Tag: Beatrix Players

Progradar – Review Of The Year 2023

2023 has been a fantastic year for music with an absolute plethora of superb albums that I have reviewed. It’s always very difficult indeed to pick out my favourite twenty releases from such a stellar year but here are the ones that have really left a mark for me.

They are in no particular order for the first nineteen but I have debated long and hard about my number one album so read on and find out what has taken the honour for 2023…

This Winter Machine – ‘The Clockwork Man’

‘The Clockwork Man’ is modern, neo-tinged, progressive rock at its finest and most involving, perfectly created and performed by a band who have found their feet after three accomplished releases and have delivered their finest work yet. This Winter Machine now stand at the forefront of modern neo-progressive rock and can be rightly proud of a concept album that can stand the test of time with some of the best that have gone before.

Released 6th October, 2023.

Order from White Knight Records here:

This Winter Machine – The Clockwork Man CD (pre-order) | whiteknightrecords (bandcamp.com)

One Sided Horse – ‘My Favourite City At Night In The Rain’

So, there you have it, ‘My Favourite City At Night In The Rain’ is quite possibly one of the most important albums you will listen to this year. If you want an example of why music is so wonderful and moves people in so many ways then you cannot pick a better example than this utterly triumphant work of art, Mark Whiteside and One Sided Horse please take a bow, I thank you from the bottom of my heart…

Released 8th September, 2023.

Order here:

My Favourite City At Night In The Rain | One Sided Horse (bandcamp.com)

Hekz – ‘Terra Nova’

Well, what can I say, I knew that a new Hekz album would be something pretty good but I had no idea it would be this special. With ‘Terra Nova’, Hekz have given us the ultimate involving musical thrill ride and I just don’t want to get off. To tell the truth, it’s the best progressive-metal album I’ve heard in many a year and, if this is the future of the genre, I’m completely sold!

Released 3rd November, 2023.

Order from the band here:

Terra Nova | HeKz 2/3 (hekztheband.com)

Comedy of Errors – ‘Threnody For A Dead Queen’

‘Threnody For A Dead Queen’ is Comedy Of Errors at their very, very best, the music builds, almost as if alive, it has moods and emotions and captivates from the very first note. This band just get better and better with each wonderful album they create and, without exception, this release is up there with the very best of the year so far. Hell, in my opinion, it is Comedy Of Errors’ best yet, their Magnum Opus if you like and you should just go out and buy it!

Released 2nd June, 2023.

Order the CD direct from the band here:

Comedy of Errors : Shop

Order the mp3 from bandcamp here:

Threnody For A Dead Queen | Comedy Of Errors (bandcamp.com)

Zeelley Moon – ‘The Author And The Dreamer’

‘The Author and the Dreamer’ connects with you in your sub-conscious, the songwriting and performances are second to none and Zeelley Moon’s innate Englishness and idiosyncracies are what make this music so appealing and enjoyable and one of my albums of 2023. Do yourselves a favour and get your hands on it as soon as you can!

Released 20th November, 2023.

Download and streaming on iTunes, Spotify, YouTube Music and the usual others.

Physical Album sales available on Discogs.com or direct at zeelleymoon@yahoo.co.uk.

The Round Window – ‘Everywhere & Nowhere’

Everywhere & Nowhere’ takes everything that was great about the band’s debut and just lifts it several levels. It is lush, classy, insightful and so melodically impressive and is an album that The Round Window should be mightily proud of. Difficult second album? not for these highly accomplished musicians!

Released 8th December, 2023.

Order digital from bandcamp here:

Everywhere & Nowhere | The Round Window (bandcamp.com)

Order CD’s direct from the band’s website here:

Everywhere & Nowhere – The Round Window

Moon Safari – ‘Himlabacken Vol. 2’

Music has the power to move you and impact on your life in a positive manner and, with ‘Himlabacken Vol. 2’, Moon Safari have delivered the most wonderfully uplifting collection of songs I have heard this year. A joyous, mood enhancing release that just makes this world we live in a better place to be, if only for a short time. Trust me, you need this album in your life!

Released 8th December, 2023.

Order digital at bandcamp here:

Himlabacken Vol. 2 (24-bit audio) | Moon Safari (bandcamp.com)

Order physical product from Burning Shed here:

Himlabacken Vol. 2 (burningshed.com)

The Twenty Committee – ‘The Cycle Undone’

With ‘The Cycle Undone’ The Twenty Committee have not only returned triumphant, they have also delivered one of THE musical experiences of 2023. Highly emotive songwriting allied with musicianship of the utmost quality, the band’s sophomore release builds on the enormous promise of their debut all those years ago. It may be ten years after but, boy, what a way to make a comeback!

Released 12th December, 2023.

Order the digital from bandcamp here:

The Cycle Undone | The Twenty Committee (bandcamp.com)

The Oculist – ‘Cautionary Tales’

‘Cautionary Tales’ is one of the freshest sounding albums you will hear this year, it is prog-metal for the thinking music fan and has real heart and soul at its core. I for one am intrigued to see what this talented duo come up with next.

Released 8th December, 2023.

Order from bandcamp here:

Cautionary Tales | The Oculist (bandcamp.com)

Southern Empire – ‘Another World’

A Southern Empire record is always just more than an album release, it’s a hugely significant occasion and one that I await with bated breath. Their music has been a soundtrack of my more recent years and is very, very important to me on a musical and emotional level. ‘Another World’is an absolute masterpiece of musical theatre and, possibly, the band’s Magnum Opus, one of the best albums you will hear this or any other year, and the perfect accompaniment to my life.

Released 4th September, 2023.

Order CD from GEP here:

Another World – Pre Order – GEP

And the vinyl from GEP here:

Another World Orange Marbled Vinyl – Pre Order – GEP

John Greenwood – ‘DARK BLUE’

It’s not often we hear a truly progressive release nowadays but, almost from out of nowhere, John Greenwood has entered the fray with one of the finest releases of 2023. The musicianship and songwriting are top notch and, like all the best albums, I find this on almost permanent rotation, it is, to put it simply, utterly superb!

Released 1st July, 2023.

Order from bandcamp here:

DARK BLUE | John Greenwood (bandcamp.com)

Blue Rose Code – ‘Curios 2009-2020’

There is nothing better than music that connects with you at a basic level, music that moves you and music that almost becomes part of you and Ross Wilson and Blue Rose Code create music that is all that and more. This collection of B-sides, varieties and singles is something that should be cherished and I, for one, cannot wait for 2024 and a new album from this incredible musician. Ross Wilson, my friend, I wish you peace in your heart…

Released 3rd November, 2023.

Order from band camp here:

Curios 2009 – 2020 | Blue Rose Code (bandcamp.com)

Glass Hammer – ‘Arise’

There’s no weak link on this album, it just ebbs and flows beautifully, although the last three tracks go together so well. They’re possibly the best triumvirate of songs that the band have ever done back to back. With the Skallagrim series Glass Hammer proved themselves masters of the dynamic and grandiose and ‘Arise’ gives the impression that the creative skills of Steve Babb have gone into overdrive, is there a better storyteller in modern progressive music?

Released 27th October, 2023.

Order direct from the band here:

Glass Hammer official website

Galahad – ‘The Long Goodbye’

I chose ‘The Last Great Adventurer’ as my album of the year for 2022 and, in a fast paced world that never stands still, Galahad haven’t rested on their laurels. They have returned with ‘The Long Goodbye’, another wondrous musical journey that mesmerises and bewitches from beginning to end, and even surprises in places. Could this be another contender at the end of the year, I definitely don’t see why not!

Released 23rd October, 2023.

Pre-order direct from the band here:

Galahad – GALAHAD Merchandise (galahadonline.com)

Beatrix Players – ‘Living & Alive’

Beatrix Players return triumphant with the mesmerising ‘Living & Alive’, a collection of songs that are bewitching and compelling and leave you in no doubt of their stature in the music industry of today. The sublime voice of Amy Birks and outstanding musicianship on show have created one of the most outstanding releases of 2023 and one that should be on your list of must buy albums, it really is that good!

Released 22nd September, 2023.

Order digital here:

Living & Alive | Beatrix Players (bandcamp.com)

Order CD at Burning Shed:

Living & Alive (burningshed.com)

The Anchoret – ‘It All Began With Loneliness’

One of the things I love about music is when it surprises you and this debut release from The Anchoret has been a revelation. ‘It All Began With Loneliness’ is an astonishingly good album, in fact jaw-droppingly so, and is already up there as one of my favourites of the year. As prog-metal albums go, it doesn’t get much better than this!

Released 23rd June, 2023.

Order from bandcamp here:

It All Began With Loneliness | The Anchoret (bandcamp.com)

EBB – ‘Mad & Killing Time’

When you listen to as much new music as I do, it takes something truly special to stand out and ‘Mad & Killing Time’ is just that, Ebb delivering a musical highlight of the year and one that is totally unique to this incredibly talented bunch of artists. Go seek it out, you will not de disappointed in any way at all.

Released 1st November, 2022.

Order from bandcamp here:

Mad & Killing Time | Ebb (bandcamp.com)

Riverside – ‘ID.Entity’

Riverside are a band who have always gone their own way and been proud to defy convention and after the dark melancholy and sadness of recent releases, the band have returned with a brightly shining beacon of light. ‘ID.Entity’ is a generally uplifting album that puts a huge smile on my face every time I hear it and one that, I’m sure, will still be lighting up people’s lives for years to come.

Released 20th January, 2023.

Order ‘ID.Entity’ here:

Riverside – ID.Entity (lnk.to)

The Tangent – ‘Pyramids, Stars & Other Stories: The Tangent Live Recordings 2004-2017’

Ah, to reminisce is a joy we should always hold dear and this wonderful live release from one of the UK’s most venerated prog bands is a sentimental journey down memory lane and one that will remind you why The Tangent are held in such warm regard and also why live music is something worth cherishing and preserving. We, the fans, hold it in our hands to make sure music stays live so albums as brilliant as this can still get made!

Released 27th January, 2023.

Order the album here:

Pyramids, Stars & Other Stories: The Tangent Live Recordings 2004-2017 (burningshed.com)

And so it all comes down to this, the one album that just about reared its head above all others to be my favourite of 2023. It’s not a default decision, this release has really moved the game on for one of the UK’s most influential underground bands…

The Fierce And The Dead – ‘News From The Invisible World’

News From The Invisible World’– true fans will love it, there’s real maturity and creativity in this album, The Fierce And The Dead shift effortlessly between different styles to show they are no one trick ponies. You could say that this is a case of a band reinventing itself but staying close to their roots but it’s more than that, this is band raising their game to the highest level and that is really where they belong…

Released 28th July, 2023.

Order from bandcamp here:

News From The Invisible World | The Fierce And The Dead (bandcamp.com)

Thank you if you have made it this far and thank you for supporting Progradar through 2023, I don’t have a crystal ball but I’m pretty sure that 2024 is going to be another fantastic year of music so hang around for the ride, it’s going to be exciting!

Review – Beatrix Players – Living And Alive

After a 5 year hiatus, the award-winning Beatrix Players are back with a brand new eight piece line up and an intriguing new concept album.

The band’s sophomore album ‘Living & Alive’ will be available digitally from 22nd Sep 2023 and, for fans of vinyl and cd, it can be pre-ordered now from Burning Shed with a limited edition of just 500 copies pressed on coloured vinyl.

Founding member, writer and vocalist, Amy Birks is joined on the album by her co-writers from the original Beatrix Players line-up, Helena Dove, and guitarist Tom Manning. Also joining this expanded group are doyen of progressive music, flautist John Hackett, guitarist Oliver Day (That Joe Payne, Yes Please), drummer Andrew Booker (Tim Bowness) and storied cellist Jane Fenton (LSO, LCO, RPO, Britten Ensemble etc). Pianist Matthew Lumb and bassist Kyle Welch complete the on-stage octet.

A trio incarnation of the band released the band’s debut album, ‘Magnified’ in March 2017 and they went on to appear as special guests on UK dates with artists such as Steve Harley, Carl Palmer and Big Big Train. In October 2017 they performed two songs at Prog Magazine’s star-studded annual awards event at London’s Globe Theatre and walked away with the best newcomer prize.

With that line-up on permanent hiatus Amy subsequently released two well received solo albums in 2020 and 2022 and picked up Best Female Vocalist award at the 2018 Prog Awards before recruiting a third iteration of Beatrix Players leading to the recording of this brand new album. 

So that’s the story behind the creation of the album, let’s dig a bit deeper, shall we…

“Take time it’s your life, What a beautiful life it could be…”

Great music has the ability to stir emotions and create small oasis of calm and beautiful solitude and ever since I heard ‘Magnified’, I have been hooked on what Amy Birks (on her solo releases) and Beatrix Players can create. Beautiful, wistful and ethereal music that is passionate and emotive in equal measure and that is just intensified on this new release.

Birks says, “Living & Alive is an honest album, that explores how life isn’t just about living, but that it’s about having the courage to really be alive and own it. Simply put; you are your best you, and will only ever be second best if you’re trying to be something other than you…“

And Amy is right, there is a raw honesty to the music, a sparsity that is delicate and graceful to songs like Snowflakes, the charming track that opens the album much in the chamber-prog style of the debut album but this group of musicians, and Amy Birks in particular, have matured and have additional facets to their music and songwriting.

“There’s no such thing as an ordinary moment, There’s never nothing going on, There’s never such a day as clear as the day that’s too late, Too late and lacking of any conviction…”

Somebody Else’s Eyes is dominated by the haunting cello of Jane Fenton, painfully melancholy and alluring in its delivery. Oliver Day’s gorgeous playing adds a layer of sophistication to the music and Amy’s vocals are touching and plaintive. This is music that just bleeds emotion in every word and every note. There’s an insistent, almost off-kilter feel to This Is Your Life, implicit in the vocals that hit home with every word. A song with sharp edges among the charm and wonder.

“This is your life and there’s no one to blame, No matter how hard it gets…”

The music has a real bluesy feel to it, John Hackett’s flute flowing jauntily and Oliver’s pin sharp guitar really hitting home along with the superb cello, a rather pleasing track indeed.

Starts Again arrives with a jaunty atmosphere, created by the fantastic musicianship and Oliver’s laid back guitar. Another thoughtful track about how a relationship that’s going astray may work if only we could start again. The delightful chorus and relaxed mood give a feel of a sophisticated folk song with added layers of inventiveness, especially with that impish flute…

“And I doubted many a night, With your eyes poised to strike, And your tongue cut like a knife, It’s just no way to live life…”

Amy co-wrote A Beautiful Lie with John Hackett, a song about a relationship that’s run its course but we’re still living ‘A Beautiful Lie’. Gorgeously simple and shimmering with restrained intensity, there’s an uncomplicated honesty to the song and Jane’s pensive cello adds a touch of elegant sorrow to proceedings. A wonderful, if sad song that will really touch you.

“Dam your love and dam the water, Hold it back to keep control, Dam your love and dam the water, Until the day you overflow…”

Another somber track, Overflow carries on the pared back and less-is-more feel where the vocals add to the tension and pent up emotion. The music works in tandem with the vocals to add a wall of delicious sound, adding to the suspense and apprehension. Purgatory has a really serious tone, dealing with the mental abuse of a child but done in a very sympathetic manner. Amy is not afraid with dealing with contentious subjects and the beauty of the song even adds to the gravitas of the situation.

“Why can’ t you just smile, And wish me well, But you can’t hit a nail, Where it won’t go…”

Painful and yet hauntingly beautiful, there’s a solemn tale at the core of You Can’t Hit A Nail. A melancholy song that bleeds wistful sorrow from the flute and cello and where the vocal performance could have come straight from the stage of a West End musical. Sorrowful and even bitter, why do sad songs say so much? Fragile, poignant and yet, ultimately uplifting, Free has a feeling of emotional release in its heartfelt lyrics and superbly pared back music, just listen to the brilliant guitar playing and the inspiring close to this elegant song.

“There’s a clock ticking inside of me, And it won’t leave me alone, And it’s joined by a friend, my conscience, And it owns my body and soul, And it keeps on beating along to the sound of Me, I Am Me…”

This insightful, charismatic musical journey is brought to a close with the superb Me, I Am Me, bringing the story around full circle. An assertive vocal mirrors the lyrical content and the music has an almost classical feel to it. Powerful, affectional and heartwarming, this song is making a personal statement and one that is delivered with confidence. It is the perfect close to the album.

Beatrix Players return triumphant with the mesmerising ‘Living & Alive’, a collection of songs that are bewitching and compelling and leave you in no doubt of their stature in the music industry of today. The sublime voice of Amy Birks and outstanding musicianship on show have created one of the most outstanding releases of 2023 and one that should be on your list of must buy albums, it really is that good!

Released 22nd September, 2023.

Pre-order digital here:

Living & Alive | Beatrix Players (bandcamp.com)

Pre-order CD at Burning Shed:

Living & Alive (burningshed.com)

BEATRIX PLAYERS 2018 LIVE DATES ANNOUNCED + SUPPORTING ORIGINAL COCKNEY REBEL STEVE HARLEY

Beatrix Players are a London-based all-female trio whose unconventional but evocative music straddles the boundaries of folk, prog rock, acoustic, classical and pop music. The band are thrilled to announce they will be supporting Steve Harley Acoustic Trio, the original Cockney Rebel, across three shows at Cardiff’s Acapela Studios on February 14th, 15th& 16th; followed by their own headline show on April 22nd.

They will also be performing a warm-up London show at Camden’s Green Note on Friday 19th January before heading to The Robin 2 in Wolverhampton on February 11th next year to support symphonic rock band Serpentyne.

Beatrix Players recently released double A-side single ‘All That Thinking / Hurt’ in October. ‘All That Thinking’ being taken from their 2017debut album, ‘Magnified’, while ‘Hurt’ is a previously unreleased studio recording of the Nine Inch Nails song, famously covered by Johnny Cash on his ‘American IV: The Man Comes Around’ album.

The trio recently won the prestigious Limelight Award at the 2017 Prog Awards which took place at London’s Globe Theatre on September 14th, and performed Hurt live to an audience of peers, critics and industry insiders. The Limelight Award highlights the best of the talent that has emerged over the past 12 months on the progressive rock scene. Previous winners of the coveted award include The Anchoress, Messenger and TesseracT.

Through their enchantingly dark and evocative melodies, expansive arrangements and empowered orchestral sound Beatrix Players tell stories of real life and fantasy. Citing influences as diverse as Michael Nyman and Regina Spektor and drawing comparisons to the likes of Kate Bush and Einaudi Ludovico. There are tempestuous passages in the bands’ music that you can imagine being delivered by traditional rock instrumentation but it is the very  absence of guitars and drums that means there’s nobody out there quite like Beatrix Players.

BEATRIX PLAYERS UK SHOW DETAILS

Friday 19th January

Green Note, London

(Serpentyne warm up show)

www.wegottickets.com/greennote/event/420455 

Sunday 11th February

Robin 2, Wolverhampton

(supportingSerpentyne)

www.therobin.co.uk

Wednesday 14th February

Acapela Studio, Cardiff

(supporting Steve Harley Acoustic Trio)

SOLD OUT

 Thursday 15th February

Acapela Studio, Cardiff

(supporting Steve Harley Acoustic Trio)

SOLD OUT

 Friday 16th February

Acapela Studio, Cardiff

(supporting Steve Harley Acoustic Trio)

SOLD OUT

Sunday 22nd April

Acapela Studio, Cardiff

(Headline Show)

www.acapela.co.uk/events/beatrix-players/

www.beatrixplayers.co.uk

F: @BeatrixPlayers

T:@BeatrixPlayers

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Beatrix Players announce headline show and Carl Palmer support!

Beatrix Players are a London-based all-female trio whose unconventional but evocative   music straddles the boundaries of folk, prog rock, acoustic, classical and pop music.  The band have now announced they will be supporting Carl Palmer’s ELP Legacy (In Memory of Keith Emerson, Greg Lake & John Wetton) at The Stables in Milton Keynes next  Sunday November 19th. They will also be performing a warm-up London show at  Camden’s Green Note on Friday 19th January; before heading to The Robin 2 in Wolverhampton on February 11th next year to support Serpentyne.

Beatrix Players recently released double A-side single All That Thinking / Hurt in October. All That Thinking being taken from their 2017 debut album, Magnified, while Hurt is a previously unreleased studio recording of the Nine Inch Nails song, famously covered by Johnny Cash on his American IV: The Man Comes Around album.

The trio recently won the Limelight Award at the 2017 Prog Awards which took place at London’s Globe Theatre on September 14th, and performed Hurt live to an audience of peers, critics and industry insiders. The Limelight Award highlights the best of the talent that has emerged over the past 12 months on the progressive rock scene.Previous winners of the coveted award include The Anchoress, Messenger and TesseracT.

Through their enchantingly dark and evocative melodies, expansive arrangements and empowered orchestral sound Beatrix Players tell stories of real life and fantasy. Citing influences as diverse as Michael Nyman and Regina Spektor and drawing comparisons to the likes of Kate Bush and Einaudi Ludovico. There are tempestuous passages in the bands’ music that you can imagine being delivered by traditional rock instrumentation but it is the veryabsence of guitars and drums that means there’s nobody out there quite like Beatrix Players.

BEATRIX PLAYERS UK SHOWS

 

Sunday 19th November

The Stables, Milton Keynes

(supporting Carl Palmer’s ELP Legacy: In Memory of

Keith Emerson, Greg Lake & John Wetton)

SOLD OUT

Friday 19th January

Green Note, London

(Serpentyne warm up show)

www.wegottickets.com/greennote/event/420455

  Sunday 11th February

Robin 2, Wolverhampton

(supporting Serpentyne)

www.therobin.co.uk

Beatrix Players – Magnified Tour – Hoxton Hall , London, 12th May 2017 – by Rob Fisher

You would never know it was there. The automatic sliding doors give no hint of the majestic secret hidden within. Originally built in 1863, Hoxton Hall is a wonderful example of a good old fashioned saloon-style music hall, the modest central stage fronting a spacious ground floor, with impressive cast iron columns supporting two levels of galleries on all three sides. The overall effect creates a casual, relaxed and intimate atmosphere and the eager audience complete the perfect setting for tonight’s launch of the remarkable debut album ‘Magnified’ from the thrilling Beatrix Players.

The hushed murmur of voices give way to a polite ripple of applause as they take the stage and a happy silence descends as the opening notes of the haunting Rushlight gently fill the room. The insistent call of the piano gradually increases in emphasis and urgency, matched by a vocal harmony which is initially delicate but also grows with a matching power and intensity. The unwavering menace of the cello brings a grounding strength and depth as the song builds to a defiant, majestic crescendo before, passion spent, it falls away to the tranquil calm of the beginning once more.

The effect on the auditorium is spellbinding: not for the first time during the course of the evening, people are utterly enthralled and completely captivated by the graceful energy and compelling spirit of the performance. The confines of the stage enforce a close proximity between the three main musicians, which in turn accentuates and highlights the wonderfully intuitive interplay and understandings which exist between them. There is a dynamic and deeply creative relationship between keyboards, cello and voice which is delicately attuned to the shifting ebbs and flows of the rhythms of each song and which is absorbing to see unfold.

They are joined tonight by Robyn Hemmings on double bass, Jez Houghton on French horn, Maria Kroon on violin and Emanuela Monni on drums and percussion. The subtle alterations to the musical arrangements for some of the songs are breathtaking in the impact they bring. The integration of the French horn and violin in particular are absolutely inspired, creating a more open and expansive soundstage which provides greater emotional resonance and clarity of expression. Never Again and Walk Away possess a biting vitality which is not as readily apparent on the album, but with these additions is an absolute pleasure to experience live.

During the evening we are provided with some unexpected treats in the form of songs from their original EP and a beautifully moving cover of Hurt before an almost apologetic and low key introduction ushers in All That Thinking. A song about female infertility and the impact it has on relationships, the performance tonight is emotionally charged and profoundly moving. The sheer extent of the impact it has on the audience defies description and I know I was certainly not alone in being overcome and shedding a tear by the often unspoken heartbreak it creates.

One further surprise remains in store for us as the raised dias behind the main performers fills with the arrival of the SOUND choir for the final three songs. Their presence and influence is striking and uplifting, bringing new dimensions and insights to songs which, as a result, carry an embracing immediacy and sparkling warmth. The mesmerising Ophelia and the sizzling encore Roses spring to life with an astonishing and breathtaking vibrancy to mark the perfect end to a magnificent evening of stunning music.

A second concert has been announced for St Pancras Old Church on the 5th October 2017. Tickets are available now and I cannot recommend highly enough what a mesmerising, captivating and thoroughly enchanting experience awaits if you decide to go. Do not hesitate.

Setlist
Rushlight

Never Again

Walk Away

Not for the first Time

Hurt (cover)

Molehill

Elsa

High Heel Shoes

All That Thinking

Obey Me

Lady of the Lake

What Do You Say

The Road To Gordes

Ophelia

Roses

Beatrix Players are:
Amanda Alvarez – Cello
Amy Birks – Lead & Backing Vocals
Jess Kennedy – Piano, Flute, Backing Vocals

 

Beatrix Players Play Hoxton Hall on 11th May 2017

Through their enchantingly dark and evocative melodies, expansive arrangements and empowered orchestral sound Beatrix Players tell stories of real life and fantasy. Citing influences as diverse as Michael Nyman and Regina Spektor and drawing comparisons to the likes of Kate Bush and Einaudi Ludovico, this London-based, all female trio combine elements of Folk, Jazz, Progressive and Classical music. In 2015 the band took their unique sound – a beautiful combination of vocals, piano and cello – into the studio to record their self-produced debut album, which has been mixed by two-time BBC Folk Award winner, Jim Moray. That album, titled Magnified, is now brought to you in an evening with musicians from the album with support from King of the Opera.

When purchasing tickets you have the option to buy the Beatrix Players Magnified Vinyl + Magnified CD for a discounted price of £10, available to pick up after the show where the Beatrix Players will be signing copies.

Progradar’s own Rob Fisher:

“With the release of ‘Magnified’, Beatrix Players have created a truly stunning and enchanting collection of musical experiences to delight the soul and feed the mind. Call it bewitching, call it sublime, I thoroughly recommend sharing time with it and succumbing to all the enchanting journeys on which it will take you.”

Tickets can be bought direct from Hoxton Hall here:

https://www.hoxtonhall.co.uk/beatrix-players-magnified-tour/#tabs1

Review – Beatrix Players – Magnified – by Rob Fisher

There are few delicious pleasures in life as wonderfully satisfying than being so completely absorbed and utterly enthralled by the music to which you are listening that all sense of time, space and place are temporarily forgotten. ‘Magnified’ is exactly that kind of delightful surprise, effortlessly exerting a mesmerising and seductive captivation which renders this beautiful debut album from Beatrix Players a thoroughly enchanting experience.

The irresistible allure of the music is skilfully crafted around the thrilling and ever powerful presence of the piano, offset and complimented by the vivid and often dramatic strings of the cello and both are nurtured and encouraged by the melodic nuance and emotional poignancy of the vocals. The shifting ebb and flow between the three players creates an exciting and edgy dynamism, the fluid and continually evolving interactions forming sumptuous textures and compelling soundscapes that are happily spell-binding.

Yet there is also a foreboding sense of driving purpose diffused at all levels throughout the album, a strong and uncompromising spirit of determination which supplies a creative vision buried in the heart of what is being played. There is a willingness to dabble, to experiment, to pursue the meaning being conveyed in the music by blending differing styles and genres in order to capture and convey the unique sound which is so earnestly being sought.

Given the nature of the instruments involved there is no surprise to find elements of classical, baroque and even choral traditions but these have been delicately infused with rhythms and styles drawn from folk, prog, blues and jazz to craft an impressively expansive and hugely evocative sound which is as enthralling as it is consuming. It is a combination which forms the perfect cradle to tell the sometimes painful and all too human stories which inspire the songs with which we are being presented.

“The power of music”, Jess Kennedy (piano) believes, is its potent ability “to make people feel something”, to take hold of you and let you become lost in the moment. At heart, ‘Magnified’ is an intelligent series of narratives, stories and vignettes which speak with tremendous power and feeling to the day to day situations in which we find ourselves, the gamut of emotions we experience and the often agonizing and difficult problems with which we wrestle.

But this is music which is sensitively designed to make you think as well as feel. It works so well because it takes the rawness of everyday experience and fuses it with the mythology and the symbolism of age old stories which are familiar to us all. Real life mixes with fantasy to create sweeping, expressive melodies that are rich with empathy and compassion and form an enticing gateway through which we hardly notice ourselves enter.

What we find is the darkness which sometimes occupies the heart of beauty and often hidden within everyday life. This is not an album which shies away from or turns a blind eye to the more troubling aspects of human experience, despite the seeming elegance and charm of the music itself. Indeed, it is precisely the combination of the open vitality of the music with a biting realism of what life sometimes throws at us which allows the songs to communicate with such commanding potency and emotional authority.

“So I can’t write a love song” is the forlorn opening to Molehill (Track 5), thoroughly bewitching in terms of the music, heartbreaking in terms of the lyrics. Never Again (Track 3) positively makes your blood run cold with its plaintive “The walk of shame / In the middle of the day / The sun hits my tears / And blinds my thoughts / And in this moment I am numb / Another night and surely I’m done”; yet all we initially hear are the strains of piano and cello gently rippling and undulating in the background.

This is the standout achievement of what is without doubt a magical album. We are graced with music which opens the soul to the full catalogue of human experiences, without blinking and yet, without retreating either. There is strength and resolve in the darkness: “I’ll cut my hair / Become courageous / For I will live to outdate this / Take a risk and find strength” (Never Again). Forlorn does not necessarily or always mean despair and resignation. We can find, within ourselves and with the help of others, the strength to rise above what trouble us.

With the release of ‘Magnified’, Beatrix Players have created a truly stunning and enchanting collection of musical experiences to delight the soul and feed the mind. Call it bewitching, call it sublime, I thoroughly recommend sharing time with it and succumbing to all the enchanting journeys on which it will take you.

Released 31st March 2017

Buy ‘Magnified’ from bandcamp

 

 

Beatrix Players Release Video of Debut Single ‘Lady Of The Lake’

Beatrix Players have released a video of their debut single Lady Of The Lake, released on November 25th and taken from their debut album ‘Magnified’, which is scheduled for release in 2017.

Lady of The Lake is the stunning first single to be taken from Beatrix Players debut album, with the single launch being held at the Green Note in Camden on Tuesday 22nd November. This first release tells a story of disconnect, difference of opinion and the demise of a relationship.

“In the video we used a mystical figure to portray how the male perceives the female in the relationship,” explains lead vocalist Amy Birks. “She is seen as seductive and somewhat dismissive in character, although the lyrics are written sympathetically towards her”. The powerful chorus tells of torment “although the man knows it’s over, he is still drawn to her qualities” explains pianist and co-writer Jess Kennedy. The listener is taken on a journey through the powerful & emotive expression of the music, whilst the delicate, almost hypnotic vocal counter melodies add to the unearthly and ethereal sound of the track.

beatrix-players-band-pic

Through their enchantingly dark and evocative melodies, expansive
arrangements and empowered orchestral sound BEATRIX PLAYERS tell stories of real life and fantasy. Citing influences as diverse as Michael Nyman and Regina Spektor and drawing comparisons to the likes of Kate Bush and Einaudi Ludovico; this London-based, all female trio combine elements of Folk, Jazz, Progressive and Classical music. In 2015 the band (Amy Birks, Jess Kennedy and Amanda Alvarez) took their unique sound – a beautiful combination of vocals, piano and cello – into the studio to record their self-produced debut album, which has been mixed by two-time BBC Folk Award winner, Jim Moray.

www.beatrixplayers.co.uk

BEATRIX PLAYERS LAUNCH DEBUT SINGLE ‘LADY OF THE LAKE’ – NOVEMBER 25th

beatrix-players-lady-of-the-lake

SINGLE LAUNCH – GREEN NOTE, CAMDEN – TUESDAY 22ND November

http://www.wegottickets.com/greennote/event/370817

“A warm series of piano-driven songs that combine the dynamics and vocal delivery of Kate Bush with Tori Amos piano-gymnastics…” FOLK RADIO UK

When choosing a suitable name for their band this London based
trio certainly gave themselves something to live up to. Beatrix, from
the Latin Viatrix, is a name that in its various forms has been
previously bestowed upon self-sacrificing martyrs and self-denying
mystics, royal consorts and Holy Roman empresses, Balzac
heroines and Tarantino assassins. No small irony then, that a name
so often chosen by tragedians for their characters literally means
“she who makes happy”.

beatrix-players-band-pic

Through their enchantingly dark and evocative melodies, expansive
arrangements and empowered orchestral sound BEATRIX PLAYERS tell stories of real life and fantasy. Citing influences as diverse as Michael Nyman and Regina Spektor and drawing comparisons to the likes of Kate Bush and Einaudi Ludovico; this London-based, all female trio combine elements of Folk, Jazz, Progressive and Classical music. In 2015 the band (Amy Birks, Jess Kennedy and Amanda Alvarez) took their unique sound – a beautiful combination of vocals, piano and cello – into the studio to record their self-produced debut album, which has been mixed by two-time BBC Folk Award winner, Jim Moray. That album, titled ‘Magnified’, is scheduled for release in 2017.

cover

Lady of The Lake is the stunning first single to be taken from Beatrix Players debut album, with the single launch being held at the Green Note in Camden on Tuesday 22nd November. This first release tells a story of disconnect, difference of opinion and the demise of a relationship.

“In the video we used a mystical figure to portray how the male perceives the female in the relationship,” explains lead vocalist Amy Birks. “She is seen as seductive and somewhat dismissive in character, although the lyrics are written sympathetically towards her”. The powerful chorus tells of torment “although the man knows it’s over, he is still drawn to her qualities” explains pianist and co-writer Jess Kennedy. The listener is taken on a journey through the powerful & emotive expression of the music, whilst the delicate, almost hypnotic vocal counter melodies add to the unearthly and ethereal sound of the track.

www.beatrixplayers.co.uk

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