We’re English and we should be used to it, but let’s face it, there has been too much rain lately. An excuse, that’s what we needed. And then a poster appeared online for Be Prog, My Friend!, in Spain and the band list was just too tempting. Sun and great music has to be good and so Mrs T and I took the plunge, raided our piggy banks and booked gig tickets, flights and a hotel. Neither of us speaks Spanish, so armed with our little phrasebook we took off for warmer climes. This is not the story of our excellent weekend , but just the periods of the two days covering the festival, so I won’t be mentioning the delicious food, the wonderful Museum of Modern Art, or the exquisitely beautiful Sagrada Familia and the impressive Camp Nou. Nor will I mention the impressive buildings, statues, waterfalls or fountains at all.
We decided to recce the whereabouts of the the festival venue the day before, which turned out to be a very pleasant 30-40 minute walk from our hotel. This is not the first BPMF, though new to us and was to be held in the Poble Espanyol, an architectural museum in Barcelona, just a few meters away from the Fountains of Montjuïc.
The Poble Espanyol was built in 1929 for the Barcelona International Exhibition as the pavilion dedicated to art and was conceived as a real “village” in the heart of a city. The aim was to give an idea of what might be an “ideal model” of an Iberian village that would bring together all the characteristics of all peninsular villages. It was built in thirteen months and, curiously, had an expiry date, as it was supposed to last the same time as the Universal Exhibition: six months. However, thanks to its success, the Poble Espanyol still stands to this day, and some of the buildings have outlived the original ones to become one of the few monuments built for an International Exhibition that can still be visited.
The Festival is held in the central courtyard and is a beautiful setting with olive and palm tree lined stone balustrade terraces, balconies draped with colourful plants and parakeets flying overhead. A far cry from soggy Glastonbury.
All your needs are catered for with ample eateries, bars and facilities and we never had to queue more than a couple of minutes for anything. It is the best organised festival we have been to and clean, as most people placed used food and drink containers in the bins provided when discarded, a few drunk ‘tourists’ being the exception and they were berated in to tidying up. There were even lockers available should you wish to offload items/garments and return to them during the day/night. Security was good and polite along with excellent service without hiked prices. The merchandise was plenty and I did indulge a little, again nothing was overpriced. So…….
DAY 1: Friday – 1700:
We arrived in good time and joined the line, people were friendly and my all over print PALLAS t-shirt drew quite a few admiring glances, there was quite a bit of t-shirt posing with everyone checking out each others. I got chatting to a guy in a Ltd edition Sanctuary 2 t-shirt and discovered he was a local and a big fan of Rob Reed. Entry to the Friday night was free if you had tickets for the Saturday, bargain!
We were soon through, into the festival and as we were some of the first, took the chance to get our bearings and map out the facilities, grabbing tokens for the food and drinks for both nights to save time and buying our merch. It was lovely and warm with a gentle, pleasant breeze circulating and the sun sat neatly at the edge of the courtyard roofs offering welcome shade. We found seating on some of the stone steps giving a great view, though standing and moving around at intervals was required to prevent ‘numb bums’.
Up first were local band, Exassens, (www.exxasens.com), formed in 2011, I’d describe them as an instrumental rock band, or post-rock, but with hints of progressive and space rock. A mix of different sounds, where guitars with long echoes, blend with synths and a powerful rhythmic base, displaying many influences such as Pink Floyd and The Cure, through to instrumental bands like Explosions in the Sky or Mogwai. The solar system backdrop videos adding to the atmosphere and they warmed the late afternoon crowd up nicely. Whilst mostly instrumental, Bruce Soord did make a surprise appearance to duet on vocals for one track raising a cheer from those watching.
As the venue began to fill we were joined by a bunch of Spanish lads and a lady (girlfriend) who explained they had grown up together in Barcelona and then gone their separate ways. The festival is their excuse to meet and catch up every year. They spoke fairly good English and we joked about our phrase book Spanish. They seemed to value our opinions on the bands and made for a very pleasant company throughout the evening. Konnie wasn’t complaining as the lads kept topping up her drinks!
Up next were Obsidian Kingdom, (www.obsidiankingdom.com) another local band with a hard-to-classify heavy sound with plenty of contrast, making use of multiple sound resources. Unfortunately the sombre and cryptic quality of the band’s lyrics and music coupled with muddied sound, brought the atmosphere down somewhat. I don’t have any live shots unfortunately as we had been led to believe no cameras were allowed (not true) and the heavy use of smoke in the early evening sun blurred my phone photos. Listening to them online now they sound better than on the day.
Plastic glasses refilled we were ready for the much anticipated Russian band, I Am The Morning and they didn’t disappoint. The captivating, angelic vocals of a barefoot Marjana Semkina as she floated round the stage, with the beautiful keys of classically trained piano maestro Gleb Kolyadin drifting around the square. They enchanted all and were ably assisted with strings and backing band. Flowers were thrown on stage and they won our hearts, someone even shouted out ‘Marry Me Marjana!”. They captivated everyone watching with a quite magical performance and deserve a wider audience.
By now the sun was beginning to set behind the buildings and the lamps in the square came on adding to the ambience as we discussed the music so far and waited for the next act.
On to the stage bounced the surprise of the festival for us, with much enthusiastic applause from our Spanish friends who had advised us ‘this band is brilliant, yes’. I had seen the current album cover but not heard any of the music from Icelandic band Agent Fresco (www.agentfresco.is) and what an awesome show. Think a male version of Bjork with a band coming from a Rage Against The Machine/At the Drive In angle and you’re some-way to describing them. The mechanics and rhythmic patterns unpredictably stutter, yet seamlessly stitch together into stunning compositions veering from blazing alt-guitar rock to piano ballads and stadium-size anthems, often in the same song, to decisive euphoric effect. All this with lead singer Arnór Dan Arnarson defying doctors orders after leaving hospital only 48 hours earlier, having been treated for pneumonia and told he had to rest. They left us breathless and wanting more and we hope Arnór is soon fully recovered and we get the opportunity to see them again.
The night had drawn in and we settled down ready for the head-liners, the excitement was palpable and voices rose as the anticipation grew. The stage planning and crews had made smooth transitions between the different acts, removing and replacing equipment with practised ease showing very little delay, keeping close to schedule but allowing time for ample refreshments.
Enter head-liners of the night The Pineapple Thief to resounding applause, as they burst into a repertoire, which plundered their catalogue as far back as Variations on a Dream including a ‘shortened’ version of one of my favourites, ‘Remember Us’ with some great guitar soloing. An apt track as the crowd were not going to forget this performance for a long while. Konnie remarked how much they have grown in the ‘live’ environment, the last time we saw them was in a very small, intimate venue and tonight they looked so comfortable on the large stage, every bit the stadium head-liners.
A polished, rocking performance, holding the crowd in the metaphorical palm of their hand and our newly found Spanish friends couldn’t agree more. Great sound quality and lighting added to the performance and even though they played a couple of encore tunes we would of all happily stayed longer.
Buoyed by a great night’s entertainment we said goodnight to our ‘crowd’ and flowed out of the venue and into the streets, strolling toward the city, it was 0130 and everyone was chatting as they walked. We struck up a conversation with a young Frenchman man who now lives in New Zealand. He’d flown over to visit his Mum in France and then down for the festival before heading back to NZ. To say he had enjoyed the first night would be an understatement, amid the numerous enthusiastic expletives he enthused about the evening none stop until we parted company and steered ourselves contentedly toward our Hotel, tomorrow would be a longer day, but who knew what delights awaited us………..
Part 2 of Kevin’s BE PROG, MY FRIEND! experience is coming very soon…..
