Tag: Orion

Progradar’s Best of 2024!

2024, well the second half, has been a tough year for me and I took my eye off the reviewing ball from August onwards due to changes in my life. It doesn’t mean that I haven’t been listening to amazing music though!

As my friend John Wenlock-Smith has already said, 2024 was an amazing year for music, progressive rock in particular, and here are the highlights for me. They are not in any order, just the albums that I have enjoyed listening to!

2025 will see me attempt to revive my reviewing mojo and it may mean a change of format so watch this space! In the meantime, enjoy my selection of some gems from last year…

Emerald City Council – ‘Motion Carries’

Emerald City Council have entered the progressive rock scene with a massive bang. ‘Motion Carries’ is a superb album, utterly immersive and uplifting with incredible musicianship, soaring melodies and a real sense of fun. This is music that touches the mind and lifts the soul and I haven’t stopped smiling yet. Trust me, you need this album in your life!

Albion – ‘Lakesongs of Elbid’

With ‘Lakesongs Of Elbid’, Albion have created an immersive, almost hypnotic collection of songs that is like listening to the stories of old, sung by travelling bards as they travelled the lands. Allow yourself to be drawn into its embrace and you will enjoy seventy minutes of wonder and music that will not only take your breath away but your heart and mind too…

Big Big Train – ‘The Likes Of Us’

What an emotional rollercoaster, I have spent the last four weeks listening to ‘The Likes Of Us’ at every opportunity. In the best tradition of Big Big Train albums of the past, it is not merely a collection of songs, it is a musical masterpiece that becomes part of your life and, for me, that means this album stands tall with the likes of ‘The Underfall Yard’ and English Electric’ 1 & 2. I know it is early in the year but it is going to take something incredibly special to topple this off the top of album of the year list and, for a long time fan of the band, that fills me with joy and makes me very happy indeed!

Cosmograf – ‘Live At The 1865 (Official Bootleg)’

A new Cosmograf studio album is on the way but, ever one to give back to his audience, Robin has sated the craving for new music by releasing what I am sure will become a seminal live album in the progressive rock scene. Close your eyes and you could almost be there, basking in the glorious music and that is what makes ‘Live At The 1865’ an essential purchase.

Jo Beth Young – ‘Broken Spells’

After four years Jo Beth Young has returned with an immaculately created and conceived album of pure wonder and musical genius. A piece of music of, and for, the ages and possibly the best album that Kate Bush never released.

HFMC – ‘Eternal Snapshots’

Music is written to connect with people, to move you on an emotional, spiritual and intellectual level. If it is done right then it leaves you in a much better place than when you listened to the first note and, with ‘Eternal Snapshots’, Hasse Fröberg & Musical Companion have delivered one of the most superlative musical events of the year so far.

Blue Rose Code – ‘Bright Circumstance’

Music can reflect life and accompany us on our very personal journeys and we should be honoured that Ross Wilson has invited us to join him on his own poignant and introspective pilgrimage through his faith. What he has given us is one of the most intense and intimate records released this year, with faith and devotion as its central themes. ‘Bright Circumstance’ is an utterly captivating triumph and should propel Blue Rose Code onto further and better things, it really doesn’t get any better than this.

Amarok – ‘Hope’

An utterly stunning collection of songs that bears Amarok’s impressive hallmarks throughout, ‘Hope’ is one of those albums that hits you at a base level in a totally emotive way. It is music for the mind and the soul and in a world collapsing around our very feet, we all need some of that, don’t we?

Age Of Distraction – ‘A Game Of Whispers’

2024 has already been a bumper year for superb releases and Age of Distraction have just added another fine album to the mix. ‘A Game Of Whispers’ is a collection of mighty fine songs that define the contemporary progressive rock and melodic metal genre and is a dramatic and profound listen from beginning to end. My recommendation is you just go out and buy it!

The Tangent For One – ‘To Follow Polaris’

‘To Follow Polaris’ is intended to be thought of as a regular Tangent album – but not as the future of the band. It’s everyone’s intention to make the FOURTEENTH album as The Tangent. For Five. However, taken in isolation, what you have is a wonderfully inventive and amazingly performed collection of songs that stay true to the core of Andy and the band’s beliefs. Witty and acerbic throughout but with some moments of pure musical bliss, it is yet another highlight in this storied musician’s stellar career.

Nordic Giants – ‘Origins’

‘Origins’ is a wondrous journey through all that is great about Nordic Giants. A collection of songs that have been fine tuned from the original to deliver an almost spiritual and addictive listening experience and one that will not just appeal to long term fans of this utterly compelling band but also to those lucky enough to be discovering them for the very first time.

Gallowstreet – ‘A Trip Worth making’

With ‘A Trip Worth Making’, Gallowstreet have leaped straight into my musical affections,. It is such an infectious, upbeat and addictive experience that you forget just how technically impressive these musicians are because you are just enjoying the joyful brilliance that they bring to each of these compositions, the energy just free flowing and imbuing in you a fabulous joie de vivre.

Nine Stones Close – ‘Diurnal’

‘Diurnal’ has to be one of the most imposing and impressive releases I’ve heard this year. Nine Stones Close have returned with a new line-up and firing on all cylinders and have created what, to me, is their finest album yet. A wonderfully direct, dynamic and energetic listen from beginning to end and one that will be on many best of the year lists come December 2024, I highly recommend it.

Airbag – ‘The Century Of The Self’

‘Century of the Self’ is a mesmerising and involving odyssey that elevates you to a musical nirvana that not many artists can create. Airbag are one of those bands that just seem to get better with age and this new release just might be their best album yet, and that’s saying something!

Returned To The Earth – ‘Stalagmite Steeple’

Robin Peachey and Returned To The Earth may not be well known to most people out there but, with the utterly magnificent, transcendental brilliance of ‘Stalagmite Steeple’ they deserve to be up there in the higher pantheon of progressive rock. You will not hear many better albums of any genre this year and I implore you to seek it out and add it to your own music collection, you will never ever regret doing so!

Orion – ‘The Lightbringers’

The best music can take you on a wondrous, fantastical journey where, for a short while, you can forget about the trials and tribulations of this planet that we inhabit and with his latest superb Orion album, ‘The Lightbringers’, Ben Jones does just that. It is a highlight of another fantastic musical year and one that I feel will be on many people’s end of year lists and it deserves to be.

Long Earth – ‘An Ordinary Life’

All great albums are the product of an intensive creative process and, in ‘An Ordinary Life’, Long Earth have given us the highly impressive fruits of their artistic labours. A wonderfully immersive musical journey that will have you coming back for more, it is a highlight of what is becoming an extraordinarily outstanding year for new music.

Meer – ‘Wheels Within Wheels’

I have to say that repeated listens to this album have allowed me to appreciate it more fully and I can certainly appreciate the crafting that has gone into making the album sound as good as it does here. ‘Wheels Within Wheels’ is a most worthy album and one that will hopefully win Meer many new fans.

Frost* – ‘Life In The Wires’

I’ll let my good friend Kevin Thompson, who reviewed the album for Progradar, give his conclusion as I couldn’t agree more!

“Milliontown is one of the most successful prog rock albums of the last 20 years and rightly held in high regard, lauded by fans and critics alike. Life In The Wires may not surpass it but damn! it runs it close. One of the best concept albums I’ve heard for sometime and one of the best albums of the year so far.”

Nick Fletcher – ‘A Longing For Home’

Not just one of the best instrumental albums of 2024 but on of THE best albums full stop! With his classical music background and undoubted skill on the electric guitar, Nick Fletcher has to be one the greatest living guitarists, he’s also a fellow Yorkshireman so what more could you ask for! Joking apart, Nick is one of the finest musicians this country has produced in recent years so do yourselves a favour and check this album out!

John Greenwood – ‘The Boy’

John describes this album as, “A vicariously autobiographical concept album describing the life, ambition, sacrifices and ultimate regret of the eponymous Boy. The album is a single piece, with 6 parts punctuated by narrated snippets of the story by actor, Mark Addy.”

To me, it is just stunning, a beautiful piece of work and even better than John’s previous release, ‘Dark Blue’ in my opinion. It’s more of a story than just a musical concept which makes it utterly engrossing, touching, sentimental and one of the best albums of the year.

So, there you have it, 2024 in twenty-one albums. There are lost more wonderful releases out there and I will have missed some but, within this selection, you have some of the best music you could ever wish to here.

Look out 2025, I am coming for you refreshed and ready to review!

John Wenlock-Smith’s review of the 2024 musical year

2024 has been quite a year hasn’t it really? From the vagaries of politics and re-emergence of Donald Trump to again become US President again, the implosion of the Tory party and the triumphant Labour landslide, to the downfall of Assad in Syria, it has all been quite eventful, all in all.

Thankfully, musically it has been a good year, especially for the likes of Taylor Swift, whose ‘Era’ tour was a huge success, the reunion dates for Oasis were another success, especially for it’s promoters, if less so for their fans who struggled to get any reasonably priced tickets. Prog thankfully doesn’t suffer in the same way and great music shows could be easily found for very reasonable prices, except maybe David Gilmour tickets, but Steve Hackett and Big Big Train shows were far more fairly priced, as their sell out statuses clearly showed.

The year has some truly fine and many very worthwhile releases and here is what really hit it off for me. As with previous years, I have a vocal winner and an instrumental winner of the year and you’ll understand why as I reveal them to you all.

There’s also a note about why each was selected as being so very good, invariably i’ll miss something that I should have included, such is often the case as its not always easy to recall timings and release dates etc., There are no live albums or ‘best of’ though, even though several of each were very good releases.

Here we go then..

20. Wedingoth – ‘Five stars (A) live’

A somewhat interesting mix of heavy metal with distinct Pink Floyd overtones, all recorded live and portraying their 2023 five star album.

19. PsychoYogi – ‘Astro Therapy Brain repair’

The 2024 quirky release from Chris Ramsing and band with more King Crimson styled jazz musings.

18. Nataraja – ‘Spirit At Play’

A one off project from Jack Jennings with Andy Edwards and John Jowitt of Frost/IQ mixing Indian classical music with synthesisers and fiery guitar a la John McLaughlin and Jimi Hendrix. A very intense listen but wonderfully conceived and delivered.

17. Infringement – ‘Black Science and White Lies’

More musings on the state of the world from the Norwegian stalwarts, full of dynamic music and strong observational lyrics.

16. Storm Deva – ‘Storm Deva’

Technically released at the back end of 2023 but gained popularity this year. Wonderful orchestral type music with fabulous vocalist/keyboardist Carollyn Eden along with sublime guitar work from Stuart Clark, some beautifully symphonic music and melodies.

15. Rick Wakeman – ‘Yessonata’

A totally solo piano album from the ex-Yes keyboard man which distils over thirty melodies from the prime era of Yes music. Have fun spotting the various melodies employed herein and, as a bonus, there is an instrumental synopsis of Rick’s ‘King Arthur’ piano suite.

14. Catalyst*R – ‘Pace Of Change’

A second album of impressive prog and electronic music from the ex Winter Machine men, check out the utterly epic Pendle Hill 1612.

13. Orion – ‘The Light Bringers’

The superb second full release from musical prodigy Ben Jones with lots of Rush overtones, especially with the spectacular artwork from Hugh Syme .

12. Kite Parade – ‘Disparity’

An album that highlights the challenges of this modern world most eloquently, there is some truly some great music on offer here.

11. The Windmill – ‘Mindscapes’

Latest release from the Norwegian retro-proggers. Just four tracks but such great tracks they are! One wonderfully long epic and the the other three being shorter, but no less impressive, pieces.

10. Age of Distraction – ‘A Game Of Whispers’

This offshoot group saw some of progressive music’s current stars (ex-This Winter Machine member John Cook, Ghost Of The Machine‘s Charlie Bramald and Mark Gatland of Hats Off Gentleman It’s Adequate to name three) band together in a new ad-hoc Project which married their progressive tendencies coupl with a harder edged sound to a fantastic impact. A second album is due in 2025 and possibly some live shows too!

9. Oddleaf – ‘Where Ideal And Denial Collide’

Surprisingly endearing and engrossing 70’s influenced Prog from new French outfit featuring the lovely Carina Taurer and colleagues.

8. Brendan Perkins – ‘Favourite Places’

A fantastic album that would most probably be of interest to Big Big Train ‘Passengers’ as the music is very expansive with very Pastoral overtones at various points. A most engrossing listen.

7. Nick Magnus – ‘A Strange Inheritance’

An excellent nautically themed collection of songs. This one really resonated with me and I really love Nick’s compositions on this album.

6. John Holden – ‘Proximity and Chance’

Another excellent release from the Cheshire based multi instrumentalist who, again, has enlisted some A-list players to support his epic pieces. This was, for several months, my album of the year but was then overshadowed by the following releases.

5. Kyros – ‘Mannequin’

Another top notch release and a fantastic fusion of 80’s style synth-pop and progressive music. An exquisitely produced and delivered album of sheer class.

4. Stuckfish – ‘IV’

This is a major step up from this north-east quintet and is full of great songs, some of which are crying out for more live performances. Sheer class and fine quality to boot.

3. Ruby Dawn – ‘Blood On Water’

The superb second release from Carola Baer and colleagues, who have crafted an album that is partly based on Romeo and Juliet but also contemplates life and all it’s seasons and challenges.

2. Forgotten Gods – ‘Memories’

This album came from nowhere but such is its emotional depth and rawness, along with its honesty and strong lyrics, it really makes a deep and lasting impression.

1st equal…

Instrumental album – Nick Fletcher – ‘A Longing For Home’

A further ten slices of Nick’s incredibly imaginative and polished musical musings with a truly impressive European based set of musicians. An album full of powerful themes and melodies along with jaw dropping skill and improvisation.

Vocal Album – John Wilkinson – ‘Imposter Syndrome’

Highly impressive solo album from The Swan Chorus and Ellesmere vocalist in which, over eight strong tracks, John sings of how he feels a fraud as a singer but goes on to prove that he is no fraud or imposter, rather he is a genuinely talented writer and performer. This album is a remarkable achievement and is a thing of beauty, crowned by John’s warm and evocative vocals.

It has been a vintage year for releases, you’ll notice that I’ve shied away from major label albums, despite there been several great ones but it us these 20 Albums have impacted me the most through 2024.

Review – Orion – The Lightbringers

“Music is an outburst of the soul…” – Frederick Delius

So much truth in such a simple statement; whether sad or joyous, music comes from within the soul of its composer. It can be a long and laboured task that is ultimately triumphal and that is the case with ‘The Lightbringers’, the second full album from Orion, the musical project of the prodigiously talented Ben Jones.

In the album liner notes Ben states that this was an album he fully expected not to make, he goes on to say, “My first album, ‘The End of Suffering’, was intended to be the realisation of an ambition that was born over 20 years ago. The hope was that it would put such notions to bed, once and for all! Within a few months of releasing that first album, it had sold all around Europe, as well as going as far as Japan, North America, and even New Zealand. Needless to say, this unexpected success sparked a few ideas…”

Ben had barely played a note in the 5-6 years leading up to that first album and had largely stopped listening to anything other than background noice, he knew he could do better, meaning that he knew he should do better. He wrote the first three tracks that appeared as the ‘Passing Through’ EP in December of last year and that ultimately became the genesis for this new, full-length release.

“So who/what are The Lightbringers? The basic idea is that maybe they’re a force that’s bringing everything to the ultimate good. Whatever horrors we might be experiencing in life, perhaps they serve the purpose of this ultimate good. Maybe The Lightbringers have no concept of bad, because everything they do is in the name of the best there can ultimately be. Is all of this unlikely? Probably, but you’ve got to have something to hold on to.“

I’m just looking for the light, a beacon on the shore.

A resting place to find what’s right, and a home forever more.

The opening track The Tumult of My Heart was inspired by a book of the same name by Jason Spencer from The Prog Mind. The book is about trying to deal with religious trauma from the author’s past. An imposing wall of sound is created by the layered widescreen guitar sound and the powerful rhythm section but the vocals add some real heart and soul so it’s not just a metal track. There’s a searching passion and questioning mind at the heart of this powerfully emotive piece of music and a feeling of fragility and a soul laid bare. It’s very compelling and influential and a great start to the album. The Ghosts Among Us is a profound piece of music written about the gut wrenching experience of caring for someone with a profound disability. Whilst it’s not something Ben has had to do, it is something he’s witnessed first hand. And I myself have a real affinity with this track as I have some experience of this myself and which came all flooding back as I listened to this brilliantly written song.

This Sickness is a diatribe about the negativity of social media and, man, is this track angry! Crunching guitars in the style of ‘Train Of Thought’ era Dream Theater and drums that are hewn out of granite open this thunderously compelling track. The vocals are distinct and authoritarian and the whole song just bleeds a potent intent. This is ‘proper’ prog-metal that puts a smile on my face, and not just because of the subject matter. The musicianship is sublime and Ben just seems to be having a whale of a time, venting his frustration in the best way he knows how. It’s a riot from beginning to end and I seriously enjoyed it. As Best We Can was intended to be a stripped back acoustic track that tackles the sadness of a failed relationship. Just to be clear, this is a failed relationship, not a concluded relationship. The people in this relationship have drifted apart, but they’re still together. The song opens with a gorgeous acoustic guitar and sweeping string-like synths before Ben’s hushed vocal creates a haunting atmosphere over and above the music. This elegant musical tapestry continues, imbuing the listener with a wonderful feeling of tranquility. This is the calm before the musical storm of the powerful ending to the track where everything begins to build up to a quite inspirational conclusion.

To everything, there’s a season.

A time, and a place, and a race, under the stars.

Spark opens The Cycle of Light suite, the epic that concludes the album, Ben had hoped to write an album that was in the 45-minute region as he believes that albums today are just too damned long was already around the 25-minute mark, so an epic seemed like the perfect fit! This track is a very impressive instrumental that takes you on a quite marvellous symphonic journey through the world of The Lightbringers and one where Ben really started getting into his orchestral sample libraries, hence the ramped up presence of strings, French horns, trumpets, and god knows what else during the second half of the album. Crunching guitars, thunderous, primeval drums, sweeping strings and a serious amount of grandeur add up to a truly wondrous way to begin an epic. As previously stated, The Lightbringers was a force, or a collection of entities, that have no concept of bad. They just do what they do to bring about a final state of good. The idea of The Scattering Stars is that these forces are seemingly chaotically moving. In reality, they’re just getting into position so they might exert their influence. I love this piece of music, it opens so peacefully with a delicate piano motif and the hushed vocals along with the heavenly horns and wistful strings before breaking out into an uplifting crescendo of symphonic prog metal with as much dynamism and drama as you can handle and the repeated lyric of, “They just bring gravity…” and that’s what this song fundamentally does, it pulls you into its willing embrace. We’ve all heard of people talking about the sky falling down around them. It’s catastrophic, it’s apocalyptic…. But maybe it’s necessary. Maybe these things are here to burn down our temples so that we might build better ones. The Falling Heavens is prog metal done just right, a truly incendiary cacophony of sound where every note, every drum beat and every word has a precise edge and dynamism. It’s primeval in feel and delivery, music that is hewn out of granite with djent style guitars and a passionate vocal. It all makes for a track that you aren’t going to forget in a hurry!

But is fate what they break, for those that survive the fall?

Left to rebuild the world, in the image of us all.

Although it’s tragic, maybe a person will pass away before they get to even see what light they brought to the world. I can’t imagine that in Anne Frank’s final moments, she had any concept of what her diary would bring to the world. Perhaps The Lightbringers had bigger plans.

And so we come to the conclusion of this epic album with the final track and the final part of The Cycle of Life. The Lightbringers is the best track that Ben has ever written, ten minutes of pure majesty and theatre laid out before you and what this sublime album has all been leading up to. Partly written from the perspective of the enigmatic Lightbringers, it is an utterly immersive and involving piece of music with so many brilliant hooks, riffs and motifs to keep you happy for a lifetime. The catchy chorus and addictive music are on another planet and I find myself singing the classic lines, “Let The Lightbringers burn us alive, let The Lightbringers bring us to life.” in all sorts of odd places but it has just stuck with me and isn’t that the sign of excellent music and songwriting? Just go with the flow and let the music take you along on this fantastical musical journey that is ultimately uplifting and life affirming.

The best music can take you on a wondrous, fantastical journey where, for a short while, you can forget about the trials and tribulations of this planet that we inhabit and with his latest superb Orion album, ‘The Lightbringers’, Ben Jones does just that. It is a highlight of another fantastic musical year and one that I feel will be on many people’s end of year lists and it deserves to be.

Released 16th august, 2024.

Order from bandcamp here:

The Lightbringers | Orion (bandcamp.com)

John Wenlock-Smith’s ‘Best of 2023’

This is a list of the albums that have made a big impression on me this year. They are not in any order although several marked☆ are my favourites and I will nominate one as my album of the year.

Here is the list:

1.Orion– The End Of Suffering – This came out of nowhere and it is a testament to one man’s vision and willingness to create music that he wanted to.

The End of Suffering | Orion (bandcamp.com)

2. Tribe 3 – Self Titled- This recent release most definitely impresses with its progressive, inspired take on fusion.

CD ‘Tribe3’ | Tribe3

3. John Greenwood  – Dark Blue ☆☆ This arrived, again largely unnoticed, but what a brilliant release, thoughtful, emotional and an utterly captivating listen.

DARK BLUE | John Greenwood (bandcamp.com)

4. Material Eyes  – Inside Out excellent prog from the North East of England.

Inside Out | Materialeyes (bandcamp.com)

5. The Michael Dunn Project – Bridge Across The Years ☆ Canadian musicians superb debut release, 40 years in the making.

The Michael Dunn Project

6. The Drinking Club – Really??? ☆ Very Marillion like in places, another great release.

…really?!? | The Drinking Club (bandcamp.com)

7. Pryzme – Four Inches – Superb French band release excellent album with a fondness for Rush stylings.

Four Inches | Pryzme (bandcamp.com)

8. Hats Off Gentlemen It’s Adequate – The Light Of Ancient Mistakes ☆ Amazing next adventure for impressive North London duo.

The Light Of Ancient Mistakes | Hats Off Gentlemen It’s Adequate (bandcamp.com)

9. Downes Braide Association – Celestial Songs ☆ Excellent new album of epics from the DBA Team.

Downes Braide Association: Celestial Songs, CD Edition – Cherry Red Records

10. Nova Cascade – The Navigator – A musical tribute to Eric Bouilette after his passing, beautifully done.

The Navigator | NOVA CASCADE (bandcamp.com)

11. Southern Empire – Another World ☆ A strong return for Australian favourites.

Another World CD – GEP

12. Ruby Dawn – Beyond Tomorrow ☆☆ A deeply emotional album from Wokingham’s finest.

Beyond Tomorrow | Ruby Dawn (bandcamp.com)

13. Tiger Moth Tales – The Turning Of The World ☆Deeply Personal album from Peter Jones, largely acoustic but very satisfying.

Tiger Moth Tales (whiteknightshop2.co.uk)

14. Nick Fletcher – Quadrivium ☆☆☆ My album of the year. Fusion for today, an album forging forward and beyond while embracing the past.Unbelievably fine music that is beautifully realised.

ONLINE STORE | Nick Fletcher Guitar (nickfletcherguitarmusic.com)

15. Pattern Seeking Animals – Spooky Action At A Distance – Fourth excursion from some-time Spock’s Beard men along with John Boegehold and a further step forward.

Spooky Action at a Distance (lnk.to)

16. Cyan – Pictures From The Other Side – Second album from Rob Reed’s excellent young project, with Peter Jones and Luke Machin firing on all cylinders.

tigermothhosting.co.uk/CYANCD2023/

17. The Emerald Dawn  – In Time ☆ – Beautiful album themed around time and memories and how we perceive them.

In Time | The Emerald Dawn (bandcamp.com)

18. Dave Foster Band – Glimmer ☆ The year’s ‘grower’ album that just gets better with every listen.

Glimmer | The Dave Foster Band (bandcamp.com)

19. Damanek – Making Shore – A splendidly exciting album from the early part of the year, epic, melodious and really strong.

Damanek – Making Shore – GEP

20. Swan Chorus – Achilles and The Difference Engine – My favourite vocal led album of the year, especially the wonderfully poignant track Being There about Peter Sellers, a beautiful song.

Achilles and the Difference Engine | Swan Chorus (bandcamp.com)

It’s been a tremendously fine year for music. A post-covid boom has inspired some stalwart activities with some excellent and impressive releases, here’s to an even better 2024!

John Wenlock-Smith.

Review – Orion – Passing Through

Orion is the musical project of the hugely talented, and very humble, Ben Jones and John Wenlock-Smith reviewed Orion’s debut release, ‘The End Of Suffering’, earlier this year and was mightily impressed, closing his review with this paragraph;

“There is great musicianship and intelligence to this album, all in all ‘The End of Suffering’ is a most wonderful release, I highly commend it to all, especially those who like their prog harder and less symphonic.”

I had to heartily agree with John, the fact that it was totally self-financed by Ben and he wrote, performed and produced every single note was also worthy of much appreciation. Now, as Ben works on his second full length album, he has released a taster of the Orion’s musical direction with this new E.P. ‘Passing Through’. Ben gives us some background to this new release;

‘”Passing Through’ is a mini release, aimed at giving people an insight into where Orion will be headed next. It features three new songs, and hopefully breaks some new musical ground. There is also an extended version available, which also includes instrumental mixes of the three new tracks“, He goes on to say, With ‘Passing Through,’ I’ve been keen to implement different time signatures, more intricate playing, wider soundscapes, and generally take a bit more of an adventurous path with the music. Beyond expanding my synth library, I’ve also added some orchestral sample packs into my musical palette. I’m no Michael Kamen, but it’s been exciting to resurrect my music theory knowledge, and apply it to strings, woodwind and horn sections.  I’ve also added a seven-string guitar and a five-string bass to the mix, resulting in at least one track which is, I dare say, verging on heavy.“

So, without further ado, let’s dig into these three new tracks…

The opening track The Tumult of My Heart was inspired by a book of the same name by Jason Spencer from The Prog Mind. The book is about trying to deal with religious trauma from the author’s past. The song itself tries to deal with these issues. There are many good elements to religion, and there are many bad elements. That’ simplifying it a tad, but you get the picture. As for the music, well, what can I say, an imposing wall of sound is created by the layered widescreen guitar sound and the powerful rhythm section but the vocals add some real heart and soul so it’s not just a metal track. There’s a searching passion and questioning mind at the heart of this powerfully emotive piece of music and a feeling of fragility and a soul laid bare. It’s very compelling and influential and a great start to the E.P.

My favourite song of the three is The Ghosts Among Us, it is a profound piece of music written about the gut wrenching experience of caring for someone with a profound disability. Whilst it’s not something Ben has had to do, it is something he’s witnessed first hand. And I myself have a real affinity with this track as I have some experience of this myself and which came all flooding back as I listened to this brilliantly written song.

“Ultimately, it’s almost as if they’re no longer alive, other than physically. You can read their vital signs, but can you read them as a person? I can’t imagine having to make the decision to switch off the things that are keeping some people alive, but I also can’t imagine the horror of being trapped in an unresponsive body.“

Genres go out of the window when there is a subject as deep as this, it is just beautifully enlightened and discerning music that treats the subject matter with the gravity it deserves, a hauntingly graceful guitar opens the song before the hushed vocal enters, adding an earnest, insightful quality, before the drums and superb bass lay down a dynamic rhythm and Ben’s vocal takes over. I can’t really describe how the music touches you and makes you feel, you’ll just have to listen to it yourself, suffice to say I felt enlightened by the sensitive way the subject is dealt with on this utterly captivating track, bravo to Ben for getting it perfect, much like the superb guitar solo…

After the emotional roller coaster of the previous track, the in-your-face metal infused prog of This Sickness and it’s diatribe on the negativity of social media is just about spot on.

“When I finally become the Supreme Ruler of Earth, Tik Tok will be burned to the ground… Vote for me. I’m not a fan of social media. It’s just terrible. I appreciate the irony of the fact that my entire following is based around Facebook and Bandcamp, but that’s different. I don’t do absurd dances to terrible music… I write my own terrible music. As with all things, there are good parts and bad parts. In my view, the bad parts of social media seem to outnumber the good.”

And, man, is this track angry! Crunching guitars in the style of ‘Train Of Thought’ era Dream Theater and drums that are hewn out of granite open this thunderously compelling track. The vocals are distinct and authoritarian and the whole song just bleeds a potent intent. This is ‘proper’ prog-metal that puts a smile on my face, and not just because of the subject matter. The musicianship is sublime and Ben just seems to be having a whale of a time, venting his frustration in the best way he knows how. It’s a riot from beginning to end and I seriously enjoyed it.

It’s not often I review E.P’s but, knowing it was the follow up to Orion’s stunning debut album and a glimpse into Ben’s future musical direction, I just had to review this one. I am so glad I did, ‘Passing Through’ shows a musician highly confident in his abilities and features songwriting of the highest calibre. It’s a monumental achievement in only three songs and I cannot wait for what comes next, I can’t recommend it highly enough.

Released 1st December, 2023.

Order from bandcamp here;

Passing Through | Orion (bandcamp.com)

And, for the measly additional cost of £1, you can get the extended edition with the instrumentals here:

Passing Through – Extended Edition | Orion (bandcamp.com)

Review – Orion – The End Of Suffering – by John Wenlock-Smith

I seldom fail to be impressed with folks who take the huge step into the unknown and are prepared to present to the world the music they have created from thoughts or dreams they have held sometimes for many years. I know several who have done this to a great reception and widespread acclaim.

Obviously everyone would like that, which is why reviews can matter through helping to raise awareness and, hopefully, allow an artist to gain traction and, in their profile being raised, generate both interest and push sales forward. I certainly hope this is the case for this Orion album, ‘The End Of Suffering’, as it is most definitely worthy of attention.

A little background might help here, Orion is the name chosen for Ben Jones’s concept album that came about after he read Eckhart Tolle’s book The Power Of Now, which deals with how we address our own internal dialogue between the past and the present. It talks about a personal awakening and enlightenment which incorporates the Buddhist concept that enlightenment is the beginning of the end of suffering. Quite a lofty concept but one rooted in the aspect of how time controls us and makes us slaves to its demands as we struggle to get done what we need to in the time allotted to us. It’s a never ending game of cat and mouse and one that drains, frustrates and depresses on a daily basis. As we are forever chasing our own tails, all for the Mammon at the end of the day/month/year, it’s soul destroying really and this album addresses that cycle in its lyrics.

This album was 20 years in the making, with the book being a pivotal moment towards personal enlightenment and  acceptance. Furthermore, the album was entirely self financed, performed and recorded by Ben Jones, with no intent other than to get the album completed and out to a world and see what happened as a result. Ben also made the CD available on bandcamp at a most reasonable price to encourage folks to listen for themselves. All of which is very laudable but is it any good?

Well this reviewer finds it is a really good listen and, once you understand it’s concepts and ideas, it’s both satisfying and musically very rewarding indeed.

The album begins with a gentle piano motif that is recurrent at times throughout the whole record before a huge riff commences that really opens the sound vista wide. It’s a very impressive riff that really works well and fades to some frenzied fretwork before resuming and then quietening down a little, more power chords then play the track out. As an instrumental opener Now  is a very strong and gripping track, this fades to fast strummed acoustic guitar that opens the second track, In The Beginning. This is a pretty epic song with that great recurring acoustic guitar and a great bass part to it. There is a blistering middle section with lots of frantic bass and crunchy riffing guitar parts and a tidy but brief solo, it sounds double tracked and all the better for that too,

Tomorrow is about how what we do leaves its mark in time and that we should do all we can to make that impression a good one. Again, this has a lot going on throughout and also has a fine solo. It’s a very strong track taken at a pace that doesn’t let up and, with great vocals, it’s one of my favourites thus far. The Hurricane is about the the battles of middle life and keeping control during it. There is another monstrous riff running through it all, making it quite a hard number but a powerful one that leads into Yesterday and its melancholy for the middle years and the opportunities that now seem squandered, again this is a rather epic song of regrets and missed chances.

Out Of Time is about the realisation that it’s too late and time has gone for you, a rather sobering  song really as it faces that difficult reality. Myself and I is about the enlightenment and that time is an illusion of the mind and Out Of Time pt. 2 is the reality that time is a concept and how he is not constrained or beholden to it any longer. The End Of Suffering is the last track of the album and brings us back full circle as it has a similar opening as the beginning of the album and is an excellent closer to a most unusual and somewhat different album. This track has a wall of sound effect at times, similar to Devin Townsend’s dense sound. This track has everything happening at once it is manic and urgent despite being a mid tempo piece. It really is most impressive I really like it.

There is great musicianship and intelligence to this album, okay, it might help to have read the book to fully understand the concept, something I will do for myself in the coming weeks. All in all ‘The End of Suffering’ is a most wonderful release, I highly commend it to all, especially those who like their prog harder and less symphonic.

More info at:

Orion Music – Home (orion-music.co.uk)

Released 5th June, 2023.

Order from bandcamp here:

The End of Suffering | Orion (bandcamp.com)