Tag: Martin Hutchinson

Three Into One Does Go! – Reviews – Willie Campbell & The Open Day Rotation, Thunder And Rain and The Strange Blue Dreams – by Progradar

Willie Campbell & The Open Day Rotation – New Clouds In Motion

“There’s always a way around The Gospel…”, the chorus from the second track on Isle of Lewis based Scottish singer-songwriter Willie Campbell’s third album with his current creative guise, The Open Day Rotation, ‘New Clouds In Motion’ gives you a sense of what to expect from one of “…the country’s truly great pop songwriters…” (The Herald).

A superb collection of pop and gospel infused roots music, this new record sees Campbell’s experiences while immersing himself in the Nashville music row song-writing community seeping into his own creative writing style.

There are some beautifully constructed and delivered songs on this feel-good, spirit lifting release, opener Mary Rest Your Head, the aforementioned A Way Around The Gospel and I’ve Got A Kite all take influences from the gospel style and the moving Winter Lake In Spring will literally melt any frozen heart.

There are elements of Americana, country and traditional folk all given their special coating of Campbell’s intelligent pop music roots. Born To Be Blind, Going Through The Motions, What Are We Now – the uplifting, emotive tracks just keep on coming.

A mature, intelligent and, ultimately, satisfying album that delivers on all levels.

Released 8th December 2017

Buy the album direct from the artists here:

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Thunder And Rain – Start Believing

It’s a good job that mandolinist Peter Weber convinced his former busking sidekick, singer/guitarist Erinn Peet-Lukes, to join him in Golden, Colorado otherwise the excellent Thunder And Rain would never have been formed.

The driving country rock sound benefits from the duo’s roots in traditional bluegrass and folk and the opening triple salvo of Cut The Wire, Once I Was and title track Start Believing sets down a marker of the excellence to come.

It’s difficult to combine the more down to earth elements of acoustic instrumentation more familiar to roots music fans with modern rock and pop but Thunder And Rain have created a sound that seems to have attracted the approval that most new-to-the genre acts can only dream of.

The laid back vibes of Babe You’re Gonna Leave Me and Wyoming Is For Miles, the country blues lament of What Am I Gonna Do and the bluegrass brilliance of Tennessee Is Burning all add to this impressive band’s burgeoning reputation.

A perfectly created and delivered album of polished and yet emotive songs that deserves to see Thunder And Rain rise to be the cream of the crop.

Released 1st November 2017.

Buy the album direct from the band here

The Strange Blue Dreams – s/t

“Like Elvis Presley discovered skiffle and formed a band with Duane Eddy and The Beach Boys…”

Yep, it really is that strange but in a good way. The debut, self-titled, album from Glasgow’s The Strange Blue Dreams is full of nods to Nashville, Spaghetti Western theme tunes (think Ennio Morricone), Roy Orbison, Balkan guitars and even Duke Ellington’s big band sound.

To be fair, there is nothing quite like this and there never has been, forging the famous sounds of the 50’s and 60’s, double bass, mandolin, film noir and, yes, Elvis Presley into a unique sound full of immediacy and energy. Atmospheric arrangements that create an otherworldly rock n’ roll sound.

Highlights? There are many and there isn’t a duff track on the album. For me Reverberatin’ Love, Electricity, Jungle Drums and (That’s The Place) I’m Falling are just four of the songs that really typify the weird and wonderful world of The Strange Blue Dreams.

It’s not very often that you hear something completely different that really blows you away and these impressive musicians won’t appeal to everyone but if you like your R&B and twanging jazz music with a bit of David Lynch thrown in for good measure, trust me, you’ll love this!

Released 20th October 2017.

Buy the album from bandcamp here

 

Review – James Edwyn & The Borrowed Band – High Fences – by Progradar

I blame my mate Iain Sloan and, by association, Loudon Temple of Bloody Great PR for my new found love of Americana and Roots music. For those not in the know, Iain is the rather special guitar player from the Scottish Americana band The Wynntown Marshals, a band whose last two releases I have reviewed and enjoyed immensely.

Loudon’s Bloody Great PR company cover an incredibly diverse and deeply impressive selection of roots, folk and Americana artists, based over here in the UK and Ireland and over the pond in the States and I have had the pleasure of reviewing their work.

When I heard the first strains of the opening track, Passing San Ysidro, from Glasgow sextet James Edwyn & The Borrowed Band’s  second album ‘High Fences’ I was immediately hooked by their superb sound. The riff and hook filled tunes are full of resplendent melodies and finely honed arrangement. There’s a driving American rock feel to songs like the opening track and Get Back Up yet there’s an honest humility to tracks like Pushing Statues and Starlet with the ever elegant steel guitar that tugs on the emotions.

James Edwyn himself has a honey-toned vocal delivery that holds you in rapture and the skill and dexterity of the musicians imbues class and panache to every note and the counter punch of Emma Joyce’s dulcet feminine voice produces superb harmonies and adds powerful drama to Quoting Sagan and Burning Man.

The compelling Taking Liberties is a particular highlight but there is never a dull moment on this deeply influential record. An album for when the sun goes down on a great day and you need to finish it off in rare style.

Released 15th December 2017.

Order the album from Big Cartel here

Single Review – Sleeperman – Why Can’t You Say I Look Nice When I Look Nice? – by Progradar

Those erudite wordsmiths from East Yorkshire, Sleeperman, are back again with the fifth single from 2018 and the song titles just keep getting longer!

May’s single (I know, the review is a bit late this time!) is called, deep breath, ‘Why Can’t You Say I Look Nice, When I Look Nice?’, both a test of your diction and punctuation. The intelligent songwriting takes both a mournful and melodramatic direction with a darker subject matter but the incisive wit is there again in spades.

John Hilton’s vocal has a melancholy appeal that gives a more emotive edge to the song and Neil Scott’s 50’s guitar twang adds the required sepia twinged touch of pathos and regret (just check out that elegant riff!). The subdued drums of Phil Sharp and Steve Skinner’s laid back bass playing give real humanity to the music, to be fair, you either get this band or you don’t and I love their nods to the angst of Billy Bragg and the realities of real life, it’s simply rather wonderful.

The ‘B-side’ is a wistfully charming track with yet another lengthy title (I wonder if the band run competitions for this?!). ‘She Was The First Girl In Our Street To Die Her Hair’ will set many a 50 year old heart a fluttering about first crushes and  unrequited love, once again the songwriting abilities of Sleeperman leave a smile on my face and an amused tear in my eye…

Released 4th May 2018

Download the track from 7digital here

 

 

Review – The Dame – Losing Sight Of What You Want – by Progradar

With a flair for the dramatic and a talent for musical storytelling, Netherlands’ The Dame deliver neo-progressive music with more than a touch of melodrama:

“A new Dame has moved into town!

She is sensual, feminine, and smooth… that is, until the guitars start roaring.

The Dame will take you back to the romantic era of the roaring twenties. Hidden back room bars, smokey night clubs, liquor in coffee mugs… when gentlemen were stylish, and ladies were sexy chic.

Time to drink champagne and dance on the table!”

A collection of seven impressive tracks, ‘Losing Sight Of What You Want’ is the band’s debut release and is a polished and stand out album.

The theatrics are there for a reason, drawing you into the well constructed songs and setting the scene for what is almost time-travelling concept album. The soulful vocals of Marian Van Charante are beguiling and bewitching on tracks like the immersive Losing Sight Of What You Want, the epic and involving Conveniently Distant and the deliciously dark wanderings of Thy Father’s Bidding.

Stephen De Ruijter’s imposing and intense guitar playing is like the conductor’s baton, leading the rest of these superb musicians as they deliver a deeply engaging musical experience, the rhythm section of Michel Krempel (bass) and Ruben Meibergen (drums) being the powerful glue that holds everything together. Keyboard player Thijs De Ruijter’s wonderful playing is the icing on the cake.

This is neo-prog Jim but not as you know it! and in the crowded world of progressive music it takes something to stand out from the crowd and, to my ears, these mesmeric musicians are well on the way to finding it. With the eye catching packaging and clever back story, this is a CD that should be finding it into everyone’s collection.

Released 16th February 2018

Buy the album on CD or download here

 

Review – The Fretless – Live From The Art Farm – by Progradar

Transforming string music into intricate, beautiful, high-energy arrangements, Canada’s The Fretless have become flawless musical acrobats and multiple Juno award winners.

A major force on the world’s roots music circuit, this new album was recorded live, using only three mics and paying homage to to the traditional repertoire, straight to tape in front of an audience and this gives you a taste of actually being there amid the electric atmosphere in the room.

The tracks are explorations of traditional Irish tunes but given the classic Fretless treatment, so stamping their hallmark on the material.

The wonderfully laid back Bixie’s and the traditional folk overtones of The Killavil Fancy add a smooth contrast to the high energy delivery of tracks like Maggie’s Set and the grin inducing Jenny Bear. For any fan of pared back traditional music, this collection of wonderful tunes is a must. There’s a basic intimacy to the music that works brilliantly as these four exemplary musicians work their magic.

Other highlights are the urgent tones of Holton Alan Moore’s and the emotive strains of the very traditional sounding Dawning Of The Day.

For those new to the band or long term admirers this release is a joy and a delight,  just don’t keep calling it ‘Live From The Ant Farm’…

Released 28th May 2018

Order the album from CDBaby here

Review – The Slyde – Awakening – by Progradar

There’s some powerhouse artists that have come out of Canada, Rush and Bryan Adams immediately come to mind, but it’s not known as a hotbed of emerging talent on the whole.

Last year I reviewed an EP full of intelligent and complex ‘heavy-prog’ songs that showed a huge amount of promise from four piece Canadian band Slyde. They have taken the four tracks of ‘Back Again’ and added six new songs to create their first full-length offering ‘Awakening’ and also added ‘The’ to the front of their name.

The new tracks are the first six on this impressive release, Nathan Da Silva’s soaring riffs and Sarah Westbrook’s dynamic keyboards dominate the band’s edgy and high energy sound with the energetic and potent rhythm section of Brendan Soares (drums) and Alberto Campuzano (bass) providing the up-tempo drive. This potent brew is topped off with Nathan’s distinctive vocals (comparisons with Geddy Lee are indeed merited) to deliver some quality melodic prog-rock that brings to mind bands like the aforementioned Rush along with Haken, Coheed and Cambria and Circa Survive.

The short intro of Awaken leads you into a powerful collection of tracks that have this forceful and charismatic feel and a seemingly boundless supply of high octane energy that carries you along on a wave of compelling and vitalising music.

You want a catchy, addictive chorus? The Slyde tick that box, thunderous riffing? yep, that too, coruscating guitar solos? of course! There’s nothing that this highly impressive collection of musicians seem to have left out of their locker.

Highlights of the new tracks, for me, are title track Awakening and So Blind but every song is a compact ball of progressive magnetism and captivate with equal force and hearing the final four tracks that made up ‘Back Again’ brings a huge grin to my face, remembering what I enjoyed about them in the first place, Fading and Divide especially.

The Slyde have returned with one of the year’s more idiosyncratic and left-field releases and, once again, they deliver a thunderously powerful and yet thought provoking collection of songs with an aggressive and weighty edge but never forgetting that melody is king, highly impressive.

Released 18th May 2018

Order ‘Awkening’ from bandcamp here

Review – The Aaron Clift Experiment – If All Goes Wrong – by Progradar

“Intricate and subtle yet with raw passion at its heart, The Aaron Clift Experiment is one of the most exciting and interesting bands currently writing and playing music today.”

Now, I said those words about The Aaron Clift Experiment’s debut album from 2012, ‘Lonely Hills’ and the band went from strength to strength with their impressive follow up, 2015’s ‘Outer Light, Inner Darkness’ that increased the quota of high energy hard rock based progressive music.

2018 sees these Austin, Texas natives deliver their third album, ‘If All Goes Wrong’ and, after the increasing promise of the first two albums, it was one I was very much looking forward to hearing for the first time…

Formed in 2012 as the solo project of Aaron Clift, the band has since blossomed into a powerful live group.  The group’s multi-faceted sound is an innovative blend of classic rock, modern rock, and classical all anchored by the band’s dedication to high-quality songwriting and musicianship.

Its last two albums, 2012’s ‘Lonely Hills’ and 2015’s ‘Outer Light, Inner Darkness’ were critically-acclaimed progressive rock achievements, landing on several year-end best album lists.  In 2017, the band had a star-making performance at RosFest, one of the largest progressive rock festivals in the world.

The core members are Aaron Clift – Vocals/Keyboards, Devin North – Bass and Tim Smith – Drums and Percussion and the new album sees contributions from some of the top guitarists in Austin, Van Wilks (a Texas blues and rock icon), Arielle (a student of Brian May of Queen and collaborator of legendary guitarist, Eric Johnson), and Dave North (of Austin psych rockers, The Cuckoos).

What I’ve always found with, and loved about, The Aaron Clift Experiment is the rock element to their music, varying from hard rock to a very fluent blues guitar style, it gives them a quite unique sound and added to Aaron’s husky and raw vocal delivery, you wouldn’t mistake them for anyone else.

The first two songs on this new release, Faith and Last Crash are full of that harder edged riffing guitar and dynamic drums that combine to give a high energy delivery. Where the former is upbeat, the latter has a darker hue to it, Faith taking cues from many almost balls-out rockers. You immediately get into the band’s mindset and groove with this really invigorating, raw feeling song. Last Crash subtly builds up the tension with some excellent synth and bass guitar work before a driving riff and high octane drums give it that impending feel of apprehension. Aaron delivers an immediate vocal, impassioned and edgy and the squirreling guitar breaks really add some zeal and animation to the organised chaos.

The band take on a more pastoral and progressive style for  Absent Lovers, a delightfully wistful opening blossoms into a compelling tour-de-force that ebbs and flows irresistibly throughout. The organic synth sound adds a real 70’s aura that blends perfectly with vocal harmonies and potent guitars to take you on an enthralling musical journey. Remember Ben Folds ? The truly addictive vibes of Better Off Before certainly remind me of that piano heavy, almost pop-prog sound. It’s a real feelgood sounding song with a a not particularly upbeat subject. A Brian May-esque guitar sound and the energetic rhythm section give it real polish and gloss and make it one of my favourite songs on the album.

Funky guitars, swirling keyboards and high-tempo drums all combine to give us the jazz-fusion intro to another grin inducing track. Castle In The Sky takes what I would call the signature Aaron Clift Experiment sound and adds even more zest and vivacity to deliver a high energy song full of catchy hooks and intricate melodies and one that showcases the musician’s skills perfectly. Have you ever wondered what would happen if Aaron Clift met King Crimson and they jammed together? Well, wonder no more for Savage In A Fancy suit will give you the definitive answer to that (never asked) question. An almost disorganised, chaotic frenzy of riffs and caustic Hammond Organ notes entwined with staccato drumming and a discordant bassline. It shouldn’t work really but it does and what a thoroughly enjoyably manic track it is.

Returning to the elegant and nostalgic pastoral tones, Dream Within a Dream is The Aaron Clift Experiment at their progressive best. Melancholic undertones give a pensive and sombre atmosphere to this impressive song. The music has an anticipatory feel and Aaron’s vocal almost pleads into the microphone. An intelligent and immersive eight minutes of music that hits the highs but also has an underlying seriousness that makes you take in every nuance and subtlety, oh and the guitar solo that closes out the song is pure genius! Fiery, edgy and with an almost pop-punk feel to it, Wild Hunters is an aggressive, lively and spirited track that fills a hell of a lot into its sub three minute running time. It’s almost like it rocks up, slaps you in the face, kicks you in the knee and then disappears into the distance laughing manically.

The final track on the album is a wonderful piece of music that just oozes class, warmth and emotion. Title track If All Goes Wrong really gets under your skin with its mournful vocal and elegant string-like synths. There’s a beauty to be found in its sorrowful and forlorn quality, the guitar solo just bleeds a melancholy passion that proves there is allurement even in sadness, it is a fantastic finish to the album.

‘If All Goes Wrong’ sees this impressive ‘Prog Ensemble’ rise to even higher heights. I’ve been a fan of The Aaron Clift Experiment since I heard their first album nearly six years ago and, like a fine wine, they just mature and get better and better as time goes on. They’ve enriched and diversified their already impressive songwriting and musical skills to make them one of the most impressive progressive acts currently on the scene.

Released 4th May 2018

http://aaronclift.com/preorder/

 

Review – Shadowlight – Stars Above The City – by Progradar

A little known fact is that UK based alternative rock band Shadowlight are the main reason you are now reading this review on a website called Progradar. I liked their 2012 release ‘Twilight Canvas’ that much that I really (and I mean REALLY) pushed it on social media as well as creating some Youtube videos for the tracks. All this really whetted my appetite to take my amateur music journalism a step further. This new album has been a long time coming and I was eagerly awaiting its arrival.

Suffice to say I have not been disappointed in any way, shape or form. James Hodkinson (guitar, vocals), Mark Wilson (keyboards, vocals) and Ed Williamson-Brown (bass) have delivered in spades and I must now have listened to ‘Stars Above The City’ over twenty times and it hasn’t lost any of its wonderful lustre.

This album is chock full of edgy, sharp-suited alternative rock with a thoughtful intelligence. Clever riffs with more than a touch of heaviness and some soaring guitar solos are joined by the traditional swirling Hammond keyboard sound to deliver insightful, intelligent and enjoyable music with a tip of the hat to such luminaries as Riverside and Porcupine Tree.

There’s a lovely nostalgic nod to ‘Twilight Canvas’ in the opening intro Adrenaline Bomb before the album gets going properly with the thumping riffs of Gravity. This new album is still full of what made the last one (and the ‘Winter’ EP) so good, especially the expertly harmonised vocals, but there’s a much heavier feel and a maturity to the band’s sound with its added complexity, dynamic, sharp-edge riffing and cool as you like solo.

The trio of Summerfade, Dusseldorf and Stars Above The City take the signature Shadowlight sound and mould and evolve it into something that is still connected but now has a sophisticated and perceptive intelligence and I could listen to that sound all day long. Captivating choruses and addictive melodies are key to this new direction but there’s also a grittiness and edginess to James Hodkinson’s guitar sound that gives it something else, the guitar led intro to the title track is a great example of this.

Things just keep getting better with November and Fractured, two songs that really showcase the superb keyboard skills of Mark Wilson, his ability to switch from the heights of swirling Hammond organs to the subtleties of a beautiful piano note is delightful. You find yourself being enveloped by the music, it’s soothing and involving qualities are prime to you feeling part of the album rather than a spectator.

The final song on the album, Unending, sees the band deliver their most progressive piece of music yet, coming in at just under twelves minutes of complex and intricate music with meaningful vocals and a pensive thoughtful feel. A contemplative and introspective work that holds your attention throughout and one where each of the musicians comes to the fore to deliver an outstanding song that, to me, is Shadowlight’s best yet and a worthy ending to this stellar album.

I know you could say I’m a bit prejudiced but this new album from Shadowlight is everything I hoped it would be and so much more as well. They say if it ain’t broke then don’t fix it but, what the band have done with ‘Stars Above The City’ is take what made ‘Twilight Canvas’ such a great debut album and enhance it in subtle ways to deliver a real progression of their music and something which can hold its head high in this crowded world of new music that we live in today.

Rating – 93/100

Released 7th April 2018

Download from all the usual suspects:

 

 

 

Single Review – Sleeperman – Keeley Really – by Progradar

Like a never ending musical production line staffed with working class heroes from the 50’s and 60’s, those folks at Chippy Records have released the fourth Sleeperman single of 2018 and, once again, it is a humour filled triumph of social commentary and the lives that normal people lead.

“Aged eight she was going to join the ballet, at 16 she went to Spain and shared a chalet, at 24 she’s got three kids from men she didn’t marry.”

The witty and pithy lyrics in Keeley Really seem to come from a well that never seems to run dry and the jovial, traditional music delivery adds a real down to earth feel to everything that these talented guys touch. John Hilton’s vocal delivery is almost spoken as well as sung and it adds a narrative feel to the song. Neil Scott’s jangly guitar sound echoes with hues of 50’s rock n’ roll with its Duane Eddy twang and Steve Skinner and Phil Sharp are the perfectly chilled rhythm section that glue everything together.

“She reads them stories every night, she brings her kids up right. Her shoulders tattooed with their names; Diesel, Magaluf and James.”

These guys just seem to get how I feel about music spot on every time, a real soundtrack for my generation.

As ever, with their faux 45rpm style, there’s a B-side and The Places That We Knew Before Are Not Those Places Anymore shows a more melancholy side to the band and the songwriting.

“Remember swimming naked in the ship canal because we’d seen it in a film…”

It’s a sepia tinged wistful look back at younger days when anything seemed possible and any ambition was attainable. As the saying goes, nostalgia isn’t what it used to be but the bitter sweet lyrics and music are delivered just about perfectly.

Sleeperman have done it again, this is becoming a series that is as addictive as anything that Sky, Amazon or Netflix can deliver and, if you haven’t already, come join us on this incredible ride.

Released 4th April 2018

Check the band’s Facebook page for how to get your hands on the single in CD and digital form here

Single Review – Sleeper Man – Loyalty – by Progradar

“…if I’m lost, I’m on my phone, you can always find me, Tesco’s have a read on how much lager I will need to unwind me..”

The lyrical genius of Sleeperman once again brings a smile to this tired old hack’s face. Sharp, canny and incisive lyrics are becoming a real U.S.P of this clever band which, along with music that always hits the spot, are making them a highlight of this musical year for me. The third single release of 2018 is Loyalty and the guys once again tweek a winning formula by giving a little bit of eastern promise to their sound.

To quote the band, “NEIL’S SITAR INFLUENCED GUITAR MOTIF IS AN (ARRANGED) MARRIAGE WITH JOHN’S LYRICAL TRIBUTE TO THE BARD IN A TALE OF SUPERMARKETS AND PERSONAL IDENTITY. “

That Indian influenced guitar motif is incredibly catchy becoming an earworm and one that gives additional polish to what is already a very impressive song. I’m probably not the only one who actually rewinds the song so that they can listen to the witty and pithy lyrics which, combined with the excellent bass of Steve and Phil’s elegant drumming, advance the coda of Sleeperman further on up this involving musical road.

The B-Side Peace of Mind and a Good Night’s Sleep compliments Loyalty perfectly, you must take the time to get immersed in these musical storytelling gems, independent music seems to be forever fighting a rearguard action against the corporate bullshit that abounds in the music industry of late but, with bands like Sleeperman giving us intelligent music with stories that we can relate to on a personal level, long may that fight continue.

Released 4th March 2018

Check out the band’s Facebook page for how to get your hands on the CD single

Download Loyalty digitally on iTunes