Tag: Carly Bryant

Review – The Dave Foster Band – Maybe They’ll Come Back For Us – by John Wenlock-Smith

‘Maybe They’ll Come Back For Us’, the new album from The Dave Foster Band, lands at the end of May. Once again, Dave is joined by the talented Dutch vocalist Dinet Poortman, along with contributions from the likes of Steve Rothery (Marillion), Mark King (Level 42) and Carly Bryant (Big Big Train), among others. On This beautifully constructed album we have songs of great imagination yet also with genuine emotion and warmth.

This superb record opens with Sleep Spindles, which has a guitar sound that, to my ears, is very reminiscent of Brothers In Arms by Dire Straits. It is a stunning sound that Dave evokes and certainly fits the track very well indeed. It most definitely captures the attention with its atmospheric soundscape and palette, Dave’s guitar really soaring here with his fabulous tone and vibrancy. This is a stunning opener, along with it being a real statement of intent, I find myself really drawn to this mesmerising track with it shimmer of sound. It certainly evokes patterns of sleep and has a hugely impressive vocal from Dinet too. The epic guitar solo that concludes this great track is evidence of the great things that are to come. The uber-cool Talent To Failure features the unmistakable bass presence of Mark King who drives the track along in a powerfully upbeat manner, adding his trademark bass slap at certain points to give a real groove to the song. While Mark’s presence is felt here in  this busy track, Dave delivers another graceful solo as well and Dinet’s vocals are 100% on point. Overall this collaborative effort really pays off well and sounds great, one can only hope they do more together as the results could be really spectacular, only time will tell, I suppose. Pollyana has a very orchestral sweep to the sound, laid over a beautiful acoustic guitar, which is interspersed with electric guitar fills. This track sounds glorious with a warmth that is always evident, even when Dave’s solo comes in against the great background that really sounds glorious, another most satisfying song.

These Tendencies has Steve Rothery contributing, which makes it very interesting as both Steve and Dave perform regularly in the Steve Rothery Band. It’s good to hear them together here, Steve giving a beautifully melodic solo towards the end of this track. It is a short piece but where every note matters and it is wonderful to hear such excellence as is delivered on this stunning song. The Optimist has a touch of electronica amidst some strong power chords, very like The Who in places, and hugely effective. The song is very positive in tone as it calls for us live in hope, despite the world being as it is, and to realise that some days are better than others. Another blistering solo from Dave fires the song upwards, it’s a terrifically upbeat track. Queen Of Maybe is mostly piano driven with a stylish vocal from Dinet, who, once again, sounds wonderful here. Another good lyric impresses with it’s warmth and sensitivity, as Dave’s solo rises effortlessly from the melody lines, Dinet weaves a web with her expressive vocal. I love the positivity of this song, especially as it really connects with me.

With the penultimate track, Delicate Things, Dave gets to show his appreciation for Muse as he adds crashing power chords to great effect. The song talks about how we often neglect the small things in life and forget that everything worthwhile is usually free, which is a truth we probably all need to hear and employ in our own lives! The album closes with Whirling Of Whales, which is a briskly paced number with a thoughtful lyric that really appeals here. It’s cry of, “If we work it out, if we even this out” resonates vividly, it’s a great lyric and a strong chorus. A wonderfully vivid extended guitar solo break drives the song towards it’s close before a return to the chorus and another brief, but brilliant, guitar freak out fires the song to a climactic ending.

I didn’t think Dave Foster could top 2023’s excellent release ‘Glimmer’ but I have to concede that this album has grown on me significantly over the past few days and it’s star has risen accordingly. The truly great artwork by Japan based Tsuki Kitsune also really enhances the album and I really like the positive lyrics that really connect with the mess of a world that we live in today, they help these amazing songs shine out like nuggets of gold in a dark world.

Released 31st May, 2024.

UK/Europe order here:

English Electric Recordings (burningshed.com)

North America order here:

Dave Foster Band – The Band Wagon USA

Review – Big Big Train – Welcome To The Planet

From tragedy can often come triumph…

I truly did not know if I could write these words and review this album without the huge shadow of David Longdon and his tragic, untimely death hanging over me and influencing the words that this critique would be comprised of. Music, however, had different ideas and the overwhelming feeling of joy that emanated from my first listen to the last album that the wonderful Mr Longdon would ever record with one of my all time favourite bands, Big Big Train, just seemed to salve my soul and relieve me of the feeling of loss that had hung over me since it happened.

Featuring the band’s new line up of David Longdon on vocals; Gregory Spawton on bass; Rikard Sjöblom on guitars, keyboards, and vocals; Nick D’Virgilio on drums and vocals; Carly Bryant on keyboards and vocals; Dave Foster on guitars; and Clare Lindley on violin and vocals, ‘Welcome To The Planet’ carries on the resurgence of the band first heard on last year’s brilliant ‘Common Ground’.

I know I won’t be the only reviewer (and fan) of the band who feels that Big Big Train had been treading water a little bit since the release of ‘Folklore’ back in 2016 but ‘Common Ground’ had hinted at a reinvention of the band and the best music they had created since the groundbreaking ‘Underfall Yard’ from 2009. ‘Welcome To The Planet’ has continued that return to the heady heights that the band reached and could well be one of their best releases ever.

The wonderfully upbeat opening track Made From Sunshine, complete with elegant vocals, a chorus to die for and an incredible guitar solo, shows where the band are heading. The brass is simply sublime and the song left me with a nostalgic tear in my eye. The energy that flows throughout the brilliant Connection Plan, all driven along by the dynamic violin, infuses the track with a high tempo, feel-good rhythm and had me singing along at the top of my voice.

The fact that the album only has one song over seven minutes in length does not detract from the enjoyment in any way, there’s a feeling of musicians being let off the leash to just go and enjoy themselves and, boy, do they ever! making us, the listeners, the eager beneficiaries of this expansive approach.

My enjoyment of the music is tinged by melancholy as the shadow of the larger than life Longdon is always just there, out of reach. Listening to the gorgeous Lanterna seems to banish those feelings of sadness, almost as if David is willing you to just enjoy the music, like his final gift to us all. The songs starts in an ethereal and whimsical vein before opening up into a jubilant and heartwarming musical journey, simply delightful. The graceful, elegant (and criminally short) strains of Capitoline Venus give David’s voice the stage to work his magic on us once again and I have to admit that, on first listen, I did shed a tear or two.

A Room With No Ceiling, penned by Rikard, is a proggy instrumental that fuses all that’s best of the band with a touch of psychedelia at the start before it launches into an accordion infused, merry romp. Proper Jack Froster is the band’s Christmas track from 2021 and takes their pastoral progressive rock and transplants right in the middle of a medieval festive ode. To my ears it is one of the better Christmas songs of recents years and deserves its place on the album, if being a nod to BBT’s past, rather than a glance in the direction they are now heading. The second instrumental on the album is Nick’s engaging Bats In The Belfry, a very impressive take on the drum and bass solo that is oozing character and personality from every note.

There’s always moment of calm, poise and pause on a Big Big Train release and the enchantingly refined Oak and Stone fills that brief for this album. Achingly stylish vocals and a wonderfully laid back piano give the song a sumptuous feel. It really is seven minutes of pure class from these masters of the genre. Now, onto the intriguing final track on the album and a song that could be the most polarising that the band have ever released. Title track Welcome To the Planet is totally different from anything that has gone before and, to my ears anyway, is utterly brilliant! Exuding atmosphere and ambience, it is a theatrically inspired piece of music that takes the band in a totally different direction. With an almost ensemble vibe, the song relies mainly on Carly’s powerful and charismatic vocal performance to drive it along but the wistful and nostalgic music gives a 70’s prog feel to everything, reminding me of Pink Floyd at their height of fame, and there’s surely nothing wrong with that, is there? This track closes the album on a triumphant note and maybe hints on a the future direction than Big Big Train could take, I love it!

The tragedy of David’s death has hit the BBT community very hard and this new album should be the catalyst for the healing process to start. It is a fitting tribute to wonderful man but, and this is the important bit, it is also a sublime collection of songs from a group of talented musicians who are, once again, right at the top of their game. Whatever the band decide to do, they have given us one of the best albums of recent years and a totally memorable start to 2022.

Released 28th January, 2022.

Order from Burning Shed here:

Welcome To The Planet (burningshed.com)

Review – Big Big Train – Common Ground

‘Common Ground’ is the self-produced new album from Big Big Train on their own label, English Electric Recordings. The new album, recorded during the worldwide pandemic, sees the band continue their tradition of dramatic narratives but also tackles issues much closer to home, such as the Covid lockdowns, the separation of loved ones, the passage of time, deaths of people close to the band and the hope that springs from a new love.

‘Common Ground’ sees the band taking in wider musical and lyrical inspiration from artists such as Elbow, Pete Townshend, Tears For Fears, Elton John and XTC, as well as acknowledging their more progressive roots.
 
Following the departure of long time members of the band, the core of Big Big Train is now Greg Spawton (bass), David Longdon (lead vocals, flute), Nick D’Virgilio (drums, vocals) and Rikard Sjöblom (guitars, keyboards, vocals). Carly Bryant (keyboards, guitars, vocals), who contributes vocals to ‘Common Ground’, Dave Foster (guitars), who plays on two tracks on the new album and Clare Lindley (violin, vocals) will join the band for the upcoming tour and there will also be the welcome return of a five piece brass ensemble. 

After finishing my first listen through of the new album, my first impressions were that, while it is familiar (especially with David Longdon’s distinctive vocals), there is something new and dynamic about it. Like all the best albums, it needs more investigation and listening to, but, to my ears, a subtle reinventing of Big Big Train is afoot!

So, a few days and many, many listens later, how do I feel about ‘Common Ground’ now? Read on and all shall be revealed…

It’s bloody marvellous, basically! I am a long time fan of the band and this is the first album that has really grabbed me and not let me go since the ‘English Electric’ series.

The wondrously upbeat Strangest Times with its brilliant Elton John inspired piano lines (take a bow Rikard Sjöblom) opens the album in fine style. David Longdon is in fine voice, especially on the ever so catchy chorus, and the guitar playing throughout is sublime, I’m left with a huge grin on my face as the track comes to a satisfying close. The track sees David writing about the Covid lockdowns, the separation of loved ones, the passage of time, deaths of people close to the band  “After the death of a collaborator Judy Dyble in July 2020, I time spent shielding with an ill relative. With everything that was happening around me and for the world with the relentless doomwatch tone of the news broadcasts, I spoke with Greg. I said I couldn’t just be writing songs about historical figures and scenarios. I felt that I needed to write about the here and now. In ‘The Strangest Times’.”

All The Love That We Can Give is a more laid back affair with a wistful feel to the keyboards and David’s vocal with a deeper tone. There are swathes of contemplative Hammond Organ and the guitar just sits in the background, like a conductor leading the band. Vocal harmonies abound and Greg and Nick prove what a fantastic rhythm session they are and then the track goes off into proper progressive rock territory, full of energy and intricate musicianship, another rather fine song indeed!

When the intro to Black With Ink starts I’m immediately drawn to a comparison with Kim Wilde’s Kids In America (wait until you hear it, then it won’t sound so daft!). The edgy keyboards and vocals sound like a call to action and the song just picks up and goes from there, it’s certainly up there with the best upbeat songs that the band have ever recorded. The vocal interplay is excellent and gives a real urgency to the track. If this is part of a new direction for the band then please count me in on the journey. To my ears, things get even better in the second half as a distinctive musical refrain starts to be heard (it’s one that continues to surface throughout the rest of the album too…) and becomes an earworm that you can’t get rid of, and don’t want to actually! Dandelion Clock is a nostalgic and thoughtful song that is dear to Greg’s heart a beautifully written piece of music with David’s vocal at its most plaintive and heartfelt. The chorus is a work of art and the whole track just works its way into your affections. A quite exquisite song that leaves you in a totally reflective and introspective state of mind.

Headwaters is the first of two instrumentals and is Big Big Train at their best when it comes to telling stories without words, a dreamlike, meditative piece that is painstakingly and perfectly created, just beautiful. Then we go to the opposite end of the musical spectrum with the vibrant notes of the energetic and dynamic Apollo. Nick D’Virgilio wanted “…to write the band’s version of Genesis’s Los Endos and to make a track that really showed off the talent of all the amazing musicians in the band.” And, boy, he certainly did that and has created one of the best progressive instrumentals of recent times.

The title track of the album sees the band in anthemic mood, Common Ground is a powerful piece of music, a statement of the state of humanity but delivered in a way that only Big Big Train can. Soaring vocal harmonies, powerful melodies and excellent musicianship create a an energetic and passionate song that grabs your attention and makes you listen and absorb the message within. The guitar and violin interplay is absolutely superb, this is a song that will have the audience at the live shows singing their hearts out, just outstanding!

It wouldn’t be a Big Big Train album if there wasn’t an epic song with a dramatic historical narrative that shows British pastoral progressive rock at its very, very best would it? Well, the band don’t let us down and deliver a transcendent fifteen minutes of heart and soul in the majestic Atlantic Cable. There’ll always be a place for tracks like this in the musical universe, soaring crescendos mix with intricate musical passages to create musical works of art that will always pass the test of time. Take songwriters of consummate skill and musicians at the top of their game and you will end up with superb songs of substance and heart and soul that have meaning and that tell the grandest of stories in the perfect manner.

Endnotes closes the album on an emotive note. Another one of Greg’s favourites (and mine), it is a perfectly composed song with heartfelt vocals from David that just bleed compassion and sentiment. The musical accompaniment is exquisitely elegant and the harmonies just make your heart sing and then, the brass! Oh my god, the hairs just stand up on the back of your neck as the notes sound out, there’s just something about that sound that makes my soul soar and Big Bg Train do it so well. What an incredible end to the album, I don’t mind admitting it has made me quite emotional.

So, there you have it, ‘Common Ground’ is recognisably Big Big Train but a Big Big Train that have moved the game on a little and given us an album of its time. Vibrant and upbeat, thoughtful, wistful and even melancholy at times, it is a collection of amazing songs that will touch you on a basic level and move you on many others. ‘Common Ground’ is the album that will make you fall in love with the band all over again and I can’t give it any higher praise than that!

Released 30th July, 2021.

Order the album here:

Big Big Train (burningshed.com)