Tag: Galahad

Progradar – Review Of The Year 2023

2023 has been a fantastic year for music with an absolute plethora of superb albums that I have reviewed. It’s always very difficult indeed to pick out my favourite twenty releases from such a stellar year but here are the ones that have really left a mark for me.

They are in no particular order for the first nineteen but I have debated long and hard about my number one album so read on and find out what has taken the honour for 2023…

This Winter Machine – ‘The Clockwork Man’

‘The Clockwork Man’ is modern, neo-tinged, progressive rock at its finest and most involving, perfectly created and performed by a band who have found their feet after three accomplished releases and have delivered their finest work yet. This Winter Machine now stand at the forefront of modern neo-progressive rock and can be rightly proud of a concept album that can stand the test of time with some of the best that have gone before.

Released 6th October, 2023.

Order from White Knight Records here:

This Winter Machine – The Clockwork Man CD (pre-order) | whiteknightrecords (bandcamp.com)

One Sided Horse – ‘My Favourite City At Night In The Rain’

So, there you have it, ‘My Favourite City At Night In The Rain’ is quite possibly one of the most important albums you will listen to this year. If you want an example of why music is so wonderful and moves people in so many ways then you cannot pick a better example than this utterly triumphant work of art, Mark Whiteside and One Sided Horse please take a bow, I thank you from the bottom of my heart…

Released 8th September, 2023.

Order here:

My Favourite City At Night In The Rain | One Sided Horse (bandcamp.com)

Hekz – ‘Terra Nova’

Well, what can I say, I knew that a new Hekz album would be something pretty good but I had no idea it would be this special. With ‘Terra Nova’, Hekz have given us the ultimate involving musical thrill ride and I just don’t want to get off. To tell the truth, it’s the best progressive-metal album I’ve heard in many a year and, if this is the future of the genre, I’m completely sold!

Released 3rd November, 2023.

Order from the band here:

Terra Nova | HeKz 2/3 (hekztheband.com)

Comedy of Errors – ‘Threnody For A Dead Queen’

‘Threnody For A Dead Queen’ is Comedy Of Errors at their very, very best, the music builds, almost as if alive, it has moods and emotions and captivates from the very first note. This band just get better and better with each wonderful album they create and, without exception, this release is up there with the very best of the year so far. Hell, in my opinion, it is Comedy Of Errors’ best yet, their Magnum Opus if you like and you should just go out and buy it!

Released 2nd June, 2023.

Order the CD direct from the band here:

Comedy of Errors : Shop

Order the mp3 from bandcamp here:

Threnody For A Dead Queen | Comedy Of Errors (bandcamp.com)

Zeelley Moon – ‘The Author And The Dreamer’

‘The Author and the Dreamer’ connects with you in your sub-conscious, the songwriting and performances are second to none and Zeelley Moon’s innate Englishness and idiosyncracies are what make this music so appealing and enjoyable and one of my albums of 2023. Do yourselves a favour and get your hands on it as soon as you can!

Released 20th November, 2023.

Download and streaming on iTunes, Spotify, YouTube Music and the usual others.

Physical Album sales available on Discogs.com or direct at zeelleymoon@yahoo.co.uk.

The Round Window – ‘Everywhere & Nowhere’

Everywhere & Nowhere’ takes everything that was great about the band’s debut and just lifts it several levels. It is lush, classy, insightful and so melodically impressive and is an album that The Round Window should be mightily proud of. Difficult second album? not for these highly accomplished musicians!

Released 8th December, 2023.

Order digital from bandcamp here:

Everywhere & Nowhere | The Round Window (bandcamp.com)

Order CD’s direct from the band’s website here:

Everywhere & Nowhere – The Round Window

Moon Safari – ‘Himlabacken Vol. 2’

Music has the power to move you and impact on your life in a positive manner and, with ‘Himlabacken Vol. 2’, Moon Safari have delivered the most wonderfully uplifting collection of songs I have heard this year. A joyous, mood enhancing release that just makes this world we live in a better place to be, if only for a short time. Trust me, you need this album in your life!

Released 8th December, 2023.

Order digital at bandcamp here:

Himlabacken Vol. 2 (24-bit audio) | Moon Safari (bandcamp.com)

Order physical product from Burning Shed here:

Himlabacken Vol. 2 (burningshed.com)

The Twenty Committee – ‘The Cycle Undone’

With ‘The Cycle Undone’ The Twenty Committee have not only returned triumphant, they have also delivered one of THE musical experiences of 2023. Highly emotive songwriting allied with musicianship of the utmost quality, the band’s sophomore release builds on the enormous promise of their debut all those years ago. It may be ten years after but, boy, what a way to make a comeback!

Released 12th December, 2023.

Order the digital from bandcamp here:

The Cycle Undone | The Twenty Committee (bandcamp.com)

The Oculist – ‘Cautionary Tales’

‘Cautionary Tales’ is one of the freshest sounding albums you will hear this year, it is prog-metal for the thinking music fan and has real heart and soul at its core. I for one am intrigued to see what this talented duo come up with next.

Released 8th December, 2023.

Order from bandcamp here:

Cautionary Tales | The Oculist (bandcamp.com)

Southern Empire – ‘Another World’

A Southern Empire record is always just more than an album release, it’s a hugely significant occasion and one that I await with bated breath. Their music has been a soundtrack of my more recent years and is very, very important to me on a musical and emotional level. ‘Another World’is an absolute masterpiece of musical theatre and, possibly, the band’s Magnum Opus, one of the best albums you will hear this or any other year, and the perfect accompaniment to my life.

Released 4th September, 2023.

Order CD from GEP here:

Another World – Pre Order – GEP

And the vinyl from GEP here:

Another World Orange Marbled Vinyl – Pre Order – GEP

John Greenwood – ‘DARK BLUE’

It’s not often we hear a truly progressive release nowadays but, almost from out of nowhere, John Greenwood has entered the fray with one of the finest releases of 2023. The musicianship and songwriting are top notch and, like all the best albums, I find this on almost permanent rotation, it is, to put it simply, utterly superb!

Released 1st July, 2023.

Order from bandcamp here:

DARK BLUE | John Greenwood (bandcamp.com)

Blue Rose Code – ‘Curios 2009-2020’

There is nothing better than music that connects with you at a basic level, music that moves you and music that almost becomes part of you and Ross Wilson and Blue Rose Code create music that is all that and more. This collection of B-sides, varieties and singles is something that should be cherished and I, for one, cannot wait for 2024 and a new album from this incredible musician. Ross Wilson, my friend, I wish you peace in your heart…

Released 3rd November, 2023.

Order from band camp here:

Curios 2009 – 2020 | Blue Rose Code (bandcamp.com)

Glass Hammer – ‘Arise’

There’s no weak link on this album, it just ebbs and flows beautifully, although the last three tracks go together so well. They’re possibly the best triumvirate of songs that the band have ever done back to back. With the Skallagrim series Glass Hammer proved themselves masters of the dynamic and grandiose and ‘Arise’ gives the impression that the creative skills of Steve Babb have gone into overdrive, is there a better storyteller in modern progressive music?

Released 27th October, 2023.

Order direct from the band here:

Glass Hammer official website

Galahad – ‘The Long Goodbye’

I chose ‘The Last Great Adventurer’ as my album of the year for 2022 and, in a fast paced world that never stands still, Galahad haven’t rested on their laurels. They have returned with ‘The Long Goodbye’, another wondrous musical journey that mesmerises and bewitches from beginning to end, and even surprises in places. Could this be another contender at the end of the year, I definitely don’t see why not!

Released 23rd October, 2023.

Pre-order direct from the band here:

Galahad – GALAHAD Merchandise (galahadonline.com)

Beatrix Players – ‘Living & Alive’

Beatrix Players return triumphant with the mesmerising ‘Living & Alive’, a collection of songs that are bewitching and compelling and leave you in no doubt of their stature in the music industry of today. The sublime voice of Amy Birks and outstanding musicianship on show have created one of the most outstanding releases of 2023 and one that should be on your list of must buy albums, it really is that good!

Released 22nd September, 2023.

Order digital here:

Living & Alive | Beatrix Players (bandcamp.com)

Order CD at Burning Shed:

Living & Alive (burningshed.com)

The Anchoret – ‘It All Began With Loneliness’

One of the things I love about music is when it surprises you and this debut release from The Anchoret has been a revelation. ‘It All Began With Loneliness’ is an astonishingly good album, in fact jaw-droppingly so, and is already up there as one of my favourites of the year. As prog-metal albums go, it doesn’t get much better than this!

Released 23rd June, 2023.

Order from bandcamp here:

It All Began With Loneliness | The Anchoret (bandcamp.com)

EBB – ‘Mad & Killing Time’

When you listen to as much new music as I do, it takes something truly special to stand out and ‘Mad & Killing Time’ is just that, Ebb delivering a musical highlight of the year and one that is totally unique to this incredibly talented bunch of artists. Go seek it out, you will not de disappointed in any way at all.

Released 1st November, 2022.

Order from bandcamp here:

Mad & Killing Time | Ebb (bandcamp.com)

Riverside – ‘ID.Entity’

Riverside are a band who have always gone their own way and been proud to defy convention and after the dark melancholy and sadness of recent releases, the band have returned with a brightly shining beacon of light. ‘ID.Entity’ is a generally uplifting album that puts a huge smile on my face every time I hear it and one that, I’m sure, will still be lighting up people’s lives for years to come.

Released 20th January, 2023.

Order ‘ID.Entity’ here:

Riverside – ID.Entity (lnk.to)

The Tangent – ‘Pyramids, Stars & Other Stories: The Tangent Live Recordings 2004-2017’

Ah, to reminisce is a joy we should always hold dear and this wonderful live release from one of the UK’s most venerated prog bands is a sentimental journey down memory lane and one that will remind you why The Tangent are held in such warm regard and also why live music is something worth cherishing and preserving. We, the fans, hold it in our hands to make sure music stays live so albums as brilliant as this can still get made!

Released 27th January, 2023.

Order the album here:

Pyramids, Stars & Other Stories: The Tangent Live Recordings 2004-2017 (burningshed.com)

And so it all comes down to this, the one album that just about reared its head above all others to be my favourite of 2023. It’s not a default decision, this release has really moved the game on for one of the UK’s most influential underground bands…

The Fierce And The Dead – ‘News From The Invisible World’

News From The Invisible World’– true fans will love it, there’s real maturity and creativity in this album, The Fierce And The Dead shift effortlessly between different styles to show they are no one trick ponies. You could say that this is a case of a band reinventing itself but staying close to their roots but it’s more than that, this is band raising their game to the highest level and that is really where they belong…

Released 28th July, 2023.

Order from bandcamp here:

News From The Invisible World | The Fierce And The Dead (bandcamp.com)

Thank you if you have made it this far and thank you for supporting Progradar through 2023, I don’t have a crystal ball but I’m pretty sure that 2024 is going to be another fantastic year of music so hang around for the ride, it’s going to be exciting!

Review – Galahad – The Long Goodbye

“Music, when soft voices die, vibrates in the memory.” — Percy Bysshe Shelley.

Music is essential and life would not be complete without it, where words fail, music can always express what we are feeling and Galahad have always had that uncanny knack of resonating with me on a sub conscious level. This long revered band have a new album in the offing and I was extremely honoured to have a very early listen and plenty of time to gather my thoughts before writing this review but, first, a short bit of PR…

This latest opus, Galahad’s twelfth studio album, was recorded before, during and after the recent Covid emergency, and, as was the case with the previous album ‘The Last Great Adventurer’, was recorded at several locations over the last couple of years by the various band members and was finally edited, mixed and mastered, as usual, by our engineer/producer supreme Karl Groom.

The album features the same line-up as TLGA of Stu Nicholson (vocals), Dean Baker (keyboards), Spencer Luckman (drums), Lee Abraham (guitars) and Mark Spencer (bass guitar).

As usual, a variety of topics are considered and written about on this album, some very personal, including the title track in which the ageing process and the difficult and tricky subject of early onset dementia is tackled, hopefully with a certain amount of  poignancy.

Those familiar with ‘The Last Great Adventurer’ will feel that album’s vibe immediately on the classy opener Behind The Veil Of A Smile. An elegant intro of Lee’s guitar and Dean’s keys leads you on a willing journey into superb prog infused metal, it’s not dissimilar to Threshold but couldn’t have come from anyone but Galahad as it’s much more intricate and ‘proggy’. The song really takes off when you hear Stu’s distinctive vocals, especially on the ever so cool chorus. There’s a brilliant keyboard solo that put a huge grin on my face and the song ends with a short but extremely satisfying solo from Lee, the band have certainly picked up on where they’d finished on TLGA and their creative abilities are still firing on all cylinders! A techno/electronica hue (I never thought I’d write those words about a Galahad release!) is all over the intro to Everything’s Changed, a more subdued piece of music than the opening song but one that is still full of the band’s signature sincerity, especially on Stu’s elegant vocals. There’s a world weary atmosphere to this nostalgic feeling song, it’s full of a wistful, almost melancholy, sentiment for the ages, mainly imbued by Dean’s contemplative keyboards, and blossoms superbly on another bewitchingly catchy chorus. It’s another stylish piece of music and the almost orchestrated ending is a touch of genius. More echoing, dynamic keys dominate the extended opening to Shadow In The Corner before Lee’s punchy guitar enters the fray and adds some drive to the song. Stu’s slow burning vocals add a touch of mystery and suspense to the track before a flowering chorus adds a cinematic, widescreen effect to proceedings. There’s a lush feel to the keyboards and guitar riffs and Lee gets to shine on a superb, funky solo that really gets under your skin. Once again I have to applaud the musicianship, Galahad certainly brings the best out of Lee Abraham who is on extraordinary form on this album especially but everyone is at the top of their game and Stu’s vocals are as immense as ever.

Now to the elephant in the room, the utterly brilliant, but totally left-field, The Righteous And The Damned. This epic piece of music really shouldn’t work but it does and brilliantly! Imagine System Of A Down crossed with ‘Fiddler on the Roof’ and you won’t be far wrong. It is one of the best tracks I’ve heard this year but does need perseverance as it doesn’t click immediately. Stu said that,

“Oddly the intro melody for ‘Righteous’ came to me whilst we were in the Jewish quarter in Krakow a few years ago listening to the street musicians, it’s an incredibly atmospheric place. It will a marmite track for sure.”

The band have imbued that feel and atmosphere into an incredibly entertaining and engaging song that has touches of brilliance throughout. The violin is mischievous as hell, Lee’s riffs jump all over the place and, yet, it is still demonstratively a Galahad track. Stu sounds like he’s having the time of his life, Mark’s bass is funky and jazzy as you like and Spencer’s drums have never sounded as complex, it is just amazing and the band should be complimented on delivering a piece of music that could alienate some of their fans, although I would be very surprised if it did!

The final song on the album proper (we’ll come to the CD bonus tracks in a bit) is the glorious, heartfelt and emotional journey that is The Long Goodbye, It’s a wondrous musical journey that tackles the ageing process and the difficult and tricky subject of early onset dementia with pathos and the poignancy that the band intended and it’s one you never want to end. There’s a serious feel to the song as it breaks out from the thoughtful, almost mournful, introduction, Stu’s vocals delivered with calm gravitas and the music slightly subdued but still delivered with feeling. The softly delivered refrain of “I don’t know who I am, I can’t even remember my name, I don’t know what I’ve ever done, I don’t know where I’ve come from” brings home the seriousness of the subject matter in the most dignified of manners. This beautifully constructed piece of music will, at times, bring a lump to your throat and a tear to your eye but it’s the breathtaking final six minutes that take it to a whole other level as Lee delivers some gorgeous guitar, including a sublime soaring solo, and the stunning orchestration from Dean and Mark begins. Stu says he loves this part of the track and you can see why, it is utterly stunning and finishes the song and the album on the highest of high notes.

If you order the CD version then you will get two bonus tracks, Darker Days which harks back to the style of the first three tracks on the album, that high energy, dynamic sound with edgy guitars, pounding drums, forceful bass and compelling keyboards. Add in Stu’s charismatic vocals and another memorable chorus and it has everything you need. Open Water is another matter entirely, it’s a more sparse, sensitive and somewhat reflective track that has an almost ethereal quality with Stu’s laid back vocals, Lee’s exquisite guitar and the celestial piano and keys. Stu says it is probably the newest piece as it was written during lockdown and, to echo Stu’s sentiments, provides a relatively low key finish on the CD after all the bombast.

I chose ‘The Last Great Adventurer’ as my album of the year for 2022 and, in a fast paced world that never stands still, Galahad haven’t rested on their laurels. They have returned with ‘The Long Goodbye’, another wondrous musical journey that mesmerises and bewitches from beginning to end, and even surprises in places. Could this be another contender at the end of the year, I definitely don’t see why not!

Released 23rd October, 2023.

Pre-order direct from the band here:

Galahad – GALAHAD Merchandise (galahadonline.com)

2022 Progradar’s Best Of The Year – The Editor’s Top 20

Your intrepid editor running a 24 hour event earlier in 2022.

As most of you know I am a very committed runner so the above picture is really my personal running highlight of 2022 (a 24 hour running event) but below you will find my top 20 albums of the year for 2022.

The first fifteen are in no particular order, they are just brilliant albums that I really enjoyed throughout the year but the final five are my definitive favourites of the year. So, without further ado, here we go…

David Longdon – Door One

A wonderful collection of songs that made a fitting and poignant epitaph for an amazing songwriter, musician and, above all, a wonderful man. I was lucky enough to meet David a few times and he was the least likely ‘rock star’ you could ever meet but, boy, what a voice and this album was the culmination of his musical career. One that was tragically cut too short.

Gandalf’s Fist – Widdershins

The ‘Clockwork Saga’ will always be seen as a monumental piece of work but, as a stand-alone release, ‘Widdershins’ sees Gandalf’s Fist at their absolute vibrant and dynamic best, every musician giving 100% and, while I’ve always been a fan of this very distinctive band, this new release sees them hitting an entirely new level.

Avandra – Prodigal

AVANDRA have created a thrilling and compelling take on the progressive-metal genre and one that is delivered with not a little expertise and finesse. ‘Prodigal’ is one of those intricate and influential albums that takes some understanding at first but when you peel back the final layer of this epic behemoth, it is a wonder to behold.

The Opening Song – Hidden Walls

Imagine music written like a classic novel of the 20’s and 30’s, there’s a wide eyed and wistful innocence that you just don’t get anymore in the world but behind that innocence, there’s also a world weary knowledge that the world isn’t always what you think it is or what you want it to be. ‘Hidden Walls’ is achingly beautiful but also wistfully painful at the same time. It’s made me quite emotional and that’s a rare thing but, isn’t what what music should do?

Comedy of Errors – Time Machine

After a long five year absence, ‘Time Machine’ is a fine return from one of progressive rock’s premier artists and an album that I am constantly revisiting. Cementing Comedy of Errors‘ status as one of the foremost artists in the genre, it is sure to be one of 2022’s most welcome releases.

Esthesis – Watching Worlds Collide

An object lesson in combining the stylish sensibilities of smokey jazz grooves with an almost 50’s noir film score to deliver a slick musical experience, all wrapped up in a sharp suit. Overall, ‘Watching Worlds Collide’ is a seriously good album with tons of Gallic flair, intelligence and inventiveness, it is also the coolest thing you are going to hear this year and I love it!

The Round Window – self-titled

A high quality release with wonderfully emotive songs and superb musicianship, this self-titled album may be The Round Window’s debut release but it shows a group of musicians who are already playing at a very high level and have creativity to burn. I can’t recommend it highly enough, this should be in everyone’s music collection…

Oak – The Quiet Rebellion of Compromise

Oak have a unique, innovative sound and you can hear it mature and transform on every album they release. Their approach to music is refreshing and sees them deliver meaningful music that has heart and soul and, with ‘The Quiet Rebellion of Compromise’, these talented musicians have created their most accomplished and consummate work yet.

Glass Hammer – At The Gate

Melodic, symphonic and, at times, monumentally heavy, ‘At The Gate’ is a superb, majestic leviathan of an album that enhances the band’s legacy as masters of the genre. This final instalment in the impressive trilogy brings things to a triumphant and proudly pompous conclusion, this is Glass Hammer at their finest, hugely expressive and sonically brilliant.

Threshold – Dividing Lines

For fans of the band it’s been a long five years since ‘Legends Of The Shires’ but when they return with an album as strong as ‘Dividing Lines’, you could say it has been worth the wait. Threshold are one of the pre-eminent proponents of prog-metal performing today and this fantastic new release has cemented their position right at the top of this particular musical tree.

VLMV – Sing With Abandon

There are times when you hear a piece of music that leaves you open mouthed in appreciation and, when I first heard ‘Sing With Abandon’ I was utterly stunned. Albums like this are more than mere music, they pervade your very soul, take over your life and almost bring you to tears at their beauty. VLMV have created something so good that it almost becomes a state of mind and I thank Pete Lambrou from the bottom of my heart for doing so.

Dim Gray – Firmament

I was seriously impressed with Dim Gray’s debut release ‘Flown’ but the last forty five minutes has shown me that this band have elevated themselves to another level entirely. ‘Firmament’ is a magnificent achievement, twelve songs that ebb and flow superbly and sum up perfectly what music is truly about. These three truly inspiring musicians have created something that is prime and organic, their music can get under your skin and influence your very moods and my life would truly be a much sadder place without it!

Ghost Of The Machine – Scissorgames

This superb album was reviewed for Progradar by my good friend Leo Trimming and I have to agree with every single one of his words:

‘Scissor Games‘ is a remarkable debut album. It clearly owes so much to earlier eras of Prog Rock but when it is done with this sheer amount of brio and skill, allied with powerful, impactful lyrics, then it is entirely valid and worthy as a piece of music and art. Many Prog fans will absolutely fall in love the style and emotional content of ‘Scissor Games‘ which will very probably be rightfully be regarded as one of the best debut progressive rock albums of 2022.

Gustaf Ljunggren with Skúli Sverrisson – Floreana

Philosophical and meditative, ‘Floreana’ will leave you in place of utter calm and leave you ruminating on life, the universe and just about everything. It’s as much about the spaces between the notes as the notes themselves and the state of mind that your are left in. To me, it is one of the surprises of the year so far and an album that I implore you to listen to at least once, trust me, it will be worth it…

Omega Point – A Great Escape

Matt Cohen has brought together a stellar group of musicians and, in Omega Point, created a powerful musical statement, close-knit and cohesive. ‘A Great Escape’ is another fantastic addition to the ranks of accomplished new releases we have already been lucky enough to hear in 2022 and can proudly hold its head high along with the best of them. Let’s hope this is just the start of things to come!

So that’s fifteen of the best albums I’ve heard in 2022 and they all rightly deserve a place in this review but now for the top five…

In fifth place:

Bjørn Riis – Everything to Everyone

Music can make a world that seems to be falling into monochrome light up and be revitalised with blazes of colour and vitality and this wondrous new album from musical maestro Bjørn Riis brings all that and more. Power, soul and grace are infused throughout its six tracks and combine to make it one of the outstanding releases of 2022 so far.

Fourth place was taken by:

The Tangent – Songs From The Hard Shoulder

‘Songs From The Hard Shoulder’ is just a wonderful piece of work, The Tangent at their brilliant best. People need some cheer in the world and music has the power to lift people, after just one listen to this amazing album I was smiling again. Andy and the band could just have released their most important record yet…

Now on to the top three, starting with:

cosmograf – Heroic Materials

The sumptuous, questioning ‘Heroic Materials’ is undeniably brilliant. Robin has laid his heart and soul, his whole being in fact, down as music. Emotive, melancholy at times, this record is a story and history at the same time. A plea for the future of the planet it may be but, above all, it is an immersive artistic triumph and one of the best releases of recent years.

And, as hard as I tried,I couldn’t split the final two so we have joint winners of my album of the year and I’m listing them arbitrarily by release date:

Joint First Album of the Year – Marillion – An Hour Before it’s Dark

I have been a fan of Marillion for over three decades and, in a career of superlatives, ‘An Hour Before It’s Dark’ can truly be seen as one of their most accomplished albums. It is an outstanding piece of music that the band should be incredibly proud of and, even though we are only in February, it will take something amazing to knock it off the top of my album of the year list.

Joint First Album of the Year – Galahad – The Last Great Adventurer

When music is as good as this and touches you in a very personal manner, it can’t really get any better. In my opinion Galahad have returned with what can only be described as a modern progressive masterpiece and one that will stand the test of time and should be remembered as being one of the best albums of recent years. It’s my joint first album of the year and I really can’t give it any higher praise than that.

So, in a year of high quality releases, this is my definitive top twenty, a collection of superb albums that would grace anyone’s music collection, tomorrow will see Progradar’s respected contributor John Wenlock-Smith’s top 20 albums and I am already looking forward to what 2023 will bring…

Review – Galahad – The Last Great Adventurer

“A great song should lift your heart, warm the soul and make you feel good.” Colbie Caillat.

A simple caveat to an art form that transforms our daily lives into something utterly different. If you’re like me than music can take you to a much better place, my life would not be what it is without the joy and enrichment of music and, every now and again, an album arrives that completely blows me away, there is only music that can have this effect on the human race.

Before I tell you why I think Galahad’s eleventh studio album is just so good, let us delve into the background of the band and the album with some of the PR blurb:

‘The Last Great Adventurer’ has been several years in the making and many of the songs on the album actually pre-date the previous ‘Seas of Change’ album from 2018! Plus, due the constraints of the recent Covid emergency, the album was recorded at several locations over the last couple of years by the various band members and finally edited, mixed and mastered, as usual, by engineer/producer extraordinaire Karl Groom (Threshold/Dragonforce/Pendragon/Arena/Yes etc.).

As well as the long established nucleus of Stu Nicholson (vocals), Dean Baker (keyboards) and Spencer Luckman (drums) ‘The Last Great Adventurer’ is also the first Galahad studio album to feature Mark Spencer (Twelfth Night/Alan Reed) on bass guitar throughout as well as making some great contributions on backing vocals and triangle!  

Lee Abraham, now very much established as the band’s guitarist, also adds his own inimitable stamp to the album with some great guitar playing and a few blinding trademark guitar solos.

The main album consists of five tracks plus two bonus tracks on the CD including, at long last, a new version of  Another Life Not Lived originally written by the late and much missed Neil Pepper and Stu back in 2009.

Alive opens the album in fine, dynamic and powerful style with Dean’s pulsating keyboards and Spencer’s pounding drumbeat before Lee’s crushing guitar riff precedes Stu’s elegant vocals. This towering, fast paced track is charismatic and compelling as it flies along and the catchy chorus will have you singing along in harmony. It really is a fantastic, eye opening start that sees the band hit the ground running, Karl Groom’s influence as producer adding a fine polish to proceedings and new boy Mark Spencer showing he knows his stuff with his superb bass playing, add in a potent, pulsating solo from guitarist extraordinaire Lee Abraham and you just about have the perfect mix. Omega Lights sees the band leaning on their lengthy progressive heritage and the opening has a strong feel of 80’s nostalgia to it with its pared back, calming synth sounds and their wistful note. There’s an almost sombre feel to the song, an anticipation of what is to come, the music feeling as if wrapped in the mists of time as a low bass note enters proceedings followed by Lee’s purposeful guitar. Stu’s dignified vocals see the tempo rise before the song flowers into a glorious chorus. This contrast of refined verse and uplifting chorus continues and delivers a rather fine track full of determination and confidence. There follows an intricate section where the band put their prog chops on show for everyone to see and do so in fine fashion, just a brilliant piece of music. There’s a middle-eastern influence to the opening of Blood, Skin and Bone, like an Islam call to prayer and it works exceedingly well. Lee’s strident guitar combines with the forceful rhythm section to add some polished aggression and Stu’s slightly menacing vocal adds some mystery to the song. I really like the way this track flows with subtle intensity and Dean’s keyboards give a real mystical undertone and make it into an unstoppable force. Lee contributes a deliciously potent solo that just leaves me smiling in admiration, what a stunning song!

Enclosure 1764 has a theatrical, almost operatic quality to it, Stu’s vocal delivery wouldn’t be out of place in the cast of Les Miserables if you ask me and the tension created by the keyboards is hair raising. It is the shortest track on the album but is no less important and I find it bewitching and spellbinding as the drums and guitar add to the intense atmosphere, Lee is absolutely on fire again on this scintillating song. The magnificent title track, The Last Great Adventurer, is a very personal tribute to Stu’s father, Bob and is a highlight among a collection of very high quality songs. There’s emotion, passion and sympathy entwined throughout its ten minute plus running time and Stu’s vocals are at their best. This is a band at the height of their powers, one that is working in perfect harmony and you can hear it in every word and every note, add this to the epic songwriting and you just cannot go wrong. Full of sentiment and warmth, this song will leave a lump in your throat and a tear in your eye, spellbinding and enthralling.

The two bonus tracks are no mere throwaways, included just to flesh out the album, they add to already engaging experience, Normality of Distance is wistful and endearing, a calming influence running throughout, Stu’s vocals heartfelt and harmonious, a beautifully nostalgic and contemplative feeling song, I loved it. There’s obviously a lot of history behind this new version of Another Life Not Lived and you can almost feel it in the atmosphere as the hairs on the back of your neck start to rise. The slow paced opening and the melancholy guitar note make way for Stu’s soulful vocal that touches your very soul. The beautiful chorus is full of a sorrowful passion, there’s a story spanning many years being told here and being told perfectly, I’m not crying, you’re crying!

When music is as good as this and touches you in a very personal manner, it can’t really get any better. In my opinion Galahad have returned with what can only be described as a modern progressive masterpiece and one that will stand the test of time and should be remembered as being one of the best albums of recent years. It’s my album of the year and I really can’t give it any higher praise than that.

Released 24th October, 2022.

Order from bandcamp here:

The Last Great Adventurer | GALAHAD (bandcamp.com)

Review – Galahad – Seas of Change – by Kevin Thompson

A columnist from an upmarket daily mentioned recently, that this time of year isn’t good for new music. How do these people get employed?

Two weeks into the new year and the quality of releases out and arriving are breathtaking, in scope and variation. Anticipation is at fever pitch at the expectation of numerous releases from new artists and old hands and I for one am looking forward to what the year brings.

Galahad’s ‘Seas Of Change’ is one of my most eagerly awaited. Having been a fan of Stu and the band from the earliest days I have always admired that, whilst they have their trademark sound, they have never been afraid to experiment and push the boundaries. Having followed a heavier path of late (last year’s release, ‘Quiet Storms’, being an exception) ‘Seas Of Change‘ sees the band mixing their various musical guises to give us a veritable melting pot of all that was, is and now will be Galahad.

Though I was sad to hear of long term guitarist Roy Keyworth departing the fold, the return of the wonderfully talented Lee Abraham riding on the crest of his excellent solo album ‘Colours’ and formidably wielding the guitars here, adds a refreshing impetus to the band demographic.

Talking of sound, keyboardist Dean Baker should give himself a huge slap on the back for writing all the music and compositional arrangements on ‘Seas Of Change’. He has done a impressive job in creating an ‘epic feel’ of an album, a feast for the aural senses. A sweeping panorama of sound that crashes like a tidal wave through your sound system, drenching you in it’s thrall. That’s before we get to mention just how good he actually is as a keyboardist and conjurer of effects.

As for Mr Stu Nicholson’s vocals, they have to my ears never sounded or fitted the material better. Let us also not forget the valued contributions from the formidable engine room, Spencer Luckman on drums & percussion, combined with the return of Tim Ashton on bass guitar. The album also features long term Galahad honorarian, the lovely Sarah Bolter, sprinkling the album with fragrant flute, clarinet and soprano sax.

It takes someone of a certain quality to harness all this energy and polish it into a glistening diamond. No problem there as ‘Seas Of Change’ was mixed and mastered, most ably, at Thin Ice Studios in Surrey by the magician that is Karl Groom, producing a sound as clear and fresh as a crystal lake, all nicely wrapped in a wonderful album cover by the ever talented Paul Tippett.

“So what of the album itself?” I hear you cry,  “the subject, content and the tracks?”

There is dear reader, only one ‘Cecil B. DeMille’ size track that comprises the whole album.

According to Stu it was intended to be all of seven minutes but grew into the force formidable to which it now stands. Galahad have never shied from difficult, thorny subjects and if you are looking for English, pastoral poetry, with hearts and flowers, look elsewhere.

Stabbing at the heart of the government, this merry band of men (and lady) take politics and politicians skilfully and tactfully to task over Brexit, the public debates surrounding and following it, as the politicians have circled like sharks with the British public as bait, causing much confusion.

With a wry nod and a wink Galahad deliberate through the music as it rises and falls, majestic one moment, reflective the next. The quality of the material, musicianship and sound is faultless. This album cannot be dipped in and out of, but must be consumed as a whole which if you do, you should find most satisfying, whether your palate be to a fine glass of merlot or a huge feast.

If you have sampled the band before and found them not to your taste I will not force feed you, but merely ask you try this album or you could miss out on one of the tastiest releases of 2018. Me? I’m off back for seconds…

Released 22nd January 2018

Order ‘Seas of Change’ direct from the band here…