Tag: Glass Hammer

Review – Glass Hammer – ‘Rogue’

Glass Hammer’s ‘Rogue’ spins the tale of one man’s fateful, final journey. “He leaves everything he knows behind,” explains composer Steve Babb. “And thinks he’s returning to a place where he once knew happiness, but in reality, his odyssey will sweep him away to somewhere completely unexpected.” 

Babb explains that the ten-song album explores themes of regret, heartache, and the mortal salience that comes with age. “Life is fleeting,” he continues. “It’s a heavy topic for an album, but the music isn’t as heavy as our last few releases. Rogue is much more like the Glass Hammer albums our fans refer to as “classic.”   

That’s the PR synopsis of ‘Rogue’, the twenty-second studio release from the seminal US prog band Glass Hammer, now more of a solo project for founder Steve Babb who has collected a rather impressive band of brothers and sisters to assist him on this new release.

‘Rogue’ features performances by frequent collaborators Fred Schendel, Reese Boyd, and David Wallimann (GH guitarist 2006-2010). Vocalists Thomas Jakob (Netherlands) and Olivia Tharpe (USA) are new to the band. They’re joined by guitarist Oliver Day (UK), keyboardist Ariel Perchuk (Argentina), drummer Evgeni Obruchkov (Poland), and others.

Steve is right, after the recent powerhouse albums from Glass Hammer, ‘Rogue’ is a much more thoughtful and measured affair and a bit of a return to classic albums from the much loved band. I say a bit of a return because I think Steve continues to reinvent Glass Hammer and they are never quite the same in each iteration.

“I have had enough of winter with its gray hills and gray skies, the gray buildings and gray, downcast faces. Nothing can cheer me in this place. Even the sun has hidden its face from me, but who can blame it? Why should it waste its light upon such a dismal scene? I do not wish to sound melodramatic, but I feel I shall die a slow and meaningless death should I remain in this limbo land of drizzling rain and chill wind! I should have left years ago, but I am determined now to do just that. So southward I will flee! Back to sunshine and clean air! Back to that happy realm where I spent my youth playing in the sand and splashing in the waves. And, maybe, back to her…”

So another concept album then? Not really, ‘Rogue’ is more an album of themes and it actually works brilliantly, let’s delve a bit further…

What If opens the album in fine style with an early Glass Hammer vibe entwined around some definite Mike Oldfield vibes. It is tripping the musical light fantastic and is airy and uplifting with a soothing vocal. I’m getting an 80’s prog vibe from this luscious track and it leaves a great early impression of what is to come, especially impressive is the guitar from David Wallimann. That 80’s electronica vibe continues with The Road South, a gorgeous keyboard note leading us into another soaring piece of music with some rather fine guitar from Oliver Day before there’s a metamorphosis into something a bit more dramatic. The powerful vocals add definite gravitas to the song and make it another excellent piece of music. I have to say, so far, so bloody good for this new album! A strident keyboard heralds Tomorrow, Steve Babb getting his quality bass head on here, sometimes it’s easy to forget what a fantastic musician he is but the bass playing on this track is top level. Fred Schendel joins Oliver on guitar and what you get is just a joyous expression of intricate musicianship enhanced by the superb vocals of Thomas Jakob and Olivia Tharpe.

I love the opening to Pretty Ghost, fine guitar, thumping bass and swathes of glorious keyboards creating a fantastic widescreen 1980’s cinematic feel to the track. Olivia’s lush vocal carries the song on with class and lustre, possibly the finest four minutes of Babb’s career so far. Talking of 80’s, Sunshine is soaked in the nostalgia of that decade with it’s almost 8-bit keyboard intro, the wonderful lap-steel guitar from Schendel and Olivia’s solemn vocal. The measured rhythm and thoughtful, pensive tone adds a real depth of emotion to the song. I Will Follow takes me back to earlier Glass Hammer with its catchy beat and dancing melody. It’s a captivating musical journey that flies along at a serious pace and is led by the wonderful vocals. That’s always been a highlight of all that’s good about the band and they get it absolutely spot on here, not forgetting Oliver Day’s fiery guitar solo too! It’s a breezy five minutes of accomplished progressive rock that shows Steve Babb has lost none of his songwriting credentials.

Now we get to the business end of the album with one of my personal favourites, The Wonder Of It All. An intro that could have come straight from an 80’s sci-fi movie leads into some rather fine guitar from Atillio Calabrese before the elegant vocals begin, accompanied by excellent, polished keyboards. It is a really sumptuous and astute piece of music that draws you in to its dignified grasp. When I was talking to Steve about the track he said that, the more he worked on it, the more it reminded him of a Genesis song. I like the fact that it almost leans away from being ‘prog’ and does feel like it’s right on the edge of Genesis’ ‘Invisible Touch’ era while still retaining the intricate sensibilities of progressive rock. It’s just a brilliant song no matter how you dissect it! One Last Sunrise is a charming respite from the rest of the album. It still has an 80’s electronica vibe with its layers of chiming keyboards but there’s also a lightness of being to its charismatic and engaging soul.

Steve tells me he was going for an Ozric Tentacles vibe with the utterly brilliant Terminal Lucidity. It was also an attempt to do something like the last song on ‘Arise’, just not quite as long. Well, to my ears, he got it spot on, this piece of music is just fabulous and has a real 80’s electronica vibe before bursting out into something more dynamic, maybe even Krautrock and definitely heading up the Tangerine Dream alley with its expansive, intricate melodies and distorted keyboard notes. It’s almost like Steve was composing a theme for an epic sci-fi film and got lost in his own thoughts, just magnificent. The guitar and synth solos from Reese Boyd and Ariel Perchuk just add to the majesty. Steve comes out of his reverie, the track becoming almost symphonic in nature and ending with a feel not dissimilar to an overture, theatrical and gloriously pompous like the best overtures always are. I have a funny feeling that Steve really had some fun when writing this grandiose ending and it just made me smile.

All good things must come to an end and, as if in perfect synergy, this outstanding album closes with the track All Good Things. A confident musical procession and a testament to our character and his epic life’s journey of ultimate highs and deep lows. It is a powerful piece of music that leaves questions in your mind, all correlated by Ariel Perchuk’s questing synth solos and Oliver Day’s mastery on the guitar. As this imposing and dynamic song and album come to an end, you are left with a feeling of fulfilment and of a cycle completed.

With an opening worthy of a Mike Oldfield classic, hints of the legendary Kansas & Genesis and a wonderful overlying 80’s electronica vibe, Steve Babb goes all ‘Rogue’ with us on this new and surprising release from Glass Hammer. Following a more mellow progression, one of the most creative minds in modern music returns with a measured, considerate and ultimately rewarding journey and shows what it truly means to be progressive.

Released 11th April, 2025.

Order now from Glass Hammer’s website:

https://glasshammer.com

New Release Round Up – Glass Hammer, IQ, Bjørn Riis, Oak

Due to some technical issues, we’ve been offline for a while but we are back with four fabulous new releases from Glass Hammer, IQ, Bjørn Riis and Oak. So, without any further ado, let’s dig in!

Glass Hammer – ‘Rogue‘

GLASS HAMMER GOES ROGUE WITH April 11th RELEASE

Glass Hammer’s “Rogue” spins the tale of one man’s fateful, final journey. “He leaves everything he knows behind,” explains composer Steve Babb. “And thinks he’s returning to a place where he once knew happiness, but in reality, his odyssey will sweep him away to somewhere completely unexpected.” 

Babb explains that the ten-song album explores themes of regret, heartache, and the mortal salience that comes with age. “Life is fleeting,” he continues. “It’s a heavy topic for an album, but the music isn’t as heavy as our last few releases. Rogue is much more like the Glass Hammer albums our fans refer to as “classic.”    

And who’s in the lineup? “It’s no secret that Glass Hammer reinvents itself every few albums,” says Babb. “It’s happened again! This time with a lot of new faces.”

Rogue features performances by Fred Schendel, Reese Boyd, and David Wallimann (GH guitarist 2006-2010). Vocalists Thomas Jakob (Netherlands) and Olivia Tharpe (USA) are new to the band. They’re joined by guitarist Oliver Day (UK), keyboardist Ariel Perchuck (Argentina), drummer Evgeni Obruchkov (Poland), and others. “It’s an international cast of characters,” Babb points out. “A super-talented group that our fans are sure to love.”

The hour-long Rogue is Glass Hammer’s twenty-second studio album. Fans can pre-order autographed copies, t-shirts and downloads on the band’s website:

https://glasshammer.com

Steve Babb photo credit: Julie Babb

Track list:

1.     What If

2.     The Road South 

3.     Tomorrow

4.     Pretty Ghost 

5.     Sunshine

6.     I Will Follow

7.     The Wonder Of It All

8.     One Last Sunrise 

9.     Terminal Lucidity

10.  All Good Things

IQ – ‘Dominion’

GEP recently announced the release of Dominion, the long-awaited new album from IQ, the first new music in 6 years following-up 2019’s Resistance. Dominion will be released on March 28th, 2025.

Today, the band have released the video for the first single titled “No Dominion” which you can see here:

Peter Nicholls: “Hot on the heels of Resistance’ six years ago! Yes, it’s been a long time coming (we couldn’t be accused of rushing these things!) but we’re confident this album is really strong and has been worth the wait. To be releasing a new IQ album in our 44th year feels genuinely exciting”. 

Mike Holmes: “We did actually write a lot more material for Dominion, but this choice of songs (and the running order) feels like a cohesive album to me. Even in this age of streaming individual songs I still approach a new album with a ‘side one’ and ‘side two’ thing in my head and the selection and placement of songs for Dominion just feels like a classic album should (I know, I’m using ‘old people’ speak!). “The original intention was to have a second disc of other material but that would have taken a lot longer to put together and we figured six years was quite enough. It does mean that there’s already quite a bit of stuff ready for the next one.” 

Dominion will be available in a six panel digi-sleeve CD with 16-page booklet and a one-disc coloured vinyl album in a gatefold sleeve. 

Pre-orders for the album will begin on Feb 17th, 2025 via the band’s website:

https://www.iq-hq.co.uk

Bjørn Riis – ‘Fimbulvinter’

Bjørn Riis is among Norway’s most acclaimed and prolific artists in the progressive rock genre. As a songwriter, multi-instrumentalist and producer, he’s transitioned from learning his trade in obscure cover bands to having worldwide success both as a forming member of Airbag and as a solo artist.
 
This spring, Bjørn follows up his highly acclaimed ‘Everything to Everyone’ (“This fantastic musician’s best work!” – Progradar UK), with a new album, ‘Fimbulvinter’ on the 11th of April.
 
To whet the appetite of his fans, the track Gone has been chosen as a single and Bjørn has this to say about it:
 
“”Gone” was the first track I wrote for the album. It’s one of those songs you just want to play loud in your car going fast on the highway! I wanted it to have that pop and monumental feel to it, while dealing with a somewhat serious matter. It’s about the fear of not being enough, of being rejected and dealing with that by wanting to escape and flee. I’m playing all of the instruments, with Kai Christoffersen on drums and my long-time collaborator, Vegard Kleftås Sleipnes, mixing and co- producing.”

Gone can be streamed or downloaded from the following link:

https://orcd.co/bjornriis-gone

‘Fimbulvinter’ is a personal album, based on Bjørn’s own experience dealing with anxiety. The lyrics are profoundly honest and emotional, describing utter hopelessness, paranoia and despair yet a hope and gratitude. Riis says:
 
“It’s not an autobiographical album but I wanted to share some of my own experience and write about a topic that I think is very important. Mental health is something everyone is dealing with in one form or another, in different periods of life. It’s something we all can relate to but it’s still somewhat of a tabu. The music is possibly the heaviest I’ve written. There’s some really powerful stuff, with guitars and drums, but there are also beautiful and evocative moments that adds a strong contrast and diversity.”
 
The title, ‘Fimbulvinter’, refers to Norse mythology and the tale of the long winter that leads up to Ragnarok – the end of the world and a new beginning.
 
Fimbulvinter feature Bjørn on all instruments and vocals, with contributions from Airbag’s Henrik Bergan Fossum (drums), Arild Brøter from Pymlico (drums) and Kai Christoffersen.
 
Once again, Bjørn has teamed up with long-time collaborator Vegard Kleftås Sleipnes, who co- produced, mixed and mastered the album.
 
Tracklisting for ‘Fimbulvinter’ is as follows:

1. Illhug
2. Gone
3. Panic Attack
4. She
5. Fimbulvinter
6. Fear of Abandoned
 
‘Fimbulvinter’ will be available CD, Digipak, Digital and Black Vinyl LP and Coloured Vinyl LP formats, and can now be pre-ordered at:

KAR294 Bjørn Riis – Fimbulvinter

And bandcamp here:

https://bjornriis.bandcamp.com

Oak – ‘The Third Sleep’

With their highly anticipated fourth album, ‘The Third Sleep’, Norwegian progressive rock band OAK delivers a striking exploration of societal complacency and the struggle of the individual. The album contrasts light and darkness, both thematically and musically, seamlessly blending folk-inspired acoustic passages with the raw intensity of progressive metal, evoking echoes of Opeth and beyond.

On the 25th of April, OAK follows up their highly acclaimed ‘The Quiet Rebellion of Compromise’ with a new album, ‘The Third Sleep’.

About the album, the band has this to say:

“The Third Sleep continues the development from TQROC lyrically and further descends into the darkness of the mind errands. The form is suggestive and poetic, with room for interpretation within certain limits. The album is also more outgoing than its more introspective predecessor, with socially critical lyrics that require the listener’s attention and an ability to read between the lines.”

With a rich musical foundation that spans classical piano, electronica, progressive and hard rock, Oak has carved out a distinctive sound—both captivating and challenging in equal measure.

Recorded in Ljugekroken (Oslo), the album was mixed by David Castillo (Katatonia, Leprous, Opeth) and mastered by Jacob Holm-Lupo (White Willow, Donner) at Dude Ranch Studio, Sandøya.

Prepare to experience “The Third Sleep”, a thought-provoking journey through sound and emotion.

Tracklisting for “The Third Sleep” is as follows:

1. No Such Thing
2. London
3. Run Into the Sun
4. Shimmer
5. Shapeshifter
6. Borders
7. Sensory Overload

“The Third Sleep” will be available CD, Digital and Blue/Purple Smash Vinyl LP formats, and can now be pre-ordered at:

https://www.karismarecords.no/kar288-oak-the-third-sleep

and bandcamp:

https://oakinoslo.bandcamp.com/album/the-third-sleep

OAK originated as a duo, which expanded into today’s line-up of Simen Valldal Johannessen on vocals, piano and keys, Øystein Sootholtet on bass, acoustic and electric guitars and Sigbjørn Reiakvam on drums, percussion, programming, keys and guitars. The fact that OAK’s members come from diverse backgrounds, which range from classical piano, to electronica, to prog and hard rock, with references to both the alternative scene as well as the progressive rock scene, has allowed OAK to create a unique sound.

Progradar – Review Of The Year 2023

2023 has been a fantastic year for music with an absolute plethora of superb albums that I have reviewed. It’s always very difficult indeed to pick out my favourite twenty releases from such a stellar year but here are the ones that have really left a mark for me.

They are in no particular order for the first nineteen but I have debated long and hard about my number one album so read on and find out what has taken the honour for 2023…

This Winter Machine – ‘The Clockwork Man’

‘The Clockwork Man’ is modern, neo-tinged, progressive rock at its finest and most involving, perfectly created and performed by a band who have found their feet after three accomplished releases and have delivered their finest work yet. This Winter Machine now stand at the forefront of modern neo-progressive rock and can be rightly proud of a concept album that can stand the test of time with some of the best that have gone before.

Released 6th October, 2023.

Order from White Knight Records here:

This Winter Machine – The Clockwork Man CD (pre-order) | whiteknightrecords (bandcamp.com)

One Sided Horse – ‘My Favourite City At Night In The Rain’

So, there you have it, ‘My Favourite City At Night In The Rain’ is quite possibly one of the most important albums you will listen to this year. If you want an example of why music is so wonderful and moves people in so many ways then you cannot pick a better example than this utterly triumphant work of art, Mark Whiteside and One Sided Horse please take a bow, I thank you from the bottom of my heart…

Released 8th September, 2023.

Order here:

My Favourite City At Night In The Rain | One Sided Horse (bandcamp.com)

Hekz – ‘Terra Nova’

Well, what can I say, I knew that a new Hekz album would be something pretty good but I had no idea it would be this special. With ‘Terra Nova’, Hekz have given us the ultimate involving musical thrill ride and I just don’t want to get off. To tell the truth, it’s the best progressive-metal album I’ve heard in many a year and, if this is the future of the genre, I’m completely sold!

Released 3rd November, 2023.

Order from the band here:

Terra Nova | HeKz 2/3 (hekztheband.com)

Comedy of Errors – ‘Threnody For A Dead Queen’

‘Threnody For A Dead Queen’ is Comedy Of Errors at their very, very best, the music builds, almost as if alive, it has moods and emotions and captivates from the very first note. This band just get better and better with each wonderful album they create and, without exception, this release is up there with the very best of the year so far. Hell, in my opinion, it is Comedy Of Errors’ best yet, their Magnum Opus if you like and you should just go out and buy it!

Released 2nd June, 2023.

Order the CD direct from the band here:

Comedy of Errors : Shop

Order the mp3 from bandcamp here:

Threnody For A Dead Queen | Comedy Of Errors (bandcamp.com)

Zeelley Moon – ‘The Author And The Dreamer’

‘The Author and the Dreamer’ connects with you in your sub-conscious, the songwriting and performances are second to none and Zeelley Moon’s innate Englishness and idiosyncracies are what make this music so appealing and enjoyable and one of my albums of 2023. Do yourselves a favour and get your hands on it as soon as you can!

Released 20th November, 2023.

Download and streaming on iTunes, Spotify, YouTube Music and the usual others.

Physical Album sales available on Discogs.com or direct at zeelleymoon@yahoo.co.uk.

The Round Window – ‘Everywhere & Nowhere’

Everywhere & Nowhere’ takes everything that was great about the band’s debut and just lifts it several levels. It is lush, classy, insightful and so melodically impressive and is an album that The Round Window should be mightily proud of. Difficult second album? not for these highly accomplished musicians!

Released 8th December, 2023.

Order digital from bandcamp here:

Everywhere & Nowhere | The Round Window (bandcamp.com)

Order CD’s direct from the band’s website here:

Everywhere & Nowhere – The Round Window

Moon Safari – ‘Himlabacken Vol. 2’

Music has the power to move you and impact on your life in a positive manner and, with ‘Himlabacken Vol. 2’, Moon Safari have delivered the most wonderfully uplifting collection of songs I have heard this year. A joyous, mood enhancing release that just makes this world we live in a better place to be, if only for a short time. Trust me, you need this album in your life!

Released 8th December, 2023.

Order digital at bandcamp here:

Himlabacken Vol. 2 (24-bit audio) | Moon Safari (bandcamp.com)

Order physical product from Burning Shed here:

Himlabacken Vol. 2 (burningshed.com)

The Twenty Committee – ‘The Cycle Undone’

With ‘The Cycle Undone’ The Twenty Committee have not only returned triumphant, they have also delivered one of THE musical experiences of 2023. Highly emotive songwriting allied with musicianship of the utmost quality, the band’s sophomore release builds on the enormous promise of their debut all those years ago. It may be ten years after but, boy, what a way to make a comeback!

Released 12th December, 2023.

Order the digital from bandcamp here:

The Cycle Undone | The Twenty Committee (bandcamp.com)

The Oculist – ‘Cautionary Tales’

‘Cautionary Tales’ is one of the freshest sounding albums you will hear this year, it is prog-metal for the thinking music fan and has real heart and soul at its core. I for one am intrigued to see what this talented duo come up with next.

Released 8th December, 2023.

Order from bandcamp here:

Cautionary Tales | The Oculist (bandcamp.com)

Southern Empire – ‘Another World’

A Southern Empire record is always just more than an album release, it’s a hugely significant occasion and one that I await with bated breath. Their music has been a soundtrack of my more recent years and is very, very important to me on a musical and emotional level. ‘Another World’is an absolute masterpiece of musical theatre and, possibly, the band’s Magnum Opus, one of the best albums you will hear this or any other year, and the perfect accompaniment to my life.

Released 4th September, 2023.

Order CD from GEP here:

Another World – Pre Order – GEP

And the vinyl from GEP here:

Another World Orange Marbled Vinyl – Pre Order – GEP

John Greenwood – ‘DARK BLUE’

It’s not often we hear a truly progressive release nowadays but, almost from out of nowhere, John Greenwood has entered the fray with one of the finest releases of 2023. The musicianship and songwriting are top notch and, like all the best albums, I find this on almost permanent rotation, it is, to put it simply, utterly superb!

Released 1st July, 2023.

Order from bandcamp here:

DARK BLUE | John Greenwood (bandcamp.com)

Blue Rose Code – ‘Curios 2009-2020’

There is nothing better than music that connects with you at a basic level, music that moves you and music that almost becomes part of you and Ross Wilson and Blue Rose Code create music that is all that and more. This collection of B-sides, varieties and singles is something that should be cherished and I, for one, cannot wait for 2024 and a new album from this incredible musician. Ross Wilson, my friend, I wish you peace in your heart…

Released 3rd November, 2023.

Order from band camp here:

Curios 2009 – 2020 | Blue Rose Code (bandcamp.com)

Glass Hammer – ‘Arise’

There’s no weak link on this album, it just ebbs and flows beautifully, although the last three tracks go together so well. They’re possibly the best triumvirate of songs that the band have ever done back to back. With the Skallagrim series Glass Hammer proved themselves masters of the dynamic and grandiose and ‘Arise’ gives the impression that the creative skills of Steve Babb have gone into overdrive, is there a better storyteller in modern progressive music?

Released 27th October, 2023.

Order direct from the band here:

Glass Hammer official website

Galahad – ‘The Long Goodbye’

I chose ‘The Last Great Adventurer’ as my album of the year for 2022 and, in a fast paced world that never stands still, Galahad haven’t rested on their laurels. They have returned with ‘The Long Goodbye’, another wondrous musical journey that mesmerises and bewitches from beginning to end, and even surprises in places. Could this be another contender at the end of the year, I definitely don’t see why not!

Released 23rd October, 2023.

Pre-order direct from the band here:

Galahad – GALAHAD Merchandise (galahadonline.com)

Beatrix Players – ‘Living & Alive’

Beatrix Players return triumphant with the mesmerising ‘Living & Alive’, a collection of songs that are bewitching and compelling and leave you in no doubt of their stature in the music industry of today. The sublime voice of Amy Birks and outstanding musicianship on show have created one of the most outstanding releases of 2023 and one that should be on your list of must buy albums, it really is that good!

Released 22nd September, 2023.

Order digital here:

Living & Alive | Beatrix Players (bandcamp.com)

Order CD at Burning Shed:

Living & Alive (burningshed.com)

The Anchoret – ‘It All Began With Loneliness’

One of the things I love about music is when it surprises you and this debut release from The Anchoret has been a revelation. ‘It All Began With Loneliness’ is an astonishingly good album, in fact jaw-droppingly so, and is already up there as one of my favourites of the year. As prog-metal albums go, it doesn’t get much better than this!

Released 23rd June, 2023.

Order from bandcamp here:

It All Began With Loneliness | The Anchoret (bandcamp.com)

EBB – ‘Mad & Killing Time’

When you listen to as much new music as I do, it takes something truly special to stand out and ‘Mad & Killing Time’ is just that, Ebb delivering a musical highlight of the year and one that is totally unique to this incredibly talented bunch of artists. Go seek it out, you will not de disappointed in any way at all.

Released 1st November, 2022.

Order from bandcamp here:

Mad & Killing Time | Ebb (bandcamp.com)

Riverside – ‘ID.Entity’

Riverside are a band who have always gone their own way and been proud to defy convention and after the dark melancholy and sadness of recent releases, the band have returned with a brightly shining beacon of light. ‘ID.Entity’ is a generally uplifting album that puts a huge smile on my face every time I hear it and one that, I’m sure, will still be lighting up people’s lives for years to come.

Released 20th January, 2023.

Order ‘ID.Entity’ here:

Riverside – ID.Entity (lnk.to)

The Tangent – ‘Pyramids, Stars & Other Stories: The Tangent Live Recordings 2004-2017’

Ah, to reminisce is a joy we should always hold dear and this wonderful live release from one of the UK’s most venerated prog bands is a sentimental journey down memory lane and one that will remind you why The Tangent are held in such warm regard and also why live music is something worth cherishing and preserving. We, the fans, hold it in our hands to make sure music stays live so albums as brilliant as this can still get made!

Released 27th January, 2023.

Order the album here:

Pyramids, Stars & Other Stories: The Tangent Live Recordings 2004-2017 (burningshed.com)

And so it all comes down to this, the one album that just about reared its head above all others to be my favourite of 2023. It’s not a default decision, this release has really moved the game on for one of the UK’s most influential underground bands…

The Fierce And The Dead – ‘News From The Invisible World’

News From The Invisible World’– true fans will love it, there’s real maturity and creativity in this album, The Fierce And The Dead shift effortlessly between different styles to show they are no one trick ponies. You could say that this is a case of a band reinventing itself but staying close to their roots but it’s more than that, this is band raising their game to the highest level and that is really where they belong…

Released 28th July, 2023.

Order from bandcamp here:

News From The Invisible World | The Fierce And The Dead (bandcamp.com)

Thank you if you have made it this far and thank you for supporting Progradar through 2023, I don’t have a crystal ball but I’m pretty sure that 2024 is going to be another fantastic year of music so hang around for the ride, it’s going to be exciting!

Glass Hammer Release Video For ‘The Return Of Daedalus’ On Halloween To Celebrate Release Of New Album ‘Arise’

Glass Hammer Release “The Return Of Daedalus” Official Video

Glass Hammer’s Steve Babb will release the nearly 17-minute-long epic, “The Return Of Daedalus,” in video form on Halloween to celebrate their ARISE release.

“Books have always been a big influence on the concepts behind our albums,” says Babb. “Besides fantasy and historical fiction, I’ve been a big fan of the cosmic horror genre. The works of H. P. Lovecraft have been a favorite since I was twenty, and recently, I’ve gotten into the works of his protégé, Clark Ashton Smith.

“ARISE was conceived as a cosmic horror story, or at least one that would evoke that particular sort of dread. It’s about a deep-space mission meant to glorify the achievements of man. But the android they commission encounters a rift in space. All sorts of nasty beings are emerging from this anomaly, and rather than being glorified, humanity finds its very existence at stake.”

The album’s finale is The Return Of Daedalus, Daedalus being the name of the android’s spacecraft. It’s divided into three distinct parts: Battle At MARS-001, Reentry, and The Doom Of The World.

Arise was released on October 27th.

Order the album direct from the band:

Glass Hammer official website

Review – Glass Hammer – Arise

“No, no! The adventures first, explanations take such a dreadful time.” – Lewis Carrol, ‘Alices Adventures in Wonderland’.

In music, most albums contain individual stories, the songs, and then some albums have a thematic link: concept albums. So, when one of my favourite bands tells me they are releasing a space-based concept album, trust me, I am going to be hooked…

Legendary American proggers Glass Hammer return with deep space exploration concept album ‘Arise’, this new release follows the extraordinary journey of an android dispatched by overzealous scientists to uncover the galaxy’s hidden wonders. 

So let’s delve into this musical space adventure, the explanation can come later…

An incredible amalgamation of prog-rock, 70’s hard rock, psych rock, doom and even a definite 80’s vibe, ‘Arise’ will at times leave you slack jawed and open mouthed at its audacity and in-your-face brilliance and, while definitively a Glass Hammer album, there’s new found confidence in every note.

A.R.I.S.E.
Android Research Initiative for Space Exploration

Statement From A.S.T.R.A. (Advanced Space Technology and Research Agency): Harnessing the powers of celestial-rift anomaly MARS-WRM-001, android ARISE ventures to deep space, unraveling cosmic enigmas and pushing the boundaries of exploration. Our audacious pursuit of knowledge shall illuminate the universe, leaving an indelible mark on the annals of cosmic understanding.

Let the adventure begin with Launch of the Daedalus, an urgent instrumental full of anticipation as we await the launch of the exploratory craft with the android on board. If anyone remembers Boston’s ‘Third Stage’ then The Launch comes to mind, painting a picture in your mind of a spacecraft rising majestically into a bright blue sky.

“Here I go, riding on a flame
Through the sky
I’m burning brighter
Than the sun, and can anyone
see me now.”

Wolf 359 hoves into view like a cinematic epic, the marching music full of pomp and circumstance before we hear the dulcet tones of Hannah Pryor and what a voice she has, a perfect match for the dynamism and majesty of the all-powerful music. It perfectly sets us on the interstellar journey. There’s a thought provoking keyboard section before the vastness of space is invoked once more.

The vastness of deep space unfolds, a testament to the extraordinary capacities of human and android intellect.

Like a majestic slice of hard rock infused electronica, ARION (18 delphini b) fires a warning shot with Steve’s effects laden voice leading us into the track before Hannah takes over again. It’s a wonderful thrill ride of galactic proportions and the funky keyboards add a touch of 70’s cool to the song.

“Thank God I found it
The only place I’d ever want to be
Thank God, who made it
My shining castle by the sea.”

Steve then trades solos with Reece’s scintillating guitar as our android protagonist stands upon the shore of Mare Sirenum marvelling at the singular beauty of its waters. Contemplating the wonders he sees here has conjured within him a deep longing for something he cannot name or explain. we then cleverly segue into the delicate wonder of Mare Sirenum, a delightful instrumental that pings and chimes and reminds me of early Sci-fi classic films.

“There I stood in perfect silence all alone Circled round by memories of all I’d known Then you called out from the darkness
All that I could do
Was turn and run away from you.”

A harsh and intense instrumental section ushers in Lost, invoking some painful feelings and memories before Hannah’s beautiful vocals begin, full of pathos and warmth. It’s a song of two extremes and they work perfectly, the alien intro a harsh reality against the beautiful pathos of the elegant vocals. There’s some delightful keyboards and drumming before that slightly off-kilter, almost alien back drop returns and then plays a game of cat and mouse with Hannah’s ethereal voice, what a superb track.

Transmission from Android Research Unit ARISE:
Curious anomaly detected at WASP-12. An indescribable rift emerges within the celestial expanse, heralding the arrival of unknown entities from dimensions uncharted. Their enigmatic presence evokes an inexplicable disquietude within me—a sensation both unfamiliar and captivating. It seems my neurosynaptic network is experiencing a cascade of perplexing algorithms…
[Intermittent signal disruption encountered}

Oh my, what a brilliant, thunderous monumental slab of space rock, Rift at Wasp-12 arrives like a homage to those legends of psych, Hawkwind, I love the way that, despite the heaviness (and I love the heaviness!), the music is instantly accessible but I keep hearing more and more with every listen! Steve provides a suitable demonstrative vocal and bass line hewn out of granite and there’s a brilliantly savage guitar solo from Fred Schendel that all adds up to a track that’s cooler than James Dean!

“I don’t know what calls to me from the rising mist at twilight
I don’t know what’s standing there wrapped in the glow of moonlight
I don’t know what’s led me here, this place on the verge of nightmare And I don’t know what you’ve been told but you really don’t want to go there”

We then segue into the even heavier Proxima Centauri B and there’s a joyous immediacy to the music, an intimacy and glorious flow. It’s a monumental piece of music, a sinister widescreen 70’s Sci-Fi soundtrack of epic proportions Reese once again fires his guitar like lightning bolts and Hannah’s evil twin turns up for vocal duties, it’s so good and puts a huge grin on my face. There’s a definite 70’s sci-fi feel to me, those great shows like Space 1999 but with a deliciously dark edge to it.

Regrettably, we must report the cessation of ARISE’s operations at Proxima Centauri B. The android, presumed destroyed, encountered insurmountable challenges, rendering it non-functional. Despite the emergence of sporadic “ghost transmissions” purporting to originate from ARISE, we must regard them as spurious and disregard any claims made therein.

Sinister and ominous in feel, the title track Arise ascends with a measured pace, like a leviathan of the stars, it’s a proper slow building track where the tension can be felt on every note and every word. Steve’s bass is disquieting and mischievous and the drums (which Steve played as well) are filled with a portentous tone. Hannah’s vocals are, once again, superb but they are just one cog in an ever impressive musical wheel. Reese delivers a slow burning, extremely bluesy, guitar section which just adds to the suspense, what a fine piece of music.

Statement from A.S.T.R.A. (Advanced Space Technology and Research Agency): Inexplicable sightings of the presumed-destroyed spacecraft DAEDALUS have emerged. False transmissions from an entity claiming to be android ARISE undermine our mission’s integrity. Urgent action is required to neutralize this deceptive presence upon its emergence through the Mars anomaly MARS-WRM-001.

This has been an excellent album and it ends on a suitably high note with The Return Of Daedelus, there’s a joyous immediacy to the music, an intimacy and glorious flow. Glass Hammer deliver music from a bygone era, digitally upgraded for the modern age. It’s like a mash up of 70’s rock and prog, the perfect union of early Rush and Deep Purple, like blues/Prog with an hard and improvisational edge.

Steve says, “It’s a huge guitar / bass jam and not something we usually do. I wanted to show Reese Boyd off. I usually end albums with a big triumphant victorious bit, but wanted something “catastrophic” for this one.”

He’s not wrong, it’s the long slow build that’s key and raises the tension and you end being completely blown away by the suave sophistication of the music and the incredible skill of the musicians. What a way to close out what has been a fantastic collection of songs, ones that combine together perfectly to deliver one of the best concept albums you’ll have heard in recent years.

There’s no weak link on this album, it just ebbs and flows beautifully, although the last three tracks go together so well. They’re possibly the best triumvirate of songs that the band have ever done back to back. With the Skallagrim series Glass Hammer proved themselves masters of the dynamic and grandiose and ‘Arise’ gives the impression that the creative skills of Steve Babb have gone into overdrive, is there a better storyteller in modern progressive music?

Released 27th October, 2023.

Order direct from the band here:

Glass Hammer official website


2022 Progradar’s Best Of The Year – The Editor’s Top 20

Your intrepid editor running a 24 hour event earlier in 2022.

As most of you know I am a very committed runner so the above picture is really my personal running highlight of 2022 (a 24 hour running event) but below you will find my top 20 albums of the year for 2022.

The first fifteen are in no particular order, they are just brilliant albums that I really enjoyed throughout the year but the final five are my definitive favourites of the year. So, without further ado, here we go…

David Longdon – Door One

A wonderful collection of songs that made a fitting and poignant epitaph for an amazing songwriter, musician and, above all, a wonderful man. I was lucky enough to meet David a few times and he was the least likely ‘rock star’ you could ever meet but, boy, what a voice and this album was the culmination of his musical career. One that was tragically cut too short.

Gandalf’s Fist – Widdershins

The ‘Clockwork Saga’ will always be seen as a monumental piece of work but, as a stand-alone release, ‘Widdershins’ sees Gandalf’s Fist at their absolute vibrant and dynamic best, every musician giving 100% and, while I’ve always been a fan of this very distinctive band, this new release sees them hitting an entirely new level.

Avandra – Prodigal

AVANDRA have created a thrilling and compelling take on the progressive-metal genre and one that is delivered with not a little expertise and finesse. ‘Prodigal’ is one of those intricate and influential albums that takes some understanding at first but when you peel back the final layer of this epic behemoth, it is a wonder to behold.

The Opening Song – Hidden Walls

Imagine music written like a classic novel of the 20’s and 30’s, there’s a wide eyed and wistful innocence that you just don’t get anymore in the world but behind that innocence, there’s also a world weary knowledge that the world isn’t always what you think it is or what you want it to be. ‘Hidden Walls’ is achingly beautiful but also wistfully painful at the same time. It’s made me quite emotional and that’s a rare thing but, isn’t what what music should do?

Comedy of Errors – Time Machine

After a long five year absence, ‘Time Machine’ is a fine return from one of progressive rock’s premier artists and an album that I am constantly revisiting. Cementing Comedy of Errors‘ status as one of the foremost artists in the genre, it is sure to be one of 2022’s most welcome releases.

Esthesis – Watching Worlds Collide

An object lesson in combining the stylish sensibilities of smokey jazz grooves with an almost 50’s noir film score to deliver a slick musical experience, all wrapped up in a sharp suit. Overall, ‘Watching Worlds Collide’ is a seriously good album with tons of Gallic flair, intelligence and inventiveness, it is also the coolest thing you are going to hear this year and I love it!

The Round Window – self-titled

A high quality release with wonderfully emotive songs and superb musicianship, this self-titled album may be The Round Window’s debut release but it shows a group of musicians who are already playing at a very high level and have creativity to burn. I can’t recommend it highly enough, this should be in everyone’s music collection…

Oak – The Quiet Rebellion of Compromise

Oak have a unique, innovative sound and you can hear it mature and transform on every album they release. Their approach to music is refreshing and sees them deliver meaningful music that has heart and soul and, with ‘The Quiet Rebellion of Compromise’, these talented musicians have created their most accomplished and consummate work yet.

Glass Hammer – At The Gate

Melodic, symphonic and, at times, monumentally heavy, ‘At The Gate’ is a superb, majestic leviathan of an album that enhances the band’s legacy as masters of the genre. This final instalment in the impressive trilogy brings things to a triumphant and proudly pompous conclusion, this is Glass Hammer at their finest, hugely expressive and sonically brilliant.

Threshold – Dividing Lines

For fans of the band it’s been a long five years since ‘Legends Of The Shires’ but when they return with an album as strong as ‘Dividing Lines’, you could say it has been worth the wait. Threshold are one of the pre-eminent proponents of prog-metal performing today and this fantastic new release has cemented their position right at the top of this particular musical tree.

VLMV – Sing With Abandon

There are times when you hear a piece of music that leaves you open mouthed in appreciation and, when I first heard ‘Sing With Abandon’ I was utterly stunned. Albums like this are more than mere music, they pervade your very soul, take over your life and almost bring you to tears at their beauty. VLMV have created something so good that it almost becomes a state of mind and I thank Pete Lambrou from the bottom of my heart for doing so.

Dim Gray – Firmament

I was seriously impressed with Dim Gray’s debut release ‘Flown’ but the last forty five minutes has shown me that this band have elevated themselves to another level entirely. ‘Firmament’ is a magnificent achievement, twelve songs that ebb and flow superbly and sum up perfectly what music is truly about. These three truly inspiring musicians have created something that is prime and organic, their music can get under your skin and influence your very moods and my life would truly be a much sadder place without it!

Ghost Of The Machine – Scissorgames

This superb album was reviewed for Progradar by my good friend Leo Trimming and I have to agree with every single one of his words:

‘Scissor Games‘ is a remarkable debut album. It clearly owes so much to earlier eras of Prog Rock but when it is done with this sheer amount of brio and skill, allied with powerful, impactful lyrics, then it is entirely valid and worthy as a piece of music and art. Many Prog fans will absolutely fall in love the style and emotional content of ‘Scissor Games‘ which will very probably be rightfully be regarded as one of the best debut progressive rock albums of 2022.

Gustaf Ljunggren with Skúli Sverrisson – Floreana

Philosophical and meditative, ‘Floreana’ will leave you in place of utter calm and leave you ruminating on life, the universe and just about everything. It’s as much about the spaces between the notes as the notes themselves and the state of mind that your are left in. To me, it is one of the surprises of the year so far and an album that I implore you to listen to at least once, trust me, it will be worth it…

Omega Point – A Great Escape

Matt Cohen has brought together a stellar group of musicians and, in Omega Point, created a powerful musical statement, close-knit and cohesive. ‘A Great Escape’ is another fantastic addition to the ranks of accomplished new releases we have already been lucky enough to hear in 2022 and can proudly hold its head high along with the best of them. Let’s hope this is just the start of things to come!

So that’s fifteen of the best albums I’ve heard in 2022 and they all rightly deserve a place in this review but now for the top five…

In fifth place:

Bjørn Riis – Everything to Everyone

Music can make a world that seems to be falling into monochrome light up and be revitalised with blazes of colour and vitality and this wondrous new album from musical maestro Bjørn Riis brings all that and more. Power, soul and grace are infused throughout its six tracks and combine to make it one of the outstanding releases of 2022 so far.

Fourth place was taken by:

The Tangent – Songs From The Hard Shoulder

‘Songs From The Hard Shoulder’ is just a wonderful piece of work, The Tangent at their brilliant best. People need some cheer in the world and music has the power to lift people, after just one listen to this amazing album I was smiling again. Andy and the band could just have released their most important record yet…

Now on to the top three, starting with:

cosmograf – Heroic Materials

The sumptuous, questioning ‘Heroic Materials’ is undeniably brilliant. Robin has laid his heart and soul, his whole being in fact, down as music. Emotive, melancholy at times, this record is a story and history at the same time. A plea for the future of the planet it may be but, above all, it is an immersive artistic triumph and one of the best releases of recent years.

And, as hard as I tried,I couldn’t split the final two so we have joint winners of my album of the year and I’m listing them arbitrarily by release date:

Joint First Album of the Year – Marillion – An Hour Before it’s Dark

I have been a fan of Marillion for over three decades and, in a career of superlatives, ‘An Hour Before It’s Dark’ can truly be seen as one of their most accomplished albums. It is an outstanding piece of music that the band should be incredibly proud of and, even though we are only in February, it will take something amazing to knock it off the top of my album of the year list.

Joint First Album of the Year – Galahad – The Last Great Adventurer

When music is as good as this and touches you in a very personal manner, it can’t really get any better. In my opinion Galahad have returned with what can only be described as a modern progressive masterpiece and one that will stand the test of time and should be remembered as being one of the best albums of recent years. It’s my joint first album of the year and I really can’t give it any higher praise than that.

So, in a year of high quality releases, this is my definitive top twenty, a collection of superb albums that would grace anyone’s music collection, tomorrow will see Progradar’s respected contributor John Wenlock-Smith’s top 20 albums and I am already looking forward to what 2023 will bring…

GLASS HAMMER PREMIERS NEW VIDEO WITH FANS ON BOARD – All Alone Video Includes Cameos and Fan Reactions

Glass Hammer’s Steve Babb put out the call two weeks ago for fans that would like to video their first reactions to All Alone, track number four from the band’s new album, At The Gate. 

“Our fans are very loyal,” says Babb. “It seemed like a fun idea to include them this time! There are a few cool cameos as well; Jon Davison (Yes), Jon Beagley (Life In Digital), Dave Kerzner (Sound Of Contact), Prog-rock reviewer Pete Pardo (Sea Of Tranquility), and more.

All Alone is one of our heavier tunes, but there’s plenty of progginess in the track. The rhythm is really infectious—which I thought made it a good song for reaction videos. Heads are bobbing non-stop throughout!”

Vocalist Hannah Pryor fronts the band on All Alone, with some help from Steve Babb, whose vocals bookend the song.

You can order the album from the band’s website here:

Glass Hammer official website

Phot credit: Julie Babb.

Review – Glass Hammer – At The Gate

“Time crawls when we are very young; the older we grow, the more it hastens. If you’re living out a normal span of years, you know this to be true. “Where did the years go,” remarks the elder for whom the long night draws near. “It seems like just yesterday…”

“But what of the man who lives beyond his years, who finds he cannot die? Does time fly by at ever accelerating speeds? I am asked this often, for I have passed my thousandth year upon the wretched earth, most of it wandering cursed Andorath for a dream I once cherished but lost.“

‘At The Gate’, is the third album of the Skallagrim trilogy. This new album follows ‘Dreaming City’ (2020) and ‘Skallagrim – Into The Breach’ (2021), bringing the story of the ‘thief with the screaming sword’  to its conclusion.

Vocalist Hannah Pyror is back to front the group and is joined by bandleader Steve Babb, keyboardist Fred Schendel, and drummer Aaron Raulston. In addition, vocalists Jon Davison (Yes) and John Beagley (Life In Digital) both contribute, as well as guitarist Reese Boyd.   

Steve Babb says, “For those who love our newer, edgier sound, they won’t be disappointed. But I’ve brought back the pipe organ, the choirs, and the sweeping ballads for those who miss the sounds of our earlier albums.“

For those fans of fantasy literature, like myself, this new Sword & Sorcery storyline that began with 2020’s ‘Dreaming City’, and the excellent music that accompanied it has really hit the mark and has seen Glass Hammer reach new heights and become even more popular and venerated than before.

I have always been very lucky in that I get to hear the albums before most people and every time I am even more impressed with the creativity and musicianship that these US prog rock titans deliver. Well, to quote Michael Caine, with ‘At The Gate’ they’ve only gone and blown the bloody doors off!

“Lonely years roll by, Leaves me wondering, Don’t ask me why…”

The final part of the Skallagrim trilogy is wide screen music at its most impressive, opener, the ballad The Years Roll By, does see a return to the band’s earlier, classic progressive rock, style but beefed up with added layers of sophistication and skill. It immediately puts a smile on my face as soon as I hear the ever so stylish organ intro and Hannah Pryor’s voice is just magical. To hear Steve channelling his inner Chris Squire again is just a joy to these ears too and the guitar sound is just utterly compelling, giving the track a wonderfully symphonic style.

“There is a road, Hidden well but search, You may find it, There is a gate at the end, And only time can unlock it…”

Savage is just that, a slow burning, ominous opening is blown apart by a huge riff and Hannah’s voice takes on a darkly delicious tone. The symphonic moves aside for pure hard rock with a Led Zeppelin edge, the intricate guitar and keyboard parts are so precise that they make me smile and Aaron Raulston shows he’s lost none of his skill behind the drum kit. The musicianship on display is just dazzling but it’s that hard-edged, fuzzy riff that gets me every time, what a superb track this is!

“Lirazel! I found her name in a song, the melody of which cured me of all forgetfulness. Lirazel! They took you from me and hid you away, but the memory of love will not—cannot die.”

let’s go all 80’s and electronic shall we? North Of North is a really chilled and laid back instrumental that has a feel of Tangerine Dream to its wistful synthesised notes and I am a total sucker for a bit of old school electronica. You feel yourself getting lost in its pulsing rhythm before Fred lets loose with some super stylised keyboard licks, backed by some vibrant guitar and drums. This track is as uber-cool as they come.

“There’s gonna be hell to pay, When all is said and done, So many years have come and gone, And now I’m left with none…”

Prepare for a monumentally heavy aural assault as the blues-rock intro of All Alone makes way for the heaviest riff on the album, what an absolute beast of a song. Imagine King’s X and Metallica getting together for an anything goes jam and you won’t be far wrong, this track absolutely rocks and rocks hard. You can just imagine the band having the time of their life on this and it would be an absolute monster live, Hannah’s vocals once again giving substance to the down and dirty music. Creativity and songwriting prowess are both at an absolute zenith on this album!

Fred Schendel, Hannah Pryor, Steve Babb, Aaron Raulston

“You know where to find her, You know where to start, But only fools would go down, To the mountains heart…”

That ever so stylish hard rock feel continues with the funky grooves of All For Love, another edgy riff and some crunching bass lines from Steve adding some shadowy grunge to proceedings. The distorted guitar solo is a clever addition, as is Fred’s excellent, Deep Purple inspired, keyboard blast. It’s a hell for leather rollercoaster ride of immense proportions.

“I kinda thought this would be done soon, But I was born beneath a black moon…”

Snowblind Girl powers into focus on another thundering riff, the lengthy opening grabbing your attention before Hannah’s vocal begins, strident and demanding. There’s more a feel of symphonic metal to this song but it’s still bombastic and mightily heavy. Another verdant solo brings a smile to my face once again as these consummate musicians deliver yet another memorable track, the instrumental interplay is just jaw-droppingly good!

“Zagzagel, Here, the sorcerous city is buried now, Beneath a frozen lake For the king did justly curse it…”

Discordant and chaotic, the jarring opening to Standing At The Gate (Of Zagzagel) instantly grabs your attention, the crashing guitar chords and keyboards almost fighting each other for supremacy. Hannah’s authoritarian vocal delivers each line in a clipped manner before things calm down a bit for the memorable chorus,

“He’s standing at the gate, He’s pounding at the gate, Of dread, and now it opens.”

The guitar solo that follows is one of the best, flowing beautifully and full of passion and emotion in every single note and the song closes out with Hannah’s voice repeating the chorus as it fades into the background.

“There’s no life without you, There’s no life, If I walk this life alone, If I never find a home…”

In The Shadows sees the start of the final chapter in the album and the story and is also a complete sea change from the bombast and heaviness of most of what has gone before. It is an utterly captivating, ethereal track led by a gentle piano and Hannah’s haunting, sublime vocal. A wistful, melancholic song that bleeds sentiment through every note, the contemplative, almost mournful, music really gets you in your very soul and leaves you with a feeling of regret. The extended instrumental section is genius, utterly captivating and brings time to a standstill as it holds you in its thrall.

“Forgotten joy, the feel of sunshine, touch of summer sun, Don’t you know, my love…”

The album closes with the uplifting joy and charm of It’s Love, a fantastically inspirational song that sees Glass Hammer returning, once again, to the symphonic, orchestral prog for which they were well know. It is a perfectly constructed track, almost Queen-like (just check out that guitar!), that brings this mighty tale to a wonderful close.

Melodic, symphonic and, at times, monumentally heavy, ‘At The Gate’ is a superb, majestic leviathan of an album that enhances the band’s legacy as masters of the genre. This final instalment in the impressive trilogy brings things to a triumphant and proudly pompous conclusion, this is Glass Hammer at their finest, hugely expressive and sonically brilliant.

Released October 7th, 2022.

Order direct from the band here:

Glass Hammer official website




Glass Hammer Release Video for At The Gate

‘The Years Roll By’ is the first of two music videos from the band’s new concept album.

The Years Roll By is the opening track on Glass Hammer’s At The Gate concept album —set for release on October 7th, 2022.

Bandleader Steve Babb said the following about the new album: “At The Gate completes our sword and sorcery inspired trilogy that began with 2020s Dreaming City. We followed that up with last year’s Skallagrim—Into The Breach.”

For the uninitiated, he went on to explain. “It’s the story of a scarred and battered thief, Skallagrim, who’s had his memory stolen along with the love of his life. He’s got to fight unimaginable horrors and slay hideous creatures and sorcerous villains if he’s ever to reclaim either. Finally, at the end of the last album, his memory is returned, but he finds himself cursed to wait one thousand years for a chance to find his lost love! At The Gate picks up at the end of his tale as he prepares to face the ultimate challenge of his life—to finally rescue his girl and defeat the evil being who has imprisoned her.

“Of course, as with any Glass Hammer concept album, there is more to it than a simple plot. On the surface, it appears to be about magic swords and heroes, but it’s actually a story about confronting evil, how to survive it, and how to face despair and heartache.

And most importantly, it’s about why the pursuit of profound and lasting joy in an often joyless world is worthwhile, even when all available evidence suggests it cannot be found.”  

Babb says he chose to open the album with a ballad. “…something ethereal, something reminiscent of what our fans call classic Glass Hammer. The Years Roll By fits the bill, I think. Of course, there’ll be plenty of metal and prog on the new album. The next music video I plan to release hits really hard!”

Watch the video here:

Autographed copies of At The Gate are available for pre-order on the Glass Hammer Store website. www.glasshammer.com

Glass Hammer Announces New Album For October

Glass Hammer Completes The Skallagrim Trilogy with ‘AT THE GATE’

‘At The Gate’, the third album of the Skallagrim trilogy, is set for release on October 7th. The new album follows ‘Dreaming City’ (2020) and ‘Skallagrim – Into The Breach’ (2021), bringing the story of the ‘thief with the screaming sword’  to its conclusion.

Vocalist Hannah Pyror is back to front the group and is joined by bandleader Steve Babb, keyboardist Fred Schendel, and drummer Aaron Raulston. In addition, vocalists Jon Davison (Yes) and John Beagley (Life In Digital) will contribute as well as guitarist Reese Boyd.   

Babb says to expect another 70’s metal-influenced project but also promises a return to the symphonic-prog sound the band is best known for.

“An album can be both things,” he claims. “Since the inception of the trilogy in 2020, it’s been my intention to tell this sword and sorcery-inspired tale with appropriate music. And to do that, I needed the sound to evolve toward something grand by the end of the third album. Skallagrim’s story is one of lost joy, of grief, and longing, and ultimately of a worn-down swordsman’s coming to grips with what the world can and cannot offer him. It’s probably the most important story we’ve ever told through music, so important to me that it led me to retell it in novels.” Babb’s book, “Skallagrim – In The Vales Of Pagarna,” was released in March of this year.

Babb adds, “So, for those who love our newer, edgier sound, they won’t be disappointed. But I’ve brought back the pipe organ, the choirs, and the sweeping ballads for those who miss the sounds of our earlier albums. I think it works, but the fans will be the ones to decide!”

Watch a short teaser video for the album here: