive rock led to them being chosen by Birmingham’s finest Magnum as a support group for their On A Storyteller’s Night tour in 1985, memorably playing a set with at the Dominion Theatre on Tottenham Court Road in London.

At that time Multi Story had released their debut album ‘East West’ that was released on Revolver / FM Records who were a Wolverhampton based label who had a run of successes with various acts including Exodus and other early thrash metal outfits. After the tour Paul Ford left the band who then decided to continue and recorded a second album for FM /Revolver called ‘Through Your Eyes’ after which the band dissolved and went their own separate ways.

Vocalist/Guitarist Paul and keyboard player Rob Wilsher had been at loggerheads with each other for many years but in 2014, some thirty years on from ‘East West’, a peace was sought (and achieved) which ultimately led to a reconvening of Multi Story activities. The band found a new home on Dave Robinson’s Festival Music label, recording and releasing the album ‘Crimson Stone’ in 2016 and commenced live work again appearing at the Winter’s End Festival in 2016 and also at HRH Prog in 2017.    

They also recorded a live in the studio set called ‘Live at Acapela’ that acted as a summation of their career thus far, taking, as it does, tracks from their first three albums in a revamped updated fashion.

That nicely brings us to this latest album ‘CBF10’ issued this October, again through Festival Music, and the first thing that strikes you is just how beautifully presented this album is. I has a very striking cover, designed by Tommy Larsen, and a loose concept that really comes to the fore towards the last half of the album, from the track Freeway Army onward.

More of that later, the album opens strongly with the epic track Signs and Traces and its fabulously twisty guitar riff and Rob’s evocative keyboards. Quite a stunning opener it is too, thundering along with several different sections to it, all of which sound glorious. Sharp Recall follows and has some great Hammond parts from Rob and some great piano lines too. This track is Paul and Rob playing everything between them and still sounding very much like a band in the process, with a great solo towards the end from Rob.

Celluloid Star is up next and it is a cautionary tale on the trappings and falsehood that “fame “offers and then often fails to deliver. This well written song is very dramatic with lots of fabulously evocative keyboard sounds, a sturdy bassline and hard hitting, subdued guitar parts running throughout. Paul’s vocals sound very clear on this song, he is in fine voice, sounding a little bit like his old touring pal Bob Catley of Magnum at times (and that is no bad thing, in my opinion).

Freeway Army introduces us to a different type of hero, the lone drifter on the outside of society. He lives differently but not in a selfish manner and wishes no harm on anyone but wants to be free to live a simple unfettered life. A free spirit who roams the roads on his motorcycle, tearing up the miles with the wind in his hair and nothing to hold him down. Last Man Standing is another fine and moody track, it talks about being the last man standing and the isolation and struggles that he faces at that time and the past he struggles to come to terms with. It is a very sad poignant piece indeed, once again with sympathetic musicianship really echoing the isolation of the lyrics. Easy Rider return us to the lone biker and his fate as he is attacked and gunned down by redneck fools who mistake his solitude for emptiness and weakness and so attack him and destroy all that he stands for, freedom…    

Firing All Six is all about bravery in standing your own ground against the odds or being outnumbered. Rebel Inside is the penultimate track and is about going in a different direction, usually taking a harder path because you are choosing to stand apart from, and not following, the crowd. This is often safer and yet less rewarding than being a free spirit and following your own dreams and desires. This track features a graceful guitar break played with passion and taste, making this a exceptionally fine song indeed. Paul Ford’s acoustic guitar and heartfelt vocals are very welcome too.

The final song CBF10 is where the redneck is executed for the slaying of the rebel. He confesses and blames the voices in his head and says how sorry he is for his actions and how he thinks they had it coming, or that’s what the voices said! The song ends with the words “It came easy” as his life ends with lethal injection.

This is a very good album and is a real tribute to the vision that Paul and Rob had and have realised. It has some very strong moments and I feel that it would work very well in a live situation where the songs could be extended to maximise their potential. But, for now, this is a mighty fine album and one that I will return to again and again.

Released 26th October 2020

Order the CD from Progrock.co.uk here:

https://www.progrock.co.uk/multi-story-cbf10-digipak-c2x32609100