John Wenlock-Smith interviews Ronnie Platt of Kansas

John Wenlock-Smith: Good day Ronnie, how are you doing?

Ronnie Platt: Hello again John, yes, I am very well thanks, how’s things with you these days?

JWS: All good here, we’ve both had our vaccinations and we can see things starting to open a little here now, which is good. We had our first coffee out on Tuesday which was good, no masks and almost normal even, have you had all your vaccinations yet?

RP: Yes I am all good, did you have any reactions, flu-like symptoms or anything?

JWS: No, all fine, my arm ached a little a few days after but, otherwise, nothing.

RP: So, is everything open again now?

JWS: It is getting there but not everything yet.

RP: What about travel, can you go freely yet?

JWS: Around the UK, yes but internationally, no. We still have a list of approved places that we can go to but everything is starting to open a bit. It will get much better in June when more restrictions are lifted.

RP: Yes, it is pretty much the same here. I am speaking from the suburbs of Chicago, from my den in the basement, which is full of old guitars and equipment, if you could see the mess that it is in!

JWS: Well this is my den (shows him guitars, CD’s and piano).

RP: Can you play John?

JWS: Sadly I am a one finger only type player. I can play most melody lines but nothing with the right hand really.

RP: Whether you are playing with one finger or are an established player, I always say that music is the best therapy, how long have you been playing guitar?

JWS: Years, however I cannot really play much, I can do chords and rhythm but nothing technical really.

RP: Well, keep at it, practice makes perfect I find.

JWS: So the new album is out next Friday?

RP: Yes, ‘Point of Know Return: Live and Beyond’, we could not be prouder of it.

JWS: Can I ask, why is there no live video of it?

RP: Into today’s world, when I kook out in the audience, I see everyone holding their phones up watching and it ends up on YouTube. It makes it all exceedingly difficult to do and compete really, hopefully, at some stage, we will be able to do something but right now our attention is focused on getting back out on the road and playing live again.

JWS: London next year for you (Kansas) isn’t it?

RP: Yes, hopefully we will get there next year as the last two times were cancelled. In the 7 years I have been in the band we have wanted to come, especially since ‘The Absence of Presence’ is doing so well there.

JWS: We are hoping to be able to get to it ourselves, my wife knows that I want to go and she is happy to come along with me. So how was it for you singing these songs from ‘Point of Know Return’?

RP: It is amazing to me to, and I will include the entire Kansas catalogue in this, these songs that I have just loved my entire life, being a huge fan for many years. It is really a dream come true and surreal to be doing it. For my generation, you would buy an album and memorise the entire sequence of songs. It is special how I bought these albums and also being such a huge Kansas fan for all my life. To play the album in its entirety in the sequence that it was recorded in is a real honour and privilege to do.

JWS: I grew up in the 70’s and first heard Kansas in 1975. I then got hold of the ‘Point of Know Return’ album and it was a favourite of mine for many years but I especially loved songs like Hopelessly Human and Closet Chronicles. Kerry Livgren was such an awesome writer, his material is always strong and good.

RP: So John, you are like me, you love the deep cuts, not just Dust in the Wind but the less celebrated tracks like Nobody’s Home, I love singing those deep cuts.

JWS: I used to have the album cover on a mirror but that has gone now, sadly. I like that this album has some rather obscure Kansas songs like Two Cents Worth which is completely different to Song for America. The only disappointment for me is that People of the South Wind does not have Phil Ehart’s fabulous drum fills on it but, even without the drums, you keep the groove going. Will it be the same set in London?

RP: We will possibly change a song or two but we will do all of ‘The Point of Know Return’ album but who knows what it will be? It’s one of the great things about Kansas, there is such a library of music to draw from.

JWS: I am really looking forward to that show, my wife is looking forward to seeing the band and she trusts my taste in music. We are also seeing Genesis in October this year.

RP: Another of my favourite bands, ‘Wind and Wuthering’ is one of my favourite albums along with ‘A Trick of the Tail’.

JWS: I spoke to Steve Hackett a few weeks ago, he has recorded three albums in lockdown!

RP: Wow, he has been a busy boy, that makes us look lazy! I believe that Genesis will be in Chicago sometime in November but we will be out on the road ourselves, so I will probably not be able to catch them.

JWS: I spoke to Tony Banks last year and he said that with Genesis, it is always a case of never say never, we are always talking about reconvening activities.

RP: I used to open with Dodo in one of the bands I was in during the 80’s, I even took my mother to see Genesis.

JWS: Well Ronnie, my time has almost gone.

RP: Thanks John, it has been good to talk to you again, keep practising the guitar and keep playing the keyboard and we will hopefully see you next year in London.  

Kansas – ‘Point of Know Return: Live & Beyond’ is released on 28th May, 2021.

Order the album here:

Point of Know Return Live & Beyond (burningshed.com)

Review – Kansas – Point of Know Return – Live and Beyond – by John Wenlock-Smith

I first came across the music of Kansas on an old episode of The Old Grey Whistle Test where a track from their then new album, ‘Kansas’, was played. The song in question was Journey From Mariabronn, this was played against the backdrop of a black and white cartoon and I was very taken with it.

It was not until a few years later that I managed to acquire a copy of that album and enjoy the fine music that its grooves contained. Quite a few years later I came across their new album via a promotional vinyl version of ‘Point of Know Return’ with its fabulous sleeve of a ship falling over the edge of the world.

Kansas have been one of my favourite American bands since those early days, I even used to have the ‘Point of Know Return’ album cover on an etched mirror that sadly is no more. Along with Styx and Journey these were the holy trinity of American Rock for me, I still relish any new material that Kansas make and I am eager to see them live again having first seen them at Walt Disney World in the early 1990’s when Steve Morse was in the band, as was Steve Walsh, both of whom are no longer involved. Nowadays the band is fronted by Ronnie Platt (ex-Shooting Star, another class US band in a similar style to Kansas). This live album brings the whole of the ‘Point of Know Return’ album together with some other deep cuts from the extensive catalogue that the band have developed in the last 47 years. Many of the songs have been staples in their live shows since the album was first released in 1977, but here you get the whole album live in one show played in the original order.

If you like Kansas then this album will not disappoint for it shows very clearly how excellent the calibre of material the ‘Point of Know Return’ album contained then and how well that it still stands up today, over 40 years after it was originally recorded. Ronnie Platt is in very fine voice throughout, okay there may be a few missed or muffled notes but, overall, this stands good comparison to the version on earlier live Kansas releases and can stand proudly next to all those albums.  

The album has a good selection of some lesser performed Kansas material including songs from the ‘Freak of Nature’ album from the 1990s and a rare outing for Two Cents Worth from the ‘Masque’ album of 1975 and a couple of more recent tracks from ‘The Prelude Implicit’ and ‘The Absence of Presence’, cramming 22 slices of distilled Kansas magic onto 2 CDs.

The album falls into 3 sections, Tracks 1-8 on CD 1 are the deep cuts, CD 2 Tracks 1-10 are the whole of the ‘Point of Know Return – Live & Beyond’ in order, Track 11 is Carry on My Wayward Son, 12 and 13 are acoustic versions of People of The South Wind and Refugee and the album concludes with an acoustic version of Lonely Wind from the first Kansas album from 1974.

Throughout you get fabulous and meticulous musicianship and exemplary performances and songs that are both meaningful and memorable and with fabulous melodies running through their veins. Kansas are not getting any younger so any chance to hear this band firing on all cylinders is an opportunity that should be embraced, music of this calibre deserves to be heard by all that will listen.

I especially like the reverence with which these classic songs are treated and respected, it is very fitting, and you can tell how much the band appreciate and value this momentous period of their history. This album reflects that with the care and diligence with which they perform these songs once again.

The artwork is as good as that which accompanied the release of the ‘Leftoverture – Live and Beyond’ and fans are in for a real treat. It is a pity that the show was not recorded for posterity on film as that would be something special and much sought after by many fans like me. My shelf is awaiting the arrival of this CD Set in the very near future where it will join the other masterpieces of this truly legendary US Band.

Released 28th May, 2021

Order from Burning Shed here:

Point of Know Return Live & Beyond (burningshed.com)

Kansas launches live version of ‘Portrait (He Knew); taken from ‘Point of Know Return Live & Beyond’ out 28th May

KANSAS, America’s legendary progressive rock band has released another track from their upcoming, new live album Point of Know Return Live & Beyond out May 28, 2021. 

Fans can now stream “Portrait (He Knew) (Live 2019-20) at this link:

The song was recorded on November 16, 2019 at the Durham Performing Arts Center in Durham, NC.

This is the first live album since 2017 for the band that has sold more than 30 million albums worldwide and is famous for classic hits such as ‘Carry On Wayward Son’ and ‘Dust in the Wind,’ to progressive epics like ‘Song for America.’

The album is now available for pre-order at https://kansas.lnk.to/PointofKnowReturn-LiveBeyond

The band recently released a teaser for the live album here https://youtu.be/6s0kt7BfadM.

KANSAS previously released the live tracks “Point of Know Return (Live 2019-20)” (recorded April 4, 2019 in San Diego, CA at the Balboa Theater) and “The Wall (Live 2019-20)” (recorded February 22, 2020 in Knoxville, TN at the Tennessee Theatre).

Point of Know Return Live & Beyond is co-produced by Phil Ehart and Richard Williams, and is recorded and mixed by Chad Singer. The album features 22 songs selected from 12 shows recorded in 2019 and 2020 during KANSAS’s Point of Know Return Anniversary Tour. The setlist includes classic hits, deep cuts, and culminates with the band’s sextuple-platinum album, Point of Know Return, performed in its entirety.

Following the success of the band’s Leftoverture Anniversary Tour, KANSAS followed that tour up with the even more popular Point of Know Return Anniversary Tour. The overwhelming success of that tour, and the previous live album, Leftoverture Live & Beyond, led the band, along with Inside Out Music, to release selected songs from the tour as a live album.

“We knew we wanted to release a live album of the Point of Know Return Anniversary Tour. Being unable to tour for more than a year has given us the opportunity to work on Point of Know Return Live & Beyond and release it for our fans who are missing live concerts as much as we are,” said KANSAS drummer and album co-producer, Phil Ehart. “When we discussed who would mix the album, we thought the best possible person would be the guy who mixes the band live every night and recorded the shows on the road. Nobody knows better how KANSAS sounds live than our front of house engineer, Chad Singer!”

“This live album sounds great,” adds KANSAS guitarist and album co-producer, Richard Williams. “We wanted to make sure this album captures and represents how KANSAS sounds live in concert. Point of Know Return Live & Beyond does just that.”

Along with original KANSAS band members Phil Ehart on drums and Richard Williams on lead guitar, Point of Know Return Live & Beyond, features Tom Brislin on keyboards and vocals, Billy Greer on bass and vocals, Ronnie Platt on lead vocals and keyboards, David Ragsdale on violin and vocals, and Zak Rizvi on guitar and vocals.

Point of Know Return Live & Beyond, will be released May 28, 2021, on Inside Out Music and is distributed by The Orchard. The album will be available as a double CD digipak, triple 180-gram vinyl + 2 CD box-set, and digitally on Spotify, Apple Music, Amazon Music, iTunes, and other fine digital retailers.

Point of Know Return Live & Beyond Track Listing:
1.) Cold Grey Morning

2.) Two Cents Worth

3.) The Wall

4.) Song for America

5.) Summer

6.) Musicatto

7.) Taking in the View

8.) Miracles Out of Nowhere

9.) Point of Know Return

10.) Paradox

11.) The Spider

12.) Portrait (He Knew)

13.) Closet Chronicles

14.) Lightning’s Hand

15.) Dust in the Wind

16.) Sparks of the Tempest

17.) Nobody’s Home

18.) Hopelessly Human

19.) Carry On Wayward Son

20.) People of the South Wind

21.) Refugee

22.) Lonely Wind

When touring resumes, KANSAS will continue rescheduled Point of Know Return Anniversary Tour dates as well as KANSAS Classics tour dates. More information on the tour, including specific Point of Know Return Anniversary Tour dates, can be found at www.kansasband.com.

The band recently announced that their European Point of Know Return Anniversary Tour dates had been rescheduled to 2022. The full list of dates can be found below:

11 October 2022 – Amsterdam, Netherlands: Carre Theater

12 October 2022 – Hamburg, Germany: Docks

14 October 2022 – Helsinki, Finland: Culture House15 October 2022 – Tampere, Finland: Tamperetalo

17 October 2022 – Stockholm, Sweden: Cirkus

18 October 2022 – Oslo, Norway: Sentrum Scene

20 October 2022 – Berlin, Germany: Tempodrom

22 October 2022 – Bochum, Germany: Ruhrcongress Center

23 October 2022 – Brussels, Belgium: Cirque Royale

25 October 2022 – Paris, France: Olympia Theater

28 October 2022 – Frankfurt, Germany: Jahrhunderthalle

30 October 2022 – Heilbronn, Germany: Harmonie

31 October 2022 – Munich, Germany: Circus Krone

3 November 2022 – London, England: Palladium