KATATONIA RELEASE MNEMOSYNEAN ON 1ST OCTOBER 2021

An extensive collection of rarities and B-sides marking 30 years of the band

This new release marks 30 years since the formation of one of the most enigmatic & aurally captivating bands to grace the dark rock/prog genre, Mnemosyneancontains an extensive collection of all of Katatonia’s rarities and B-sides, including tracks from the band’s numerous EPs, unheard album songs, limited special edition bonuses, cover songs, as well as a series of collaborative remixes. 

The journey of Mnemosynean spans the gothic-soaked experimental epic ‘Scarlet Heavens’ recorded all the way back in 1994, through to tracks recorded during the sessions for the stellar 2016 opus, The Fall of Hearts. 

The intriguing title of ‘Mnemosynean’ itself represents memories & was selected because tomb inscriptions dating back to 400 BCE say that the dead could keep their memories by avoiding drinking from the Lethe, and drink instead from the stream flowing from the lake of Mnemosyne (the goddess of memory). 

Following an early string of deathly doom-inspired releases which firmly & quickly established Katatonia as a leading force in the 1990s underground, the Swedes, led by Jonas Renkse & Anders Nyström,  came to true prominence following a transition to a more metallic, sleek, dark & depressive rock style while fully embracing concepts of urban and social decay, but also retaining some of the distinguishing traits from their early repertoire, such as the melancholy-laced & instantly identifiable melodic guitar leads.

2020 saw Katatonia present their eleventh studio opus, the poignant City Burials, to unanimous acclaim. 

With a somewhat unforeseen global event transpiring and touring being made impossible, the band still wanted to perform for their fans, so conducted a more intimate “lockdown” show which was streamed live from Studio Grondahl. This show was released as Dead Air in late 2020 and gives fans a full 88-minute set containing 20 tracks from the band’s extensive and illustrious repertoire to date.

The Mnemosynean packaging includes a new band biography courtesy of music journalist Eleanor Goodman, as well as full lyrics plus backgrounds to the track origins described by founding members Anders Nyström and Jonas Renkse, along with other close Katatonia collaborators. The artwork for this release has been created by long-running Katatonia visual artist Travis Smith.

MNEMOSYNEAN will be released through Peaceville on 1st October, on 2 CD, deluxe gatefold  triple LP on black vinyl , deluxe gatefold  triple LP on white coloured vinyl (available only through the Peaceville label stores and Katatonia band store)and digitally with PRE-ORDERS AVAILABLE HERE

Watch the trailer here:

MNEMOSYNEAN TRACKLISTING (CD split)

DISC 1

1. Vakaren [04:54]

2. Sistere [04:11]

3. Wide Awake In Quietus [04:59]

4. Night Comes Down [04:14]

5. Second [03:32]

6. The Act Of Darkening [05:52]

7. Ashen [04:06]

8. Sold Heart [04:32]

9. Displaced [05:14]

10. Dissolving Bonds [03:41]

11. Unfurl[04:48]

12. Code Against The Code [03:28] 

DISC 2

1. Wait Outside [03:38]

2. Sulfur[06:22]

3. March 4 [03:51]

4. O How I Enjoy The Light [02:44]

5. Help Me Disappear [05:13]

6. Fractured [05:52]

7. No Devotion [04:48]

8. Quiet World [04:39]

9. Scarlet Heavens [10:27]

10. In The White (Urban Dub) [05:25]

11. My Twin (Opium Dub Version)[04:15]

12. Soil`s Song (Krister Linder 2012 remix)[04:40]

13. Day And Then The Shade (Frank Default remix) [05:40]

14. Idle Blood (Linje 14) [03:23]

15. Hypnone (Frank Default Hypnocadence mix)[04:46]

KATATONIA LIVEThe band have confirmed that, all being well, they will be playing extensively throughout 2022, beginning in January and February 2022 with the “Twilight Burials” tour, a 31-date co-headline tour of the UK and Europe with SÓLSTAFIR for 2022! 

Which will be followed by a huge run of festivals including Prognosis (NL), Mystic Festival (PL), Hellfest (FR) and Luppolo In Rock (FI). For more details and tickets see www.katatonia.com

Current Katatonia lineup :

Jonas Renkse – vocals

Anders Nyström – guitar

Niklas Sandin – bass

Daniel Moilanen – drums

Roger Öjersson – guitar

Review – Big Big Train – Common Ground

‘Common Ground’ is the self-produced new album from Big Big Train on their own label, English Electric Recordings. The new album, recorded during the worldwide pandemic, sees the band continue their tradition of dramatic narratives but also tackles issues much closer to home, such as the Covid lockdowns, the separation of loved ones, the passage of time, deaths of people close to the band and the hope that springs from a new love.

‘Common Ground’ sees the band taking in wider musical and lyrical inspiration from artists such as Elbow, Pete Townshend, Tears For Fears, Elton John and XTC, as well as acknowledging their more progressive roots.
 
Following the departure of long time members of the band, the core of Big Big Train is now Greg Spawton (bass), David Longdon (lead vocals, flute), Nick D’Virgilio (drums, vocals) and Rikard Sjöblom (guitars, keyboards, vocals). Carly Bryant (keyboards, guitars, vocals), who contributes vocals to ‘Common Ground’, Dave Foster (guitars), who plays on two tracks on the new album and Clare Lindley (violin, vocals) will join the band for the upcoming tour and there will also be the welcome return of a five piece brass ensemble. 

After finishing my first listen through of the new album, my first impressions were that, while it is familiar (especially with David Longdon’s distinctive vocals), there is something new and dynamic about it. Like all the best albums, it needs more investigation and listening to, but, to my ears, a subtle reinventing of Big Big Train is afoot!

So, a few days and many, many listens later, how do I feel about ‘Common Ground’ now? Read on and all shall be revealed…

It’s bloody marvellous, basically! I am a long time fan of the band and this is the first album that has really grabbed me and not let me go since the ‘English Electric’ series.

The wondrously upbeat Strangest Times with its brilliant Elton John inspired piano lines (take a bow Rikard Sjöblom) opens the album in fine style. David Longdon is in fine voice, especially on the ever so catchy chorus, and the guitar playing throughout is sublime, I’m left with a huge grin on my face as the track comes to a satisfying close. The track sees David writing about the Covid lockdowns, the separation of loved ones, the passage of time, deaths of people close to the band  “After the death of a collaborator Judy Dyble in July 2020, I time spent shielding with an ill relative. With everything that was happening around me and for the world with the relentless doomwatch tone of the news broadcasts, I spoke with Greg. I said I couldn’t just be writing songs about historical figures and scenarios. I felt that I needed to write about the here and now. In ‘The Strangest Times’.”

All The Love That We Can Give is a more laid back affair with a wistful feel to the keyboards and David’s vocal with a deeper tone. There are swathes of contemplative Hammond Organ and the guitar just sits in the background, like a conductor leading the band. Vocal harmonies abound and Greg and Nick prove what a fantastic rhythm session they are and then the track goes off into proper progressive rock territory, full of energy and intricate musicianship, another rather fine song indeed!

When the intro to Black With Ink starts I’m immediately drawn to a comparison with Kim Wilde’s Kids In America (wait until you hear it, then it won’t sound so daft!). The edgy keyboards and vocals sound like a call to action and the song just picks up and goes from there, it’s certainly up there with the best upbeat songs that the band have ever recorded. The vocal interplay is excellent and gives a real urgency to the track. If this is part of a new direction for the band then please count me in on the journey. To my ears, things get even better in the second half as a distinctive musical refrain starts to be heard (it’s one that continues to surface throughout the rest of the album too…) and becomes an earworm that you can’t get rid of, and don’t want to actually! Dandelion Clock is a nostalgic and thoughtful song that is dear to Greg’s heart a beautifully written piece of music with David’s vocal at its most plaintive and heartfelt. The chorus is a work of art and the whole track just works its way into your affections. A quite exquisite song that leaves you in a totally reflective and introspective state of mind.

Headwaters is the first of two instrumentals and is Big Big Train at their best when it comes to telling stories without words, a dreamlike, meditative piece that is painstakingly and perfectly created, just beautiful. Then we go to the opposite end of the musical spectrum with the vibrant notes of the energetic and dynamic Apollo. Nick D’Virgilio wanted “…to write the band’s version of Genesis’s Los Endos and to make a track that really showed off the talent of all the amazing musicians in the band.” And, boy, he certainly did that and has created one of the best progressive instrumentals of recent times.

The title track of the album sees the band in anthemic mood, Common Ground is a powerful piece of music, a statement of the state of humanity but delivered in a way that only Big Big Train can. Soaring vocal harmonies, powerful melodies and excellent musicianship create a an energetic and passionate song that grabs your attention and makes you listen and absorb the message within. The guitar and violin interplay is absolutely superb, this is a song that will have the audience at the live shows singing their hearts out, just outstanding!

It wouldn’t be a Big Big Train album if there wasn’t an epic song with a dramatic historical narrative that shows British pastoral progressive rock at its very, very best would it? Well, the band don’t let us down and deliver a transcendent fifteen minutes of heart and soul in the majestic Atlantic Cable. There’ll always be a place for tracks like this in the musical universe, soaring crescendos mix with intricate musical passages to create musical works of art that will always pass the test of time. Take songwriters of consummate skill and musicians at the top of their game and you will end up with superb songs of substance and heart and soul that have meaning and that tell the grandest of stories in the perfect manner.

Endnotes closes the album on an emotive note. Another one of Greg’s favourites (and mine), it is a perfectly composed song with heartfelt vocals from David that just bleed compassion and sentiment. The musical accompaniment is exquisitely elegant and the harmonies just make your heart sing and then, the brass! Oh my god, the hairs just stand up on the back of your neck as the notes sound out, there’s just something about that sound that makes my soul soar and Big Bg Train do it so well. What an incredible end to the album, I don’t mind admitting it has made me quite emotional.

So, there you have it, ‘Common Ground’ is recognisably Big Big Train but a Big Big Train that have moved the game on a little and given us an album of its time. Vibrant and upbeat, thoughtful, wistful and even melancholy at times, it is a collection of amazing songs that will touch you on a basic level and move you on many others. ‘Common Ground’ is the album that will make you fall in love with the band all over again and I can’t give it any higher praise than that!

Released 30th July, 2021.

Order the album here:

Big Big Train (burningshed.com)

InsideOutMusic/Sony Music announce the signing of Jethro Tull

InsideOutMusic/Sony Music are extremely pleased to announce the signing of progressive rock legends Jethro Tull to the label.  The band has already completed a new album titled ‘The Zealot Gene’, which can be expected in early 2022.

Ian Anderson had this to say about the new signing – “After 54 years in the world of music recording, it is with great pleasure that I now sign Jethro Tull to a record company which reminds me, in many ways, of the old Chrysalis label – both as an independent and in its later years in partnership with EMI. Here are real music guys with a passion for the best and most creative in rock music. We look forward to a long and fruitful relationship and more releases to come.” 

InsideOutMusic Label Manager Thomas Waber states, “Adding Jethro Tull to the roster is an incredible honour for us. The band are true innovators of the genre and we are looking forward to working with them on their new album. We are sure their countless fans will be as excited about it as we are!” 

With more than 30 albums to their credit and sales totaling more than 50 million, Jethro Tull are one of the most successful rock bands of all-time with a catalog that contains classics that still resonate today. Led by Ian Anderson, Tull still continue to tour throughout the world, entertaining audiences of all ages.

The band currently consists of:

Ian Anderson – Flute, acoustic guitar, harmonica, vocals

Joe Parrish-James – Guitar

Florian Opahle – Guitar (album only)

Scott Hammond – Drums.

John O’Hara – Piano, keyboards and accordion

David Goodier – Bass guitar

TESSERACT RELEASE FULL PERFORMANCE VIDEO OF “NOCTURNE (P O R T A L S)” FROM P O R T A L S

THE MULTI FORMAT RELEASE OF THE AURAL & VISUAL CINEMATIC LIVE EXPERIENCE COMING 27 AUGUST 2021 ON KSCOPE.

In December 2020, TesseracT invited fans to join them in P O R T A L S – an ambitious concept created to offer an escape in a time of isolation. The live cinematic experience fused live performance with beautiful lighting and striking effects, brought together by chaptered screenplay. By taking their most daring steps as a creative force, the band offered the viewer a completely new and unique experience.

The show was a phenomenal success and garnered praise from fans and media worldwide after the band performed 14 songs spanning their entire catalogue in a performance that lasted over 2 hours, with one of the highlights being the track “Nocturne”. 

Bass player Amos Williams “Nocturne has been a firm fan and band favourite since it was released ahead of the ‘Altered State’ album cycle. As such, we threw a lot into the performance, which was matched by our production team, who really pushed the envelope with what they achieved during this track. The laser effects and lighting is powerful and emotive, and Rich’s cinematography really hits the mark. 

Every tour produces a slightly different version of this track, as our mindset waxes and wanes, but this version of Nocturne is a real high mark for us we feel; it was just so much fun to perform after not performing it for a year. So, why didn’t we close the show with this song if it was so fun? The thought did cross our minds, we figured everybody would want that. But,  we wanted to sit outside our comfort zone with an ‘encore’ of real deep cuts and fan favourites. Thus, Nocturne (P O R T A L S) was the perfect handover between the desired and expected, as well as an excellent guide for everyone as we turned to face the weird and wonderful direction of the final act. “

Kscope will present this unique event to a wider audience for the first time. The film and soundtrack will be issued on an array of formats including Blu-Ray, Triple LP soundtrack and as a limited edition deluxe 4 disc book edition on 27 August 2021.

P O R T A L S will be released on the following formats with pre-orders available HERE (https://tesseractkscope.lnk.to/PORTALS)

LIMITED EDITION DELUXE 4 DISC BOOK EDITION includes:

  • Blu-ray & DVD includes: P O R T A L S main feature • Behind the scenes documentary • Live In The Lockdown • P O R T A L S hi res audio only version (all BD/DVD audio 48/24 PCM Stereo)
  • 2CD P O R T A L S soundtrack
  • All presented in a lavish set with 40 page book containing exclusive pictures, extensive liner notes from Amos Williams and individually numbered art print

The band webstore will exclusively sell a limited number of this set with the art prints signed by TesseracT

BLU-RAY EDITION includes: P O R T A L S main feature • Behind the scenes documentary • Live In The Lockdown • P O R T A L S hi res audio only version (48/24 PCM Stereo)

3LP Gatefold / 2CD Edition / digital  – the soundtrack to the stunning cinematic live experience P O R T A L S featuring tracks spanning the band’s career to date including Nocturne, Seven Names & King

Along with the release of the livestream event, the band will be playing their first live shows in almost two years this November and December special guests to Trivium in the UK and Europe, as well as returning to North American shores in 2022 (see the band’s website for details).

Yes Release New Studio Album – ‘The Quest’- on 1st October & Launch Video For ‘The Ice Bridge’, First Track taken From the Album

YES, who are Steve Howe, Alan White, Geoff Downes, Jon Davison and Billy Sherwood, release their new studio album The Quest on InsideOutMusic/Sony Music on 1st October 2021. “It is simply an honour for me to have the opportunity to bring together the band members in the development of a well-refined set of songs that capture the band’s true potential,” said Steve Howe, who produced the album. He added “Much of the music was written in late 2019 with the rest in 2020. We commissioned several orchestrations to augment and enhance the overall sound of these fresh new recordings, hoping that our emphasis on melody, coupled with some expansive instrumental solo breaks, keeps up the momentum for our listeners.” Additional percussion was provided by guest Jay Schellen who supplements YES’ live performances.

Label Manager Thomas Waber said “I am delighted to welcome YES to the label and am looking forward to seeing the reaction of the band’s fans to the new album. Being a long-time fan myself, I am really excited by the new material. Steve Howe managed to capture many of the important elements that we all love about YES!”

YES are pleased to reveal the first track to be taken from the album – The Ice Bridge – watch the video here:

Alan White comments: “I’m extremely proud to be a part of this music and believe the video graphics are outstanding. A collaboration of many talents coming together to produce ‘The Ice Bridge’. I hope our fans/audiences will appreciate the creativity put forward. I’m pleased to share it with the world and hope everyone will enjoy the ride.”

Steve Howe adds: “’The Ice Bridge’ opens the album in the dark and moody key of C minor, aided by the orchestra. The rolling bass part kicks things into gear as the vocals and guitars start a winding journey through the various structures till the breakdown happens, where ice breaking is heard.”

Jon Davison was working with Geoff Downes on The Ice Bridge (Davison/Downes), looking at the dangers of climate change. He explained how he sets about collaborating with his band mates.

“Usually what happens is each member is left to write their respective parts and put their stamp on things. Geoff sent me a selection of exciting and often gorgeous snippets he had created and made it clear that he wished I experiment freely and develop as needed. This in turn gave me the confidence to take on the vocal role – lyrics, vocal melody and harmony, how the vocals are presented and uniquely phrased – but all the while striving to stay faithful to Geoff’s initial ideas.”

“Jon’s vocals are fantastic,” adds Geoff Downes, “he’s really come into his own as a YES vocalist. This time he’s started to get the writing side together and working with the other musicians has been developmental for him. I think he’s hit a rich seam on this one.”

Containing 11 songs, 8 on the main CD with 3 extra tracks on a bonus CD, The Quest will be available on Vinyl and 5.1 Blu-ray and CD, all on the day of release.
The Quest – 2CD Digipak tracklisting:

CD1:01. The Ice Bridge 7.0102. Dare To Know 6.0003. Minus The Man 5.3504. Leave Well Alone 8.0605. The Western Edge 4.2606. Future Memories 5.0807. Music To My Ears 4.4108. A Living Island 6.52

CD2:01. Sister Sleeping Soul 4.5102. Mystery Tour 3.3303. Damaged World 5.20

The Quest is released on 1st October 2021. Formats are:Limited Edition Deluxe 2LP & 2CD plus Blu-ray Box-setLimited Edition 2CD & Blu-ray ArtbookGatefold 2LP & 2CD plus LP and booklet2CD DigipakDigital Album

Cover artwork designed and created by the band’s long term collaborator Roger Dean.

Pre-orders will start from 23rd July.

Steve Hackett launches ‘Wingbeats’; first single from ‘Surrender of Silence’ album

and 
Tour Dates for Seconds Out + More Tour

Legendary guitarist Steve Hackett, releases his new studio rock album Surrender of Silence on 10th September 2021, via Inside Out Music. The album features 11 new songs as Steve has been working hard through Lockdown and, for the first time, has completed two studio albums for release within the same year! 

Today he launches the video for ‘Wingbeats’, the first single from the new album. Watch the Paul Gosling directed video here:

Surrender of Silence is released on 10th September 2021 as a Limited Edition CD+Blu-ray Mediabook in hardcover slipcase, Standard CD Jewel case, Gatefold 2LP+CD & LP-Booklet and Digital Album via Inside Out Music. Pre-order now here: https://stevehackett.lnk.to/SurrenderOfSilence

Hot on the heels of his classical-acoustic travelogue Under A Mediterranean Sky, which was released in January and hit Number 2 in the UK Classical Album Chart, Surrender of Silence is a further exploration of Hackett’s love of world music, discovering different sounds, moods and textures to deliver a rock album of extraordinary variety, power and beauty.

As with Under A Mediterranean Sky, Surrender of Silence was also recorded during Lockdown and, again, Hackett has called upon some of his musical friends from across the world to contribute. Hackett’s regular touring band of Roger King (keyboards, programming and orchestral arrangements), Rob Townsend (sax, clarinet), Jonas Reingold (bass), Nad Sylvan (vocals) and Craig Blundell (drums) are supplemented by Phil Ehart and Nick D’Virgilio (drums), the vocal talents of Amanda Lehmann, Durga and Lorelei McBroom, Christine Townsend (violin, viola), Malik Mansurov (tar) and Sodirkhon Ubaidulloev (dutar).

This new album is full-on electric…

“Lockdown cobwebs are blown away in one fell-swoop here!” says Steve Hackett. “With the monster rhythm section of Jonas, Craig, Nick and Phil along with Rob’s soaring sax and bass clarinet, Nad, Amanda and myself on vocals, Roger’s darkly powerful organ and my guitar, we plunge full-pelt into that wild release of energy.”

Our journey takes us from the classical orchestrations of Russia (Natalia) to the plains of Africa (Wingbeats) to mysterious Eastern shores (Shanghai To Samarkand), all via the ocean’s depths (Relaxation Music for Sharks (featuring feeding frenzy)). The Devil’s Cathedral pools the talents of Hackett’s entire touring band and features King’s atmospheric Gothic organ and a powerhouse rhythm display from Blundell and Reingold.

Hackett’s vocals have never been bettered and his duet with Amanda Lehmann adds emotion to Scorched Earth a lament for the environmental horrors facing our planet. Throughout Hackett’s guitars add a rich tapestry of colour with soaring solos and intricate weaving melodies.

“It’s a ‘no holds barred’ album,” adds Hackett, “riding that wave, unleashing those demons, dreams and nightmares, all crashing together over the shore.“I enjoyed the power of this album allowing my guitar to scream in joy and rage… and once again flying across those oceans to distant lands. It’s terrific to connect creatively with musicians from far flung places, particularly when we’ve all been unable to meet. We all have a voice in our cacophony of sound and we cry out together in the Surrender of Silence!”

Steve Hackett “Surrender of Silence” track listing:
1. The Obliterati (02:17)

2. Natalia (06:17)

3. Relaxation Music For Sharks (Featuring Feeding Frenzy) (04:36)

4. Wingbeats (05:20)

5. The Devil’s Cathedral (06:31)

6. Held In The Shadows (06:20)

7. Shanghai To Samarkand (08:27)

8. Fox’s Tango (04:21)

9. Day Of The Dead (06:25)

10. Scorched Earth (06:03)

11. Esperanza (01:04)

Steve Hackett shares writing credits with both Jo Hackett and Roger King on several tracks. All tracks were recorded by Roger King and produced by Steve Hackett with Roger King at Siren.

Steve brings his Seconds Out + More Tour to the UK in September and October. Full Re-Scheduled and Additional UK Show for The Seconds Out +More Tour below:

Fri 10th Sep Leicester De Montfort Hall (SOLD OUT)

Sat 11th Sept Liverpool Philharmonic (SOLD OUT)

Sun 12th Sept Stoke Victoria Hall

Tue 14th Sept Birmingham Symphony Hall

Wed 15th Sept Cambridge Corn Exchange (SOLD OUT)

Fri 17th Sept Cardiff St David’s Hall (SOLD OUT)

Sat 18th Sept Basingstoke The Anvil (SOLD OUT)

Mon 20th Sept London The Palladium (SOLD OUT) 

Tue 21st Sept London The Palladium (SOLD OUT)

Wed 22nd Sept London The Palladium (NEW)

Fri 24th Sept Manchester O2 Apollo

Sat 25th Sept Edinburgh Playhouse

Mon 27th Sept Glasgow Royal Concert Hall

Tue 28th Sept Dundee Caird Hall

Thurs 30th Sept Scunthorpe The Baths Hall

Fri 1st Oct Bradford St George’s Hall

Sat 2nd Oct Nottingham Royal Concert Hall (new)

Mon 4th Oct Croydon Fairfield Halls (new)

Tue 5th Oct Guildford G Live (SOLD OUT)

Thur 7th Oct Brighton Dome (SOLD OUT)

Fri 8th Oct Poole Lighthouse (new)

Sat 9th Oct Bexhill-on-Sea De La Warr Pavilion (SOLD OUT)

Mon 11th Oct Southampton Mayflower Theatre

Tue 12th Oct Plymouth Pavilions (new)

Thur 14th Oct Carlisle The Sands Centre

Fri 15th Oct STOCKTON GLOBE (NEW SHOW)

Sat 16th Oct Newcastle O2 City Hall

 Mon 18th Oct Aylesbury Waterside (new)                                       

Tue 19th Oct Oxford New Theatre                                                      

Thur 21st Oct Peterborough Cresset (new)

Fri 22nd Oct   Harrogate Royal Hall (new)

All tickets remain valid for the re-scheduled shows.
For full details and to book tickets for all shows for the Seconds Out + More Tour go too https://myticket.co.uk/ and venue box offices.

About Steve Hackett
Steve Hackett joined Genesis at the beginning of 1971 and gained an international reputation as the guitarist in the band’s classic line-up alongside Peter Gabriel, Tony Banks, Mike Rutherford and Phil Collins. Hackett’s intricate guitar work was a key element of Genesis’ albums from Nursery Cryme (1971) to Wind And Wuthering (1977) including the classic Selling England By The Pound.

After leaving Genesis at the end of 1977, Hackett’s solo career, which now spans more than 30 albums, has demonstrated his extraordinary versatility with both electric and acoustic guitar. Hackett is renowned as both an immensely talented and innovative rock musician and a virtuoso classical guitarist and composer and this was recognised in 2010 when he was inducted into the Rock Hall Of Fame. He has also worked alongside Steve Howe of YES in the supergroup GTR.

Hackett’s compositions take influences from many genres, including jazz, classical and blues. For his later studio works The Night Siren (2017) and At The Edge Of Light (2019) Hackett has explored the influences of world music. Recent tours have seen Hackett celebrate his time with Genesisincluding a spectacular 2018 tour in which he realised a long-held ambition to perform the works of Genesis live with his band and an orchestra.

The lockdown enforced by the 2020 global pandemic has proven to be a particularly creative period for Hackett. He began by releasing Selling England by the Pound & Spectral Mornings: Live at Hammersmith, a live recording of 2019’s hugely successful tour celebrating that Genesis classic together with the 40th anniversary of one of his most-loved solo albums. Lockdown also gave Hackett the opportunity to write and record two new studio albums, the UK Classical Chart hit Under A Mediterranean Sky and the forthcoming Surrender of Silence.

HAKEN – Announce ‘Invasion 2022’ European Tour Dates

HAKEN is making its much anticipated return to live shows with the Invasion 2022 Tour. The group is pleased to announce dates for Europe which kicks off 4th February 2022 in Cologne. Dates and ticket links can be found below.  

Ray Hearne conveys the group’s excitement here: “It’s a huge relief to finally be able to announce a tour after such a difficult year for everyone. We’re incredibly excited for this one, which will be the first outing of many in 2022 in celebration of our latest album ‘Virus’. Bring on the Haken Invasion!” 

04 Feb – Cologne, de – Essigfabrik

https://www.eventim.de/artist/haken/

05 Feb – Nijmegen, NL – Doornroosje

Haken

06 Feb – Amsterdam, NL – Melkweg Max

https://www.ticketmaster.nl/event/271191

07 Feb – Hamburg, DE – Markthalle

https://www.eventim.de/artist/haken/

09 Feb – Berlin, DE – Columbia Theater

https://www.eventim.de/artist/haken/

10 Feb – Prague, CZ – Futurum

https://obscure.cz/cs/tickets/detail/id/431

11 Feb – Vienna, AT – Flex

https://www.oeticket.com/event/13877607/

12 Feb – Budapest, HU – A38

https://www.a38.hu/hu/program/haken-uk-invasion-2022-tour

14 Feb – Zurich, CH – Mascotte

https://www.ticketmaster.ch/artist/haken-tickets/897388

15 Feb – Roncade, IT – New Age

http://www.vertigo.co.it/it/haken

6 Feb – Milan, IT – Alcatraz

http://www.vertigo.co.it/it/haken 

17 Feb – Lyon, FR – Transbordeur

https://www.gdp.fr/fr_FR/artistes/haken

18 Feb – Barcelona, ES – Salamandra

https://www.madnesslive.es/es/inicio/752-haken-barcelona.html

19 Feb – Madrid, ES – Shoko

https://www.madnesslive.es/es/inicio/753-haken-madrid.html

21 Feb – Toulouse, FR – Connexion Live

https://www.gdp.fr/fr_FR/artistes/haken

22 Feb – Nantes, FR – Ferrailleur

https://www.gdp.fr/fr_FR/artistes/haken

23 Feb – Paris, FR – Alhambra

https://www.gdp.fr/fr_FR/artistes/haken

24 Feb – Manchester, UK – Academy 2

https://myticket.co.uk/artists/haken

25 Feb – Glasgow, UK – Saint Luke’s

https://www.ticketmaster.co.uk/event/36005ADC8DC11CC8

27 Feb – London, UK – O2 Shepherd’s Bush Empire

https://myticket.co.uk/artists/haken

Released in 2020, Haken’s most recent album ‘Virus’ is the culmination of a musical thought experiment which started with 2018’s ‘Vector’.  Ross Jennings explains, “whilst ‘Virus’ can absolutely be enjoyed as a stand-alone work, it is thematically and conceptually linked with ‘Vector’, so our intention is to perform both albums back-to-back for a special performance someday”. 

‘Virus’ is available here: https://haken.lnk.to/Virus

You can watch the videos for the singles here: 

Invasion: https://youtu.be/2Rkx6b5vFdQ

Canary Yellow: https://youtu.be/KJQy1Waj_cY

Prosthetic: https://youtu.be/4EmbYo65Pbs

Captured at SECC on 09December,2019 by Max Taylor Grant

GIANCARLO ERRA RELEASES NEW SINGLE & VIDEO “PREVIOUS TAPE”

Taken from the forthcoming new album Departure Tapes released on Kscope on 2nd July 2021

With his new album Departure Tapes released this Friday, 2nd July, on Kscope,, UK based Italian composer, multi-instrumentalist and visual artist Giancarlo Erra has revealed the 3rd single and video for ‘Previous Tape’. He comments,

“Whatever music I write, whether for a soundtrack or for a rock band, for me, song writing and melody are always something that must be there (I grew up listening to Beatles so I can’t escape that!). At the same time I’m not a big fan of solos, but I’m obsessed with vocals, even if synthesised. I own a couple of synths dedicated almost exclusively to that.

So on Previous Tape, I used a Seaboard (keyboard/synth) because it allows me to play instruments and sounds without quantised pitch, like a vocal (or a theremin), while at the same time with a dynamically controlled expression of other parameters, exactly like I would while I sing.”

The new studio album Departure Tapes, the follow up to 2019’s Ends I-VII, consists of 6 contemplative recordings, written while travelling between the UK and Italy and reflect the extremely difficult year Giancarlo experienced due to the death of his estranged father. Erra comments “In 2019 my first solo album was just being released, and I already had the view that I wanted to be more experimental with the second one, but no precise idea how at that point. Then my father suddenly got ill with cancer, and everything changed. I found myself taking care of this man, someone who I have been distanced from for so long.  During this time both of us to came to terms with many things. I wanted to get closure, but a positive one, for him and for me. 

Creatively it was an interesting period for me – writing this album without realising I was actually writing it, as it is so intrinsically linked to one of the hardest and yet more healing parts of my life. The end result is the most experimental, and at the times, the darkest material I have ever written, without compromise or set plan. It contains all the elements of my music in a very unconscious free flowing way. “

Departure Tapes sees Erra using a wide mix of analogue synths and digital plugins though he is keen to highlight the unsung hero of many of his albums, 

‘The 1979 monophonic Korg MS10, deserves a mention because this synth has a wicked filter, a squelching and screaming one that can really do some unique stuff once you use it with the modular part of the synth. In Departure Tapes and in possibly all of my albums, any bass synth part is performed on the MS10, and I believe is the one sound I use it for most of the times. Once you manually tune down the synth and then you tune and move the filter at resonant peak around the notes you need, this thing is able to make not just walls shaking bass sounds, but also ones that contain enough upper medium frequencies to cut through the mix: I would be lost without this little gem.’

Max Richter, Olafur Arnalds, Nils Frahm and the more electronic / ambient recordings of Brian Eno may offer a reference point by which to enter Erra’s world, but the depth within his recordings is truly original.

Departure Tapes will be released on the following formats and is available to pre-order HERE (https://GiancarloErra.lnk.to/DepartureTapes)

– a gatefold LP on oxblood coloured 180g vinyl

–  2-disc CD/DVD with the DVD-A/V including high resolution stereo & 5.1 mix:

DVD-V: stereo 24/48 LPCM lossless mixes, Dolby Digital 5.1 Surround, DTS 96/24 5.1 Surround and DVD-A: 5.1 Surround 24/48 LPCM lossless mixes 

– Digitally (with digital pre-orders receiving the single “Departure Tape” as an instant download)

Review – Hardin & York: Can’t Keep A Good Man Down – The Hardin & York Anthology – by John Wenlock-Smith

I grew up in the 1970’s and discovered rock music through my peers who were buying albums from Virgin mail order in the early part of the 1970’s. This was mainly albums by The Groundhogs, I particularly remember ‘Split’ and ‘Hogwash’ being popular at that time. They then  moved onto Deep Purple and the ‘Burn’ album, although Supertramp’s ‘Crime of the Century’ was also popular with this group of my peers. I eventually followed suit and became enamoured with Purple’s ‘Made in Japan’ album and also with Emerson Lake and Palmer’s ‘Brain Salad Surgery’. Also popular was Ian Hunter’s book ‘Diary of a Rock and Roll Star’ that was passed about during my schooldays, a book that I grew to love and treasure to this day .

So, why then, in all those times, did no one ever mention this duo to me? Maybe it was because there were only two of them and they looked a bit wet if I am honest but, listening to them now, I can clearly see that I missed out on something different and really special. This fabulous Box set from Grapefruit via Cherry Red is something very spectacular, comprising as it does their entire 1970’s output in one neat 6 CD set with a highly informative booklet along with lots of unreleased tracks, including an early German Bootleg recording of Eddie Hardin and Pete York Recorded in Germany in 1970.

If, like me, you like the organ playing of Keith Emerson then this set will be a revelation to you, especially the live side of ‘The Worlds Smallest Big Band’ and the whole of the ‘Live at The Marquee’ album, both of which feature extensive organ workouts from Eddie Hardin.

Hardin and York came out of the latter day incarnation of The Spencer Davis Group in which Eddie had replaced the recently departed Steve Winwood, being of a similar voice and playing keyboards. Pete York was the drummer and the two joined forces after leaving Spencer Davis. They were tremendously popular in Germany and, to a lesser extent, here in the UK where they were frequent Performers at places like The Mothers club in Birmingham and The Marquee. Their stage show was energetic and, with just the two of them, it needed to be to capture the attention of the audience. They did this by using the dynamics of a sole keyboard player along with a jazz rooted drummer who packed a mighty punch, their interplay was dazzling and effusive at times, especially shown here on the various live tracks on this compilation.  

The first disc is their 1969 Debut album with six tracks recorded for a 1969 BBC Radio session and this is quite a strong opening statement that the pair deliver. For a duo they certainly kick up a lot of noise between them, Eddie Hardin has a very soulful voice and you can see why Spencer Davis hired him to replace the departing Winwood. The sound is full and the organ playing is dynamic and aggressive, it reminds me a lot of the playing of Purple’s Jon Lord, with whom Hardin worked with in latter years. This music has lots of energy to it and it will appeal to early Deep Purple or Nice fans, or indeed anyone that is interested in keyboard driven rock of the late 60’s / Early 1970’s.

For me, ‘The Worlds Smallest Big Band’ and ‘Live at the Marquee’ discs capture this duo at their peak, especially on the utterly fabulous Rock and Roll Medley (JailhouseRock/Mean Woman Blues/Rip it Up), The Pike and the Northern Medley (Lady Madonna/ Norwegian Wood)  that form part of the live in the studio recordings side of the album. The Rock And Roll Medley, with all its energy and atmosphere is really good and, as it’s just the two of them, sounds fabulous, mind-blowing actually! It is so unusual and different, you wouldn’t believe how good just an organ and drums could possibly sound and you don’t miss a guitarist or bass player as its all covered by Eddie’s Hammond Organ filling the gaps spectacularly. This is so brilliant you cannot believe that you have never heard this before, it is like being music’s best kept secret somehow and you feel all the better for being in the know about this duo.

The Pike, a track about their long serving roadie, is a tour de force between Eddie’s Hammond and Pete’s jazz chops with some spectacular drumming and some solid and virtuosic organ playing in a style like that of Keith Emerson, it is utterly fantastic and awesome in sound, as it shows just how fine a keyboard player Eddie Hardin really was. This is followed by the equally fine Northern Medley and this one really works the Hammond to the extreme with lots of improvised runs, all subtly supported by the syncopation that Pete York’s jazzy drumming allows. This is fabulous music and shows just how strong the bond between Hardin and York was and how the two complemented each other’s abilities and talents, it really is something to behold, appreciate and enjoy. 

Even better though is the 1971 ‘Live at the Marquee’ disc that was, presumably, a double LP back in the day but the information in the booklet is not clear on the release of this album. Suffice to say that it is 68-minute romp through music that was otherwise not recorded by Hardin and York ,with an extended version of The Pike in which both musicians get room to showcase their talents to good effect. It is the standout track of this album although Freedom Suite is also particularly good too. For me, this disc shows the very best that this group had to offer, with its mix of dazzling drumming and strong keyboard playing, it really is a long-lost classic restored to its full glory and is highly recommended indeed.

The other discs in this set are good but overshadowed by that fantastic live album, it really is a masterpiece and one that makes this set well worth looking out for. Eddie Hardin recorded other albums and recorded a final reunion release ‘Still a few Pages Left’ in 2005 and then sadly he suffered a fatal heart attack in July 2015, leaving behind a rich musical heritage and is sadly missed. This set gives an opportunity to see the brilliance that he possessed and how unassuming and yet proficient he was during the Hardin and York years.

Released 28th May, 2021

Order from Cherry red here:

Hardin & York: Can’t Keep A Good Man Down – The Hardin & York Anthology, 6CD Box Set – Cherry Red Records

LEPROUS – Launch first single/video “Running Low” off upcoming “Aphelion” album; Album details announced & pre-order started.

Today, Norwegian Rock outfit LEPROUS are pleased to debut the first single “Running Low” off their upcoming studio album “Aphelion”, out August 27th, 2021 worldwide via InsideOutMusic.

Check out the album’s opening track “Running Low” in a video clip directed by Troll Toftenes here:

LEPROUS vocalist/keyboardist Einar Solberg commented about “Running Low” as follows:

“The initial idea for “Running Low” started when I had decided to force myself to write a sketch on my phone on a way up to a mountain top called “Himingen” in Telemark, Norway. It felt completely pointless while I was doing it, but when I came back, I was able to go further with it and actually structure it into a proper composition. Then we met up in Cederberg Studios together with the band to take it even further. This song is a proof that even the smallest sparks can turn into a big flame. Despite being a band who always wants to explore new territories, I believe “Running Low” can easily unite both our old and new fan base.”

Following up on 2019’s highly acclaimed “Pitfalls” album, LEPROUS recorded “Aphelion” throughout the last year at three different studios: Ghost Ward Studios in Sweden, Ocean Sound Recordings in Norway and Cederberg Studios in Norway. The album was once again mixed by Adam Noble (Placebo, Biffy Clyro, Nothing But Thieves, etc.), mastered by Robin Schmidt (The 1975, Placebo, The Gaslight Anthem, etc.) and its front cover artwork – designed by Elena Sigida, based on photography by Øystein Aspelund – can be seen above.

The album’s track-listing reads as follows:

LEPROUS – “Aphelion” (56:06)

1. Running Low

2. Out Of Here

3. Silhouette

4. All The Moments

5. Have You Ever?

6. The Silent Revelation

7. The Shadow Side

8. On Hold

9. Castaway Angels

10. Nighttime Disguise 

Next to the Jewelcase CD and Digital Album versions, “Aphelion” will also be available as limited edition Mediabook CD (with expanded booklet) and as Gatefold 2LP+CD with two bonus tracks: 
11. A Prophecy To Trust and 12. Acquired Taste (Live 2021). 

The album’s 180g 2LP vinyl version, which comes in Gatefold packaging and with the entire album on CD as bonus, is available in the following variants and limited editions: 

Black 2LP+CD – Unlimited

Ultra Clear 2LP+CD – 500x copies via IOM Webshop & CM Distro

Bright Gold 2LP+CD – 200x copies via JPC

Transparent Light Blue 2LP+CD – 200x copies via EMP

Creamy White 2LP+CD – 400x copies via O-Merch

Deep Blood Red 2LP+CD – 200x copies via Band 

The pre-order for “Aphelion” in its various formats starts today from this location: https://leprousband.lnk.to/Aphelion

Feel free to also re-visit the band’s latest single “Castaway Angels” here:
https://leprousband.lnk.to/CastawayAngels-SinglePR

Check out its video clip directed by Tobias Hole Aasgaarden / South Coast Creative here:
https://youtu.be/85drl9-lqRU

And watch an interesting behind-the-scenes video for the recordings of “Castaway Angels” here:
https://youtu.be/ZLk9ksi29AU

And last but certainly not least, here is a list of upcoming live appearances by LEPROUS:

LEPROUS – 20th Anniversary European Tour

01.12.2021 Oslo (Norway) – Vulkan Arena

03.12.2021 Nijmegen (The Netherlands) – Doornroosje

04.12.2021 London (UK) – Electric Ballroom

05.12.2021 Paris (France) – Elysee Montmartre

06.12.2021 Aschaffenburg (Germany) – Colos-Saal

07.12.2021 Vienna (Austria) – Arena

08.12.2021 Esch (Luxembourg) – Rockhal

09.12.2021 Lyon (France) – Ninkasi Kao

10.12.2021 Barcelona (Spain) – Apolo 1

11.12.2021 Madrid (Spain) – LAB

13.12.2021 Milan (Italy) – Live Club

14.12.2021 Aarau (Switzerland) – KiFF

15.12.2021 Munich (Germany) – Technikum

16.12.2021 Berlin (Germany) – Columbia Theater 

LEPROUS – Live 2022:

17.06.2022 Clisson (France) – Hellfest
25.06.2022 Valkenburg (The Netherlands) – Midsummer Prog Festival
16.07.2022 Cremona (Italy) – Luppolo In Rock
20.08.2022 Bristol (UK) – ArcTanGent Festival

More shows to be announced soon…

Stay tuned for more news on LEPROUS and “Aphelion” coming soon…