Review – White Moth Black Butterfly – The Cost of Dreaming

After their lauded 2017 album ‘Atone‘, White Moth Black Butterfly return with their new studio album ‘The Cost Of Dreaming‘.

Created by Daniel Tompkins, the collaborative project features a team of songwriters & producers based worldwide, all at the height of their own scenes. Collaborating with Tompkins are New-Delhi based Skyharbor songwriter and producer Keshav Dhar; US based producer and string arranger Randy Slaugh, drummer Mac Christensen and the line up is completed by ethereal vocals of UK singer & lyricist Jordan Turner.

Daniel Tompkins explains why he sees White Moth Black Butterfly and ‘The Cost Of Dreaming‘ representing the dichotomy between peace and conflict within a life full of chaos. “Our new album ‘The Cost of Dreaming’ is something we feel just about every human being on the planet that’s been affected by life changing disruption will relate strongly to. Our nature is to always be planning, dreaming about an ideal future in which we will have ticked various boxes that define our ideal lives, often at the cost of the present. And when control over that future is seized away from us and all we are left with is the present, we realise just how much we took for granted. Life is surely a gift to us all throughout which we experience moments of soaring bliss and happiness, and then in a heartbeat sink into states of great trouble and suffering. Often our struggles can serve as momentous opportunities for growth, but the balance of life can often hold us back from seizing the day. We believe that this album is our greatest achievement – it’s an outpouring of love and a cry for help.”

The album is a very clever integration of contemporary pop with the stylistic flourishes of progressive rock and ambient, experimental music. Catchy hooks abound along with lush orchestral notes and edgy keyboard infused electronica. All the songs are short, like perfect little gems of musical wonder, never outstaying their welcome.

The ethereal strains of opener Ether blend perfectly into the harder, staccato notes of Prayer For Rain and this is followed by the gorgeous wistfulness of The Dreamer where Turner’s vocals stand out perfectly.

The exquisitely refined tone of Heavy Heart bleeds melancholic nostalgia and the lush Portals would grace any modern club scene. Use You is deliciously dark, almost malevolent in its sinister delivery and segues seamlessly into the powerful, funky edginess of Darker Days, given added sparkle by Kenny Fong’s glorious saxophone.

The album builds superbly with each track, an audio experience that draws you in piece by piece. Sands of Despair mournfully washes over you with its plaintive vocal and contemplative piano note before the thoughtful mood of Under The Stars grabs you in its embrace, Jordan’s dreamy vocals imbuing a sense of calm serenity. Soma is a super smooth slice of jazz/pop that is as classy a piece of music that you will hear this year and Liberate takes the art of writing contemporary pop muisic to another level.

There’s a insistent demanding feel to Unholy, an anticipation building of something enigmatic and ominous before heartfelt vocals and the addition of Eric Guenther’s keyboards introduce an emotive emphasis to the sumptuous sounds of Bloom. The album closes out with Spirits, a wonderfully uplifting piece of music that continues to resonate long after the final note dies away.

In ‘The Cost of Dreaming’, White Moth Black Butterfly have created an utterly captivating and beautiful collection of songs where nothing has been held back. It contains every piece of their heart and soul and, just as Daniel Tompkins says, it is a perfectly conceived outpouring of love and cry for help, one that I hope everyone takes heed of…

Released 28th May, 2021

Order the album here:

WHITE MOTH BLACK BUTTERFLY (lnk.to)

WHITE MOTH BLACK BUTTERFLY RETURN WITH THEIR NEW STUDIO ALBUM ‘THE COST OF DREAMING’ – RELEASED ON KSCOPE 28TH MAY 2021

After their lauded 2017 album AtoneWhite Moth Black Butterfly return with their new studio album The Cost Of Dreaming through Kscope on 28th May 2021.

Thecontemporary pop project with progressive and experimental music at its heart; created by Daniel Tompkins (TesseracT) features a team of songwriters & producers based worldwide, all at the height of their own scenes. Collaborating with Tompkins are New-Delhi based Skyharbor songwriter and producer Keshav Dhar; US based producer and string arranger Randy Slaugh who has previously worked with the likes of Devin Townsend, Architects & Periphery, drummer Mac Christensen and the line up is completed by ethereal vocals of UK singer & lyricist Jordan Turner. Their newest output not only signals a sonic evolution for the band, whilst still retaining core elements from previous recordings such as organic string sections and experimental theme linking interludes, but also features some exceptional special guests including saxophonist Kenny Fong and The Contortionist’s keyboardist Eric Guenther.

Daniel Tompkins explains why he sees White Moth Black Butterfly and The Cost Of Dreaming representing the dichotomy between peace and conflict within a life full of chaos. “Our new album ‘The Cost of Dreaming’ is something we feel just about every human being on the planet that’s been affected by life changing disruption will relate strongly to. Our nature is to always be planning, dreaming about an ideal future in which we will have ticked various boxes that define our ideal lives, often at the cost of the present. And when control over that future is seized away from us and all we are left with is the present, we realise just how much we took for granted. Life is surely a gift to us all throughout which we experience moments of soaring bliss and happiness, and then in a heartbeat sink into states of great trouble and suffering. Often our struggles can serve as momentous opportunities for growth, but the balance of life can often hold us back from seizing the day. We believe that this album is our greatest achievement – it’s an outpouring of love and a cry for help.”

There are strong themes throughout the album that will resonate with many people, from addressing the issue of ongoing domestic abuse crisis in “Use You” and offering a way to sign post people toward support agencies; to the unexpected psychological upheavals brought about by events beyond our control in “Darker Days”. 

Self produced, engineered and recorded over three continents in various studios throughout the last year, The Cost Of Dreaming was written remotely. This album signals a sonic evolution in the bands’ output while still retaining core elements from previous recordings such as organic string sections and experimental theme linking interludes.

Fans will be able to discover a series of easter eggs within the album, providing a link between this and TesseracT’s live portals experience, demonstrating the interconnected relationships throughout the artists’ various projects. 

Featuring artwork from the award winning Ani Artworks and for the first time procuring the vocal mixing services of an external producer in Forrester Savell (Karnivool, Skyharbor), The Cost Of Dreaming finds the band in a highly creative mood. 

The Cost Of Dreaming tracklist     

1. Ether [02:42]  

2. Prayer For Rain [03:21]  

3. The Dreamer [03:06]  

4. Heavy Heart [03:14]  

5. Portals [03:30]  

6. Use You [02:48]  

7. Darker Days (feat. Kenny Fong) [02:57]  

8. Sands Of Despair [02:33]  

9. Under The Stars[02:53]  

10. Soma[03:29]  

11. Liberate [03:30]  

12. Unholy [02:53]  

13. Bloom (feat. Eric Guenther) [04:10]  

14. Spirits [04:46]

The Cost Of Dreaming is released on 28th May on CD, black 180g vinyl LP and digitally with pre-orders available now HERE (https://wmbb.lnk.to/TheCostOfDreaming)

Godsticks announce new album ‘Inescapable’ and Share first single ‘Denigrate’ feat. TesseracT’s Daniel Tompkins

Godsticks open 2020 with their new and most accomplished studio album, Inescapable. Their mix of heavy rock, progressive and alternative metal with a dynamic range of angular riffs and emotional depth will leave listeners reeling. The band’s sound has refined over their releases on Kscope, beginning with the technically astounding metal on Emergence to the more industrial and progressive-influenced Faced With Rage. Now, with Inescapable, the band have channelled their energy and technical ability into the melody, phrasing and vocal performance, allowing emotion to take centre stage.

The band found themselves wanting a definitive theme running through Inescapable, without turning it into a concept album, of being more open, more personal and ultimately one that shines an inquisitive light on Charles’s struggle with inner demons which gave the songs a new level of intimacy.

“Lyrically, I’ve always shared personal thoughts, feelings and experiences but in a very ambiguous way. For Inescapable – in a conscious effort not to repeat ourselves – I thought I’d be a little more self-reflective and perhaps examine some of my inner demons. I have a strange relationship with music, and especially playing guitar. I would struggle to survive without either, but equally they have made my life mentally torturous because my own self-worth is completely wrapped up in them. I used to be very much a perfectionist in my early years, and whilst some people may wear that as a badge of honour, I eventually viewed it as huge heavy weight dragging down. It was a long time before I arrived at the realisation that perfection was impossible to achieve.” elaborates Darran Charles.

Perfectly highlighting the album’s leitmotif, the band reveal their first single “Denigrate”, “the writing of this song was a sort of analysis of my ongoing battle with perfectionism and the general feeling that nothing you do ever meets the impossibly high standards you set for yourself”. The songfeatures additional vocals from TesseracT’s gifted vocalist Daniel Tompkins to record vocal harmonies, adding an extra layer of aggression and energy.

The shoot for the quirky video, directed by George Laycock (Blacktide Audio/Visual) proved to be a memorable day for the band as Godsticks drummer Tom Price recalls “Everyone in the band was so excited about the concept, but when we arrived on set and saw a large table full of cakes, sweets, chocolate, sugar, sprinkles, honey and all manners of confectionary, the magnitude of what we had all let ourselves in for finally dawned on us! By the end of the shoot we were completely covered in everything – it was like ‘The Great British Bake Off’ meets ‘Apocalypse Now’! It was so much fun to make, but despite several spins in the washing machine I still can‘t get that sweet sickly smell out of my jeans!” Charles chimes in “It wasn’t fun, it was horrible!”

Inescapable was produced by James Loughrey (Skindred) and recorded at the famed heritage Monnow Valley studio.


Godsticks are supporting the new material beginning in April with a UK tour followed by summer festivals

2/4/2020 – Cardiff – Fuel Rock Club
3/4/2020 – London – Black Heart
4/4/2020 – Edinburgh – Opium
5/4/2020 – Manchester – Gullivers
Tickets available https://www.facebook.com/godsticks/

Inescapable will be released on CD, LP & digitally. (“Denigrate is available as an instant download on digital pre-orders) on 7th February through Kscope and is available to PRE-ORDER HERE NOW

Godsticks are:

Darran Charles: Vocals, guitars, keys, synths

Dan Nelson: Bass

Gavin Bushell: Guitars

Tom Price: Drums

Backing vocals on ‘Denigrate’ – Daniel Tompkins

Follow Godsticks:

Website: www.godsticks.co.uk

Facebook: https://www.facebook.com/godsticks/

Instagram: https://www.instagram.com/godsticksmusic/

Twitter: https://twitter.com/Godsticks

YouTube: https://www.youtube.com/user/godsticksmusic

TESSERACT ANNOUNCE EUROPEAN TOUR DATES – NEW STUDIO ALBUM ‘SONDER’ COMING 20TH APRIL 2018

TesseracT who are set to release their fourth studio album Sonder on April 20th 2018 through Kscope have announced details for their European headline tour with support from Between The Buried and Me and Plini. Vocalist Daniel Tompkins comments:

“To have such a strong support bill with us means the SONDER European Tour could be the event of 2018 for many progressive rock fans! We’re bringing an exciting new production, which properly represents TesseracT in a live environment. Joining us are our friends in Between The Buried And Me – it’s been a long time since we last toured with them and it will definitely be worth the wait. To cap it all off we’re also bringing along the mighty Plini – this will be our second tour of 2018 with him, he’s an amazing musician and gives the tour a great dynamism!”

TESSERACT – SONDER EUROPEAN TOUR 2018  

November 09, 2018     DE – Cologne, Live Music Hall

November 10, 2018     NL – Nijmegen, Doornroosje

November 11, 2018     BE – Vosselaar, Biebob

November 12, 2018     FR – Paris, Le Trabendo

November 13, 2018     DE – Aschaffenburg, Colos-Saal

November 14, 2018     DE – Hamburg, Gruenspan

November 15, 2018     DK – Copenhagen, Pumpehuset

November 16, 2018     NO – Oslo, Parkteatret

November 17, 2018     SE – Stockholm, Kägelbanan

November 19, 2018     DE – Berlin, Lido

November 20, 2018     DE – Stuttgart, Im Wizemann

November 21, 2018     AT – Vienna, Flex

November 22, 2018     DE – Munich, Backstage

November 23, 2018     CH – Aarau, Kiff

November 24, 2018     IT – Parma, Campus Industry

November 25, 2018     LU – Esch, Rockhal

Tickets are on sale 9th March at 9am GMT / 10am CET. See tesseractband.co.uk for details.

Expect more dates to be added over the coming months.

Sonder adds significant firepower to the band’s arsenal, blending the harsh abrasiveness of One (2011) and progressive ethereal elements of Altered State (2013) with the accessibility of Polaris (2015)Sonder is streamlined, honest and direct with all the trademark TesseracT dreamy atmospherics and bending grooves. Sonder was recorded in the UK at 4D Sounds, Celestial Sounds and Project Studios, engineered by the band and Aiden O’Brien with mastering by Acle Kahney, and cover artwork designed by Amos Williams.

 

 

TESSERACT ANNOUNCE NEW STUDIO ALBUM ‘SONDER’ COMING 20TH APRIL 2018 PREMIERE NEW SINGLE ‘LUMINARY’ & ANNOUNCE NORTH AMERICA TOUR FOR APRIL & MAY 2018

TesseracT, a band that sit outside the bounds of any genre specificity, pioneers of the ever-evolving metal scene and unstoppable force of off-kilter riffs, soaring melodies and disorientating atmospherics release their fourth studio album Sonder on April 20th 2018 through Kscope.

Sonder adds significant firepower to the band’s arsenal, blending the harsh abrasiveness of One (2011) and progressive ethereal elements of Altered State (2013) with the accessibility of Polaris (2015)Sonder is streamlined, honest and direct with all the trademark TesseracT dreamy atmospherics and bending grooves. Sonder was recorded in the UK at 4D Sounds, Celestial Sounds and Project Studios, engineered by the band and Aiden O’Brien with mastering by Acle Kahney, and cover artwork designed by Amos Williams.

Vocalist Daniel Tompkins described Sonder as “Conceptually exploring a deep and devouring sense of insignificance, which ties into the overall theme and meaning behind ‘Sonder’”. Also featured is an extended and re-worked version of last summer’s single “Smile”.

Sonder will be released on CD / 2CD – featuring binaural album bonus disc / black LP / Crystal Clear vinyl LP / picture disc (exclusive to the band’s webstores) and digitally (with digital album pre-order receiving “Luminary” as an instant download) and is available to listen to & to pre order HERE

For audiophiles, TesseracT have produced a binaural version which will be available exclusively as part of the 2CD version, this version is a 360-listening experience designed by Klang: Fabrik for headphones listening Amos Williams explains more “the concept is to push past the restrictions of a stereo headphone mix and create an accurate ‘3D’ space in which positioning outside of the normal Left Right axis can occur. This is something that every artist that uses in ear monitors on stage wishes to recreate; the real and accurate positioning of instruments. We immediately felt that this technology could be applicable to us in the studio. TesseracT loves to bring what it does in the studio to the stage, but this time it’s experimenting with bringing a live element to the studio.”

Building on their phenomenal success with worldwide tours in support of Polaris over the last two years, as both headliners and as special guests for the likes of Megadeth, Meshuggah, DevinTownsend Project and Gojira, TesseracT area gearing up to take Sonder to worldwide audiences beginning in North America in April.

On this tour they will be supported by Plini (https://www.facebook.com/PLINI ) and Astronoid (www.facebook.com/astronoidband/ ) with the first show in Boston on 19th April and the tour culminating at New York’s Irving Plaza on 24th May.

“North America is where TesseracT first took off and is always the leg of the album cycle that holds the most sentiment to me. There are a lot of good memories made and good friends discovered along those long and bumpy roads. This time we’re lucky enough to share the road with two boundary pushing bands: Astronoid, a wall of euphoric noise who have a bright and noisy future ahead of them. And Plini, with his genre defying effortless virtuosity. It’s going to be a fun tour for us, especially as we’ve got a bunch of new tunes to add to the set!” Amos Williams.

For full routing see www.tesseractband.co.uk

European summer festivals have already been announced, followed by a headline tour of UK & European and Australia.

08/06/18 – UK, Donington, Download Festival (headlining the Dogtooth Stage)

22-24/06/18 – BE, Dessel, Graspop Festival

22-24/06/18 – FR – Clisson – Hellfest

28-30/06/18 – ESP, Madrid, Caja Magica, Download Festival

TesseracT are:

Daniel Tompkins – vocals

Amos Williams – bass

Acle Kahney – guitar

James Monteith – guitar

Jay Postones – drums

White Moth Black Butterfly (TesseracT + Skyharbor members) unveil 2nd album ‘Atone’ / Sign to Kscope

Kscope are extremely proud to announce that White Moth Black Butterfly have joined the label’s roster and the release of the band’s new album ‘Atone’ on 1st September.

White Moth Black Butterfly features a team of songwriters & producers based worldwide, all at the height of their own scenes. The members met through working on Skyharborone of India’s biggest rock bands – Daniel Tompkins, vocalist with UK’s premier progressive rock band TesseracT (also on Kscope); New-Delhi based Skyharbor songwriter and producer Keshav Dhar; US based producer and string arranger Randy Slaugh who has previously worked with the likes of Devin Townsend, Architects & Periphery. Randy wrote and tracked string arrangements for Skyharbor‘s second album ‘Guiding Lights’, and as their relationship grew, he was invited in as a third song-writer. White Moth Black Butterfly’s line up is completed by UK singer & lyricist Jordan Turner.

On bringing White Moth Black Butterfly into the Kscope family Daniel Tompkins comments WMBB signing to Kscope is nothing short of a privilege. We feel we have truly found the right home, where we can grow and develop with the help of a respected and hardworking team of people.”

White Moth Black Butterfly are a contemporary pop project with progressive and experimental music at its heart; initially created by Daniel Tompkins as a creative outlet aside from his writing with TesseracT to indulge in his other musical influences ranging from Massive AttackEnigmaSigur RosDavid BowieMichael Jackson to Tool, Dredgand Thrice.  On the evolution of White Moth Black Butterfly Daniel explains “What started out as a creative outlet has blossomed into a fully-fledged musical project. Writing music with Keshav, Randy and Jordan has been an inspiring and invigorating process and one that has allowed us to explore new sounds through contemporary vocal work and organic instrumentation.”  

 Their new studio album ‘Atone’, the follow up to White Moth Black Butterfly’s 2014 self-released debut ‘One Thousand Wings’; which was recorded across the globe at studios in India, the UK, US and Taiwan, is masterfully built on organic, textured and cinematic soundscapes, with two opposing themes of loss and hope.

Tompkins explains – “Whilst songs like “Tempest” and “Atone” focus on faith and forgiveness, others like “Rising Sun” and “An Ocean Away” linger on love and nostalgia; throwing the listener into a bygone world of having less and caring more. The front cover artwork captures the beauty of nature and the harsh realities of life: power and dominance. White Moth Black Butterfly represents that very same struggle.”

The first song from ‘Atone’ the band are releasing is entitled “The Serpent”, here is a teaser:

Co-singer Jordan explains the concept behind the song – “The Serpent is an exploration of the temptations that lurk within each of us, and the internal fight that we partake in when they arise. The battle between good and evil consciences is fought throughout the song, drawing attention to the cunning games that a tempter can play.”

Atone will be released on CD, LP and digitally (all digital pre-orders receive “The Serpent” as an instant download), all formats are available to pre-order here http://found.ee/WMBB_ATONE

White Moth Black Butterfly online:

https://www.facebook.com/whitemothblackbutterfly

https://www.instagram.com/whitemothblackbutterfly

https://open.spotify.com/artist/5bjUhKTjzpd7U6PHYBOOd8

Review – Earthside – A Dream In Static – by Shawn Dudley

Album-Cover-for-CD-VinylRE-600x600

If they gave out awards for most ambitious debut albums of the year then Earthside would be the clear winner for 2015. ‘A Dream In Static’, the audacious debut of this Connecticut prog metal quartet was recorded over a two and a half year period, on three different continents.

To ensure they attained the production sound they wanted they travelled to Sweden and worked with renowned engineers Jens Bogren (Opeth, Katatonia)  and David Castillo (Opeth, Bloodbath). Another frequent Opeth collaborator, artist Travis Smith was brought in to design the artwork. The passion evident in the overall project carries over into the music.

‘A Dream In Static’ is evenly split between instrumental cuts and songs that feature the guest vocalists. The risk of featuring multiple vocalists on any project is sometimes the identity can get lost from track to track, but Earthside (mostly) avoids this pitfall with a unified compositional focus that perfectly ties the pieces together into a whole.

The opening instrumental piece The Closest I’ve Come begins the album by introducing us to the character of the core group before the other layers are applied. Their sound is striking; very modern, muscular, melodic and intricately arranged. A lovely looped guitar melody cascades over a synth backing and a driving beat before the rest of band enters. Unlike many prog metal bands the focus here is not on pyrotechnics, it’s creating a mood, an experience. The arrangement continues to build with each section, dynamics always carefully applied; quiet and then soaring, delicate and then aggressive, tension and release. After a lovely guitar solo the song quiets down into a soundscape, synth sounds and real percussion swirling together in the aether before crushing Meshuggah-style guitar chords lead back into the arrangement. It’s dramatic music to be sure, but they’re natural dramatics, not the oft-contrived variety.

The group describes their music as “Cinematic Rock” and nowhere is this more evident than on Entering The Light. The song features guest soloist Max ZT on hammer dulcimer and he creates a lovely wash of sound that intermingles perfectly with the full orchestra. The contribution to this piece by the band is mostly confined to the mid-section bridge. It definitely has a soundtrack quality to it, if I close my eyes while listening I picture low flying helicopter shots of a frozen tundra or some such…exactly the type of reaction I’m sure the band was hoping for.

The most impressive composition on the album is the mid-album centerpiece Skyline. This intricate instrumental has a breathtaking arrangement, the complex layering of piano, synth, 8-string rhythm guitar and soaring melodic lead guitar in the opening sections create a massive enveloping sound. This is contrasted beautifully by a stark bridge featuring just piano and drums, before slowly building into the epic conclusion.

Of the vocal tracks on the album my favorite is the driving title track A Dream In Static featuring Daniel Tompkins from Tesseract. The dramatic balance of melodic and aggressive from the instrumental compositions carry over to the vocal arrangements and the impressive vocal range of Tompkins is used to great effect. There is a Katatonia vibe to this song that also appears in other places on the album.

The lead single from the album is actually the only track that doesn’t really work for me. Mob Mentality is more akin to the symphonic metal style and I have to be honest and admit that isn’t really my cup o’ tea usually. The arrangement of the orchestra and the band is very nicely done and has a huge cohesive sound.  Guest vocalist Lajon Witherspoon’s (Sevendust) R&B-flavored vocals also provide an interesting contrast as usually these types of arrangements go for the operatic approach. But as a whole the song just doesn’t quite gel in my opinion and it also goes on far too long with too many repetitions of the chorus.  The band is actually underused here, this song is practically screaming out for an instrumental mid-section but it never materializes. While a nice attempt, this is the one track that feels out of place with the rest of the album.

The rest of the album fares better with the aggressive instrumental The Ungrounding and the album closing epic Contemplation Of The Beautiful featuring Eric Zirlinger (Face The King) being my other favorites.

Color me impressed. Despite my love of progressive rock and my love of good heavy metal I can’t say I’m usually that much of a Prog Metal fan. There are a few exceptions, but mostly the combination just doesn’t quite work for me.  I’m very glad to have found another exception.

Earthside has crafted an impressive work with ‘A Dream In Static’, one that could prove difficult to surpass with their sophomore effort.  But I’m laying odds they can top it.

Released 23rd October 2015

Buy the CD with complimentary download direct from the band

Buy the download from the band’s bandcamp site