‘To Follow Polaris’ is a new “full on” Progressive Rock album by The Tangent, set to be released on the 10th May 2024 (InsideOutMusic). That’s not necessarily a surprise, that’s what the band are known for. But at the same time, it’s something else too. As Andy jokes, playing on the Jaws strapline, he says “well this time it’s actually no personnel”.
To coincide with the announcement, a video has just been launched for the track ‘The North Sky’, albeit in an edited form. Watch it now here:
In a year when members of The Tangent could be seen onstage all over the world with Steve Hackett, Soft Machine, Karnataka, David Cross, It Bites, Cyan and others, plus on recordings by those artists and The Anchoret, The Michael Dunn Project, Argos and Retreat From Moscow, it became clear that there was not going to be time to get together for anything more than one gig in April 2023.
So the band agreed that the band’s leader/main writer Andy Tillison would keep the material coming and would make an album by The Tangent entirely alone. It would still be The Tangent. Just for one.
“Besides Which” Andy says, “I’ve always wanted to do this, use what I have learned from Luke, Jonas, Steve, Theo and many other alumni and take it to final production. Now was the time!”
What transpired over the following year is in one sense an “absolutist” solo album and is entirely the work of one person in all aspects including artwork, layout, design, lyrics, composition, performance, recording, production, mixing, mastering and authoring. But in another sense it’s totally Tangent. “I could not have begun to make this record without having had the experiences of working with the band. So although the different instruments are not attempted to be played in the actual style of the normal lineup, they are inspired by the kind of things these guys do”
‘To Follow Polaris’ will be available as a Limited Deluxe Collector’s Edition CD Mediabook (including bonus track and extensive 24-page booklet, Gatefold 180g 2LP vinyl (also including bonus track), & as Digital Album. It would be preferable if you pre-order from the band’s website now here:
5. The Single (From A Re-Opened Time Capsule) 05:51
6. The North Sky (Radio Edit) 03:42
7. Tea At Bettys (Bonus Track) 17:32
Produced between January and November 2023, the album features Andy using his multiple keyboards system as normal, but adds to the mix his first ever released performance on Bass Guitar and his second on stick driven (electronic) drums. Add electric and acoustic guitars and electronic wind controller and this is a full band recording in every sense of the word. A recording which shows Andy’s lifelong influence by artists such as Yes, Van Der Graaf Generator, Porcupine Tree, Groove Armada, Earth Wind & Fire, Roger Waters and his bands, Return To Forever, Deep Purple, Gentle Giant, Steely Dan and any band featuring the keyboard player Dave Stewart.
Conceptually Andy claims the album is, ahem, “highly optimistic” but regular listeners to his work will anticipate correctly that this optimism will not be ill founded or over-easy and will be highly critical of obstacles to that optimism and the album will look as much into the dark as it does into the light.
The album is intended to be thought of as a regular Tangent album – but not as the future of the band. It’s everyone’s intention to make the FOURTEENTH album as The Tangent. For Five.
“Music does more than soothe the soul, it brings balance to the mind, body and spirit.”
I believe that music is created for more than just financial gain and fame and glory, the true musicians can’t help but write songs that come from their heart and soul. Some of them just write for themselves, a happy coincidence that people will cherish what they have conceived.
I am a long time lover of music that moves me, tests me and takes me to a different place anda long time admirerof Jo Beth Young, one of those people who creates music as art, music that makes you think and music that permeates your very soul.
Jo Beth has anew album out, ‘Broken Spells’, and it would be very remiss of me if I didn’t tell you why you should just go out and buy it, it really is that good.
But, first, the story behind the music…
“Welcome to a world of electro-folk, dreamy, progressive and sometimes gut punching tracks from Neo-folk singer/songwriter and musician Jo Beth Young. ‘Broken Spells’ does not shy away from diving straight into difficult and deeper themes such as overcoming narcissistic abuse (Wolf Song) the lies that lead a soldier into war (Lazuli) spiritual warfare (Adversity) a collective book-of-revelations-style warning (Burning) themes of guilt and wrongdoing for an upcoming film soundtrack (Standstill) and ultimate truths being revealed in (Ockham’s Razor) to name a few.”
Over the four years she spent making it, Jo Beth went from “confirmed life-long” pagan and non dualist to a born again Christian, a radical journey she says can be heard in the songs as they unfold.
Jo Beth says: “I think I was questioning absolutely everything in life when I started this album. What was happening in the media, the government, the World and to us as beings. I was also looking into what was happening inside of me. This meant asking myself deep questions such as whether for all my beliefs I was a good person? Had I been corrupted in any way? Did I need to purify my intentions in life? Looking at the World I started asking, does evil really exist? And if it does, does that mean the opposite must also exist and be true?”
“I started to see that there was something bigger than personal and physical conflict going on, that there was indeed a bigger spiritual war at play. I came to realise that spells are everywhere. When we believe anything we’re told or is spoken over our life, that is a spell in itself. I was exploring how I could break these? How we could find truth and clarity? I think that’s really the living impetus behind the songs; Seeking truth and breaking strongholds and illusions.“
Unlike anything Jo Beth has attempted before, this record has her hand in it from conception to mixing and features stunning performances from regular contributors Peter Yates on Guitars (Fields Of The Nephillim) Ben Roberts on Cello (Silver Moth/Prosthetic Head) Jules Bangs on Bass (Herija) as well as a guest appearances from her Nightsong colleague John Reed (Steel Guitar) and band member Jay Newton (Abrasive Trees) on Piano.
Along with her diverse and accomplished vocals (which are very much forefront) Jo Beth plays a multitude of instruments on the record, from acoustic and electric guitars, pianos, keys and synths, bowed guitars, home made percussion and field recordings including a recording of her washing machine in ‘Kinder Sea’. This time she experiments with loops and beats with the help of another long term collaborator; Alpujarra based Producer and Musician Matt Blackie (Spain).
So you can see that Jo Beth puts everything of herself into the music and you can tell, incredibly intricate storytelling, haunting music and Jo’s breathy, delicate vocals, reminiscent of the legendary Kate Bush, all combine to deliver something quite unique and completely irresistible. The trio of tracks that open the album, Wolf Song, Standstill and Ockham’s Razor are as powerfully compelling as anything you will hear this year and take you through a whole gamut of emotions and musical styles. The traditional folk and world music roots of Jo’s music are still there but she ventures out into electronica and gives a classy nod to progressive rock, especially on Ockham’s Razor.
An album that makes the most of what you don’t hear and leaves space for the music to breathe, it is a true thing of beauty and, like all the best albums, it doesn’t give up all of its secrets at once but there is joy to be had in returning to this amazing creation and picking up additional motes of charm and delight. The edgy, thoughtful wonder of Burning, the wistful, lighter than air delight of Brigid, it’s a collection of wondrous, ethereal pieces of music that glimmer with the creative skill of a musician at the top of her game. A personal favourite of mine is the beautiful melancholia of Lazuli where Ben Roberts cello joins Jo’s achingly heartfelt vocal in delivering a song that literally stirs your very soul.
I love the contemplative nostalgia of Mechanical Ballerina, the darker edge to Adversity and the slow burning brilliance of Kinder Sea with it’s old world folk meets modern progressive rock feel. Sadly, all too soon, this gorgeous collection of songs comes to a close with the brief but lush statement of Night Voyage, another superbly written track.
After four years Jo Beth Young has returned with an immaculately created and conceived album of pure wonder and musical genius. A piece of music of, and for, the ages and possibly the best album that Kate Bush never released.
IRISH POST ROCK QUARTET TO RELEASE SOPHOMORE ALBUM THIS MAY
Ireland’s Overhead, The Albatross return with the colossal and expansive new track Your Last Breath, out March 7 via Nice Weather for Airstrikes. A sprawling piece experimenting with elements of Prog, Math, Dance and what the band are already well loved for: Post Rock.
Subtly bridging the gap between the familiar and the extraordinary within post-rock, OTA intertwine strings, electronics, and synths with the raw energy of guitars and drums. Re-emerging as a quartet after a reflective hiatus, their upcoming sophomore album promises a journey that’s both expansive and intimately woven, signalling their quiet yet profound evolution.
The new album, out in May 2024, promises to be both a homage to their roots and a daring leap into uncharted territory. Fans can anticipate the familiar embrace of cinematic soundscapes and atmospheric grandeur, coupled with surprising new textures that challenge and inspire.
Overhead, The Albatross describe Your Last Breath as “a song that both mourns death, loss, and grief, and celebrates the awe and beauty of this life we all share with one another.”
Anglo-Finnish progressive metallers Wheel are pleased to announce the release of their much-anticipated third studio album ‘Charismatic Leaders’ on the 3rd May 2024 (InsideOutMusic). The album was meticulously crafted to meet Wheel’s ever-heightening benchmarks and recording with engineers/co-producers Daniel Bergstrand and Fredrik Thordendal (Meshuggah) stretched from August to December 2023. The end result, mixed by Forrester Savell, has consolidated all the gains of what came before: singer/guitarist James Lascelles, lead guitarist Jussi Turunen and drummer Santeri Saksala’s third album represents their heaviest and most conscious music to date.
To mark the announcement, the band have launched the first single taken from the album, and you can watch the video for ‘Empire’ here:
Vocalist & guitarist James Lascelles comments of the track: “This is probably the most metal song I have ever written – it is intense as all hell when it kicks in and it keeps finding new ways to punch you in the face all the way to the end! Santeri did an incredible job with the drum track on this one and playing it live is really going to take some work in the rehearsal room..
Lyrically, it is about media empires and the effect they have on wider society – all of us are influenced to some degree, even if we would rather not admit it. Issues that require nuance are presented as binaries and opposing views are made into caricatures – a target for us to rage at that far too often, doesn’t even exist. This is not a new phenomenon by any means but it is one that seems to have been catalysed by the modern landscape of media, the internet and populist politics. As you might be able to tell from the mood of the song, this pisses me off immensely and it was cathartic to vent about it.”
‘Charismatic Leaders’ clocks in at just under 50 minutes, and will be available as a Limited CD Digipak (also featuring the Rumination EP tracks as bonus), and a Gatefold 180g LP, both featuring artwork from Lucas Mayer (Long Distance Calling, Blackout Problems). Pre-order your copy now here:
The band will be celebrating the release of their new album with their first ever shows in Australia (supporting label-mates Caligula’s Horse) as well as their first ever North American headline shows. Later in the year the band will return to Europe for further headline dates, which have just been announced and can be found below:
31st October – Olympia, Tampere, Finland
1st November – Sawohouse UG, Kuopio, Finland
2nd November – On The Rocks, Helsinki, Finland
7th November – Lutakko, Jyväskylä, Finland
8th November – Finlandia-Klubi, Lahti, Finland
9th November – 45 Special, Oulu, Finland
15th November – Logo, Hamburg, Germany
16th November – Melkweg Up, Amsterdam, Netherlands
17th November – 013, Tilburg, Netherlands
19th November – Rebellion, Manchester, UK
20th November – Cathouse, Glasgow, UK
21st November – Rescue Rooms, Nottingham, UK
22nd November – 1865, Southampton, UK
23rd November – Underworld, London, UK
24th November – Thekla, Bristol, UK
26th November – Kavka, Antwerp, Belgium
27th November – Luxor, Cologne, Germany
28th November – Colos Saal, Aschaffenburg, Germany
30th November – Backstage, Paris, France
2nd December – Komplex, Zurich, Switzerland
3rd December – Legend, Milan, Italy
4th December – Backstage Halle, Munich, Germany
5th December – Analog Music Hall, Budapest, Hungary
6th December – Chelsea, Vienna, Austria
8th December – Hyrdrozagadka, Warsaw, Poland
10th December – Lido, Berlin, Germany
11th December – Pumpehuset, Copenhagen, Denmark
12th December – John Dee, Oslo, Norway
13th December – Nalen Klubb, Stockholm, Sweden
Since forming in 2015, Wheel have swiftly grown from underdogs of Helsinki, Finland, to an international tour de force. The angular riffs, unforgettable melodies and adventurous scope of the trio’s 2019 debut, Moving Backwards, was instantly adored by fans of megastars from Tool to Coheed & Cambria. Then, 2021 follow-up Resident Humanreceived rave reviews from publications across the planet, praising its sonic evolution and bravely dystopian themes.
The Chinese Progressive Metal Band OU (pronunciation: “O”) is set to unleash their mesmerizing sound in their upcoming sophomore album, 蘇醒II: Frailty. Co-produced, mixed and feat. Devin Townsend. Their newest track “蘇醒Frailty” describes how life unfolds, drop by drop, as a fleeting thread in the ticking dance of time. Let OU navigate you through the depths of Progressive Metal, offering a unique perspective on the fragility and beauty of our existence.
Stream ”蘇醒Frailty” HERE; the awesome music video can be watched here now:
OU comments on the new single: “OU is back! Life unfolds, drop by drop, a fleeting thread in the ticking dance of time. A brief bloom, a withered leaf, breathing in the rhythm of day and night. The river of life, a pale countdown, flowing soil beneath the dreamy sky. Pieces fall, growing without words, returning to the dust. The flower of life bears its fruit, lost in the vast expanse. A poignant journey, from bloom to disappearance, echoing the eternal tick tock of existence. The debut offering ‘蘇醒 Frailty” from our new album ‘OU – 蘇醒II: Frailty‘ has arrived, and we’re excited to share it with you all.”
They add on the album announcement: “We are very excited to present our forthcoming album OU – 蘇醒 II: Frailty, due for an April 26th release via InsideOutMusic. We were honoured to have the privilege on working with the mighty Devin Townsend to produce this album in order to further explore and enhance our sound, working to provide a sonic adventure for you all.”
蘇醒II: Frailty Tracklist:
1. 蘇醒 Frailty
2. 淨化 Purge
3. 海 Ocean
4. 血液 Redemption
5. 衍生 Capture and Elongate (Serenity)
6. 破魂 Spirit Broken
7. 歪歪地愛 yyds
8. 輪迴 Reborn
9. 念 Recall
The album will be available in the following versions:
· Ltd. CD Jewelcase
· Ltd. White-Black Marbled 1LP 180g Vinyl – Strictly limited to only 1000 copies worldwide
· Digital Album
****
Hailing from the vibrant musical scene of Beijing, China, OU emerged onto the global stage with their debut album one in 2022, leaving listeners awestruck and craving more. With an unparalleled fusion of metal, electronica, ambient textures, and captivating melodies, OU defies convention, offering a sonic journey unlike any other, that invites listeners into their world.
Fast forward to 2023, and OU found themselves in esteemed company, collaborating with none other than the visionary Devin Townsend to craft their highly anticipated sophomore effort, 蘇醒II: Frailty, slated for release on April 26th, 2024. This upcoming album promises to push boundaries even further, introducing prog fans to a realm of sound that challenges the very definition of genre itself. OU invites you to join them on this exhilarating sound odyssey, where familiarity meets innovation, and every note resonates with unprecedented intensity.
OU Lineup: Lynn Wu – Vocals Anthony Vanacore – Drums Jing Zhang – Guitars Chris Cui – Bass
Prog metal and I have an uneasy relationship really, I have never been a huge follower of listener of the form, preferring melody and subtlety over bombast and thrash. So, why does this album appeal to me? Well, the answer lies in the origins of the band, one that emerged from the discarded ashes of Sons Of Apollo that featured Mike Portnoy, Billy Sheehan, Ron ‘Bumblefoot’ Thal, Jeff Scott Soto and Derek Sherinian. Sons Of Apollo produced two studio albums and a live CD/DVD set but then fell apart when the pandemic derailed their touring activities. After that cleared, some of the members had chosen to resume earlier existing project, Portnoy with Transatlantic and the Neil Morse Band and Sheehan to his Winery Dogs project. All of this left Sherinian and Thal without anything on their immediate horizon so the two decided to start an new endeavour, with Dino Jelusick coming in on vocals and two new faces; Yas Nomura on bass and drummer Bruno Valverde .
The album promises to be a bit harder edged and more technically progressive in sound, which showcases the excellent musicianship of the players involved. For me, pretty much anything Derek Sherinian is involved with is at least worth hearing as he always plays interesting parts and Ron ‘Bumblefoot’ Thal is also excellent to hear. The album, ‘Insanium’, is released on the 15th March by Inside Out/Sony Music and has 9 tracks, 10 if you get the 2CD version which has an instrumental version of the album and a bonus track (Requiem).
I’ve had this album for a while and I really like it. Yes, it is a heavy album but the playing is superb throughout and the vocals are clear and powerfully delivered by Dino. Let’s have a closer look shall we…
The album opens with In The Name Of War, an excellent introduction to what follows afterwards beginning with some very stylish piano runs before a powerful guitar line enters and the drums power through. The song is certainly powerful and asStatement of intent, this group means business and takes no prisoners here! It has very good keyboard textures and fine playing from all concerned, there is a fiery solo from Thal, but, for me it is the magical keyboards of Derek Sherinian that truly delight, the piece closes as it began with more stylish piano. Over Again is next and this has a very sludge like riff, it sounds quite brutal and the chorus is definitely a lesson in contrast to the main riff. Again, this has space for another fiery guitar solo from Ron Thal which is followed by some amazing Sherinian synth lines making this is a very strong track. The Decision’s longer running time gives space for the great dynamics that are at the heart of the song, a track is about persevering and deciding to carry on once again. It’s another excellent piece with lots of flashy keyboards that add to, but don’t dominate, the track. Also noteworthy is the solid bass playing of Yas Nomura and the powerhouse drumming of Bruno Valverde.
Crawl, again, has a fair degree of brutality to its sound, powerfully delivered by all parties. Strong riffing overlaid with keyboards and punchy bass make a good impression on this listener, as does another excellent guitar break from Thal that is again taken over by the dynamic keyboards of Derek Sherinian who really excels on this album. Find My Way Back is about returning home and finding that that is not a home anymore, things have changed and not especially for the better. The song opens with Hammond Organ and a gentle acoustic guitar part then, after the first verse, it switches to electric guitar and the vocals and overall sound have more than a touch of a Whitesnake power ballad to them. Another emotional guitar solo adds good colour to this actually rather sad tale which shows a different side to this band. Crucified is heavy right from the off with swirling keyboard lines and a solid rhythm section powering away. This song is really heavy and has strong echoes of Judas Priest in their ‘Sin After Sin’ era, except this track is heavier with more keyboards, a really strong and solid piece, all told.
Keeper Of The Gate treats us to another doom laden riff, this one has echoes of Dio’s‘The last In Line’, it has that sort of touch to it somehow, not a bad thing in my opinion. Another excellent and fluid guitar solo enlivens this song greatly, as does the sympathetic keyboard support from Derek, another winner here
Hypernova 158 is pretty much a showcase for Derek Sherinian to do his stuff, backed by everyone else, as he delivers a very sinewy keyboard sound, admirably supported by some nice bass lines from Nomura and solid riffing from Thal, not to mention the drum dynamics that Valverde brings to the brief musical interlude, it’s a riveting performance. This is followed by the albums title, and final, track, Insanium. The song has three parts, Home For All,Abandoned and Reprise. Together these three parts complete the song along with a wild guitar solo before entering the Reprise section of the song, with more sludgy guitar riffs. It is an interesting conclusion to what is unquestionably a major new talent in the Progressive Metal field.
As to whether this is a one off project or a full time and focus project will depend on how it is received I guess but, for those who mourn the end of Sons Of Apollo, as I did, this do very nicely! I wish them success in their endeavours and eagerly await a second instalment and possible live activities before too long.
Appearances can be deceptive I often find, people who, on first meeting, come across well and then turn out to be horrible, albums that look great but turn out to be difficult and unsatisfactory on further investigation, I guess such is the nature of life? So, when the offer of reviewing this book came about I was not really that bothered, however, as one of my favourite books of all time is ‘Diary Of A Rock And Roll Star’ by Ian Hunter, I was definitely interested to at least read the book. In my mind I had a big brash American cigar smoking ego mountain tells tales of his own greatness. I actually got it all wrong, so very wrong and let me explain why.
Harvey Lee is British and was born in Newcastle, he moved to Manchester as a youngster, not California, as I originally thought. He left school with few formal qualifications, what he did possess though was a work ethic and a willingness to learn, adapt to situations and to try to make the best of whatever scenario he found himself in. This short book hails itself as not only a memoir of some definitely off the wall and unreal adventures, but also some genuinely useful and helpful information for you to apply to your own individual situation.
Harvey has led a most interesting and colourful life, the overwhelming majority of which has seen a love of AC/DC and especially their ‘Back In Black’ album of 1980. This album had a monumental impact on young Harvey, an impact that still resonates today, some 44 years on. This excellent book tells that story of how a young uneducated lad from Manchester toured the USA with the likes of Herman’s Hermits and honed his marketing skills in that arena, he even ended up being their bass player for a few shows, as well as sound engineer and front of house man.
Throughout the book you will read of how Harvey overcame obstacles and found new ways to address difficult and challenging situations. Later on, Harvey was able to transfer those skills into the gaming world where his innovative approach to issues paid handsome results for the likes of Virgin and Microsoft and their Xbox console.
In amongst this you will read about Smalltown Heroes, a band from Sunderland who should have been massive and, despite several years of actively trying to break through, managed to fall through the gaps. You’ll also read of exploits in the gaming world and corporate screw ups, it’s a cautionary tale at times but all the more rewarding as it is all true. Harvey gives the outline but doesn’t reveal any truly sordid details, It may have happened but a gentleman never tells! Harvey has a quiet dignity and professional manner that seldom slips. Along the way you will hear about the time that Harvey played an important role in the AC/DC‘Bonfire’ box set and how the band repaid that kindness.
The Book is generally positive and honest recollection of an most interesting period of one man’s unusual life story. Also each chapter of the book represents a song title so you can make your own compilation CD to go with the book, or play it on a suitable streaming service of your choice. I found this book to be delightful and so much so that I’ve tracked down a copy of the Smalltown Heroes CD to enjoy at my leisure, I recommend this to anyone who will find its mix of music, gaming and business acumen interesting.
Harvey comes across as a very genial, yet fiercely impressive, force of nature but one who has the best interests of all in place, he appears to be a great honest and humble man. Read about his exploits in bringing the Xbox to the World, adventures in Europe, travelling the USA as a part of Herman’s Hermits and far more, oh and the incident with trapped wind at a most inappropriate time!
I did expressly appreciate his hard earned and well considered business advice, and his life hints as well, there is much wisdom there. Well worth a read in my humble opinion.
Following their recent acclaimed tour in the USA, progressive legends YES are set to return to UK stages in May and June.
Hot on the heels of their hugely successful ‘Classic Tales Of Yes’ American Tour, Progressive Rock legends, YES, are poised to hit the road in the UK once more on a 9-date trek across the country starting on 23rd May at the Bridgewater Hall in Manchester and ending in London on 4th June at the prestigious Royal Albert Hall, a fitting end for such a majestic band.
‘The Classic Tales Of Yes Tour’ will see YES mining their rich catalogue to deliver a career spanning set of classics, rarely played vintage cuts and new songs from 1970’s ‘Time and a Word’ right up to ‘Mirror To The Sky’, their 23rd album released last year, together with a special section celebrating the 50th anniversary of their momentous ‘Tales From The Topographic Oceans’ opus.
Every show will feature a Roger Dean gallery in the venue’s foyer area. Dean’s masterful artwork of striking other-worldly landscapes has graced classic album covers and posters. He has sold more than one hundred million copies worldwide. His artwork appears on the cover of the current YES album Mirror To The Sky. Roger is planning to be at each show on the tour, to meet with fans.
Steve Howe, whose association with Yes began in 1970, along with Geoff Downes, a member of the 1980 ‘Drama’ era line-up are joined by Jon Davison, lead vocalist in Yes for well over a decade now; Billy Sherwood on bass, hand-picked by original bassist Chris Squire and Jay Schellen, who worked closely with Alan White, on drums completing the line-up.
“YES are very much looking forward to playing in Europe and the UK during April, May and June this year. It’s been a while since we toured here and we’ve really missed you all.” says Steve Howe
Geoff Downes goes on to say: “We’re very much looking forward to bringing the Classic Tales of YES Tour to the UK and Europe. It promises to be one of our most interesting sets to date, scanning through much of YES’s history and with some previously unheard pieces together with music from out latest album, ‘Mirror To The Sky’. As always, we’re committed to pushing new boundaries and are very excited to be performing another chapter in the rich legacy of the band.“
“Jon D. here, My band mates and I are very pleased and excited to bring to the UK and parts of the EU our current set of classic Yes music which, covering the rich spectrum of Yestory, delighted US fans last fall. We’ll be performing many song favourites but also adding rarities, some of which haven’t been performed in decades! Let’s all join together in May, band and audience alike, in celebrating what’s best about Yes music. See you there!”
“Very much looking forward to playing all this wonderful YES music across Europe and the UK. It’s an interesting set of music and one that spans the many decades of the bands unique and rich history” continues Billy Sherwood
Jay Schellen says: “I’m very excited and looking forward to performing our 2024 Classic Tales Of YES tour in the UK. This collection of songs is unique in many ways. A classic YES show, thrilling and dynamic! I’m sure our fans will be excited and pleased as well!”
The Classic Tales of YESUK Tour Dates 2024
Thursday 23 May Manchester Bridgewater Hall*
Friday 24 May Glasgow Royal Concert Hall*
Sunday 26 May Liverpool Philharmonic Hall*
Tuesday 28 May York Barbican*
Wednesday 29 May Southend Cliffs Pavilion*
Friday 31May Bristol Beacon
Saturday 1 June Birmingham Symphony Hall*
Sunday 2 June Gateshead The Glasshouse (formerly The Sage*)
Tuesday 4 June London Royal Albert Hall
*UK Shows rescheduled from 2023, all tickets remain valid.
“It was fantastic to see the band dig deep and play selections such as ‘It Will Be A Good Day (The River)’, a song not played live since 2000. What tale can be complete without digging up ‘Tales From Topographic Oceans’. The band did a condensed reimagined version which ended the main set with a thunderous ovation. Consider it a treat that YES still exists in 2023.”
Joseph Suto, ROCK SHOW CRITIQUE
“This show is bound to please and have something for everyone. Everyone together produces a sound that is almost indistinguishable from the earlier incarnations. The only real difference is the improvement of technology and better fidelity. If you have enjoyed Yes in the past, you will enjoy this show and if you have never seen them, there is no better time than now.”
Kim Hansen, GHOST CULT MAG
About YES
Steve Howe: guitars, backing vocals (1970 –1981, 1990–1992, 1995–present)
Geoff Downes: keyboards (1980–1981, 2011–present)
Jon Davison: lead vocals, acoustic guitar (2012–present)
Formed in 1968 by Jon Anderson and the late, and much-missed, Chris Squire, YES have been one of the most innovative, influential and best-loved bands in rock music history. Their 1970s albums The Yes Album, Fragile, Close To The Edge, Yessongs (a triple live album set), Tales From Topographic Oceans,Relayer and Going For The One were ground-breaking in musical style and content. Their music also became synonymous with artist Roger Dean whose distinctive YES logo design and artwork adorned the lavish gatefold presentation sleeves of many YES albums.
With sales of over 50 million records, the Grammy-award winning YES were inducted into The Rock And Roll Hall Of Fame in 2017 where they performed Roundabout from the album Fragile and the FM radio-friendly Owner Of A Lonely Heart from the 1985 album 90125.
YES released their 22nd studio album in 2021, The Quest, produced by Steve Howe and which went to No. 1 in the UK Rock Albums Chart and entered the Official UK Album Chart at No. 20.
In 2022 came the sad news that drummer Alan White, ever-present in the YES line-up for 50 years, had passed away. The news came shortly before the band embarked on their classic, genre-defining album Close To The Edge50th Anniversary Tour, which he was intending to be a part of until ill-health determined otherwise. The tour was dedicated to Alan.
In February 2023, ahead of the news of the new studio album Mirror To The Sky, YES confirmed Jay Schellen as the new permanent drummer with YES, hand-picked to step into his mentor and friend Alan White’s role. “I had done the 2016 tour on my own for Alan,” says Jay. “From late 2017 onwards, we had a beautiful partnership. I learned and discovered so much about Alan’s style. His passion and creativity was phenomenal. The new album has Alan’s presence all over it. It is inside of us. So, this is still, in my heart, Alan just being present and with us, and with me, in a big way.”
Mirror To The Sky, YES’ 23rd studio album, was released on 19 May 2023 to universally positive reviews in the music press. ‘Mirror to the Sky is very much a band album, where all five members… have been at the top of their game’, stated The Progressive Aspect. ‘YES will continue to have a role to play in shaping the future sounds of prog.’
TRANSATLANTIC – the Prog Supergroup of Neal Morse, Mike Portnoy, Roine Stolt & Pete Trewavas – have announced the release of ‘Live at Morsefest 2022: The Absolute Whirlwind’ for the 26th April 2024. This mammoth Limited 5CD + 2 Blu-ray Artbook set features both sets from Morsefest in their entirety, with nearly 4 and a half hours of music in total.
To coincide with the announcement, the band have launched a live clip of the track ‘Can You Feel It’, taken from night 2, and you can watch that video here:
Pre-order the album as a Limited 5CD + Blu-ray artbook, featuring an extensive 36-page booklet including photos and liner notes, here:
“Not to be confused by last years live release of our last show in Paris, THIS release of TA at Morsefest 2022 represents the most epic and mammoth of all TA Live releases!
2 Nights, 2 completely different sets, 2 TA concept albums done in their entirety…accompanied with Strings, Horns, Percussion, Female Vocals, etc…Transatlantic has always been about “More Never Is Enough”, but no live TA release has ever been more EPIC than this one…It’s the ULTIMATE Live TA experience!”
Neal Morse adds:
“At long last, a musical dream come true in true epic fashion! To play The Absolute Universe, The Whirlwind, and other great pieces of music with Transatlantic, along with an amazing string section, background singers, etc. What more could any musician ask for? This is the very best of the very best in my view. I hope you all enjoy experiencing this as much as we enjoyed performing it!“
Roine Stolt comments:
“Playing Morsefest was quite a task, learning all the different material for the 2 different shows.
We even got a chance to play that Procol Harum tune, that is dear to me & takes me back to my teenage years, just getting to know what prog is/was. The addition of the strings and choir at Morsefest, plus Philip adding percussion lent a different and perhaps more of an orchestral side. That worked really well and made these 2 nights very special.”
Pete Trewavas comments:
“To play Morsefest 2022 was an absolute pleasure for me and gave us a natural break at the end of the North American leg of The Absolute Universe tour, where we regrouped at Neal’s to rehearse for the two shows, back where we had rehearsed for the tour some four or five weeks earlier.
We had 3 days I think it was to refresh The Whirlwind full version and learn ‘In Held T’was In I’. The festival was an absolute blast. We were all super relaxed and enjoying ourselves probably due to the little break from touring back to rehearsing.
Neal had been wanting to get Transatlantic at MorseFest since we released Whirlwind and it never panned out for various reasons, so it felt fitting that we got it all together for The Absolute Universe tour.”
Morsefest, the festival put on by Neal Morse annually in Nashville, Tennessee has been in existence since 2014. Typically, the weekend-long event celebrated music from Neal’s solo work and other bands from his career. But with each passing Morsefest, there had been one question lingering among the faithful audience that returned every year…when will Neal Morse, Mike Portnoy, Roine Stolt & Pete Trewavas perform at Morsefest? In 2022, at the 9th Morsefest, it finally happened and in epic Transatlantic fashion.
In 2021, Transatlantic released The Absolute Universe, the band’s 5th album since forming in 2000. However, as the band’s motto is “More Is Never Enough,” ‘The Absolute Universe’ was released as two different versions – ‘The Breath of Life (Abridged version)’, and ‘Forevermore (Extended version)’. In addition, the band combined those two versions for an Ultimate Edition of the album. With touring restrictions due to the pandemic finally lifted, the band finally started their tour in April 2022 ending up at Morsefest on the weekend of April 29th and 30th.
The weekend at Morsefest provided 2 nights of shows. For night one, the band performed their classic album ‘The Whirlwind’ in its entirety, the first time they had done so in 10 years. The evening also added “Into the Blue” and “Shine” from the band’s 4th album ‘Kaleidoscope’ as well as the classic ballad “We All Need Some Light.” As a surprise, the band played a song they’ve never performed live before – their cover of the Procol Harum classic “In Held ‘Twas In I” from the first Transatlantic album ‘SMPTe.’
Night 2 saw the full performance of The Absolute Universe – The Ultimate Edition, combining all of the tracks from the 2 versions of the album. The night closed with a medley of tracks from the band’s first two albums including “All of the Above,” “My New World,” and “Stranger In Your Soul.”
For the first time, the band performed alongside a choir and string section, making these shows truly special for those who were in attendance. Now, you can experience these incredible performances for yourself with the release of this Limited Deluxe 5CD+2Blu-ray artbook, featuring an extensive 36-page booklet with photos, contained within a hardcover.
Night 1 Tracklisting:
1. Into The Blue
2. In Held (‘Twas) In I
3. Shine
4. We All Need Some Light
5. Overture/Whirlwind
6. The Wind Blew Them All Away
7. On The Prowl
8. A Man Can Feel
9. Out Of The Night
10. Rose Colored Glasses
11. Evermore
12. Set Us Free
13. Lay Down Your Life
14. Pieces of Heaven
15. Is It Really Happening?
16. Dancing With Eternal Glory/Whirlwind (Reprise)
SiX By SiX, the progressive power trio comprising Ian Crichton (Saga), Nigel Glockler (Saxon) and Robert Berry (3.2), are pleased to announce the release of their sophomore album ‘Beyond Shadowland’ on InsideOutMusic on 26th April 2024. The band reconvened in Berry’s own Soundtek Studios in the San Francisco Bay Area in 2023 to bend, shape, hammer and caress their diverse musical talents into 11 impressive new tracks. With this album, they continue to define and build upon their unique melodic space, welding guitar-driven rock, metal and prog into a unique and powerful sonic setting.
To coincide with the announcement of the new album, the band have released the first single ‘The Arms Of A Word’, a track which reflects on the division driven by a click-bait driven media.
You can watch the brand new video here:
Ian Crichton comments: “On the new record we kept our style but have written stylistically some quite different tunes. I gave Robert a lot of parts, sections, licks, middle 8’s, etc. He added verses, bridges, etc… and vocals! He’s a brilliant arranger. Of course, Nigel is a powerhouse. As always, he played great on this record.”
Nigel Glockler adds: “Playing with Ian and Robert is always terrific. Making this album was a productive time. Ultimately, we narrowed things down to eleven tunes. Good ones too!. I left the sessions feeling very pleased. I think everybody’s going to be impressed with the new album.”
Robert Berry continues: “I’ve always believed that music has the power to bring people together. This record is a testament to that notion. As always, working with Ian and Nigel on an actual second album was a moving experience for me. Truly special.”
‘Beyond Shadowland’ will be available as a Limited CD Digipak, Gatefold 180g Black 2LP (featuring 4 exclusive bonus tracks) & as a Digital Album. The artwork was once again created by Rob Fowler.
The bands self-titled debut, released in 2022, established the trio as a power chord-driven celebration of artistry, passion and persistence. Prog Magazine said that the record was “exciting, often potent and demands repeated listens”, while Classic Rock Magazine called it “an inspired opening salvo that bubbles with chemistry.”
Background:
Ian Crichton is best known as one of the founding members of Saga, alongside his brother Jim. Saga went on to sell roughly 10 million albums world-wide and continue to perform around the world. As the driving force behind SiX By SiX, Ian takes a cunning turn, in assembling another potent band but one that focuses on his guitar prowess. This time with established players, each with a celebrated past, refined skills, and unlimited potential.
Band picture by Dave Lepori.
Nigel Glockler began his career in 1980 as the drummer for the British band Krakatoa. In 1981 he found an opportunity with singer Toyah. By the end of the year, he joined metal legends, Saxon. Except for two brief absences, Nigel has been behind his massive drum kit as an integral part of Saxon ever since.His powerhouse drumming is the engine that drives SiX By SiX’s songs forwards relentlessly.
Robert Berry first gained international attention with San Francisco-based Hush, releasing well-received recordings and then touring the USA. In the mid-1980s Berry’s first solo album garnered positive reviews in the most influential trade publications and attracted the attention of several major labels. At the suggestion of one of those labels, Robert moved to the UK to work with guitarist Steve Howe (of Yes fame) along with drummer Nigel Glockler in an effort to revitalize GTR. When GTR stalled, Robert partnered with British rock legends Keith Emerson and Carl Palmer to form ‘3’. With Emerson and Palmer, Robert achieved a top ten charting single and toured the USA. Robert’s melodic sensibilities complement Ian’s extraordinary guitar and Nigel’s signature drumming perfectly.
