RIVERSIDE’s Mariusz Duda checked in with the following comment:
“We’re coming back! We remember the fantastic shows in the UK and Ireland in the spring of 2023. Because we haven’t visited the Islands too often since the ‘Wasteland’ tour, we will return with our biggest UK/Ireland tour to date. We’d be very happy to meet you all (again). So before we close the chapter on ‘ID.Entity’ and take a break, come join us!”
RIVERSIDE’s UK/Ireland tour will feature Klone as special guests with a special “unplugged” set. Klone’s Guillaume Bernard adds:
“We are really happy to share the stage with Riverside on this UK/Ireland tour. We are very excited to play in great venues, like the amazing KOKO in London, where we played 12 years ago with Gojira. This time we will play ‘unplugged’ versions of our songs, but be sure that it will sound huge and heavy!”
RIVERSIDE – United Kingdom / Ireland Tour 2024 + Special Guests KLONE (‘Unplugged’)
Previous to this tour, RIVERSIDE will be performing in North America and Latin America as well appearing on several festival events in the summer as follows:
RIVERSIDE – Live 2024:
08.03.2024 Port Canaveral (USA) – Cruise To The Edge Festival
15.03.2024 Guadalajara (Mexico) – C3 Stage
17,03.2024 Monterrey (Mexico) – Café Iguana
19.03.2024 Mexico City (Mexico) – Auditorio Blackberry
21.03.2024 Bogotá (Colombia) – Teatro Astor Plaza
23.03.2024 San José (Costa Rica) – Pepper Club
28.03.2024 Buenos Aires (Argentina) – Groove
03.04.2024 São Paulo (Brazil) – Carioca Club
06.04.2024 Santiago (Chile) – Teatro Caupolicán
01.06.2024 Warsaw (Poland) – Torwar Hall
05-08.06.2024 Sölvesborg (Sweden) – Sweden Rock Festival
19-22.06.2024 Murcia (Spain) – Rock Imperium Festival
28-30.06.2024 Helsinki (Finland) – Tuska Festival
18-21.07.2024 Jarocin (Poland) – Jarocin Festival
19.07.2024 Sankt Goarshausen (Germany) – Night Of The Prog Festival
Most recently, RIVERSIDE have launched their “Making of ‘ID.Entity'” documentary, directed by Marcin Zawadziński. The documentary was screened a year ago at RIVERSIDE’s promotional meetings in Helios cinemas in Poland for the release of their latest studio album “’ID.Entity’ and now everyone will finally be able to watch it online, everywhere.
Check it out here:
“ID.Entity”, the group’s 8th studio album was recorded and mixed in two studios – The Boogie Town Studio in Otwock with Paweł Marciniak and in Serakos studio in Warsaw with Magda and Robert Srzedniccy -, mastered by Robert Szydło and produced by RIVERSIDE’s Mariusz Duda himself. The “ID.Entity” artwork was created by Polish artist Jarek Kubicki.
“ID.Entity” achieved the following outstanding chart positions upon release: Germany: # 4, Poland: # 2, Switzerland: # 6, The Netherlands: # 9, Finland: # 14, Austria: # 22, Belgium: # 97, France: # 155, UK: # 89, UK / Rock Charts: # 3, USA / Top New Artist Albums: # 7, USA / Current Album Sales: # 61, USA / Hard Music Albums: # 9, USA / Current Rock Albums: # 20.
Check out the singles/videos off “ID.Entity” here:
2023 has been a fantastic year for music with an absolute plethora of superb albums that I have reviewed. It’s always very difficult indeed to pick out my favourite twenty releases from such a stellar year but here are the ones that have really left a mark for me.
They are in no particular order for the first nineteen but I have debated long and hard about my number one album so read on and find out what has taken the honour for 2023…
This Winter Machine – ‘The Clockwork Man’
‘The Clockwork Man’ is modern, neo-tinged, progressive rock at its finest and most involving, perfectly created and performed by a band who have found their feet after three accomplished releases and have delivered their finest work yet. This Winter Machine now stand at the forefront of modern neo-progressive rock and can be rightly proud of a concept album that can stand the test of time with some of the best that have gone before.
One Sided Horse – ‘My Favourite City At Night In The Rain’
So, there you have it, ‘My Favourite City At Night In The Rain’ is quite possibly one of the most important albums you will listen to this year. If you want an example of why music is so wonderful and moves people in so many ways then you cannot pick a better example than this utterly triumphant work of art, Mark Whiteside and OneSided Horse please take a bow, I thank you from the bottom of my heart…
Well, what can I say, I knew that a new Hekz album would be something pretty good but I had no idea it would be this special. With ‘Terra Nova’, Hekz have given us the ultimate involving musical thrill ride and I just don’t want to get off. To tell the truth, it’s the best progressive-metal album I’ve heard in many a year and, if this is the future of the genre, I’m completely sold!
‘Threnody For A Dead Queen’ is Comedy Of Errors at their very, very best, the music builds, almost as if alive, it has moods and emotions and captivates from the very first note. This band just get better and better with each wonderful album they create and, without exception, this release is up there with the very best of the year so far. Hell, in my opinion, it is Comedy Of Errors’ best yet, their Magnum Opus if you like and you should just go out and buy it!
‘The Author and the Dreamer’ connects with you in your sub-conscious, the songwriting and performances are second to none and Zeelley Moon’s innate Englishness and idiosyncracies are what make this music so appealing and enjoyable and one of my albums of 2023. Do yourselves a favour and get your hands on it as soon as you can!
Released 20th November, 2023.
Download and streaming on iTunes, Spotify, YouTube Music and the usual others.
Physical Album sales available on Discogs.com or direct at zeelleymoon@yahoo.co.uk.
The Round Window – ‘Everywhere & Nowhere’
Everywhere & Nowhere’ takes everything that was great about the band’s debut and just lifts it several levels. It is lush, classy, insightful and so melodically impressive and is an album that The Round Window should be mightily proud of. Difficult second album? not for these highly accomplished musicians!
Music has the power to move you and impact on your life in a positive manner and, with ‘Himlabacken Vol. 2’, Moon Safari have delivered the most wonderfully uplifting collection of songs I have heard this year. A joyous, mood enhancing release that just makes this world we live in a better place to be, if only for a short time. Trust me, you need this album in your life!
With ‘The Cycle Undone’The Twenty Committee have not only returned triumphant, they have also delivered one of THE musical experiences of 2023. Highly emotive songwriting allied with musicianship of the utmost quality, the band’s sophomore release builds on the enormous promise of their debut all those years ago. It may be ten years after but, boy, what a way to make a comeback!
‘Cautionary Tales’ is one of the freshest sounding albums you will hear this year, it is prog-metal for the thinking music fan and has real heart and soul at its core. I for one am intrigued to see what this talented duo come up with next.
A Southern Empire record is always just more than an album release, it’s a hugely significant occasion and one that I await with bated breath. Their music has been a soundtrack of my more recent years and is very, very important to me on a musical and emotional level. ‘Another World’is an absolute masterpiece of musical theatre and, possibly, the band’s Magnum Opus, one of the best albums you will hear this or any other year, and the perfect accompaniment to my life.
It’s not often we hear a truly progressive release nowadays but, almost from out of nowhere, John Greenwood has entered the fray with one of the finest releases of 2023. The musicianship and songwriting are top notch and, like all the best albums, I find this on almost permanent rotation, it is, to put it simply, utterly superb!
There is nothing better than music that connects with you at a basic level, music that moves you and music that almost becomes part of you and Ross Wilson and Blue Rose Code create music that is all that and more. This collection of B-sides, varieties and singles is something that should be cherished and I, for one, cannot wait for 2024 and a new album from this incredible musician. Ross Wilson, my friend, I wish you peace in your heart…
There’s no weak link on this album, it just ebbs and flows beautifully, although the last three tracks go together so well. They’re possibly the best triumvirate of songs that the band have ever done back to back. With the Skallagrim series Glass Hammer proved themselves masters of the dynamic and grandiose and ‘Arise’ gives the impression that the creative skills of Steve Babb have gone into overdrive, is there a better storyteller in modern progressive music?
I chose ‘The Last Great Adventurer’ as my album of the year for 2022 and, in a fast paced world that never stands still, Galahad haven’t rested on their laurels. They have returned with ‘The Long Goodbye’, another wondrous musical journey that mesmerises and bewitches from beginning to end, and even surprises in places. Could this be another contender at the end of the year, I definitely don’t see why not!
Beatrix Players return triumphant with the mesmerising ‘Living & Alive’, a collection of songs that are bewitching and compelling and leave you in no doubt of their stature in the music industry of today. The sublime voice of Amy Birks and outstanding musicianship on show have created one of the most outstanding releases of 2023 and one that should be on your list of must buy albums, it really is that good!
One of the things I love about music is when it surprises you and this debut release from The Anchoret has been a revelation. ‘It All Began With Loneliness’ is an astonishingly good album, in fact jaw-droppingly so, and is already up there as one of my favourites of the year. As prog-metal albums go, it doesn’t get much better than this!
When you listen to as much new music as I do, it takes something truly special to stand out and ‘Mad & Killing Time’ is just that, Ebb delivering a musical highlight of the year and one that is totally unique to this incredibly talented bunch of artists. Go seek it out, you will not de disappointed in any way at all.
Riverside are a band who have always gone their own way and been proud to defy convention and after the dark melancholy and sadness of recent releases, the band have returned with a brightly shining beacon of light. ‘ID.Entity’ is a generally uplifting album that puts a huge smile on my face every time I hear it and one that, I’m sure, will still be lighting up people’s lives for years to come.
The Tangent – ‘Pyramids, Stars & Other Stories: The Tangent Live Recordings 2004-2017’
Ah, to reminisce is a joy we should always hold dear and this wonderful live release from one of the UK’s most venerated prog bands is a sentimental journey down memory lane and one that will remind you why The Tangent are held in such warm regard and also why live music is something worth cherishing and preserving. We, the fans, hold it in our hands to make sure music stays live so albums as brilliant as this can still get made!
And so it all comes down to this, the one album that just about reared its head above all others to be my favourite of 2023. It’s not a default decision, this release has really moved the game on for one of the UK’s most influential underground bands…
The Fierce And The Dead – ‘News From The Invisible World’
News From The Invisible World’– true fans will love it, there’s real maturity and creativity in this album, The Fierce And The Dead shift effortlessly between different styles to show they are no one trick ponies. You could say that this is a case of a band reinventing itself but staying close to their roots but it’s more than that, this is band raising their game to the highest level and that is really where they belong…
Thank you if you have made it this far and thank you for supporting Progradar through 2023, I don’t have a crystal ball but I’m pretty sure that 2024 is going to be another fantastic year of music so hang around for the ride, it’s going to be exciting!
Who are you in these strange times? Are you still yourself or have you started playing the role of someone else? Or maybe you’re living a double life and HERE you are someone completely different than THERE? Certainly, the concept of “Identity” is multifaceted and it would be impossible to fit all of its aspects in a 53-minute-long story. On their new album ‘ID.Entity’, Riverside are trying to answer some of these questions beginning with the one about… their own identity.
“Before we started working on the new album, I asked myself a few questions,” says Mariusz Duda, the leader of the band. “Some personal ones, some about the current times, but most of all, questions about the band, for instance, ‘What is our strongest suit?’ There were two answers: ‘Melodies and… live performances!’ ‘What is the most comfortable setting for Riverside?’ Again, the answer was pretty obvious: ‘the stage’. Ironically, we haven’t really spoilt our fans with live releases, so I thought perhaps it was time to record a studio album which would musically reflect the character and dynamic of our live shows. Especially that we really wanted to say goodbye to the decade of sadness and melancholy, which dominated our recent releases.”
So, that’s the publicity blurb about this stunning new album from Poland’s premier prog-metal band Riverside and, after the ‘sadness and melancholy’ of their previous three releases, ‘ID.Entity’ hoves into view like a welcome dose of lightness and fresh air. Don’t get me wrong, there is no such thing as even an average Riverside release (and ‘Love, Fear and the Time Machine’ is still my favourite release from the band) but the darkness and heartache felt since the tragic loss of original guitarist Piotr Grudziński has finally cleared and enabled the band to return with one of their most uplifting albums. It is still a cutting diatribe about lack of trust, social divisions, uncertainty, lies, propaganda and invigilation and a world full of anger and helplessness but there’s an upbeat drama to the music.
The album consists of seven cleverly woven tracks that detail Mariusz opening up to social problems: Big Techs, populists,conspiracy theories, hatred, greedy corporations causing the planet and the human nature to die at an accelerated speed. The opening track Friend or Foe is dominated by the sublime keyboards of Michał Łapaj, who gives the song a real 80’s feel that combines with the grinding riffs of Maciej Meller and Mariusz’s Morten Harket-esque vocals to create a darkly contorted version of a-ha lost in a time warp. It’s a magnificent track full of vigour and vitriol and gives a flying start to this sublime record. Landmine Blast is a wonderfully dynamic song where the guitar is central to proceedings, fiery and compelling with a uniquely edgy feel thanks to the vibrant drumming of Piotr Kozieradzki. The staccato beat adds a real sense of urgency and mystery to things and Mariusz lends a flowing vocal to add ebullience and energy, this is classic Riverside in the vein of ‘Anno Domini High Definition’. I know a lot of people are not convinced by the artificial voice that opens Big Tech Brother and, yes, it is a bit corny but it doesn’t spoil what is another powerfully compelling piece of music. The funky keyboards and pounding drums add focus before some mountain sized riffs deliver a primeval dominance to the song. Mariusz interjects a sense of calm with his elegant vocal delivery but this track is a dark leviathan at heart.
The Riverside of the class of ‘Shrine Of New Generation Slaves’ then deliver an authoritative demonstration of intent with the all-powerful techno-metal of the catchy Post-Truth. Another finely crafted piece of music that I found rapidly became a quite addictive listening experience that ebbs and flows with a life force all of its own, Maciej’s guitar playing on this track is just sublime. This album will rapidly become part of your life and on constant replay and one of the reasons for that is the utterly brilliant The Place Where I Belong, the longest track on the album and one where Mariusz is at his songwriting best. Thirteen minutes of compelling, spellbinding music that fascinates and enthrals you in a irresistible manner. Perfectly constructed, both musically and lyrically and delivered by musicians at the height of their considerable powers, it is a landmark song in a stellar career and has something for every Riverside fan.
Anarchic and in your face, I’m Done With You is a metaphorical sucker punch to the gut that grabs your attention with its electronic edginess and in your face attitude. Vibrant keyboards, forceful drums and rabid riffs combine with Mariusz angry vocal to deliver the most incendiary track on the album and one that leaves you edgy and restless. The helter-skelter fast-paced intensity and magnetism of the fantastic Self-Aware is almost something new from Riverside, more reminiscent of 90’s hard rock and grunge than the intellectual prog-metal usually associated with the band and I absolutely love it. A sign that the band have shed any self-imposed shackles and feel free to do whatever they want with no fear of repercussions, it’s melodic, upbeat and just a little bit in your face and I’d love to hear more of it. A new direction? Why not when it’s this good!
Riverside are a band who have always gone their own way and been proud to defy convention and after the dark melancholy and sadness of recent releases, the band have returned with a brightly shining beacon of light. ‘ID.Entity’ is a generally uplifting album that puts a huge smile on my face every time I hear it and one that, I’m sure, will still be lighting up people’s lives for years to come.
Check out the album’s opening track “Friend or Foe?” in its ‘Single Edit’ and with a video clip animated and directed by Thomas Hicks / http://www.thomashicks.co.uk here:
RIVERSIDE’s Mariusz Duda checked in with the following comment about the new single:
“’Friend or Foe?’ is one of the key songs on the new RIVERSIDE album. Not only is it the opening track but, musically, it is possibly also the most courageous and intriguing one.
One of its strong points is the lyrics which talk about how we’re perceived by others, especially these days, when pretending to be someone you’re not on social media has become the norm. Can we still be ourselves or do we have to keep adapting to the requirements of new algorithms? Perhaps we’ve already lost our identities and we’re only waiting for instructions from a Siri or Alexa?
“Who do you pretend to be?” are the first words of the song and the listener has already started searching for that 80s band it reminds them of. Is this a mere inspiration or is it provocation? Is the writer of the song pretending to be someone else or is this who he really is? Who is behind it all? The artist himself or a producer churning out music for many other artists? Is what I’m writing now a reflection of what I’m feeling or am I writing it because I want to put the song on a higher recommended playlist? And if we apply it to politics, who are the candidates? Are they credible? Trustworthy? Will they keep their promises? And finally, will we be able to trust each other one day, hear each other out and understand, or will we still keep our distance and suspicions?
Perhaps there is a chance to build a better world, but how to recognise who is a friend and who is a foe?”
“ID.Entity”, the group’s 8th studio album was recorded and mixed in two studios – The Boogie Town Studio in Otwock with Paweł Marciniak and in Serakos studio in Warsaw with Magda and Robert Srzedniccy -, mastered by Robert Szydło and produced by RIVERSIDE’s Mariusz Duda himself. The “ID.Entity” artwork was created by Polish artist Jarek Kubicki.
Previously released singles/videos off “ID.Entity” can still be checked out here:
RIVERSIDE have also launched a “Riverside Heavy” playlist featuring “I’m Done With You” as well as many other heavier tracks from the band’s comprehensive catalogue, which you can check out here:
Here is the standard track-listing for the album:
RIVERSIDE – “ID.Entity” (53:11)
Tracklist:
1. Friend or Foe? (07:29)
2. Landmine Blast (04:50)
3. Big Tech Brother (07:24)
4. Post-Truth (05:37)
5. The Place Where I Belong (13:16)
6. I’m Done With You (05:52)
7. Self-Aware (8:43)
The bonus material appearing on “ID.Entity” includes the instrumental tracks “Age of Anger” (11:56) and “Together Again” (06:29) as well as “Friend or Foe? (Single Edit)” (05:59) and “Self-Aware (Single Edit)” (05:29).
“ID.Entity” will be available in the following formats:
– Ltd. Deluxe 2CD+Blu-ray Artbook (Disc 1: Album, Disc 2: All 4 bonus tracks, Blu-ray: All main 9 album tracks in Dolby Atmos, 5.1 and 24bit HighRes Audio mix versions) -> Pictured above!
– Ltd. 2CD Mediabook (Disc 1: Album, Disc 2: All 4 bonus tracks) -> Pictured above!
– CD Jewelcase
– Deluxe Digital Album (Including all 4 bonus tracks)
– Digital album
The album’s vinyl version comes as Gatefold 2LP (With the bonus tracks “Age of Anger” and “Together Again” on Side D) in the following variants: – Black vinyl: All outlets – Orange vinyl: All outlets
– White vinyl: 500x copies via JPC & Burning Shed – Yellow vinyl: 500x copies via EMP & Just For Kicks – Sky Blue vinyl: 600x copies via Laser’s Edge & CM Distro/Webshop Europe
“ID.Entity”, an album that extends and expands RIVERSIDE’s characteristic sound, but all in a revamped and more dynamic formula, follows 2018’s widely acclaimed ‘Wasteland’ album, which entered the charts in Germany at # 13, The Netherlands at # 28, Switzerland at # 23, Austria at # 39, UK at # 83, Finland at # 30, France at # 97, Czech Republic at # 59 and Poland at # 1.
Next to their return to North America in February/March, RIVERSIDE have recently also announced their “Spring Edition” European Tour, a first of three European touring legs across this year. Check out the band’s upcoming confirmed live-dates here:
RIVERSIDE – “ID.Entity” – Live 2023:
North American Tour: 17.02.2023 Tampa, FL – The Orpheum
18.02.2023 Orlando, FL – The Abbey
19.02.2023 Atlanta, GA – Hell At The Masquerade
21.02.2023 Dallas, TX – Amplified Live
22.02.2023 Austin, TX – Come And Take It Live
24.02.2023 Mesa, AZ – The Nile Theater
25.02.2023 Pomona, CA – The Glass House
26.02.2023 Berkeley, CA – Cornerstone
28.02.2023 Vancouver, BC – The Rickshaw Theatre
01.03.2023 Seattle, WA – Neumos
03.03.2023 Salt Lake City, UT – The State Room
04.03.2023 Boulder, CO – Fox Theatre
07.03.2023 St. Paul, MN – Amsterdam Bar And Hall
08.03.2023 Chicago, IL – Bottom Lounge
10.03.2023 Toronto, ON – Lee’s Palace
11.03.2023 Montreal, QC – Corona Theatre
12.03.2023 Quebec City, QC – Imperial Bell
14.03.2023 Boston, MA – Brighton Music Hall
16.03.2023 New York, NY – Sony Hall
17.03.2023 Philadelphia, PA – Underground Arts
18.03.2023 Pittsburgh, PA – Thunderbird Music Hall
19.03.2023 Washington, DC – Black Cat
21.03.2023 Carrboro, NC – Cat’s Cradle
European Tour – Spring Edition:
16.04.2023 Eindhoven (The Netherlands) – Effenaar / Prognosis Festival 18.04.2023 Dublin (Ireland) – Button Factory 20.04.2023 Glasgow (UK) – Garage 21.04.2023 Birmingham (UK) – O2 Institute 2 22.04.2023 Manchester (UK) – Academy 2 23.04.2023 London (UK) – Indigo O2 / Prognosis Festival
25.04.2023 Copenhagen (Denmark) – Amager Bio 26.04.2023 Gothenburg (Sweden) – Pustervik 27.04.2023 Oslo (Norway) – Cosmopolite 28.04.2023 Stockholm (Sweden) – Lilla Cirkus 30.04.2023 Tampere (Finland) – Olympia 01.05.2023 Helsinki (Finland) – Tavastia
Today, Poland’s pioneering and leading Progressive Rock band RIVERSIDE are pleased to present a second single for their upcoming studio album “ID.Entity”, to be released via InsideOutMusic on January 20th, 2023.
Check out the album’s closing track “Self-Aware” in its ‘Single Edit’ version and with an entertaining video clip directed by Marcin Zawadziński and Mariusz Duda here:
RIVERSIDE’s Mariusz Duda checked in with the following comment about the new single: “’Self-Aware’ is a song which summarises the entire album, and talks about how it’s difficult these days to live in a society and ignore all the social changes, how you can’t simply be passive, “shut yourself off”, or “hole up deep in the woods”. We need each other in order to change something in our lives. Not everything can be done single-handedly; “I have to be better than others, I have to be the best” is not a good mantra. We need cooperation to achieve goals. And it’s important that this message comes not from a solo artist, but from a band, whose success lies mostly in cooperation within the band and interaction with their listeners.”
“ID.Entity”, the group’s 8th studio album was recorded and mixed in two studios – The Boogie Town Studio in Otwock with Paweł Marciniak and in Serakos studio in Warsaw with Magda and Robert Srzedniccy -, mastered by Robert Szydło and produced by RIVERSIDE’s Mariusz Duda himself. The “ID.Entity” artwork was created by Polish artist Jarek Kubicki.
RIVERSIDE also launched a “Riverside Heavy” playlist featuring “I’m Done With You” as well as many other heavier tracks from the band’s comprehensive catalogue, which you can check out here:
Here is the standard track-listing for the album:
RIVERSIDE – “ID.Entity” (53:11)
Tracklist:
1. Friend or Foe? (07:29)
2. Landmine Blast (04:50)
3. Big Tech Brother (07:24)
4. Post-Truth (05:37)
5. The Place Where I Belong (13:16)
6. I’m Done With You (05:52)
7. Self-Aware (8:43)
The bonus material appearing on “ID.Entity” includes the instrumental tracks “Age of Anger” (11:56) and “Together Again” (06:29) as well as “Friend or Foe? (Single Edit)” (05:59) and “Self-Aware (Single Edit)” (05:29).
The album will be available in the following formats:
– Ltd. Deluxe 2CD+Blu-ray Artbook (Disc 1: Album, Disc 2: All 4 bonus tracks, Blu-ray: All main 9 album tracks in Dolby Atmos, 5.1 and 24bit HighRes Audio mix versions) -> Pictured above!
– Ltd. 2CD Mediabook (Disc 1: Album, Disc 2: All 4 bonus tracks) -> Pictured above!
– CD Jewelcase
– Deluxe Digital Album (Including all 4 bonus tracks)
– Digital album
The album’s vinyl version comes as Gatefold 2LP (With the bonus tracks “Age of Anger” and “Together Again” on Side D) in the following variants: – Black vinyl: All outlets – Orange vinyl: All outlets
– White vinyl: 500x copies via JPC & Burning Shed – Yellow vinyl: 500x copies via EMP & Just For Kicks – Sky Blue vinyl: 600x copies via Laser’s Edge & CM Distro/Webshop Europe
“ID.Entity”, an album that extends and expands RIVERSIDE’s characteristic sound, but all in a revamped and more dynamic formula, follows 2018’s widely acclaimed ‘Wasteland’ album, which entered the charts in Germany at # 13, The Netherlands at # 28, Switzerland at # 23, Austria at # 39, UK at # 83, Finland at # 30, France at # 97, Czech Republic at # 59 and Poland at # 1.
RIVERSIDE have recently also announced their return to North American stages in February/March 2023 in promotion of “ID.Entity”. Check out the band’s upcoming confirmed live-dates here:
RIVERSIDE – Live 2023:
North American Tour: 17. February 2023 Tampa, FL – The Orpheum
18. February 2023 Orlando, FL – The Abbey
19. February 2023 Atlanta, GA – Hell At The Masquerade
21. February 2023 Dallas, TX – Amplified Live
22. February 2023 Austin, TX – Come And Take It Live
24. February 2023 Mesa, AZ – The Nile Theater
25. February 2023 Pomona, CA – The Glass House
26. February 2023 Berkeley, CA – Cornerstone
28. February 2023 Vancouver, BC – The Rickshaw Theatre
1. March 2023 Seattle, WA – Neumos
3. March 2023 Salt Lake City, UT – The State Room
4. March 2023 Boulder, CO – Fox Theatre
7. March 2023 St. Paul, MN – Amsterdam Bar And Hall
8. March 2023 Chicago, IL – Bottom Lounge
10. March 2023 Toronto, ON – Lee’s Palace
11. March 2023 Montreal, QC – Corona Theatre
12. March 2023 Quebec City, QC – Imperial Bell
14. March 2023 Boston, MA – Brighton Music Hall
16. March 2023 New York, NY – Sony Hall
17. March 2023 Philadelphia, PA – Underground Arts
18. March 2023 Pittsburgh, PA – Thunderbird Music Hall
19. March 2023 Washington, DC – Black Cat
21. March 2023 Carrboro, NC – Cat’s Cradle —————————-
15-16. April 2023 Eindhoven (The Netherlands) – Prognosis Festival 22-23. April 2023 London (UK) – Prognosis Festival https://www.prognosis-festival.nl/
More RIVERSIDE live show announcements and further details about “ID.Entity” coming soon…
RIVERSIDE line-up: Michał Łapaj – keyboards and Hammond Organ Mariusz Duda – vocal, bass Piotr Kozieradzki – drums Maciej Meller – guitar
Poland’s pioneering and leading Progressive Rock band RIVERSIDE finally return with a new studio album entitled “ID.Entity”, to be released via longtime international partners InsideOutMusic on January 20th, 2023.
“ID.Entity”, the group’s 8th studio album was recorded and mixed in two studios – The Boogie Town Studio in Otwock with Paweł Marciniak and in Serakos studio in Warsaw with Magda and Robert Srzedniccy -, mastered by Robert Szydło and produced by RIVERSIDE’s Mariusz Duda himself. The “ID.Entity” artwork (Front cover to be seen above!) was created by Polish artist Jarek Kubicki.
Today, a first single off “ID.Entity” is being released via the track “I’m Done With You”, which can also be seen here in a video-clip animated and directed by Thomas Hicks / www.thomashicks.co.uk here:
RIVERSIDE’s Mariusz Duda checked in with the following comment about “I’m Done With You”: “We live in times of anger and helplessness. In times dominated by Big Techs, populists, conspiracy theories, hatred, greedy corporations causing the planet and the human nature to die at an accelerated speed. We live in times when one country can attack another out of the blue just because they think they are more deserving of something. These days it’s simply hard to sing only about love, friendship and escapes into imaginary worlds. “I’m Done With You” is about an anger and frustration!””
Here is the standard track-listing for the album:
RIVERSIDE – “ID.Entity” (53:11)
Tracklist:
1. Friend or Foe? (07:29)
2. Landmine Blast (04:50)
3. Big Tech Brother (07:24)
4. Post-Truth (05:37)
5. The Place Where I Belong (13:16)
6. I’m Done With You (05:52)
7. Self-Aware (8:43)
The bonus material appearing on “ID.Entity” includes the instrumental tracks “Age of Anger” (11:56) and “Together Again” (06:29) as well as “Friend or Foe? (Single Edit)” (05:59) and “Self-Aware (Single Edit)” (05:29).
The album will be available in the following formats:
– Ltd. Deluxe 2CD+Blu-ray Artbook (Disc 1: Album, Disc 2: All 4 bonus tracks, Blu-ray: All main 9 album tracks in Dolby Atmos, 5.1 and 24bit HighRes Audio mix versions)
– Ltd. 2CD Mediabook (Disc 1: Album, Disc 2: All 4 bonus tracks)
– CD Jewelcase
– Deluxe Digital Album (Including all 4 bonus tracks)
– Digital album
The album’s vinyl version comes as Gatefold 2LP (With the bonus tracks “Age of Anger” and “Together Again” on Side D) in the following variants:
– Black vinyl: All outlets
– Orange vinyl: All outlets
– White vinyl: 500x copies via JPC & Burning Shed
– Yellow vinyl: 500x copies via EMP & Just For Kicks
– Sky Blue vinyl: 600x copies via Laser’s Edge & CM Distro/Webshop Europe
“ID.Entity”, an album that extends and expands RIVERSIDE’s characteristic sound, but all in a revamped and more dynamic formula, follows 2018’s widely acclaimed ‘Wasteland’ album, which entered the charts in Germany at # 13, The Netherlands at # 28, Switzerland at # 23, Austria at # 39, UK at # 83, Finland at # 30, France at # 97, Czech Republic at # 59 and Poland at # 1.
Most recently, RIVERSIDE released the special 20th anniversary Digital Single “Story of My Dream”, which can be checked out in a video clip directed by Tomasz Pulsakowski / Sightsphere here: https://youtu.be/-s7fedFOP88
Additionally, RIVERSIDE also released two digital “best of” compilations to showcase the comprehensive and rich back-catalogue from across the last two decades of band activity. Featuring material all especially remastered by Magda and Robert Srzedniccy (Serakos Studio) for this occasion, “Riverside 20 – Vol.1, The Shorts” includes 19 tracks and “Riverside 20 – Vol.2, The Longs” includes 14 songs. Both individual “Riverside 20” compilations as well as a bundle are available here: https://riverside.lnk.to/Riverside20
Riverside – Live 2023: 15-16. April 2023 Eindhoven (The Netherlands) – Prognosis Festival 22-23. April 2023 London (UK) – Prognosis Festival https://www.prognosis-festival.nl/
More RIVERSIDE live show announcements and further details about “ID.Entity” coming soon…
RIVERSIDE line-up: (From left to right on photo by Radek Zawadzki) Michał Łapaj – keyboards and Hammond Organ Mariusz Duda – vocal, bass Maciej Meller – guitar Piotr Kozieradzki – drums
