Tag: Lee Pomeroy

Review – Damian Wilson – Built For Fighting – by Rob Fisher

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I can’t help feeling there is something of an unfortunate disconnect between the expectations encouraged by the forceful and uncompromising visual imagery portrayed by the cover artwork and the reality of the music you find yourself hearing in light of those expectations. Whether this is something to do with a perception of Wilson’s image or persona because of his involvement with the heavier leaning music of Threshold or Headspace I’m not sure, but the overt portrayal of aggression and machismo is thoroughly unhelpful and actually serves to undermine what is an exquisitely compelling and unexpectedly beautiful album.

Wilson explains the rationale underpinning the album as giving voice to the daily experience of trying to carve out a meaningful, secure and even happy existence against all the factors and forces which are ranged against us. “Life is a fight. A never ending brawl and struggle to find a little peace.” The theme is certainly reflected in a lot of the tracks which appear on the album and goes some way to at least partially explaining both the image and the implied attitude which adorns the cover.

Yet you only have to listen to the elegant and graceful lyrics of the sublime Battlelines (Track 12) to understand that Wilson’s heart lies in an all together different direction. “It seems to me that through all this fighting that, mores’ achieved by words and writing than, any bullet fired through war and rage”. Or again: “I understand though I don’t like it that, we were made and built for fighting but, can’t we put those tanks and bullets away”. And then we reach the repeated refrain: “So what if we believe it’s all magical, If it was up to me, watch the mighty fall, we would all stand back and just laugh at war”.

Such an imploring and impassioned cry from the heart, reflected across so many of the songs on this staggeringly poignant album, gives voice to the crisis and the dilemma which shape and form the music and the lyrics. On the one hand the reality is that life is a battle, a fight, brutal, tough and unforgiving; on the other there is the recognition that actually all this is a senseless folly, meaningless posturing, a futile waste. There is a better, kinder, gentler and more human way of living. And it is the tension created from understanding that both these views hold true which lies at the heart of this remarkable and at times heart-breaking release.

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Two things quickly and forcibly strike you when you spend time with this album. The first is just how dramatically expansive and passionately expressive Wilson’s voice really is. Superb recording values let you hear with crystal clarity the incredibly diverse range he brings to each song, from the gentle and emotionally nuanced ballads all the way through to the feisty, rugged and good old fashioned heavy rock anthems. The vocal performance elicited by and expressed through the music is simply magnificent, a joyful master class which is a delightful privilege to hear, appreciate and enjoy.

The second is the sheer lyrical brilliance which shines so brightly throughout the album. Initially it is difficult to appreciate the hugely perceptive levels of insight, acumen and plain common sense wisdom which are carefully crafted within each song because your attention is always diverted elsewhere by other things. But the more you listen, the more you begin to pick up phrases and notice sentences which in turn lead you to pay a lot more attention to the skill and care which has gone into the song-writing.

‘Built For Fighting’ is an extraordinary achievement on many levels, not least of which is that it is a gem which hides in plain sight and runs the risk of being ignored precisely because of that. It is fiercely honest, impressively direct yet for all that, expressed in and through music which is delicately sensitive, powerfully moving and strikingly touching. By the end it leaves you in little doubt that it is a labour of love which rightly and quite unapologetically wears its heart on its sleeve.

I will be honest and say that on first listen I was distinctly unmoved, primarily, I suspect, because the combination of the cover in tandem with my existing familiarity with Wilson’s other work means I came in with all sorts of preconceptions which just didn’t gel or match up with the music I was hearing. It was quite an unexpected jolt, that is for sure! Now, however, I find I have fallen for it hook, line and sinker to the extent that it definitely stands as a significant contender for album of the year. Let it charm you, let it lure and entice you; you certainly won’t regret it.

Damian Wilson: vocals

With:
Lee Pomeroy – bass
Bill Shanley – guitars
Adam Wakeman – keyboards
Brian Willoughby – guitars

All photos of Damian by Marleen Den Brock Photography.

Released 9th September 2016.

Buy ‘Built For Fighting’ direct from the artist

Band Website: http://www.damian-wilson.net/
Facebook: http://www.facebook.com/officialdamianwilson
Twitter: http://www.twitter.com/damian_wilson
YouTube: http://www.youtube.com/damianwilsonofficial

 

 

 

 

Review – Headspace – All That Your Fear Is Gone – by Progradar

Crikey, the plethora of excellent new music arriving daily at Progradar Towers is definitely increasing in volume!

With this in mind, welcome to the first in an irregular series of shorter, more concise (yes, I know!) reviews to empty your wallet. You can thank me later….

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Headspace – All That You Fear Is Gone

Damian Wilson has one of the more recognisable voices in Prog Rock/Metal and his band Threshold have, while not exactly being at the forefront of progressive-metal, certainly gained a cult following over the years.

Leaving the day job to one side, Damian, alongside keyboard player Adam Wakeman, bassist Lee Pomeroy, drummer Pete Brook and guitarist Pete Rinaldi, formed the so-called ‘Supergroup’ Headspace in 2006. It wasn’t until 2012 that they released their debut album ‘I Am Anonymous’ and, to be fair, I was left slightly underwhelmed by it.

Fast forward to 2016, the band have replaced Brook with Adam Falkner and released their sophomore effort ‘All That You Fear Is Gone’. Time for a rethink from this music hack? Let’s see….

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The new album has a strong conceptual strand running throughout.

“The concept is mine,” says Wilson. “On the first album we were focussing on the individual trying to fit into the group. This time, we are looking at the group’s inability to control the individual. It’s about governments, big business and religion but also the smaller social groups we form. They exist as a method of ensuring conformity, always with a pecking order.”

This release has the signature dense and heavy sound employed, not only by Headspace but, also by Threshold. Thunderous riffs and dynamic drumming abound on tracks like the opening duo Road To Supremacy and Your Life Will Change and the Audio Plastik-a-like Kill You With Kindness. There is an intelligence running throughout though, the stylish bass and astute, polished keyboards laying an impressive infrastructure.

To be honest, what you have to decide is, whether you like Damian Wilson’s distinctive vocals or not as they are all pervasive on this release and are the foundation of Headspace’s sound and style.

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Me? I love them, he has brilliant nuances in his voice that really come to the fore on the expressive blues style of Polluted Alcohol, a gem of a track where Rinaldi’s pared back delta blues guitar work is an absolute delight yet Wilson’s vocal is the real focus, and the epic The Science Within Us, a song that really showcases how far this impressive group of musicians have come since the debut release. A track of different parts and one where Wilson seems to vocalise different characters and his tender, heartfelt voice is at its supreme best. The way he sings the chorus will make the hairs stand up on the back of your neck. He hits the heights again on the superior closing track Secular Souls, an engrossing musical journey that enthralls and captivates from the first note to the last, powerful and bombastic and yet with a compassion and benevolence deep at its heart.

‘All That Fear Is Gone’ was produced by the band, and mixed by Jens Bogren, who also worked on ‘I Am Anonymous’.

To me, this record is a true cohesive whole but Damian wasn’t convinced at first,

“When all the separate parts for this were first put together, I thought it sounded crazy,” laughs Wilson. “In fact, I’d go so far as to call it unlistenable. But then Jens worked his magic in the studio, and has made it all settle down and make sense.”

I could try and pick out some stand out tracks but, you really need to take this album as a whole listening experience, there really are no weak moments at all. For me, at least, this is a huge improvement on the debut release and I highly recommend it.

‘All That You Fear Is Gone’ is the second part of a planned trilogy, and Wilson already has the blueprint for the final instalment in his mind. But that’s still in the future. Right now, the band are concentrating on touring in 2016.
“That will definitely happen. We are working on the dates right now.”

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‘All That You Fear Is Gone’ was released on 26th February 2016

Buy from the band’s online store