DOUBLE-DISC EDITION OF THE 2006 STUDIO DEBUT FROM ANATHEMA’S DANIEL CARDOSO, AND ULVER’S KRISTOFFER RYGG. NOW REMASTERED, INCLUDING EXTRA DISC OF DEMOS AND INSTRUMENTALS, PLUS COMPREHENSIVE INTERVIEW
Recorded between Portugal and Norway in 2005–2006, and produced and mixed by Cardoso himself. Murder Nature was released to great critical acclaim, and has gained the reputation of being a lost classic of sorts over the years, whilst the compositions themselves remained timeless and ageless, and often requested for a proper and extensive reissue.
This newly remastered double-disc edition of Murder Nature, now includes a special bonus disc of unreleased instrumental and demo material from the time period, along with a cover of Seal’s ‘80s hit “Kiss From a Rose”. The release also includes updated art and layout, and contains a booklet featuring a comprehensive interview delving into the beginnings, endings, and inner workings of the whole project, courtesy of writer Jonathan Rosenthal, (Invisible Oranges, Decibel, Brooklyn Vegan) plus additional words from members of other luminaries of the progressive metal scene, such as Periphery and Between the Buried and Me.Murder Nature stands as a pinnacle of forward-thinking metal from the 2000s, for fans of Tool, A Perfect Circle, Queens of the Stone Age, and Faith No More.
“Murder Nature was a pretty bold album, especially if you put it into the context of when it was made, and how. Looking back, I’m still surprised that we pulled it off, but I’m glad we did ’cause it pretty much paved the way to my long-lasting career as a musician and producer.” – says Daniel Cardoso.
Murder Nature will be available as a double CD and single LP.
MURDER NATURE Track list:
1. Baby Blue [06:34]
2. Skin Flick [04:23]
3. Masterpiece [Of Art] [03:34]
4. Blunt Instrumental [03:49]
5. It Hurts [04:00]
6. Watergate [03:40]
7. Seven [04:00]
8. Kill Me [02:07]
9. Wonderworld [03;38]
10. Rapid Eye Movement [04:48]
11. Falling On Sleep [04:46]
12. Kiss From a Rose [04:18]
DISC 2 (CD ONLY)
1. Baby Blue (Instrumental) [05:18]
2. Skin Flick (instrumental) [04:26]
3. Masterpiece [Of Art] (instrumental) [03:38]
4. Watergate (instrumental) [03:43]
5. Seven (instrumental) [04:03]
6. Wonderworld (instrumental) [04:40]
7. Rapid Eye Movement (instrumental) [04:47]
8. eM lliK (Kill Me reverse) [02:07]
9. Baby Blue (Unreleased Demo) [05:18]
10. Skin Flick (Unreleased Demo) [04:24]
Masterpiece [Of Art] (Unreleased Demo) [03:38
Head Control System was a venture set out by multi-instrumentalist extraordinaire Daniel Cardoso (Anathema / Sirius), originally under the moniker of SinDRomE, which developed into a dynamic and what could also be considered a somewhat trailblazing style of alternative metallic rock with prog textures. The missing piece of the puzzle was completed when Daniel was joined by Kristoffer Rygg of long-standing Norwegian experimental – and erstwhile black metal – legends Ulver. Together with Kristoffer’s unmistakable vocal delivery and Daniel’s finely-honed instrumentation, an intricately woven opus of seduction and darkness with abstract existential musings was created in Murder Nature, the band’s only studio album to date. It was originally released back in 2006 through Voices Music & Entertainment (EU) and The End Records (US).
The compilation career retrospective is an unusual beast, filling many different roles for many different types of fans. To the die-hard fan it serves a purpose of giving an insight into the work the artist believes most in, what they are proudest of. To others its an easy to go to listen of a favourite band; great for reminding them of albums to immerse into later. And then for others, it serves as a great introduction into a band, and maybe inspiring them to delve deeper into a catalogue.
And for ‘Internal Landscapes’, the retrospective of the last ten years by Liverpool band, Anathema, I fall into the latter category having never really listened to the band myself. To be honest, I’m not entirely sure why this is; Anathema are a band that a lot of people whose taste in music I admire and trust rate very highly indeed. So when I saw that the guys on the Big Big Train forum were making some noise about this release, well the opportunity to dive in was hard to resist.
And so, thanks to Martin Hutchinson, my Anathema cherry has well and truly been popped. And I’m glad it has been, with this compilation of music from their latter career from 2008 to the present day, including releases from the albums ‘We’re Here Because We’re Here’, ‘Weather Systems’, ‘Distant Satellites’ and ‘The Optimist’, being one that has whetted my appetite for more from this band.
What I particularly like about this release is that it is in no way self-indulgent; for too many bands the temptation to throw too much at a compilation is hard to resist. CD’s are filled with more and more tracks, demos and outtakes, near on whole albums in some cases. Anathema have, though, restricted themselves with just 13 tracks giving that exemplary taster of what the last ten years have been about for them. Leaving someone like me, the new introductee, wanting more; a desire that can only be sated by diving into those albums this release supports, and for the already devoted, well I can only see them inspired to revisit those favourite pieces.
There is lots to enjoy about this album and the music of Anathema. Lyrically I found it sometimes a little clichéd, though not to the detriment of the whole enjoyment (but then I am always looking for lyrics to reach some pretty exacting standards). But, the real highlight for me is the music, the harmony between instruments and voices with the real star, for me, being the beautiful piano pieces that underpin the majority of the work produced here. The whole feeling is one of great subtlety, light and shade and beautiful melody and one that will inspire me to find more out about Anathema.
A 13-track journey through the best of Anathema’s Kscope years Feat. “Thin Air”, “Untouchable”, “Dreaming Light” and “Springfield”
“The band isn’t just a way of life, its been much more than that. To us, as a family, writing music of such honesty, and reaching people who feel it similarly, is as profound an expression of art and life as its possible to be. People have said to me it must be cathartic to write songs like this. I often say the real gift is in the people I do it with. For what we share and what we mean to each other when all is said and done.. The landscapes are internal” – Daniel Cavanagh
Internal Landscapes showcases the highly influential Liverpool sextet’s uncompromising dedication to fearless artistry. They’ve continually evolved since 1990 by placing hope in the future – from leaving the underground scene they were fundamental in establishing to continually mesmerising the world with dramatic post-progressive alternative rock that knows no borders.
The release of Internal Landscapes follows an extensive worldwide headline tour, including performances at Download Festival, ArcTanGent and Wembley Arena with Opeth in support of their 2017 studio album The Optimist. The release won the Album of the Year at the Progressive Music Awards ’17, reached the top 10 in the Polish charts, top 20 in Germany, top 40 in the UK, and has 5.8 million track streams on Spotify. This built on the success of their previous Kscope material, which also won at the Progressive Music Awards, including Album of the Year, Live Event of the Year & Multimedia Package of the Year for 2010’s We’re Here Because We’re Here, 2012’s Weather Systems and 2013’s Universal.
This collection, curated by the band, selects the best works from their prolific output on the ground-breaking label Kscope since 2008. In this time the band left their heavier roots and transcended into emotional heaviness that resonated deep within the heart of the listener. It takes its name from the band’s perhaps most heartfelt song, from their most popular album of the period, Weather Systems.
Daniel Cavanagh has provided the album sleeve notes and the artwork was created by long-time collaborator Travis Smith.
Internal Landscapes will be released on CD, LP and available through usual download and streaming platforms and is available to pre-order HERE
Internal Landscapes 2008-2018 tracklisting
1. Anathema [06:41]
2. Untouchable part 1 [06:14]
3. Untouchable part 2 [05:33]
4. Thin Air [06:00]
5. Ariel [06:29]
6. Can’t Let Go [04:34]
7. Dreaming Light [05:47]
8. Are you There? [05:11]
9. J’ai Fait Une Promesse [03:33]
10. Leaving It Behind [04:27]
11. Springfield [05:42]
12. Distant Satellites [08:07]
13. Internal Landscapes [08:37]
To coincide with the release of Internal Landscapes and the 10 Years Of Kscope show on 2nd October in London, Anathema will be playing a series of intimate acoustic shows, under the title Ambient Acoustic Tour. Anathema will be touring these shows as a four-piece featuring Daniel & Vincent Cavanagh and Lee & John Douglas. Support act(s) will be announced shortly.
Daniel Cavanagh introduces the tour:
“Welcome to a new Anathema experience: Ambient Acoustic. In exploring what we might do to expand the music still further, out of thin air came the idea to arrange music in a ‘third way’, in the space between the acoustic band and the live rock band. With ‘ambient acoustic’ we feel freer to explore many textures, mixing live loops, piano, strings, percussion, electronics, guitars and voices, all within the essence of the songs and the emotions they carry. We hope you enjoy this next chapter of the story, the journey of discovery, of searching for something that can never really be found”
28-09: France, Lille, Theatre Le Splendid
29-09: Netherlands, Tilburg, 013
30-09: Netherlands, Amsterdam, Melkweg
01-10: UK, Leeds, Brudenell Social Club
02-10: UK, London, Union Chapel (10 Years Of Kscope)
ANATHEMA TO HEADLINE CELEBRATORY RECORD LABEL EVENT IN LONDON WITH PAUL DRAPER, IAMTHEMORNING AND GLEB KOLYADIN
We are incredibly excited and proud to be celebrating our first decade as a record label. These past 10 years have allowed us to share and promote our favourite music, which has evolved over multiple genres whilst remaining fiercely adventurous. We kick-off the year’s revelries with an intimate acoustic show in our hometown, London, at the unique and iconic Union Chapel.
Our story began in May 2008 with the partnership between Steven Wilson and Tim Bowness as No-Man and their beautiful, haunting and cinematic album Schoolyard Ghosts. The label’s sound has since been constantly evolving through some truly brilliant and emotively powerful early projects from the likes of Anathema, Porcupine Tree, Engineers, Richard Barbieri, Gazpacho, Nordic Giants, Nosound and The Pineapple Thief, as well as Steven Wilson’s solo material and collaboration with Aviv Geffen as Blackfield.
In recent years the roster has grown to include a broader selection of talent, from the soaring dynamics of TesseracT, to the revenge-pop from The Anchoress, from the heart-breaking catharsis from Lunatic Soul to the electronica legacy of the great Tangerine Dream.
Shaping up to be a year full of celebrations, our first offering is the 10 Years of Kscope event, for which we’ve lined up a treat for guests with special acoustic performances from Anathema, Paul Draper, Iamthemorning and Gleb Kolyadin. This will undoubtedly be a night to remember for music lovers, and may even feature a few surprises…
Anathema, following the release of 2017’s The Optimist, continually evolved by placing hope in the future – from leaving the underground scene they were fundamental in establishing to continually mesmerising the world with stargazing post-progressive alternative rock that knows no borders.
“Welcome to a new Anathema experience: Ambient Acoustic.
In exploring what we might do to expand the music still further, out of thin air came the idea to arrange music in a ‘third way’, in the space between the acoustic band and the live rock band..
With ‘ambient acoustic’ we feel more free to explore many textures, mixing live loops, piano, strings, percussion, electronics, guitars and voices, all within the essence of the songs and the emotions they carry.
We hope you enjoy this next chapter of the story, the journey of discovery, of searching for something that can never really be found.
Much love, Daniel Cavanagh”
Anathema will be performing additional dates as part of their Ambient Acoustic tour in France, the Netherlands and the UK. For full details, see their website.
Paul Draper, one of British rock’s most singular and distinctive voices of the iconic 90s band Mansun, has returned with a top-20 debut solo album Spooky Action (“A properly fantastic album, ★★★★★” Record Collector).
Talking about the show, Paul told us he is “delighted and proud to be playing for my label Kscope at their upcoming 10th Anniversary show. It’s been such an exciting and productive time working with the Kscope team since I signed with them, so genuinely looking forward to playing a few tunes and celebrate with the Kscope family at the Union Chapel”
Iamthemorning, the progressive chamber duo, Gleb Kolyadin and Marjana Semkina, formed in St. Petersburg and have released two albums of rich and eclectic music on Kscope, Belighted and Lighthouse, that showcase their brilliance as pianist and vocalist. Their latest studio film and soundtrack, Ocean Sounds, is due for release mid-October.
Gleb recently released his self-titled debut solo album, featuring an array of impressive guest performers, to high praise including a 4 ½ star review from All About Jazz, who said it “finds the magical chemistry to weave everything into a dazzling ride with the smarts of Robert Fripp and the badassery of Beethoven. The spirit of Keith Emerson is probably pumping his fist in delight at seeing such inspired wizardry to carry on the tradition, and who knows, Franz Lizst may be cheering just as loud.”
The pair told us how they felt when asked to perform at the event
Gleb: “For me, London was always a place where all important things happen. And this fall I will be very happy to be on this very special event in a wonderful place with great people and present a few piano passages from my solo album. Very exciting and looking forward to October.”
Marjana: “The first time we met Kscope team was on “5 years of Kscope” festival. It was our first time in London and back then no one knew who we were. It’s amazing how things can change if you work hard enough, and it’s our greatest pleasure to be performing an exclusive chamber set in a wonderful Union Chapel (which was always my dream venue) as a part of the label. We both are very pleased to be invited and are very much looking forward to this wonderful evening.”
Riding the waves of his success with Anathema’s latest album The Optimist, which includes a worldwide headline tour, multiple summer music festivals and an Album of the Year nomination for the 2017 Progressive Music Awards, the band’s driving force, Daniel Cavanagh releases his debut solo album, Monochrome.
Monochrome is a deeply reflective and personal offering, inspired by internal feelings of love and loss, Daniel Cavanagh explains “The album has a late night, candlelit feeling, evoking the light of dusk as the summer sun sinks below the horizon, setting the scene for thoughts and meditations that many people will relate to.”
Elaborating further on the album and songs he continues “A lot of this material could easily have made it on to the last Anathema album or any future album; that’s how highly the band rate it. There are several highlights: ‘The Exorcist’ and ‘The Silent Flight of the Raven Winged Hours’ are among some of my best works of the last decade. Taking them from the band was not an easy decision but I am glad; they’re so personal as to not need more input.”
Monochrome , whilst written & performed by multi-instrumentalist, Daniel Cavanagh, does feature guest performers – Anneke Van Giersbergen – ex-vocalist for The Gathering, who has since sung with Devin Townsend, Árstíðir, Anathema and Arjen Lucassen appears on 3 songs – “This Music”, “Soho” and “Oceans Of Time”. The album also sees the exceptionally talented Anna Phoebe providing violin on “Soho”, the Poe inspired “The Silent Flight Of The Raven Winged Hours” and “Dawn”. Recorded at Grammy Award-winning Parr Street Studios, engineered by Andrea Wright, mastered by Anathema’s Daniel Cardoso, and with artwork by illustrator Danny Branscombe (https://www.dannybranscombe.com ).
Daniel introduces the first song from the album to be premiered fans “The Exorcist” was considered so good by Anathema that the rest of the band would have made this the centrepiece of an Anathema album, taking it from the band was not an easy decision but I am glad I did!”
Monochrome will be released on CD / LP and digitally with digital pre-orders receiving the track “The Exorcist” as an instant download – pre-order HERE
Anathema are currently on tour in North America in support of their critically acclaimed new studio album The Optimist. The UK & European tour begins on 22nd September in Glasgow and concludes inn Luxembourg on 18th November before they head to Australia for the first show in Brisbane on 6th December.
“Who is the optimist? Elements of our psyche? Of yours? The part of us that secretly yearns for escape? For meaning? For a reason? Would you like to know more? Well why don’t you come and find out?” – Daniel Cavanagh, Anathema
Following a phenomenal set at this weekend’s Download Festival, Anathema have announced their headline tour of the UK in September, in support of their brand new album ‘The Optimist’. The band will be joined bybe accompanied by French blackgaze pioneers Alcest ( www.facebook.com/alcest.official ).
The full UK tour is as follows with tickets on sale from Friday 16th June
September
22 – Glasgow Garage
23 – Belfast Limelight
24 – Dublin, The Academy
26 – Manchester, O2 Ritz
27 – Sheffield, Plug
28 – Bristol, The Marble Factory
29 – Exeter, Phoenix
30 – London, O2 Shepherd’s Bush Empire
Anathema, led by brothers Daniel and Vincent Cavanagh, along with drummer John Douglas, singer Lee Douglas, bassist Jamie Cavanagh and drummer/keyboardist Daniel Cardoso recorded ‘The Optimist’ in the winter of 2016 at Castle Of Doom studios in Glasgow with producer Tony Doogan [Mogwai, Belle & Sebastian, Super Furry Animals] at the helm and was mastered at the legendary Abbey Road Studios.
Anathema’s eleventh full-length The Optimist was released on 9th June through Kscope, where the ambient rockers revealed some of the darkest, most challenging and unexpected music the sextet have put their name to and has garnered some incredible reviews from the UK media:
“The album of their career thus far.” Prog Magazine – Album Of The Month
“The Optimist showcases the blissful chemistry that now exists within this particular line up” Classic Rock Magazine
“The Optimist delivers on every level” Metal Hammer Magazine
“‘a band finding new ways to be magnificent so far into their career” Kerrang! Magazine
“a record that makes the world better for its existence – and you can’t ask for more than that” Planet Rock Magazine
“Anathema really do cement their title as one of the UK’s most revered rock bands” Drowned in Sound
“The band are surely one of the country’s most innovative and imaginative rock bands around today.’Musipedia of Metal
“this could well be their greatest work to date” Ghost Cult
FESTIVAL WHICH HIGHLIGHTS THE WORLD’S BEST PROGRESSIVE BANDS COMPLETES THIS YEAR’S LINE-UP WITH THE DEVIN TOWNSEND PROJECT, LEPROUS & JARDÍN DE LA CROIX.
30th June – 1nd JULY 2017 – BARCELONA
Since its inception in 2014 the Barcelona based festival Be Prog! My Friend has played host to the likes of Opeth, Steven Wilson, Anathema, Devin Townsend, TesseracT, The Pineapple Thief, Magma, Agent Fresco, Camel, Meshuggah, Katatonia, Riverside, Ihsahn and Alcest.
Taking place in the beautiful open air surroundings of Poble Espanyol – a huge stone built architectural museum – the site is one of the most important and striking landmarks of tourism in Barcelona. Whilst by day the Catalonian hotspot may play host to some of Barcelona’s most interesting historical articles, by the end of June to the start of July it will instead play host to some of the world’s finest progressive bands. Last year saw the festival co-headlined by Steven Wilson and fellow progressive heavy weights Opeth.
So far for 2017 Be Prog! My Friend have announced legendary headliners Jethro Tull and Marillion alongside Norwegian music collective Ulver, Anathema, Animals as Leaders, Mike Portnoy’s Shattered Fortress and Caligula’s Horse.
Now Be Prog! My Friend’s line-up for this year is complete with the addition of the Devin Townsend Project, Leprous and Spain’s Jardín de la Croix.
Devin Townsend returns to Be Prog! My Friend for an exclusive performance of his 1997 album ‘Ocean Machine: Biomech’ in full to celebrate its 20th anniversary. Devin himself describes ‘Ocean Machine’ as ‘a labor of love that was born more out of adversity than almost anything else. I’m very proud of this album, and has a very obvious ‘blue’ feeling to me’
Joining Devin will be one of the best progressive metal acts in the world, Leprous. The festival organisers comment: ‘we were stunned by their technical genius, the absorbing personality of frontman Einar and their almighty live shows’. At Be Prog! My Friend their performance will be a ‘By Request’ show, where all fans of Leprous can vote. The songs with the most votes will be played at the festival.
The final band that completes the line-up for Be Prog! My Friend 2017 is Jardín de la Croix described by the festival as ‘one of the most beloved bands in the Spanish rock scene at the moment. With their excellent live shows they are definitely one of the best instrumental rock bands in Spain at the moment. We proudly welcome them to the festival and hope you enjoy Jardín de la Croix with us!’
The complete line-up for Be Prog! My Friend 2017:
JETHRO TULL / MARILLION
MIKE PORTNOY’S SHATTERED FORTRESS / ANATHEMA / THE DEVIN TOWNSEND PROJECT / ULVER / ANIMALS AS LEADERS / LEPROUS / CALIGULA’S HORSE / JARDÍN DE LA CROIX
Tickets are on sale now at the fixed price of 130 Euros:
‘And so Prog finds itself in love with Barcelona, the delightful weather and everything that Be Prog! My Friend has to offer’– Prog Magazine
‘The leading festival for progressive music in Spain, showcased avant-garde music in a magnificent location’ – The Independent
‘Set in the hazy sunlit square of Barcelona’s historic and quite stunning Poble Espanyol, it certainly beats the sodden mud of the British festival season’ – Total Guitar Magazine
‘If nothing else, it proves that prog is alive and kicking. Especially in Catalonia’ – Classic Rock Magazine
Be Prog! My Friend takes place in the heart of Barcelona and with an airport only 12km away, regular, cheap flights make it an easy festival to get and from the UK. Bands will start playing from mid/late afternoon each day which will also mean visitors have plenty of time to explore the stunning city of Barcelona while they are there.
Music is a very personal thing both for the artist and the listener, motivational, inspirational, a catharsis on which a musician can bare their soul and the darkest secrets within. It has always been about emotions, happy or sad, a conduit through which a musician can come to terms with the past and look forward to the future. An outlet affording the chance to confront fears, battle them head on and come through the other side eliciting empathy from devoted fans who recognise the difficulties faced in bringing the music to life.
Artists can quite often be protective of their private lives, yet willing to lay raw past experiences and struggles still faced. We have seen some fall by the wayside, being unable to exorcise their inner demons, yet at the same time others find salvation in their music.
So it is with Anathema. They too have had their trials and tribulations, most recently Daniel Cavanagh’s publicised personal struggles, after the well received previous studio album ‘Distant Satellites’. A hiatus over the last twelve months to recuperate and enable him to return to some semblance of normality has led to a moodier album. Thematically picking up from 2001’s ‘A Fine Day To Exit’, the new album sees the band lead us down a darker path, which whilst the music guides you it doesn’t provide answers.
It feels like only a detective/gum-shoe could try to make sense of the tale……
I checked the coordinates of first track ‘32.63N 117.14W’ it gives a location on the west side of Silver Strand State Beach, along San Diego Bay. So I take a turn off the free-way at Chula Vista and drive the Chevy round there. I arrive in time to see some John Doe pulling himself from the surf like a wet rag and stagger his way up the beach. I’ve no clues as to who our protagonist is so I decide to sit back and observe. I roll the knob on my car radio and slip through the channels, there’s a tune, I recognise the band but then lose the reception.
It’s replaced by catchy digital style beats and my fingers drum on the steering wheel in time to the rhythm. The man climbs into the passenger side of a Buick which has pulled out of the Loews Coronado Bay Resort (as guitars kick in) and exit the kerb. I throw the old girl into gear and pursue at a steady distance the voices joining the tune on the radio sound familiar, urgent, but I ain’t got time to think on it further as they speed musically away from my car, they are ‘Leaving It Behind’. It occurs to me the pair may also be fleeing from some sort of trouble.
I step on the gas and close the distance as we cruise the 75 past the Naval Amphibious Base, Coronado and across the bridge. They approach a spaghetti like junction and could go ‘Endless Ways’but heading for the 14A their car slides on to the I-15N, through San Diego and out past Little Italy settling at a steady speed. I notice it’s some blonde dame driving, a pretty little thing. The name Lee comes to mind and I’ve seen her but can’t place where. She has the window down and is singing to the guy beside her, the words float through the balmy air toward me, the broad sure can hold a tune and clearly doesn’t want him to leave her and the dream she’s creating, lucky guy.
Over Ocean Beach Free-way skirting Enchanted and De Anza Coves we bypass Sorento Valley, this could be a long drive. The no name, let’s call him ‘The Optimist’, in the passenger seat starts telling the girl he feels like a rabbit in the headlights but has to run away before it’s too late. She reminisces about the life they’ve left behind as guitar loops and strings rise from the stereo, growing, filling the car with crying guitars to fade on a haunting guitar.
We eat up the miles of piano keys, twitching rhythms in a regular pattern, flying past San Elijo and over the waters of Batiquitos Lagoon State Marine as we draw nearer to ‘San Francisco’. I can’t hear their voices for noises of the night, maybe they’ve stopped talking for a while as we weave through traffic like snakes through a forest, percussion and keys fluttering in the warm breeze.
A large locomotive hurtles by heading North, pulling carriage after carriage, must be fifty at least, mostly passenger. It’s a brief distraction as we approach Carlsbad and they turn off into the Village pulling in at an all night diner, gleaming polished chrome and neon lights. The couple get out of the car (the man has changed his clothes) and go inside. I top up the gas tank at the pump, then park further down the bays, head for the entrance and in. I sit a few tables down from them so I can still see and hear them without raising suspicion. They order and then the waitress comes over to me, asks if I’m eating alone, she’s cute but I ain’t got time for flirting. I order coffee, black and a couple of caramel and marshmallow cream do-nuts, I need to keep my energy levels up.
Headlights pierce the windows then the entrance door swings open and in come four serious looking guys, in denims, hoodies and leather jackets. I know them, it’s the Cavanagh twins, singer/guitarist Vincent and bassist Jamie with troubled brother Daniel, also a singer/guitarist. They grew up amidst a violent background but are all fine musicians these days. Danny Cardoso is with them, I recognise him from a magazine shot, the article said he’s a good keyboard player. They join the two I’ve been following saying their ‘hello’s’ and it clicks, the siblings Douglas. John’s a drummer who has struggled with a drug problem and his sister Lee, with the dreamy voice, is the one who picked him up at the beach. So the old Anathema crew are back together again.
I sit and listen, it’s quiet in here apart from the music in the background, a relaxed tune of guitars and keys. They talk and Lee starts singing softly to the tune and wondering “How did I get here, I don’t belong here…”. The music intensifies and I’m only getting brief snatches of conversation, mention of ‘Springfield’, but that’s way up the coast beyond Frisco, maybe they intend going there.
As the music dies down they rise to leave the conversation over, though I do hear someone whisper, “They’re leaving here, and were never seen again”, best I follow a while longer and see if I can work out what their plans are. They refuel and I wait, then we wend our way back to the I-15N and continue the journey. As we do I can hear Lee start to sing again, that dame could charm the birds from the trees. I’m beginning to wonder if this maybe ain’t just a road trip but a journey of the soul, a chance to blow away ‘Ghosts’ of the past and old cobwebs leaving the future a little clearer, not just for the band but me as well.
The music on the car stereo is sweet as we struggle our way through LA, I nearly lose them a few times but ‘Can’t Let Go’ just yet. I’m working things through, though I’m not sure I have many answers yet. The driving rhythm helps soothe me and picks up tempo as we gain speed heading inland through the forest parks toward Bakersfield. We’ve been travelling sometime when their two auto-mobiles swing into the lot of a motel with me following at a respectable distance. They go into reception and I watch as the music fades with only the sound of their footsteps and the doors as they take a couple of rooms for the night.
I decide to sleep in the car, it’s a balmy night and my budget doesn’t stretch to luxuries especially with tolls to pay en route. Car facing their rooms I yawn, recline the seat, leaving the windows partially open, tip my hat over my face and in my imagination I can hear Lee sing, soothingly ‘Close Your Eyes’ as I do just that. I’ll sleep tonight and dream on.
I wake with a start and sit upright, my hat falling into the foot-well, shaking my head to shift the fuzziness from my brain and rubbing my tired eyes. The sun is skirting the horizon on it’s ascent to day, red and orange causing a haze in the background, making it look like there are ‘Wildfires’ in the bush and scrub along the bleachers. The parking lot is empty except for my motor, think they’ve given me the slip,did they rumble me? I turn on the car stereo to a piano refrain joined by echoing harmonised voices that float from the speakers out of the window and into the warming air. The drums roll in as I get out of the car and stretch and turn in a circle, a vague attempt at allowing the light breeze to air my slept in clothes, I sure ain’t smelling of roses.
As I look around the music builds, filling out the sound like a grand introduction to the glorious sunrise before me, then echoes away. The sound of waves on the shore return my thoughts to the beginning of this tale and acoustic guitar offers reflection, whilst a male voice taunts me, “You don’t understand…All I need is you”.
I notice something propped on the windshield of the car and pick it up. It’s a CD. The cover is of a car at night driving towards me, making me feel like a rabbit in the blazing headlights. It’s Anathema‘s new one, ‘The Optimist’. Busted! They got me and now they’re gone, ah well I wish them all the best on their journey. No point in going any further I may as well head ‘Back To The Start’, besides I think I have gained enough from what I’ve seen and heard to satisfy my curiosity. The music comes to an end and there is the sound of a knock on an imaginary door, could be one in my brain. The door opens and a male voice asks,“Hi, how are you?” If it’s a question I had to answer right now, this journey has given me time to sort the dumpster in my head and I’m feeling just dandy.
I get back in the car and fire up the engine, she settles to a steady rumble. I take the CD from it’s cover and slip it into the player, there’s the sound of waves and someone on the beach, the soundtrack to this journey, now there’s a surprise. I smile, engage the transmission and head back South, it’s been a ride.
Wait! You were expecting answers? An explanation maybe? Not from this sap, my information on the band remains strictly confidential and what I have discovered about myself along the way highly personal. You want revelations I heavily suggest you treat yourself to a copy of ,‘The Optimist’, and discover for yourself, I’m sure you’ll find this excellent album is worth it.
Anathema, who are set to release their darkest and most challenging album to date, ‘The Optimist’ on 9th June via Kscope have announced an exclusive 5.1 playback session of the record will take place in London on Monday 5th June. Held at the Courtyard Threatre in Hoxton/Shoreditch in association with Classic Album Sundays the album will be played back in full through a KEF 5.1 system.
Limited to just 90 tickets the event will also include a live interview and Q & A session with Daniel and Vincent Cavanagh from the band hosted by Kerrang/Planet Rock journalist Amit Sharma, giving fans an opportunity to put their questions to them as well as hearing the album ahead of its release. Vincent adds:
‘We’re really looking forward to this. Listening to the album on a high end 5.1 audio system is a new experience even for us. The night isn’t just a preview of ‘The Optimist’ but it’s also a chance for people to gain a unique insight into what this album is all about. There’s a lot to take in, especially with all the artwork/visual side of the story. It’ll be cool to hang out and meet everyone.’
Anathema, led by brothers Daniel and Vincent Cavanagh, along with drummer John Douglas, singer Lee Douglas, bassist Jamie Cavanagh and drummer/keyboardist Daniel Cardoso recorded ‘The Optimist’ in the winter of 2016 at Castle Of Doom studios in Glasgow with producer Tony Doogan [Mogwai, Belle & Sebastian, Super Furry Animals] at the helm and was mastered at the legendary Abbey Road Studios.
Anathema are premiering the first track from their forthcoming new studio album The Optimist entitled “Springfield”.
Daniel Cavanagh explains the song choice “Here we present the song ‘Springfield’, it’s actually the song that closed our unforgettable Wembley gig with Opeth and it seemed to be a track that just fell into place without much effort. It seemed to do itself. The song forms part of a narrative that runs through The Optimist album, it’s a narrative that begins where A Fine Day To Exit left off. The album is a journey. The songs are ambiguous. There is no right or wrong way to take them. Make of them what you will.”
Anathema’s eleventh full-length The Optimist is due for release on 9th June through Kscope, where the ambient rockers will reveal some of the darkest, most challenging and unexpected music the sextet have put their name to.
Anathema, led by brothers Daniel and Vincent Cavanagh, along with drummer John Douglas, singer Lee Douglas, bassist Jamie Cavanagh and drummer/keyboardist Daniel Cardoso began recording The Optimist in the winter of 2016 at Attica Audio in Donegal, Ireland and then finished at Castle Of Doom studios in Glasgow with producer Tony Doogan [Mogwai, Belle & Sebastian, Super Furry Animals] at the helm and was mastered at the legendary Abbey Road Studios.
The Optimist will be released on the following formats and all are available to pre-ordered now here: http://found.ee/The_Optimist
Deluxe 12” hardbook featuring:
40 page artwork book, with artwork from Travis Smith.
CD The Optimist 11 original album tracks
CD featuring 6 bonus tracks – 3 demo versions and 3 live demo recordings from their November 2016 dates
DVD-V The Optimist 11 original album tracks 24/96 LPCM Stereo & 24/96 DTS 5.1 surround mix
Blu-Ray disc The Optimist 11 original album tracks 24/96 LPCM Stereo, 24/96 LPCM 5.1 lossless surround mix & 24/96 DTS-HD Master Audio lossless 5.1 surround mix
2 Disc CD & DVDMediabook
24 page booklet
CD The Optimist 11 original album tracks
DVD-V The Optimist 11 original album tracks 24/96 LPCM Stereo & 24/96 DTS 5.1 surround mix
Blu-Ray featuring
· The Optimist 11 original album tracks 24/96 LPCM Stereo, 24/96 LPCM 5.1 lossless surround mix & 24/96 DTS-HD Master Audio lossless 5.1 surround mix
CD featuring:
· The Optimist11 original album tracks
Double gatefold 180g heavy weight LP featuring:
· The Optimist 11 original album tracks (with MP3 download code)
· Limited Edition red vinyl LP version (with MP3 download code) available exclusively through the band’s webstore
Digital download featuring:
· The Optimist 11 original album tracks with pre-orders receiving an instant download of “Springfield”
Anathema are set to tour worldwide to celebrate the release of The Optimist and have now confirmed their headline shows in Europe.
They’ll be accompanied by French blackgaze pioneers Alcest ( www.facebook.com/alcest.official ). Looking forward to the tour Daniel Cavanagh says “It’s really good to be touring with Alcest again, continuing our relationship that began in America in 2013. They are superb melodists and have a beautiful and unique voice.”
Tickets on sale from Monday 3rd April from 10am local time – see www.facebook.com/anathemamusic for details plus all other confirmed shows and festivals
