Review – Mary Reynaud – Make It Together – by Progradar

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As I travel though this world full of incredible highs and unbelievable lows my companion has always been music. The type of music has changed through the years but one thing has been constant, it is music written not to make money but to enrich the lives of those that would hear the notes.

Obviously, since I started writing about music, the vast majority has been progressive rock and all of its variants but every now and again I hear something that people would not expect me to listen to but which really moves me in many ways.

The little beauty that grabbed my attention this time was the solo EP by long time Franck Carducci Band member Mary Reynaud, a delightful little bluegrass/folk/singer-songwriter concoction called ‘Make It Together’.

Consisting of six tracks and featuring Dorian Ricaux and support from Manu Bertrand and Franck Carducci himself, from the first listen it has brightened my day and washed away the blues.

Mary

“Like a Polaroid snapshot, this record represents the capture of a moment in time. It was not conceptualized and prepared as one normally prepares an album. However, during one evening in March, there was Franck, Manu and Dorian reunited in my living room gathered around me and my songs. Notes began flying, musical arrangements were settled and the idea to seize the moment was born. Two weeks after being in the studio, all three of us in a room and we recorded. Everything was captured as is, our hearts, our respiration, the ideas that came, our voices broken with emotion, the movements, the tiny flaws … just like in my living room. We mad it, together. And now, all you have to do is take a seat with us.” – Mary Reynaud.

So, all we have to do is press play and immerse ourselves in these wonderful pared back songs of wistful beauty, longing, joy, love and remorse, go on then!

“Last night a comet crashed in my dream, I first thought it might be a real bad thing…”

Magic Passerelle is an upbeat, fast paced little toe-tapper with some excellent fret work on Mary’s 1974 Martin D18 guitar and her delicate, yet sultry voice is the only accompaniment required. Just let the music wash over you and enjoy the feeling of the sun and wind on your back, a song for the summer for definite. The guitar playing is an utter joy.

“Close your eyes and stop your cries cause I will always be there, To dry your tears and take your fears and keep you warm with me…”

We turn to wistful and winsome with Make It Together a soft hued and soft timbred delight. The guitar playing drips emotion and Mary’s vocal is full of melancholy and yet gives a feeling of hope. The guitar playing and the way this delightful troubadour sings give a real feeling of gallic bluegrass. A song for warm nights sat around an open fire with a fine red wine, French of course!

“The sky is blue and I”m in a cloudy mood, I say I’m cool but my face don’t move…”

A sort of jazz/folk track with a light blues infusion (well, to my ears anyway), Sad For Nothing really hit home with me as it mirrored my feelings exactly, going through a difficult phase in my life. Stylish guitar playing, polished and earnest vocals and yet a feeling of remorse or something similar lying in wait in the background. The wonderful guitar picking is a delight to hear, a song for those close to us, late nights and serious discussions.

“I think I have a crush on you, It seems like I am falling for you, I know I’m wrong, I’m so young, but there’s not much that I can do…”

A passionate song of love and longing, No Way You Can Guess is full of beautiful fragility from the compassionate vocals through to the dreamy and contemplative guitar playing. I feel summer days and grassy banks alongside a jewel like, burbling stream, sepia tinged and nostalgia filled, where there is love, there will always be hope.

“Let’s spend the afternoon under the figtree, I’m Alice in wonderland and you are a pixie, Undercover of the leaves, there is no distance…”

The upbeat feeling returns with the utterly charming bluegrass hues of Under The Figtree. A three minute ditty with clever lyrics, clever guitar playing and Mary’s knowing vocals. You get a feeling of the mystery that Mary shows when she is in character as Alice in the live Franck Carducci shows. One to stand up and dance to under the stars, carefree and happy with life and yourself. A song of pure good-feeling, happiness and an utmost joie-de-vivre, bravo Mary!

“Stuck in frontof that white page, Wondering what you’d want me to say, I’m lost in an ocean of question marks, Time to give a piece of me…”

I loved reading the lyrics to 3 Chords And The Truth, the never ending battle about whether the songwriter should write to please the audience or just give a bit of themselves in the hope that the honesty will strike a chord. It is a wonderful song, straight from the heart of Mary Reynaud and you can hear the inner turmoil in her voice, a creation of sheer charm, elegance and grace. This is music pared back to the basics with the refined guitar adding a subtle backing to Mary’s heartfelt lyrics. Always be true to yourself, give all of yourself and no-one can ask for anymore, a parable for modern times perhaps?

Music truly is the food of love and you can’t help but adore this beautiful collection of songs from this talented lady. They lifted my soul from some very dark places and this EP should be on everybodys wish list. A natural feel-good lift for the body and mind and songwriting of the highest calibre, Mary Reynaud has released something true to her heart and we should all be thankful.

Released 14th September 2016

Orders will be available from 14th September from Mary’s website

 

 

 

 

 

 

MESHUGGAH POST FIRST TRAILER FOR ‘THE VIOLENT SLEEP OF REASON’

Meshuggah Album Cover

The Swedish extreme tech-metal pioneers MESHUGGAH recently revealed the title of their upcoming eighth album, “The Violent Sleep Of Reason”. Today, the band released the first trailer where Tomas Haakediscusses the title and cover artwork for the eighth album. Watch the video on the Nuclear Blast YouTube channel:

Tomas Haake comments, “Basically, the whole idea of why we chose the title is it kinda connects with the lyrical content of the album. Which is to a fair degree about current events and what you see is going on as far as terrorism today, extremist views on ideals, and religious dogma and the violent implications that you get from being asleep so to speak and not acting/reacting to what is going on in the proper way”

The album was produced by the band and was engineered by Tue Madsen of Puk Studios in Kaerby,Denmark. For the cover, the band once again enlisted Keerych Luminokaya who created the artwork forKoloss and The Ophidian Trek as well as the new images for each of the 7 albums and 3 EP’s featured in the 25 Years of Musical Deviance box set.

“The Violent Sleep Of Reason” will be available in the following formats:
Nuclear Blast UK Store:
– Mail-Order Exclusive Box Set*
Limited to 1,000 worldwide
Includes: Latex face mask, (2) stickers, (2) 1.25” buttons, poster flag, certificate    of authenticity
– Limited Edition Double Gatefold Gold Vinyl
– Limited Edition Double Gatefold Silver Vinyl
– Limited Edition Double Gatefold Light Blue/Orange Bi-Coloured Vinyl
Available here:  http://nblast.de/MeshuggahNBUK

Recordstore.co.uk:
– Limited Edition Black Double LP
– Limited Edition Double Gatefold Picture Disc
– CD Digipack
Available here: http://nblast.de/MeshuggahRS

Track listing as follows:
1. Clockworks
2. Born in Dissonance
3. MonstroCity
4. By the Ton
5. Violent Sleep of Reason
6. Ivory Tower
7. Stifled
8. Nostrum
9. Our Rage Won’t Die
10. Into Decay

Visit MESHUGGAH online at  www.MESHUGGAH.net
Like:  www.facebook.com/MESHUGGAH
Follow:  Twitter.com/MESHUGGAH
Watch:  www.youtube.com/MESHUGGAH

NUCLEAR BLAST RECORDS UK
Web:  nuclearblast.de
Facebook:  facebook.com/nuclearblasteurope 
Twitter:  @nuclearblasteu
Instagram:  @nuclearblasteurope
YouTube:  youtube.com/user/NuclearBlastEurope

 

 

New lyric video from The Tangent – article by Progradar

Progressive rock stalwarts and innovators The Tangent return, after main man Andy Tillison’s heart attack last year, with  a great lyric video for single A Few Steps Down The Wrong Road and you can watch it here:

Andy wanted to return to the more socially aware music that he has generally written since he was a teenager.

Andy told me,

” …obviously it’s something where we;ve beaten the punks, the independents, the Bonos and Stings to the post in having something to say about the Post Brexit racism. The song is NOT about Brexit itself… that wouldn’t interest me enough to write a song…”

In an announcement on the band’s facebook page he went on to say,

It’s a song from a man who loves his Yorkshire, his England, his Britain and his Europe more than the self serving hacks from the tabloid press seem to love anything.

This is The Tangent. We are a PROGRESSIVE ROCK BAND. This is our new song. Play as loud as you can – and make sure you listen to the very end.”

The track, and the band’s upcoming as-yet-untitled album, will feature artwork created by renowned UK comic artist Mark Buckingham, who has provided designs for both DC and Marvel as well as artwork for The Fierce And The Dead.

Review – Nosound – Scintilla – by Progradar

Nosound - Scintilla

“The power of music, whether joyous or cathartic must steal on one unawares, come spontaneously as a blessing or a grace–”
Oliver Sacks, Musicophilia: Tales of Music and the Brain

I write reviews and run this website purely for the love of music. I don’t get paid for anything I write or publish and this bothers me not one iota. I am a music lover and I feel it is my mission to expose as many people out there as I can to some of the wonderful, awe inspiring, life affirming songs that are created mostly to be heard and to enrich people’s worlds.

Hopefully this will mean that they will then support the artists by buying the music or sharing it with even more people which will enable those musicians to carry on their creative endeavours. A musical Circle of Life if you like.

This could be upbeat music that just puts you in a really great mood or music written specifically for the love of life. When I’ve had a major upheaval in my life I like to listen to music that soothes my soul and calms me down, cathartic songs that can take the worries and strains of real life and just smooth them away to ease me into a place of calmness. I’m not bothered about genre, it is the music that speaks to me the loudest that I want to hear and, more often than not, it’s one band who my radar zeroes in on….

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Italian alternative band Nosound started as a one man studio project in 2005 by Giancarlo Erra, but has since grown into a five piece band, evolving into something unique, focused and powerful. The music is evocative and intense, with personal songwriting. Influences range from Pink Floyd to Brian Eno, from Porcupine Tree to Sigur Ros, passing through rock and electronic/ambient.

As well as Giancarlo (vocals, guitars, keyboards), Nosound is Marco Berni (keyboards, vocals) Alessandro Luci (bass, upright bass, keyboards) Paolo Vigliarolo (acoustic & electric guitars) and Giulio Caneponi (drums, percussions, vocals).

I discovered the band upon the release of their 2013 album ‘Afterthoughts’ and I was immediately bowled over by their particular type of widescreen melancholia and wistful imagery which really struck a chord with me. This led to the discovery of their back catalogue including such gems as 2013’s reissue of the wondrous ‘Lightdark’, a remaster of the album originally released in 2008.

Their trademark symphonic lushness and winsome ennui really suited many of my moods and I almost felt reborn and pulling free of the trappings of a painful life after listening to the music.

nosound_lightdark

So, you can imagine that news of a new album by this expressive band is going to make me a happy boy and you’d be 100% correct. Earlier this year an email arrived from the PR company stating:

‘NOSOUND ANNOUNCE NEW STUDIO ALBUM – SCINTILLA & RELEASE FIRST VIDEO FOR “SHORT STORY”’

After barely containing my excitement, I ploughed on to see what we had coming in store for us.

Featuring guest appearances from Anathema’s Vincent Cavanagh and acclaimed Italian singer Andrea Chimenti‘Scintilla’ is inspired by personal upheaval and a desire for change and is a wholly new musical and visual approach for Giancarlo Erra’s ever-evolving band. Cellist Marianne De Chastelaine returns tot he fold but, this time, in a more free-flowing and improvisational capacity.

He goes on to say:

“The intention with ‘Scintilla’ was to do something a bit more different than previously and illustrating more vigorously what Nosound is today.

During a decade of activity, my listening tastes have shifted gradually towards a more simpler, more direct music with an intimate character that still retains a certain richness and detail in sound.

Northern folk and alt singer-songwriter music are possibly the stronger influences, but generally speaking, everything that is simple, direct and minimal but with rich sound is what I like, and what I hope this album is.”

This latest work marks the beginning of the second phase of Nosound’s fascinating career.

Nosund garden party

Low key and almost under the radar Short Story makes a very unassuming entrance. Delicate piano, lush soundscapes and an almost ethereal vocal immediately set the tone and calm any rushing heartbeats. With an almost organic creativity to the music, it seems to have a life of its own as it wistfully drifts across your psyche with its gentle sonic palette. Last Lunch immediately takes on a more melancholic and dreamlike note, the music being the tapestry upon which the vocals paint their temperate scene. Initially a paragon of self-control and emotional depth, it really touches you deeply, the wondrous Cello is particularly emotive  and touching. 7 minutes of laid back, low key and yet deeply stirring music has an ultimately cathartic outcome and I find myself afloat upon a sea of my own dreams and aspirations. I saw Nosound play live at The Resonance Festival two years ago and can still remember how much of himself Giancarlo puts into the songs as he sings them. They are part of him and come from the depths of his very soul. As the song comes to a close you feel you have been through quite an emotional journey and are all the better for it.

There is a whimsical feel to the opening of Little Man, nostalgic and playful, as the chiming keyboards resonate. It soon opens up into a much more mature track as the soothing strings and heartfelt vocals stir up emotions deep in your psyche. The way the drums are delivered is relaxed and composed and the Cello, once again, provides moments of pure indulgence. A sinuous soundscape is created that leaves tendrils of thoughtful contemplation floating around in your mind, the meandering guitar playing is another highlight of this reflective song. In Celebration of Life sees the first contribution from Vincent Cavanagh and the introduction is as sonically intimate as they come, small pearls of musical delight surround you and leave you in a tranquil state, musing what is to come next. More verdant strings continue the meditative mood. The whole musical vista that is laid before you is celestially sublime and, when the vocals begin, all breathy and gossamer like, the spell is set and you are caught right in the middle of a thing of utmost beauty. The exquisitely heart-breaking solo is absolutely amazing and strikes you right in your heart, a song of pure delight and wonder.

Nosound in Studio 1

Sogno e Incendio was co-written, and is sung by, renowned Italian singer Andrea Chimenti, it is serenely intense and full of a deeply felt passion. The vocals are delivered in such a fashion as to leave you hanging on every word, whether you understand them or not. The musical accompaniment is classically superb and compliments Andrea’s voice perfectly, it is like a melancholy lament but is oh so beautiful, painfully so in places. The Italian language, especially when sung, is a thing of charm and grace and I am left with a feeling of utter bliss as the elegant guitar floats around your mind. The trancelike Emily is like wisps of cloudlike delights that fleetingly leave an impression on you before moving on, transient and ephemeral notes of music that leave you in a dreamlike reverie. It is surreal but in an exquisite fashion and tugs at your heartstrings all too briefly before departing to who knows where.

Cavanagh returns for The Perfect Wife, a mournful and somber track which wears its heart on its sleeve. There’s a deep lying and potent passion at the core of this powerfully compelling song, the ardent sentiment is clear in the fervor of the vocals. The somber and forlorn music is incredibly emotive and fills you with a sorrowful empathy, the Cello seems to become animate and alive with its own character and draws you even further into this dark and plaintive story. These musicians leave nothing behind and exhaust you with their intensity and ardor, as impassioned a track as you will hear this year. What appears to be an alluring love song at first with its tender piano and fragile vocals, Love is Forever soon reveals its unexpected sarcasm in the cynical lyrics yet you can never get away from the fact that this song has style and artistry at its heart, quite a conumdrum. I just let the winsome music wash over me and enjoy its cathartic powers.

Nosound logo small

Evil Smile is an elegantly charismatic track that takes you on a meandering journey through a wonderful acoustic soundscape, the organic feel is increasingly evident in the flow and texture of the vocals and the hypnotic music, especially the strings. The trance-like instrumental sections leave you mesmerised, only recovering when the introspective voice of Giancarlo wakes you from your musing state. The final title track Scintilla takes all that has come before and amalgamates it into something even more divine. A fantastical musical journey where you are the only passenger and there is a musical universe of a myriad opportunities in front of you. Hesitant and slightly unsure, it takes small steps before the halting vocals draw you in and the journey commences for real. A song (and, indeed an album) worth listening to with headphones on and silence around you to pick up every tiny nuance and subtlety. Enjoy a fine wine and just relax as this seraphic track cleanses your heart and soul and encourages the deepest parts of your very being with its almost heavenly grace and charm.

Nosound - band

Not so much a leap into the unknown as a slight re-imagining of who they were before, ‘Scintilla’ is more than just a piece of music or an album of new songs. It alters your state of mind and your very essence and you come out of the other side feeling a better and more complete person. That Giancarlo Erra and Nosound can achieve that is testament to their amazing songwriting skills and musical ability. I implore you to buy this album and, as soon as you can, see them perform it live, I promise you will not be disappointed!

Released 2nd September 2016

Buy ‘Scintilla’ (in various formats) from Burning Shed

 

 

 

 

SONATA ARCTICA – ANNOUNCE NEW SINGLE ‘CLOSER TO AN ANIMAL’ AND ALBUM PRE-SALE START

Sonata Arctica - Closer to an Animal

After announcing the new album ‘The Ninth Hour’, due on October 7th, the Finnish melodic metal quintet SONATA ARCTICA now present their first single and lyric video ‘Closer To An Animal‘.

“‘Closer to an animal’ was a song that our vocalist Tony sent to the studio somewhere around the middle of the sessions with the words: ‘This will be the album opener’,” keyboarder Henkka Klingenberg remembers. “After checking out the demo, we all just had to agree. I would say that musically this is a ‘metal meets 80’s’ type of song. We wanted this as the first single, since it gives quite a clear picture of what you can expect on the upcoming album, or at least some of it. I’m really looking forward to opening the shows on the next World Tour with this track!”

Watch the lyric video to ‘Closer To An Animal‘:

Pre-order the album digitally here: http://nblast.de/TheNinthHouriTunes

Nuclear Blast UK store exclusive:
Limited Edition Light Blue Vinyl: http://nblast.de/SonataBlueVinyl
Exclusive Digipack CD + Canvas Artwork Print: http://nblast.de/SonataDigiCanvas

Pre-order from Amazon.co.uk:
Digipack CD: http://nblast.de/SonataDigiAmz
Black Vinyl: http://nblast.de/SonataVinylAmz

‘The Ninth Hour’ full tracklist:
01. Closer To An Animal
02. Life
03. Fairytale
04. We Are What We Are
05. Till Death’s Done Us Apart
06. Among The Shooting Stars
07. Rise A Night
08. Fly, Navigate, Communicate
09. Candle Lawns
10. White Pearl, Black Oceans Part II – “By The Grace Of The Ocean”
11. On The Faultline (Closure To An Animal)

Once again, the upcoming album was produced by SONATA ARCTICA themselves and mixed by Pasi Kauppinen.

Right after the summer festival season and the release of their anticipated record, the band will embark on a European tour together with their label mates TWILIGHT FORCE. Dates as follows:

SONATA ARCTICA  
Special Guests: TWILIGHT FORCE
presented by: Metal Hammer, Musix, Blast, Rock it + Powermetal.de & Dragon Productions
07.10.16 NOR – Trondheim, Trondheim Metal Fest
08.10.16 SE – Borlänge, Liljan
09.10.16 SE – Huskvarna, Folkets Park
11.10.16 DK – Copenhagen, Pumpehuset
12.10.16 DE – Hamburg, Markthalle
13.10.16 NL – Haarlem, Patronaat
14.10.16 NL – Tilburg, 013
15.10.16 UK – London, O2 Shepherd’s Bush Empire
16.10.16 FR – Paris, La Machine du Moulin Rouge
18.10.16 FR – Strasbourg, La Laiterie
19.10.16 CH – Pratteln, Konzertfabrik Z7
20.10.16 IT – Milan, Alcatraz
21.10.16 DE – Mannheim, Alte Seilerei
22.10.16 DE – Bochum, Zeche
Booking: Dragon Productionswww.dragon-productions.com

Watch their latest clips:
The Wolves Die Young‘ official video: https://www.youtube.com/watch?v=pGp0kms-GEk
Love‘ official video: https://www.youtube.com/watch?v=qBACRtmu0VQ
Cloud Factory‘ lyric video: https://www.youtube.com/watch?v=RO5FPHFI6sI
Kingdom For A Heart’ – official track: http://youtu.be/TnhNPM1A4t8

More info:
www.sonataarctica.info
www.facebook.com/sonataarctica
www.nuclearblast.de/sonataarctica

Review – Vista – Vista – by Kevin Thompson

Vista front cover

Thanks to modern technology Bedroom Warriors around the world are free to record their music without interference or demands from Labels or Managers. People are free to create, liberally making the music they want to make without compromise, other than the amount of instruments and recording equipment they have. It’s even possible to do it from a digital pad these days, with a studio at your fingertips, you can twiddle virtual knobs to your hearts content, until you are satisfied. Unfortunately it also means there is no quality control.

Dave Palermo hails from Pittsburgh, Pennsylvania. He’s been a musician for many years and has recorded several albums both as a solo artist and with other bands. All songs are written and recorded by Dave and he plays all the instrumentation, keyboards, synth bass, synth guitar, and drum programming .

He named the solo project VISTA  which he sees as a metaphor for his music createability from the dictionary definition: A view, especially an attractive view from a high position. “After a hard climb, we were rewarded by a vista of rolling hills.” He says” “A song and ultimately an album are mountains to climb. An upward journey through the mind to the top where you turn around and look back at something aesthetically pleasing, entertaining, and informative for the listener. This is the goal and the standard for every piece of music I write, so I’ve called this project Vista.”

It’s at this point the PR pack goes on to list influences and the kinship with other bands, though pointing out Vista has its own style and sound, full of unique chord progressions and memorable melodies. Dave also says the new debut album includes 8 tracks of powerful synth rock. Sorry Dave it doesn’t. Though it pains me to say it I cannot agree with these comments and have deliberately not named the bands.

I really don’t know where to start, so let’s begin on the positive. Dave is clearly a competent multi-instrumentalist but I would like to see him stretched to show his full abilities which this album does not seem to do, or I hope it doesn’t. He obviously loves his music and the creative process, the instrumental tunes are nice and inoffensive. There is no growling vocals, blasphemy or swearing to be heard. I would like anyone reading this to bear in mind that these are all merely my opinions and others may well like the eight tunes presented on this album and Dave is free to ignore this review, shun me forever and pretend I don’t exist, but I cannot do this without being honest and true to myself.

I will not use the words ‘powerful’ and ‘rock’ because I at no time want to mislead anyone.

Track 1 – Aviator: Never really takes off for me and floats, drifts around like a brightly coloured balloon in a summer sky slowly deflating as the helium exits through a small pinhole.

Track 2 – Arena: Nothing to do with Clive Nolan, of which I’m sure he’ll be relieved. This is where I expected the excitement, drama and the two previously mentioned words to kick in, but no. Deflating further the balloon doesn’t even receive a kick to boost it and the arena it trails over is an overgrown ruin.

Track 3 – Virtual Safari: The balloon floats across sparse, flat tundra, dodging dried twisted trees and bushes and I want my money back as at no time does the tune create any images of virtual, majestic creatures running freely across the synthesised plains.

Track 4 – Marathon: Not related to the Rush tune of the same name, though the metaphorical balloon does seem to catch a little breeze and gain pace in comparison to the previous tracks but the music doesn’t befit the title as neither very long or epic. Half way through the album though and I am begining to feel I’m running in a marathon.

Vista back cover

Track 5 – Brigade: As an ex-military man myself I could never have marched to this beat. It doesn’t convey any sense of bombast, pride or action. There could be no chest beating swells of emotion as the only distinguishing thing on this track is a leisurely run up and down the keyboards. This should be enough to shoot further holes into the metaphoric balloon, depleting it’s momentum further. I’m tempted to go AWOL.

Track 6 – Myriad Harvest: A welcome departure into piano like intro on this track holds promise, but it doesn’t last and slips back into the synthesised anaesthesia. The old adage of ‘You reap what you sow’, never rung more true, one careless swing of the instrumental scythe and the balloon could be punctured beyond repair. With a heartbeat drum track this plods like a shire horse pulling a heavy plough.

Track 7 – Finding Destiny’s Road: We all have a destiny, be it in our hands or not and we find signs to guide us along the path. But here, someone’s pinched the road signs and we are left to wander aimlessly following the balloon as it drifts just above the road surface, ribbon trailing on the tarmac. Once again the only distinguishable piece is a few bars of piano like keys in the middle, too little to raise us and we stop suddenly at the end not knowing or particulalry caring where this takes us.

Track 8 – Devil’s Pass: Atmospheric and with a certain gloom, this is the best track, albeit the final one, on the album. It mourns the passing of the balloon as the the last desparate whisps of air are expelled and it lays motionless, done. This could have been good if longer and had built the menace and impetus, but it dies too soon. It also shows a hint of one of the bands Dave claims kinship with, I’ll leave you to guess which band.

In conclusion I have listened to this album four times fully and it has played whilst I write, I will not be listening again. I do not get paid for this and have no hidden agenda, the reviews I do are purely out of love for music. If you find riding in a lift aesthetically pleasing, getting off at the floor housing the library and feel daring at returning your library book a couple of days late, then this is the album for you.

I am proud to know a number of excellent multi-instrumentalists, one of whom I know once entered a popular TV talent competition and ended up probably hearing a similar parting sentence from the judges.

Sorry Mr Palermo, but it’s a ‘NO’ from me and I’m out.

Released July 2016

Download ‘Vista’ from CDbaby

 

International Super Prog project An Endless Sporadic release new album Magic Machine on September 16th

Front preview

One of the worlds most elusive yet breathtakingly captivating progressive rock bands, An Endless Sporadic, is set to return on 16th September 2016 with a new album, ‘Magic Machine’.

‘Magic Machine’ is a showcase for mind-bending musicianship and rich expressiveness via avante garde film-score soundscapes. An abstract journey through different styles of music and environments, the album offers a coruscating kaleidoscope of colours and joy, flashes of stylistic innovation featuring ensemble work that is staggeringly packed full of drama yet still meaningful from a compositional standpoint. This is an aurally challenging album with an experimentally wide sound palette, but as a whole is assuredly palatable, mesmerising and resides in a class paralleled by none.

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Joining master multi instrumentalist Zach Kamins on this album is a stellar line-up of virtuoso musicians (we stopped counting at 30 instruments…all recorded live and including Hand Hammered Lasagne Trays!) and special guests including Jordan Rudess (Dream Theater, Liquid Tension Experiment), Roine Stolt (The Flower Kings), Michael Iago Mellender (Sleepytime Gorilla Museum) and Navene K (Animals as Leaders, Entheos) to name just a few!

Comments Jordan Rudess: “Zach has an enormous musical talent that I’ve been aware of for a long time. It was my pleasure to play some tracks on ‘Magic Machine’ as well as to be part of this important step in his career journey. The album is filled with awesome compositions and great playing!”

Hailing from the hallowed halls of Berklee College of Music in Boston, the brains behind An Endless Sporadic, Zach Kamins, is no stranger to the synergy or intuitiveness that his particular brand of prog-rock-jazz-fusion offers.  Anyone who has ever played Guitar Hero can attest to the beauty of An Endless Sporadic and their songs. The band gained most of their popularity with the song, “Impulse,” which was placed on Guitar Hero 3. After that they recorded, “Anything,” which was placed on Guitar Hero World Tour. From here they produced more songs to create their first EP, “Ameliorate.” And so An Endless Sporadic was born.

Zach 6 small

Comments Zach: “I feel that Magic Machine was created out of a strong desire to bring out the true intention of the name, An Endless Sporadic. I have always had a passion for music that was part of a bigger story, where ideas can take time to develop and be presented in many different ways. “
Magic Machine’s visually stunning cover art was created by Costin Chioreanu (Arch Enemy, Ihsahn, Opeth, Hexvessel)

Magic Machine track listing:

  1. The Departure
  2. Magic Machine
  3. Galactic Tactic
  4. Finding The Falls
  5. The Assembly
  6. Agile Descent
  7. Sky Run
  8. Through The Fog
  9. Sea Voyage
  10. Impulse I

 

Kansas Release First New Song in Sixteen Years “With This Heart”

Kansas Album

ALBUM NOW AVAILABLE FOR PRE-ORDER THROUGH KANSASBAND.COM
AUGUST 5th, 2016 – “With This Heart”, the first new song from Kansas in 16 years, is now available. The song is taken from the band’s intensely anticipated new studio album The Prelude Implicit, which will be released on September 23rd, 2016.
The song will be available for purchase Friday, August 5th through iTunes, AmazonMP3, Spotify, and Google Play.  Fans can also pre-order the album on iTunes, AmazonMP3, and Google Play at that time. Links to retailers can be found below:
In a joint statement, the band says:
“We are excited for ‘With This Heart’ to be the first new KANSAS song released in more than 16 years. It definitely fits KANSAS tradition.”
The Prelude Implicit is the first new album release in 16 years for the band that has sold more than 30 million albums worldwide, and is famous for classic hits such as ‘Carry On Wayward Son’ and ‘Dust In the Wind’, to progressive epics like ‘Song for America’ and ‘Miracles Out of Nowhere.’ The album will be available on CD, double 180 Gram Vinyl and digitally on iTunes and Google Play.
Fans can pre-order now by visiting Kansasband.com and on  Amazon.com.
The Prelude Implicit features 10 all new tracks written by the band and co-produced by Zak Rizvi, Phil Ehart, and Richard WilliamsKANSAS’s signature sound is evident throughout the album.  It showcases Ronnie Platt’s soaring lead vocals, David Ragsdale’s blistering violin, Williams and Rizvi’s rocking guitar riffs, the unmistakable sound of David Manion’s B3 organ and keyboards, Ehart’s thundering drums, and Billy Greer’s driving bass and vocals.
KANSAS returned to the studio in January 2016 after signing with Inside Out Music.  Says Inside Out founder and president Thomas Waber, “KANSAS is the biggest and most important Prog band to come out of the United States. I grew up listening to them, and their music is part of my DNA.  ‘The Prelude Implicit’ undoubtedly adds to their already impressive musical legacy.  I can’t stop listening to it, and we are proud to be releasing the album.”
The result of the time in the studio was even more than the band imagined.  “This is definitely a KANSAS album,” remarks original guitarist Richard Williams. “Whether it is the trademark Prog epic like ‘The Voyage of Eight Eighteen’, biting rocker such as ‘Rhythm in the Spirit’, or mindful ballad like ‘The Unsung Heroes’, there is something on this album for every kind of KANSAS fan.  After years of pent-up creativity, the entire band is very proud of ‘The Prelude Implicit.’
Lead Vocalist Ronnie Platt adds, “Recording ‘The Prelude Implicit’ was an incredible experience, and I couldn’t be happier with the results. It is my hope that, knowing the intense listeners that KANSAS fans are, the continuity yet diversity of this album will be pleasing to them.”
The album title, The Prelude Implicit means, “Without a doubt, this is a new musical beginning,” explains Ehart. Tattoo artist, Denise de la Cerda, did the oil painting of the front and back cover.  “It shows a Phoenix flying from the past into the future.”
The Prelude Implicit Track Listing:
1.) With This Heart
2.) Visibility Zero
3.) The Unsung Heroes
4.) Rhythm in the Spirit
5.) Refugee
6.) The Voyage of Eight Eighteen
7.) Camouflage
8.) Summer
9.) Crowded Isolation
10.) Section 60
KANSAS will be debuting songs off The Prelude Implicit this fall, live in concert, as part of their Leftoverture 40th Anniversary Tour.  More information on the tour, including tour dates, can be found at www.kansasband.com
 

TESSERACT CONFIRMED AS SPECIAL GUESTS ON THE DEVIN TOWNSEND PROJECT UK TOUR IN MARCH 2017

TesseracT’s only UK club shows of 2017! 

DTP_UK_Support2016

TesseracT has confirmed that they will be appearing as special guests on the Devin Townsend Project’s Transcendence 6 date UK tour in March 2017.

TesseracT guitarist James Monteith comments on the forthcoming live shows,

“We are beyond stoked to be touring with the Devin Townsend Project and playing such great venues around the UK next year. Not only are we all huge fans of the band (and our mutual agreement on music is a rare thing!), they also hold a very special place in our hearts, as they were the first band who ever took us on the road in the USA and Canada. They gave us a huge leg up in the touring game, were great mentors / advisers, all-round amazing dudes to hang out with, and they have remained our friends ever since. Not only will this be an honour on a musical level, it’ll be great to spend some time with them once again! Plus having Leprous on the bill is definitely the icing on the cake; they’re a phenomenal band and really help to make this bill special. Bring on 2017!”

These shows with DTP, TesseracT have confirmed will be their only UK club shows of 2017 as they work on their follow up album to 2015’s Polaris.

March 2017

12th – Bristol, Colston Hall

13th – Manchester Academy

14th – Glasgow Barrowlands

16th – Birmingham O2 Institute

17th – London Hammersmith Eventim Apollo

18th – Nottingham Rock City

Tickets available now through https://myticket.co.uk/artists/devin-townsend

TesseracT will be keeping busy before the DTP tour, the autumn sees the band tour North America with Gojira and release a new 2 CD edition of ‘Polaris’ which includes a bonus disc entitled ‘Errai’ featuring  four re-imagined tracks from Polaris by the band’s long time live producer and sound engineer Aidan O’Brien – “Survival”, “Cages”, “Tourniquet” and “Seven Names.”

Band image credit: Tom Barnes.

 

 

Review – Fractal Mirror – Slow Burn 1 – by James R. Turner

Fractal Mirror - Slow Burn 1 Cover

James R. Turner’s first review for Progradar!

It’s a strange half life you have as a reviewer, you’re at one step the conduit between the bands and the audience, hoping that what you write influences others to investigate some of the exciting new music out there, on the other hand you end up meeting musicians, talking to the bands and becoming friends with them either online or, even better in real life, and that friendship you build up, you have to be careful not to let it influence your writing or your relationship with the band, a balancing act that shouldn’t compromise your principles or your opinions.

Of course you get sent albums to review, and having a day job, or indeed the house move from hell (never move, or if you do move, never use the decorator we had), it sometimes takes longer to get round to writing the reviews than intended, that’s the trouble with life, it always gets in the way.

Making friends in the progressive genre is an easy thing to do, as it’s such a small scene, and for the most part a friendly and welcoming environment that you can go to gigs on your own and end up in a big group at the end, which is how coincidentally I met Leo Koperdraat, back at Eppyfest 2014.

That’s how Fractal Mirror, Leo, Ed Van Haagen and Frank Urbaniak, met, via a Facebook group, and from such an everyday occurrence, something magical was born.

‘Slow Burn 1’ is their third album following on from 2014’s astonishing ‘Garden of Ghosts’, which was one of my albums of the year, and see’s them consolidate their sound, an evolution rather than a revolution, after all if something ain’t broke, then don’t break it for the sake of it.

That is no criticism by the way, the band are in no way playing it safe, instead they are bolder with their sounds, and broader in their vision without compromising anything of their heart and soul that helped make ‘Garden of Ghosts’ such a great album.

Band & Brian

Working again with Brett Kull, who produces and co-writes a few tracks on here, this is an exceptionally assured album, the Fractal Mirror sound is unique, a step away from what other artists are doing at the moment.

This means that you can tell who is playing the minute the album starts, and there are not that many artists who are instantly recognisable.

What’s also striking is the fact that each song title is just one word, which adds to the effect.

There is no sound and fury and bombast here, the sound is deceptively relaxed, and the album is as its title suggests a slow burner, one of those gems that works it’s way into your head subtly and each time you play it, you pick up more and more from each track, the beauty of the music being so subtle and almost chilled out, is that the lyrics then work their way into your consciousness.

Fractal Mirror have a clever way with lyrics, similar to how The Beautiful South used to work, by having beautiful music, with quite stark lyrics, the lyrics to Embers for instance are quite dark and haunting, belied by an amazing tune, in fact whilst there is light on this album, there is also a lot of dark, and understandably so, the times that we are currently living through are turbulent and unstable, and all the best art reflects the times we live in.

Tracks like Mist and v838 have an element of optimism about them, however the darkness of the lyrics on Enemies, Embers and Fading has it’s polar opposite in the final track, which I will come back to.

band live

The music that Fractal Mirror make is superb, the synth and guitar work on Enemies for instance is striking and powerful, whilst the vocals of Leo are superb throughout, and the way the band work together in creating this music considering how spread apart they are is a testament to their vision and their friendship. Whilst some of the vocal harmonies are stunning and on Embers are very Beatlesque, particularly with the guitar work reminiscent of George Harrison.

Back to the closing track, never finish a set on a downer an old poetry tutor told me when structuring a reading, and I think this might be something Fractal Mirror have also learnt.

I don’t think I am overstating the importance of the message in Universal when I say it is all about the message of togetherness and how we could all be so much better together, the ambiguity of the closing suggests, like so many things that it could go one way or the other. With it’s musical refrain, and it’s almost pop sensibility it has some great hooks, wonderful keyboard sounds and great guitar work (with guest bass from Leopold Blue-Sky), I don’t like to overuse clichés, but I would say it is anthemic and one of those songs that can come to represent a time and a place, particularly with the haunting coda at the end.

However there is no ambiguity here, ‘Slow Burn 1′ is another fine piece of art from Fractal Mirror, musically and lyrically superb, and packaged beautifully with the work of Brian Watson, another friend of the bands who met in the Facebook melting pot. It’s so good to see bands taking as much care over their artwork as their music. I am from the era where how records look are s important as they sound, hands up how many of you out there have bought a record based purely on the sleeve? I know I have.

People criticise social media for keeping people apart, here we can see it has brought together like-minded creative individuals, all of who have something to add to the prog genre that we love.

Progressive, adjective, happening or developing gradually or in stages, favouring change or innovation, engaging or constituting forward motion.

I think looking at the true definitions of the word progressive, we can apply all those to ‘Slow Burn 1’ as it is an evolution of the Fractal Mirror sound, there is definite innovation in their work, and it’s another mighty step forward for them from ‘Garden of Ghosts’.

Released 23rd April 2016

Buy ‘Slow Burn 1’ direct from the band

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James R. Turner

The best thing to come out of 1977 (the 2nd best being ‘Out of the Blue’ by ELO) I have been writing about prog since I joined the Classic Rock Society back in 1994, and have written for several online magazines, the BBC website as well as contributing two articles about Cult television to two anthologies.

I like cult TV specifically Doctor Who, and see where prog and Doctor Who meet in the music of the BBC Radiophonic workshop.

I live in Bristol with my other half, have a large collection of rubber ducks and more CDs/Books/DVDs than I have space to store them.