Review – Rik Loveridge – Generations

In 2021 multi-instrumentalist Rik Loveridges Parkinson’s diagnosis led to him leaving The Kentish Spires. The only proper responses were a little cry and a new album. The album was released in 2023 under the pseudonym of Single Helix and called ‘Prog Gnosis’. I had the pleasure of reviewing it, coming to the following conclusion, “With his Single Helix project and this Prog Gnosis album, Rik Loveridge is baring his soul, both musically and personally and, not only is it a superb release, it is very brave of him to do so. I can highly recommend this completely uplifting album, you won’t regret it.”

Rik has returned in 2024 and released a new album, this time under his own name, called ‘Generations’ and and with a title track inspired by a poem by Hamish MacNeil (AKA Macaque);

As men forget and are forgotten
The stones remember
And wood remembers, keeps
Records in rings, and history
Sings through other things buried
In the earth.


We rub our lives against them
In ignorance, unpick the fabric
Of the past one kicked stone, one
Dug ditch at a time. The broken
Threads of lives fray like nerves, unravel,
Reach out to touch and teach us,
Our ancestors, generation upon generation.


The mighty works of the Celts and Brittons,
The Romans, Saxons, Normans, all their
Oxymandian constructions still speak from
Open graves, murmur beneath the weight
Of new vitality, wait to be heard again, while

My sons’ bones and their grandsons’ bones
Will join my bones and my grandfather’s father’s. The dust will be richer, but
The memories will be gone. 

Rik was assisted by various musicians including Nick Fletcher (John Hackett Band), Sam Loveridge-Miller and his 1 yr old granddaughter Willow Loveridge.
 


‘Generations’ is a relatively short album by today’s standards at thirty eight minutes long and consists of nine short tracks (plus an instrumental of the title track) that sit perfectly well together. There’s a delightful flow to the album with a perfectly judged melting pot of musical genres being exposed by a quite wonderful musician. Obviously, with Rik’s roots from being a member of The Kentish Spires, there is a more than a touch of folk to things but it is blended perfectly to create something a bit more eclectic and that appeals to a wider audience. A totally relaxing musical experience is delivered on tracks such as the elegant opener Awaken and the almost radio friendly pop feel of Didn’t mean it, a song that has a real feel of the legendary Joe Jackson to my ears with the gorgeous swirling Hammond organ and perfectly judged vocals. Rik has a penchant for delivering tightly constructed tracks with superlative musicianship on show and that is completely evident here, the delightful guitar at the end, with its fluid jazz tones, is an added delight. Exposure II with its world music vibe and fiery psychedelic guitar fills is another insightful piece of music that has more of an edge than the opening two tracks and its coruscating, harsher tone really appeals to these ears!

Forever Young has a psychedelic, funky and totally 70’s atmosphere right from the get go and is another fantastic track that hits the sweet spot, just check out the guitar playing and tell me it doesn’t put a smile on your face. Title track Generations takes electronica as its core theme and strides confidently onto the scene with the refined voice over taking centre stage; “The soil waits to welcome. Reach out to touch and teach us, Our ancestors, generation upon generation.” It’s a striking and confident piece of music that really makes its mark. A more laid back and relaxed Talking Heads? Well, if such a thing could exist, it does on Earth Reborn, a swirling, cultured track that is another stand out on an album full of confident, literate and accomplished music.

Wistful and sepia tinged, Lazy day does exactly what it says on the tin with its full on 70’s psychedelic nostalgia washing over you in waves of comforting sound. Rik’s echoing vocal, the hypnotic keyboards and flashes of strident guitar all combine to deliver a mind expanding experience (without the need for anything illegal!). Post Truth State is just superb songwriting, there’s no other way to put it. An incisive five minutes of music that brings images of XTC to my mind with its sharp, shrewd lyrics and a guitar sound that Dave Gregory would be might proud of. For me, it is the highlight of the album among some rather special tracks. The album proper closes with the dark and moody Road Dreamer where the sublime 80’s infused keyboards are front and centre before a calming acoustic guitar takes over and we are gifted a mightily impressive instrumental piece that has a true widescreen cinematic feel to it. If you’re lucky enough to hear the instrumental version of Generations then that is an added bonus and fits perfectly with the rest of the album.

Rik Loveridge has taken us on a quite moving and immersive musical journey with the rich and deeply engaging ‘Generations’ and should you choose to join him, you will be richly rewarded.

Released 1st January, 2024.

Order from bandcamp here:

Generations | Rik Loveridge (bandcamp.com)

Review – Single Helix – Prog Gnosis

In 2021 multi-instrumentalist Rik Loveridges Parkinson’s diagnosis led to him leaving The Kentish Spires. The only proper responses were a little cry and a new album. The album is drenched in the spirit of progressive rock but also explores other genres whilst remaining musically inventive (says Rik)!

He envisaged some stunning guitar and sax elements so enlisted the help of friends Nick Fletcher (John Hackett Band) and Chris Egan (The Kentish Spires and Nuadha). He also saw the need to work with talented audio engineers… cue Paul Cobbold (ex Rockfield) and David Pickering Pick (FFG studio) on mixing and mastering duties. Oh, and granddaughter Willow aged 1!

Something good shall arise from this dark time!

And something good has indeed been delivered with this immersive musical masterpiece. The opening three-part Trilogy suite is languid, relaxed, low key and beautiful and has hints of latter day David Gilmour solo work. Egan’s sax is quite beguiling throughout and Nick Fletcher shows his consummate skill and class with a quite lyrical display of guitar. It’s a testimony to Rik’s songwriting ability that it all blends seamlessly and his vocals add that requisite touch of calm sensibility. Instrumental Dark Matter is a wistful, dreamy piece that adds thoughtful reflection to the album. The wonderful organ that opens Nature’s Eyes imbues a sense of tranquility and harmony to this elegant ballad, a charming touch of nostalgia and this is carried through with spiralling keyboards to the understated grace of Silent Spring.

Death of Major Tom is a more serious feeling track with a melancholy underbelly and one that reinforces a feel of The Tangent to my ears, a theme that runs through the album due to its intelligent writing and sumptuous delivery. You can’t help but smile at the electronica tinged brilliance of West Coast Journeyman that goes perfectly with Nick Fletcher’s virtuoso guitar to deliver a superb instrumental, a highlight of what is proving to be a fantastic album. The inspiration just keeps flowing, With a Glance adds a funky, jazz infused feel to Rik’s Roger Waters edged vocals, Song For Jude with its Tears For Fears intro is an ode to Rik’s beloved wife and is uplifting and engaging and Tully Remembered is as jazzy as they come, Egan’s sax just oozing class and sophistication.

Queen’s Gambit brings us to the closing part of the album and is an outstanding piece of songwriting. An involving and compelling musical journey that entrances and mesmerises the listener throughout and probably my favourite song on the album. Perhaps the two-part Entropy could be called music for the intellectual, it certainly has a feel of 60’s prog from the days of black and white, it’s certainly quirky and idosyncratic but that just gives these two pieces a charm all of their own and one that definitely drew me in. The album closes out with the hypnotising ambient electronica of Teed’s Lullaby, three minutes of trance-inducing calmative music that resets your perceptions.

Sometimes great music just seems to seek me out and I was obviously sent this promo for a reason as the stars have aligned and delivered a wonderful collection of tracks that leave a warm feeling of nostalgia and hope washing over me. With his Single Helix project and this Prog Gnosis album, Rik Loveridge is baring his soul, both musically and personally and, not only is it a superb release, it is very brave of him to do so. I can highly recommend this completely uplifting album, you won’t regret it.

Released 12th February, 2023.

Order the album from bandcamp here:

Prog Gnosis | Rik Loveridge | Single Helix (bandcamp.com)

Review – The Kentish Spires – The Last Harvest – by James R. Turner

The Gentlemen behind the Summers End Festival, Huw Lloyd-Jones and Stephen Lambe, have branched out into a record label as well, Sonicbond, truly covering all progressive bases and, following on the release of the excellent Talitha Rise album, they now unleash this album, described as a spiritual successor to the classic Canterbury Scene. With a wonderfully rich and warm sound, this is an assured and impressive debut album.

The band’s members are no stranger to the contemporary prog scene, with guitarist Danny Chang bringing his considerable influence to bear and Rik Loveridge’s wonderful Hammond flows throughout the album. Phil Warren and Tim Robinson on bass and drums provide the impressive back beat that allows the guitars and synths to paint wonderful musical pictures, while the woodwind of Paul Hornsby adds a wonderfully English feel. I am a sucker for bands that use woodwind and brass like The Home Service, Brass Monkey  and Supertramp and this definitely ticks all the boxes for me. Topping it off are the sublimely soulful vocals of Lucie V, who brings her warm, smokey soulful voice to bear on these superb tracks.

From the wonderful opening 11minutes plus opener Kingdom of Kent, this well and truly sets the scene with evocative lyrics (and distinctions between Kentish Men and Men of Kent – having lived there in the Medway towns for a while, this is an important distinction for residents of this garden county,) stirring musical moments, wonderful woodwind and keyboard work, and oh, those vocals. Lucie adds soul to the music that is full of heart and, as an opening track goes, it acts as both a statement of intent and as an opening to a new album by a new band. It is assured and has plenty of verve and swagger. The bonus track Clarity (mixed by one of progs busiest men Rob Reed) is a wonderfully direct song about indecision and direction (something we can all identify with) and, again, Lucie’s vocals add the world-weary element to this, while the band are sublime.

The Canterbury vibe filters its way through the album with the wonderful flute on TTWIG (That’s the Way it Goes) sounding like it snuck in the back from a ‘70’s Tull album. Along with the sax, the woodwind and the wonderfully organic Hammond organ sound, this album reminds me of other great English bands like Kapreker’s Constant or Big Big Train circa ‘The Underfall Yard’ era.

With only 8 tracks on here, the album has room to grown and breath and while it is not a concept album, several of the tracks do link into the history of Kent, songs like Hengist Ridge (not to be confused with a Mike Oldfield album of a similar name) and the opener deal with the subject of the regions wars and battles.

My favourite track on the album is also, funnily enough, the longest at 13 minutes plus. The Last Harvest is a wonderfully English epic where Chang’s guitar soars and Lucie’s vocals take the music to another level, almost reminiscent in points of either Pink Floyd or Mostly Autumn. The closing organ piece that rounds the track off is both sublime and elegiac, reminiscent of Harvest festival celebrations in Churches and Village Halls, the haunting sound you only get from a traditional organ.

This album is a fantastically mature and accomplished debut with some wonderfully English influences drawing from things as wonderfully diverse as folk rock, progressive rock and the Canterbury scene and it weaves them all into an incredibly rich tapestry of sounds and styles. Never jarring and in keeping with the rich musical seam of talent that runs through this album.

I really enjoyed this record, and it is one that will grow on you just like it grew on me and, in Lucie V, we have another wonderful singer with a unique voice who is integral to the success of this record. If you like your English progressive music, and want to try something new, The Kentish Spires are exactly what you need.

Released 27th July 2018

Order the album from bandcamp here

https://www.youtube.com/watch?v=e3rOL5W5U20