I can’t believe that in all my years, although being aware of them, I had never actually listened to any music from Stackridge, the Bristol based unit whose merging together of folk, prog, music hall and vaudeville stylings had somehow completely passed me by. Unbelievable and definitely my loss. So. now I find myself rapidly playing catch up, trying to rectify that oversight, which is rewarding, if not a little futile, as Stackridge have ceased to be, well for the moment at least.
Stackridge’s history is well documented online and in the rather marvellous ‘On Track’ book by Alan Draper, which details that history album by album. It’s possibly a book that many would enjoy reading, digesting and learning all about this seldom mentioned and largely overlooked band.
This fine 4 CD set comprises the reunion albums, ‘Something For The Weekend’, the ‘Lemon’ mini album and the 2008 release ‘A Victory For Common Sense’. The set is completed by a reissue of ‘The Final Bow’, a double album recording of their final show from their home city of Bristol recorded in 2015. It also features additional bonus tracks such as the 2006 re-recording of Purple Spaceships Over Yatton, Seek and You Will Find and both songs from the rare ‘Dummies’ CD single.
Stackridge have a near 50-year history, although it is a broken, disjointed timeline with periods of several years’ inactivity between the late 1970’s and the 1990’s, after which they returned to an increased level of activity once again. This means that ‘The Final Bow’ element of this release is able to draw material from their earliest and also their latter day releases and this makes the set different to the earlier live set of ‘The Forbidden City’ from 2007, with which it shares at least 10 tracks. The addition of track from 2008’s ‘A Victory For Common Sense’ helps as several of those tracks really make an impression here. As do long term fan favourites like Syracuse the Elephant and Slark, along with Purple Spaceships Over Yatton and Do the Stanley Stanley Aviator Brass, that draws the show to a fitting, if not a little understated, finale.
What I do like, and I think will appeal to Big Big Train Passengers, is the presence of Claire Lindley who adds her violin, guitar, ukulele and voice to these recordings. They all sound wonderful and pastoral even, at various points within the albums, especially on the live tracks where her presence is keenly felt. I also like that they delve back deep into their history for versions of The Road To Venezuela and God Speed The Plough. Something About the Beatles really appeals, with its somewhat whimsical lyrics. It does remind me at times of a less manic incarnation of the Bonzo Dog Doo-Dah Band without the whirlwind of mischief that was Vivian Stanshall, Stackridge seem to share a similar musical DNA, which makes their eccentricity all the more rewarding. I really am enjoying discovering all this wonderful music many years later on.
Whilst casual listeners may not find this the best introduction to Stackridge, it does have the advantage of offering a handy bite-size introduction to the band through its latter-day recordings and the great ‘The Final Bow’ set. This is all encased in a great clamshell box with individual sleeves for the albums, although ‘A Victory For Common Sense’ gets a gatefold sleeve and ‘The Final Bow’ gets a different picture for each disc, along with picture labels of each cover. The booklet is perfunctory and actually is a little light on details, giving more of an overview of the band’s history, the pictures are good though, it must be said, I certainly found it to be a fine set one that I will definitely return to again I’m sure.
I recommend it highly and I can only comment on how much I’ve missed out on over the years of this band’s existence. Don’t be like me, investigate Stackridge for yourself, you may be as pleasantly surprised as I have been with their excellent musicianship and witty and interesting songs.
Life has been a bit up and down recently and I have really struggled to keep Progradar up and running but we are still here, a not inconsiderable thanks has to go to John Wenlock-Smith for keeping the reviews running while I’ve been on a bit of a hiatus!
Anyway, 2025 started with some fantastic promos being sent so here are just a few of them, you’ll see why I think 2025 is going to be another stellar year for the music we all love!
Ghost Of The Machine – ‘Empires Must Fall’
‘Empires Must Fall’ is the hotly anticipated second album from Yorkshire-based progressive rock band Ghost Of The Machine, releasing on 7 March 2025 through ProgRock.com’s Essentials label.
Empires Must Fall maintains Ghost Of The Machine’s trademark anthemic hooks and beefy melodic rock production (once again courtesy of Leeds producer Bob Cooper) and it also explores “denser and darker arrangements that”—singer Bramald promises—will “scratch that ‘prog’ itch while striking a careful balance between shorter, more accessible songs and those epic-length pieces that we’re known for.”
The new album tells a continuation of the story that started with the ‘Scissors’ suite on the previous album. Bramald adds, “Our first record concluded with the tyrannical Puppet King being vanquished by his final victim… she slew him with a pair of scissors! So, we wondered what the consequences of that violent but liberating final act would be. We started with a simple question: what is true justice? Is the newly crowned Empress of the Light succeeding at being a benevolent ruler, or is she becoming a tyrant herself? Can she right all the wrongs that she herself had suffered? And what will it take to finally break the cycle of violence and coercion?”
God, these guys just keep getting better! There’s a confidence about Ghost Of The Machine that oozes from every track on this complete monster of an album. You’d be forgiven for thinking that the band had been together for decades, not just a handful of years. Powerful guitars and a wonderfully fluid rhythm section add to the elegant keyboards and Charlie Bramald’s superb, distinctive vocals to deliver a real tour de force of hard rock tinged progressive rock.
Keepers Of The Light opens the album with an energetic bravado that enthuses the listener and then The Days That Never Were adds some classic hard rock vibes to the album. The two epics, Panopticon and Fall Through Time, take this impressive band to yet another level. The former is a brooding monster of a track that ebbs and flows with a quiet assurance and maturity and speaks of a group of musicians on an ever upwards trajectory and working in an almost symbiotic relationship. The latter is a true progressive masterpiece that wouldn’t be amiss on a Genesis album. The haunting brilliance of The One is a highlight and the album closes with After The War, a modern progressive take on Dire Straits‘ Brothers In Arms to my ears.
‘Empires Must Fall’ is Ghost Of The Machine oozing class, skill and confidence to deliver a truly majestic musical experience that lingers long after the last note has ended.
Dominic Sanderson is a 25-year-old Liverpool-based solo artist from Wakefield. He places his foot firmly in the progressive rock field, with current influences being Van der Graaf, King Crimson, Gentle Giant and Caravan. Having made his debut in 2020 with the ‘Discarded Memories’ EP (featured on the sampler CD of Prog Magazine #116), Sanderson released his first full-length album, ‘Impermanence’, in 2022.
‘Blazing Revelations’ was completed between January and November 2024. The album was recorded and mixed independently by Joshua Joyner in an abandoned radio station. With the snatches of time available to Sanderson and the band members, what with commitments to careers, families and social activities, ‘Blazing Revelations’ was a labour of love, slowly chipped at when time allowed. The mastering was completed by Jon Astley (The Who) at Close To The Edge Studios.
Once again, Dominic Sanderson has created something truly progressive. I was a big fan of ‘Impermanence’ and I think he has taken his skill set to another level. A masterful collection of songs that inspire and surprise at every turn. There’s touches of Canterbury, swathes of symphonic and, over all, a supreme confidence in the composition and delivery on every track of this superb release.
Dominic is obviously not one to rest on his laurels and ‘Blazing Revelations’ continues his quest to expand the progressive genre with thoughtful, intelligent and complex creations like the acid edged majesty of From The Weeping Cradle with it’s complex rhythms and the wistful, Canterbury stylings of Faithless Folly, a convoluted, labyrinthine piece of music that takes you on an other worldly adventure. Add in the acid folk leanings of A Rite Of Wrongs and we see Sanderson take an enjoyable trip into the wider sonic world.
The stand out track is the near seventeen minute journey into the unknown that is Lullaby For Broken Dream. There’s something utterly compelling about this song as it opens up like an Edgar Allan Poe story set to music with discordant jazz sections that really test his fellow musicians and edgy, contemporary prog that makes for an complex and intriguing listening experience. An utterly worthwhile expedition into the creative mind of one of British progressive rock’s rising stars. Crimson-esque guitars and swathes of 70’s keyboards abound on this stunning piece of music that will leave you breathless in admiration.
With ‘Blazing Revelations’, Sanderson has redefined what it is to be truly progressive in the modern musical world and I for one am eminently thankful that there are musicians out there who are still creating works of art like this.
Human Pyramids is a Cinematic, Orchestral Supergroup from Glasgow, Scotland.
Led by Composer/Producer Paul Russell, the new album features musicians from Axes, Suicide Bid, Scottish Ballet and Modern Studies.
Their 4th album ‘Thank You’ was recorded all over the UK and Europe. Luscious strings, rousing horns, shimmering guitars and bubbling synths. The album expands upon their trademark euphoric sound from the first 3 records which have soundtracked countless TV Shows, Documentaries and Films. The album was mastered by Alan Douches (Sufjan Stevens / Animal Collective) in New York State.
I’m a huge fan of Paul and Human Pyramids, the uplifting music is wonderful to listen to and transcends all the crap in modern life. With ‘Thank You’ Paul has carried on with his fantastic formula, delivering an experience that is sonically beautiful and joyously mesmerising.
Take strings, brass, amazing percussion and funky guitar and add in a touch of utter joy and you get something that will leave a permanent smile on your face. Listen to the audaciously wonderful Full Bloom, the staccato feather like innocence of Scattering Sunlight and the wholesome delight of Glow and tell me that I’m wrong!
This world that we live in can be a daunting and scary place so take some time out of your busy schedule and let Human Pyramids whisk you away to a world of musical wonder and delight!
Thumpermonkey’s guitarist/vocalist Michael Woodman returns with his first full-length solo album, slated for release on 26/04/2025. ‘Hiss of Today’ entangles restless analogue-synth entities with lo-fi motorik percussion; part 60s baroque chamber pop, part Vangelis, part Thelemic ritual viewed through a broken kaleidoscope. Label owner and Gong frontman Kavus Torabi (whom Woodman toured with after the release of his debut EP, ‘Psithurism’) also gifts his unmistakable spectral psychedelia to the single, Lychgate. The album’s inspiration comes from an uncanny discovery: William Robert Woodman, one of the founding members of the Hermetic Order of the Golden Dawn, not only shared Michael’s surname but also died on the same date as Michael’s birthday. ‘Hiss of Today’ is equal parts nostalgic hauntology, tales of cursed ZX Spectrum tapes, and hallucinated 8-bit lore – expanded upon through a pre-release text adventure that fans can access from February 2025.
Photo credit Ashley Jones.
I was one of the first to hear ‘Psithurism‘ and was intrigued by Michael’s complex and intriguing music and he has returned with a full length release that improves on the promise of that EP to deliver a thought provoking and beguiling collection of songs that captivates the listener with its compelling stories impressive musicianship. Haunting and moody on tracks like The Wandering Nerve, the musical equivalent of scratching your finger nails down a blackboard and bombastic and theatrical on my personal favourite, The Button, a track that harks back to 90’s hard rock band Incubus to my ears. It is a journey through a feverish but calculating mind and one that produces something daringly different.
There’s nothing else quite like ‘Hiss Of Today’, with touches of Gong and Cardiacs in places, mingling with the cerebral style prog of Van der Graaf Generator and King Crimson, Michael Woodman has created a kaleidoscope of musical magnificence.
Dim Gray are a Norwegian band known for their cinematic, atmospheric sound that fuses rock, folk, and chamber pop. Following acclaimed debut, ‘Flown’, and the expansive, evocative soundscapes of second album, ‘Firmament’, Dim Gray are set to release their third studio album, Shards, on February 28th, 2025 on Grim Day Records.
Formed by Håkon Høiberg (guitars, vocals), Tom Ian Klungland (drums), Oskar Holldorff (vocals, keys) and former member Robin Kirknes (bass), the band added new members Kristian Kvaksrud (bass) and Milad Amouzegar (guitar, keys) in 2023. The band have established a strong live presence, as per their recent live EP, and have captivated audiences while supporting renowned acts like Marillion and Big Big Train.
Oskar adds, “Seven of the songs on Shards are about change, upheaval, severance; something shattering to pieces. Although most of these songs are sad or dramatic, some have a tinge of hopefulness to them, as sometimes the pieces of something shattered can be rearranged in different and better ways. These seven songs are bookended by two songs that deal with the opposite; a constant stasis, an unending struggle of two opposing kinds that are reflections of our personalities.”
With the breadth and ambition of the Shards album, Dim Gray are making good on not only what has come before but also setting their sights on, despite their name, a very bright future.
I’ve been on the Dim Gray journey since the start and this Norwegian band just get better and better with every album they release.
They have a very distinctive sound and this has coalesced into a more easily accessible and open set of songs on ‘Shards’. From the very first note of Defiance you are drawn into a musical cornucopia of wonder and delight. Jingling guitars, haunting piano and the distinctive, fluent vocals are hallmarks of this wonderful band’s very unique sound. The soaring choruses and dynamic strings add yet another dimension to the music and this can be heard to fantastic effect on the delightful Myopia.
Dim Gray are described as ‘evoking a blend of Radiohead’s experimental edge and Fleet Foxes’ pastoral warmth’ but, to my ears anyway, their sound has evolved to be very like the much loved Danish band, Mew, who are sadly playing their last two shows this year before disbanding. With driving, energetic songs like Murals with its superb folk style guitar, Dim Gray can forge a new path for themselves and create their own niche. The warmth and heartfelt passion of Feathers and Mooneater create a stylish juxtaposition with the wonderful Scandi pop/prog of the vibrant first single from the album, Peril, like A-ha brought bang up to date for present times, it’s uplifting, energetic and just brilliant!
Mesmerising and ethereal, Little One and Shards From a Broken Crown are perfect musical gems like atmospheric, euphonic ripples in a sonic lake but the best is saved until last with the ten minute odyssey that is Attakulla. A brooding opening gives way to Dim Gray at their magical best. Gorgeous harmonies and simply superb musicianship create an atmosphere of utter wonder that transcends mere mortality and finishes this musical creation on an incredible high.
‘Shards’ is a band operating on a higher plain. Widescreen cinematic music full of heart and soul, Dim Gray have given us the highlight of 2025 so far and it will take something quite remarkable to top it.
UK Progressive Rock group Frost* is pleased to share a new stand-alone single titled “Western Atmosphere.” This song was originally featured as a Japanese-only bonus track on the album ‘Life in the Wires,’ and sees band leader Jem Godfrey joined by Randy McStine (Steven Wilson, Porcupine Tree – live guitarist), Mike Keneally (Devin Townsend) & Nick D’Virgilio (Big Big Train).
Godfrey says this about the track: “I sometimes wonder what would have happened had I stayed in bed 10 minutes longer than I did on Monday 11th of January 2010. Perhaps my life would have gone in a completely different direction and Frost* would have ended up with the lineup of myself on keys, vocals and bass, Mike Keneally on guitar, Nick D’Virgilio on drums and Randy McStine on guitar and vocals. We’ll never know, I guess.”
“It’s actually a continuation from Day and Age” explains Godfrey, “the first track on the new album starts with the end of the last track from that album “Repeat to Fade,” where the static comes up and a voice says “Can you hear me?”. I remember putting that in when we did Day and Age as a possible little hook for the future; a character somewhere out there in Day and Age land trying to be heard. What does he want to say? Can anybody hear him? Day and Age kind of sets up the world that this character lives in and Life In The Wires tells his story”.
The story revolves around the main character Naio, an aimless kid heading for a meaningless future in an A.I. run world. He hears an old DJ talking on the ancient AM radio his mother once gave him and decides to trace the source of the signal and find “Livewire” to see if there’s a better future out there. However, the All Seeing Eye is less than impressed at this bid for independent thought and fights back. Soon Naio finds himself pursued across the country by an outraged mob as he tries to locate the home of Livewire and his freedom. Tune in at www.lifeinthewires.com and see if you can hear Livewire on the radio.
Helping create this parallel world are the “classic” Frost* lineup of guitarist John Mitchell, bassist Nathan King, and returning drummer Craig Blundell.
Fans of the band’s masterful debut album Milliontown (2006) will enjoy the band revisiting the style that made that debut album one of the most successful prog rock albums of the last 20 years, a fact that was not lost on Godfrey as he was writing this new record.
“With Day and Age, we made it a very specific point: we’re not doing any solos, we’ll do clever arrangements. And we enjoyed that discipline, but this time I thought it might be good to row back on that position a bit. Plus, I wanted to have a little bit of a nod to Milliontown with this album, because it’s been nearly 20 years since Milliontown came out and I’m still proud of it. The 15-minute title track has a few of those Milliontown moments in it which were great fun to do again.”
Frost* released their critically acclaimed double concept album ‘Life In The Wires’ last October. The album received rave reviews from press and fans alike, ending up on many end-of-year Best-Of lists and winning Album of the Year in The Prog Report Awards.
If, like me, you enjoy symphonic prog, then you will find much to enjoy in this shorter album from Norway’s TheWindmill. With definite touches and traces of Wish You Were Here in the long first track Fear, ‘Mindscapes’ has as good an opening segment as I’ve heard on many an album. This release also contains three shorter tracks, all of which show a different facet of the band
The vocalist Erik Borgen has a wonderful, if somewhat unusual voice, it reminds me in places of Roine Stolt of The Flower Kings. Also memorable here is the saxophone of Morton L. Clason which adds something of great depth to all the keyboards and clout of the rest of the band. Fear has a great soundscape and some dynamic passages, along with a great organ solo. It’s also, despite being nearly twenty-three minutes in length, a very endearing track with lots happening during its duration. In fact, the more I’ve heard it the better it gets for me, as it reveals deeper, hidden complexities which, when all taken together, forms a most impressive piece. The song is in three distinct sections, Fear, Back Against The Wall and Amnesia, the middle section has a great urgency and wonderful interplay between the flute and the rest of the band, it also benefits from a strong chorus and refrain.
I really like this track, it has grown on me considerably as I have become more familiar with it. A good guitar break helps move the track along before an extended keyboard solo is introduced to the proceedings. Thereafter a flute solo plays as the songs moves into its second section and this is a well orchestrated part with good keyboards and more flute stylings, all of which add to the overall feel and impression the track is seeking to create. And create it well it does too, as this song really does make a favourable impression and impact.
Calton Hill is a tribute to the band’s good friend Brian McNeil who was based in, or certainly very well acquainted with, the city of Edinburgh. The song is about walking around the city and the delights of Calton Hill which offers a good view of the city and is adorned with monuments and is a very pleasant area to explore. I know, I did it over 30 years ago and long to revisit once again. The shorter and more delicate sounding I Still Care seems to be about a loved one who is not around any more but, even so, he still cares about her. It’s a wistful rather than cloying song, it is very tender and heartfelt though. The final track Nothing In Return is a bit of a different beast though, as it has a heavier sound with a degree of crunching guitar, almost like Grunge Prog! The presence of the flute is clearly heard and felt and this actually really works with this song because the contrast with the guitar is distinct and the flute brings a degree of lightness to proceedings. A wild synth solo is played with increasing urgency and power which makes an definite impact. The track then heads out in a romping/rollicking section, all synths and guitar riffs in tandem and unison. The impressively solid bass of Arnfinn Isaksen is felt here and his weight adds much to the dynamics at play here. This song may be brief but it is certainly powerful and impactful.
‘Mindscapes’ may be relatively short for an album of this genre but it is definitely a triumphant one for The Windmill, coming six years after their ‘Tribus’ release of 2018 and shows this fine Norwegian outfit have much to offer still. I heartily recommend this for its versatile musicianship and its complex layers and soundscapes, it’s a very enjoyable listen indeed.
2024, well the second half, has been a tough year for me and I took my eye off the reviewing ball from August onwards due to changes in my life. It doesn’t mean that I haven’t been listening to amazing music though!
As my friend John Wenlock-Smith has already said, 2024 was an amazing year for music, progressive rock in particular, and here are the highlights for me. They are not in any order, just the albums that I have enjoyed listening to!
2025 will see me attempt to revive my reviewing mojo and it may mean a change of format so watch this space! In the meantime, enjoy my selection of some gems from last year…
Emerald City Council – ‘Motion Carries’
Emerald City Council have entered the progressive rock scene with a massive bang. ‘Motion Carries’ is a superb album, utterly immersive and uplifting with incredible musicianship, soaring melodies and a real sense of fun. This is music that touches the mind and lifts the soul and I haven’t stopped smiling yet. Trust me, you need this album in your life!
Albion – ‘Lakesongs of Elbid’
With ‘Lakesongs Of Elbid’, Albion have created an immersive, almost hypnotic collection of songs that is like listening to the stories of old, sung by travelling bards as they travelled the lands. Allow yourself to be drawn into its embrace and you will enjoy seventy minutes of wonder and music that will not only take your breath away but your heart and mind too…
Big Big Train – ‘The Likes Of Us’
What an emotional rollercoaster, I have spent the last four weeks listening to ‘The Likes Of Us’ at every opportunity. In the best tradition of Big Big Train albums of the past, it is not merely a collection of songs, it is a musical masterpiece that becomes part of your life and, for me, that means this album stands tall with the likes of ‘The Underfall Yard’ and English Electric’ 1 & 2. I know it is early in the year but it is going to take something incredibly special to topple this off the top of album of the year list and, for a long time fan of the band, that fills me with joy and makes me very happy indeed!
Cosmograf – ‘Live At The 1865 (Official Bootleg)’
A new Cosmograf studio album is on the way but, ever one to give back to his audience, Robin has sated the craving for new music by releasing what I am sure will become a seminal live album in the progressive rock scene. Close your eyes and you could almost be there, basking in the glorious music and that is what makes ‘Live At The 1865’ an essential purchase.
Jo Beth Young – ‘Broken Spells’
After four years Jo Beth Young has returned with an immaculately created and conceived album of pure wonder and musical genius. A piece of music of, and for, the ages and possibly the best album that Kate Bush never released.
HFMC – ‘Eternal Snapshots’
Music is written to connect with people, to move you on an emotional, spiritual and intellectual level. If it is done right then it leaves you in a much better place than when you listened to the first note and, with ‘Eternal Snapshots’, Hasse Fröberg & Musical Companion have delivered one of the most superlative musical events of the year so far.
Blue Rose Code – ‘Bright Circumstance’
Music can reflect life and accompany us on our very personal journeys and we should be honoured that Ross Wilson has invited us to join him on his own poignant and introspective pilgrimage through his faith. What he has given us is one of the most intense and intimate records released this year, with faith and devotion as its central themes. ‘Bright Circumstance’ is an utterly captivating triumph and should propel Blue Rose Code onto further and better things, it really doesn’t get any better than this.
Amarok – ‘Hope’
An utterly stunning collection of songs that bears Amarok’s impressive hallmarks throughout, ‘Hope’ is one of those albums that hits you at a base level in a totally emotive way. It is music for the mind and the soul and in a world collapsing around our very feet, we all need some of that, don’t we?
Age Of Distraction – ‘A Game Of Whispers’
2024 has already been a bumper year for superb releases and Age of Distraction have just added another fine album to the mix. ‘A Game Of Whispers’ is a collection of mighty fine songs that define the contemporary progressive rock and melodic metal genre and is a dramatic and profound listen from beginning to end. My recommendation is you just go out and buy it!
The Tangent For One – ‘To Follow Polaris’
‘To Follow Polaris’ is intended to be thought of as a regular Tangent album – but not as the future of the band. It’s everyone’s intention to make the FOURTEENTH album as The Tangent. For Five. However, taken in isolation, what you have is a wonderfully inventive and amazingly performed collection of songs that stay true to the core of Andy and the band’s beliefs. Witty and acerbic throughout but with some moments of pure musical bliss, it is yet another highlight in this storied musician’s stellar career.
Nordic Giants – ‘Origins’
‘Origins’ is a wondrous journey through all that is great about Nordic Giants. A collection of songs that have been fine tuned from the original to deliver an almost spiritual and addictive listening experience and one that will not just appeal to long term fans of this utterly compelling band but also to those lucky enough to be discovering them for the very first time.
Gallowstreet – ‘A Trip Worth making’
With ‘A Trip Worth Making’, Gallowstreet have leaped straight into my musical affections,. It is such an infectious, upbeat and addictive experience that you forget just how technically impressive these musicians are because you are just enjoying the joyful brilliance that they bring to each of these compositions, the energy just free flowing and imbuing in you a fabulous joie de vivre.
Nine Stones Close – ‘Diurnal’
‘Diurnal’ has to be one of the most imposing and impressive releases I’ve heard this year. Nine Stones Close have returned with a new line-up and firing on all cylinders and have created what, to me, is their finest album yet. A wonderfully direct, dynamic and energetic listen from beginning to end and one that will be on many best of the year lists come December 2024, I highly recommend it.
Airbag – ‘The Century Of The Self’
‘Century of the Self’ is a mesmerising and involving odyssey that elevates you to a musical nirvana that not many artists can create. Airbag are one of those bands that just seem to get better with age and this new release just might be their best album yet, and that’s saying something!
Returned To The Earth – ‘Stalagmite Steeple’
Robin Peachey and Returned To The Earth may not be well known to most people out there but, with the utterly magnificent, transcendental brilliance of ‘Stalagmite Steeple’ they deserve to be up there in the higher pantheon of progressive rock. You will not hear many better albums of any genre this year and I implore you to seek it out and add it to your own music collection, you will never ever regret doing so!
Orion – ‘The Lightbringers’
The best music can take you on a wondrous, fantastical journey where, for a short while, you can forget about the trials and tribulations of this planet that we inhabit and with his latest superb Orion album, ‘The Lightbringers’, Ben Jones does just that. It is a highlight of another fantastic musical year and one that I feel will be on many people’s end of year lists and it deserves to be.
Long Earth – ‘An Ordinary Life’
All great albums are the product of an intensive creative process and, in ‘AnOrdinary Life’, Long Earth have given us the highly impressive fruits of their artistic labours. A wonderfully immersive musical journey that will have you coming back for more, it is a highlight of what is becoming an extraordinarily outstanding year for new music.
Meer – ‘Wheels Within Wheels’
I have to say that repeated listens to this album have allowed me to appreciate it more fully and I can certainly appreciate the crafting that has gone into making the album sound as good as it does here. ‘Wheels Within Wheels’ is a most worthy album and one that will hopefully win Meer many new fans.
Frost* – ‘Life In The Wires’
I’ll let my good friend Kevin Thompson, who reviewed the album for Progradar, give his conclusion as I couldn’t agree more!
“Milliontown is one of the most successful prog rock albums of the last 20 years and rightly held in high regard, lauded by fans and critics alike. Life In The Wires may not surpass it but damn! it runs it close. One of the best concept albums I’ve heard for sometime and one of the best albums of the year so far.”
Nick Fletcher – ‘A Longing For Home’
Not just one of the best instrumental albums of 2024 but on of THE best albums full stop! With his classical music background and undoubted skill on the electric guitar, Nick Fletcher has to be one the greatest living guitarists, he’s also a fellow Yorkshireman so what more could you ask for! Joking apart, Nick is one of the finest musicians this country has produced in recent years so do yourselves a favour and check this album out!
John Greenwood – ‘The Boy’
John describes this album as, “A vicariously autobiographical concept album describing the life, ambition, sacrifices and ultimate regret of the eponymous Boy. The album is a single piece, with 6 parts punctuated by narrated snippets of the story by actor, Mark Addy.”
To me, it is just stunning, a beautiful piece of work and even better than John’s previous release, ‘Dark Blue’ in my opinion. It’s more of a story than just a musical concept which makes it utterly engrossing, touching, sentimental and one of the best albums of the year.
So, there you have it, 2024 in twenty-one albums. There are lost more wonderful releases out there and I will have missed some but, within this selection, you have some of the best music you could ever wish to here.
Look out 2025, I am coming for you refreshed and ready to review!
2024 has been quite a year hasn’t it really? From the vagaries of politics and re-emergence of Donald Trump to again become US President again, the implosion of the Tory party and the triumphant Labour landslide, to the downfall of Assad in Syria, it has all been quite eventful, all in all.
Thankfully, musically it has been a good year, especially for the likes of Taylor Swift, whose ‘Era’ tour was a huge success, the reunion dates for Oasis were another success, especially for it’s promoters, if less so for their fans who struggled to get any reasonably priced tickets. Prog thankfully doesn’t suffer in the same way and great music shows could be easily found for very reasonable prices, except maybe David Gilmour tickets, but Steve Hackett and Big Big Train shows were far more fairly priced, as their sell out statuses clearly showed.
The year has some truly fine and many very worthwhile releases and here is what really hit it off for me. As with previous years, I have a vocal winner and an instrumental winner of the year and you’ll understand why as I reveal them to you all.
There’s also a note about why each was selected as being so very good, invariably i’ll miss something that I should have included, such is often the case as its not always easy to recall timings and release dates etc., There are no live albums or ‘best of’ though, even though several of each were very good releases.
Here we go then..
20. Wedingoth – ‘Five stars (A) live’
A somewhat interesting mix of heavy metal with distinct Pink Floyd overtones, all recorded live and portraying their 2023 five star album.
19. PsychoYogi – ‘Astro Therapy Brain repair’
The 2024 quirky release from Chris Ramsing and band with more King Crimson styled jazz musings.
18. Nataraja – ‘Spirit At Play’
A one off project from Jack Jennings with Andy Edwards and John Jowitt of Frost/IQ mixing Indian classical music with synthesisers and fiery guitar a la John McLaughlin and Jimi Hendrix. A very intense listen but wonderfully conceived and delivered.
17. Infringement – ‘Black Science and White Lies’
More musings on the state of the world from the Norwegian stalwarts, full of dynamic music and strong observational lyrics.
16. Storm Deva – ‘Storm Deva’
Technically released at the back end of 2023 but gained popularity this year. Wonderful orchestral type music with fabulous vocalist/keyboardist Carollyn Eden along with sublime guitar work from Stuart Clark, some beautifully symphonic music and melodies.
15. Rick Wakeman – ‘Yessonata’
A totally solo piano album from the ex-Yes keyboard man which distils over thirty melodies from the prime era of Yes music. Have fun spotting the various melodies employed herein and, as a bonus, there is an instrumental synopsis of Rick’s ‘King Arthur’ piano suite.
14. Catalyst*R – ‘Pace Of Change’
A second album of impressive prog and electronic music from the ex Winter Machine men, check out the utterly epic Pendle Hill 1612.
13. Orion – ‘The Light Bringers’
The superb second full release from musical prodigy Ben Jones with lots of Rush overtones, especially with the spectacular artwork from Hugh Syme .
12. Kite Parade – ‘Disparity’
An album that highlights the challenges of this modern world most eloquently, there is some truly some great music on offer here.
11. The Windmill – ‘Mindscapes’
Latest release from the Norwegian retro-proggers. Just four tracks but such great tracks they are! One wonderfully long epic and the the other three being shorter, but no less impressive, pieces.
10. Age of Distraction – ‘A Game Of Whispers’
This offshoot group saw some of progressive music’s current stars (ex-This Winter Machine member John Cook, Ghost Of The Machine‘s Charlie Bramald and Mark Gatland of Hats Off Gentleman It’s Adequate to name three) band together in a new ad-hoc Project which married their progressive tendencies coupl with a harder edged sound to a fantastic impact. A second album is due in 2025 and possibly some live shows too!
9. Oddleaf – ‘Where Ideal And Denial Collide’
Surprisingly endearing and engrossing 70’s influenced Prog from new French outfit featuring the lovely Carina Taurer and colleagues.
8. Brendan Perkins – ‘Favourite Places’
A fantastic album that would most probably be of interest to Big Big Train ‘Passengers’ as the music is very expansive with very Pastoral overtones at various points. A most engrossing listen.
7. Nick Magnus – ‘A Strange Inheritance’
An excellent nautically themed collection of songs. This one really resonated with me and I really love Nick’s compositions on this album.
6. John Holden – ‘Proximity and Chance’
Another excellent release from the Cheshire based multi instrumentalist who, again, has enlisted some A-list players to support his epic pieces. This was, for several months, my album of the year but was then overshadowed by the following releases.
5. Kyros – ‘Mannequin’
Another top notch release and a fantastic fusion of 80’s style synth-pop and progressive music. An exquisitely produced and delivered album of sheer class.
4. Stuckfish – ‘IV’
This is a major step up from this north-east quintet and is full of great songs, some of which are crying out for more live performances. Sheer class and fine quality to boot.
3. Ruby Dawn – ‘Blood On Water’
The superb second release from Carola Baer and colleagues, who have crafted an album that is partly based on Romeo and Juliet but also contemplates life and all it’s seasons and challenges.
2. Forgotten Gods – ‘Memories’
This album came from nowhere but such is its emotional depth and rawness, along with its honesty and strong lyrics, it really makes a deep and lasting impression.
1st equal…
Instrumental album – Nick Fletcher – ‘A Longing For Home’
A further ten slices of Nick’s incredibly imaginative and polished musical musings with a truly impressive European based set of musicians. An album full of powerful themes and melodies along with jaw dropping skill and improvisation.
Vocal Album – John Wilkinson – ‘Imposter Syndrome’
Highly impressive solo album from The Swan Chorus and Ellesmere vocalist in which, over eight strong tracks, John sings of how he feels a fraud as a singer but goes on to prove that he is no fraud or imposter, rather he is a genuinely talented writer and performer. This album is a remarkable achievement and is a thing of beauty, crowned by John’s warm and evocative vocals.
It has been a vintage year for releases, you’ll notice that I’ve shied away from major label albums, despite there been several great ones but it us these 20 Albums have impacted me the most through 2024.
John Wilkinson is the singer in the Genesis tribute group Mama that celebrates the Phil Collins era of that particular band and John has a voice very similar to Phil, as any who have seen Mama can attest. John is also the singer for Liverpool based TheSwan Chorus and their last album ‘Achilles and the Difference Engine’ was my favourite vocal album of 2023. Whilst work on the next Swan Chorus album continues, John has found time, with assistance from fellow Swan Chorus member Colin McKay, to craft an album full of great songs and music that allows the majestic voice that John possesses free reign to weave his own magic.
‘Imposter Syndrome’ is a great album and I was fortunate enough to be given an exclusive preview of an unmixed version of the track Stranded many months ago so I was delighted to acquire the full album in due course. It is a collection of songs that I heartily recommend as it is very memorable and bears repeated listens. In addition, the cover art is excellent with an almost winteresque style. The album contains eight tracks and a bonus acoustic version of Ghost Dancers. So let’s dive in and see what it’s all about, shall we?
T3he album opens with Pulling Threads which wouldn’t have sounded out of place on that wonderful Swan Chorus album, such is it’s strength and catchy chorus. The track is hinged on a strong keyboard motif and guitar line from Colin McKay. Ghost Dancers is a stately track with another fabulously memorable chorus that unaware or misinformed folks would easily mistake for Phil Collins himself, it is astonishingly good, excellent stuff indeed. The flute style keyboards in the mid section are also superb, as is the fluent guitar solo, making it another very good song indeed. On King Of Yesterday the Collins influence is undeniable and, if Mr Collins had done this song, it would have been on radio worldwide. It is another very catchy track with an earworm chorus. This is followed by a truly heart-warming song called I’ll be There, which would be a great song for a wedding or for anyone who needs a little support, as it is all about being there in times of need or difficulties. This is a very warm and positive track and I really like it’s sentiments. I know John means every word of the song as he has a family situation that requires his constant support. It is a humble tender song with great words, I like it a lot.
The Sci-fi inspired track Exodus deals with how we are destroying our world and the need to escape and make a fresh start elsewhere, acting as a wake up call to rectify things whilst we still have chance. It has another upbeat keyboard part and strong guitar melodies at play, this is also the longest track of the album with great keyboard parts. There is a lot going on lyrically and the song has suitably strong vocally, the mid section is good too with its chiming keyboards and descending sounds. You can definitely get the TheSwan Chorus style that this track offers, it is another very strong piece of music indeed. The Big Conspiracy has a strong beat and some powerful drum patterns. It is a song is about conspiracy theories and their prevalence today and how some people believe all sorts of lies and half truths that are offered these days. Title track Imposter Syndrome deals with John’s feelings of self worth and how he feels a fraud at what he does. It’s a pity as he certainly is no imposter to these ears! Okay, he sings in a tribute band but his own unique work with TheSwan Chorus and Ellsmere surely bear testimony to talent, they certainly do to me anyway. The album concludes with Stranded, a song with a strong nautical feel in both the sounds and it’s lyrics. This wouldn’t have been out of place on NickMagnus’ ‘Strange Inheritance’ album from earlier this year, it’s an excellent story telling song, an epic track with strong melodies and instrumentation. I really like this song as its one I heard many months ago and it still impresses now.
Not only will ‘Imposter Syndrome’ appeal to fans of The Swan Chorus but also to anyone who likes great songwriting with fantastic melodies and fine vocals, it is a very strong album of great songs and performances by John and Colin.
UK prog rockers, CIRCU5, have announced that their second album, Clockwork Tulpa, will be released on March 7, 2025.
The album is now available to pre-order at https://www.circu5.com/. Pre-order supporters gain access to bonuses, including posters, early-access downloads and ‘The Vault’: a boxed flash-drive collection featuring behind-the-scenes demos, lyrics and concepts from the album’s creation.
Clockwork Tulpa is CIRCU5’s first album release as a full band, with Tin Spirits frontman Mark Kilminster and drummer Lee Moulding joining founder Steve Tilling. “With Mark and Lee in the band, CIRCU5 can now establish its own unique identity,” says Steve. “I’m excited about where we can take the band next.”
The 10-track album comes nearly eight years after CIRCU5’s eponymous 2017 debut. The extended gap was due to Steve contracting Long Covid and committing to projects with ex-members of UK rock band, XTC. “The songs reflect life’s ups and downs during that time. But I learned a valuable lesson: don’t be swayed by the plans of others. Stay true to yourself and your goals.”
Clockwork Tulpa continues the story of ‘Grady’: a troubled character moulded from birth by the mysterious CIRCU5 organisation. “It’s not just storytelling,” says Steve. “It’s a reflection on how people navigate the trauma of tough childhoods without falling prey to isolating belief systems. But ultimately, it’s about making the best songs we can.”
Ahead of Clockwork Tulpa’s release, CIRCU5 have made two album tracks – Freakshow Train and Skin Machine – available on streaming services. To pre-order Clockwork Tulpa, visit https://www.circu5.com/
I raved about Stuckfish’s last album ‘Days Of Innocence’ in my review in 2022 so I am very glad to report that this album continues in the same manner and vein. Although a few things have changed for the band, namely they are now part of the growing White Knight label run by Rob Reed and David Mackie. Also, they have a new keyboard player in Paul McNally who replaces Gary Holland (who left very amicably because of being unable to fully commit to the bands increased level of activity).
This new album has nine tracks, in all of varying lengths and all have a very different fell to them with differing moods. You do notice the quality oozing through the songs though as they are all very impressive sounding. The album begins with an acapella style opening on Shadows & Moonbeams, a song about Sarah Bernhardt, the French actress who had a very busy romantic life in that lots of men fell in love with her, thinking they were ‘The One’ who could win her heart completely. However, they never succeeded and she left a trail of broken hearts in her wake. It is a piece with a great chorus that will stay with you for ages and is one of the best opening tracks of the year with its chugging bass lines, sympathetic keyboards and a strong haunting guitar line from Ade Fisher. Silently Waiting is quite a fierce number with more solid keyboards and great acoustic guitar in the mix. This has a great vocal from Phil Stuckey who sounds a little Styx-like in his delivery, as he does on a few songs here. The song is about wanting to rebuild a relationship, here he is Silently Waiting for a positive outcome. The mid-section has an exciting and dramatic interplay between the musicians that impresses greatly and the whole band are on fine form here. The return of the acoustic guitar is a plus, as is the lyrical guitar solo that plays towards the tracks conclusion, another excellent track from the band.
Lifeline opens with strong chord work and, again, the Styx comparison holds true. Another strong vocal from Phil makes this a standout track for me, again the chorus is a distinct ear worm and will pop up unannounced in your thoughts during coming days. The song is about being free to be yourself and it is a fantastic song that calls out for a live performance, especially the great keyboards that close out the track. Liberty takes us to the poetry and musing of 13th century Persian poet and philosopher Rumi, who wrote about how love completes us. Again, the chorus is very memorable and strong and is repeated several times to great effect, Fragile is a short song, the shortest in Stuckfish’s canon of works and it benefits from a chugging bassline and atmospheric keyboards along with a very solid back beat from drummer Adam Sayers, whose meticulous timekeeping powers the track along. The song relates to how we are all fragile as individuals with our own life stories to live, experience and enjoy and how we can also make a new start when life fails us. A very short, concise and powerful track. The Time Of Your Life talks about how choices made early in life upon the expectations of other can be a burden that many are unprepared and unable to reach or cope with. The spoken word section is very memorable and works very well in the song, as does the excellent guitar solo from Adrian that crowns the song in style as he channels his inner Rothery in a very lyrical solo. This is another triumphant song, utterly magnificent!
JFKX rocks with style as more chugging bass and great keyboard textures and synths abound before a very meaty guitar riff is introduced by Adrian. The mid -ection has a keyboard solo from Phil McNally. Originally this song was written for Marc Storace of Krokus fame who rejected it, his loss being our gain. Fly (On Feathers Of Hope) begins with a very Yes like sound of keyboards and great guitar. The song is about love as a spiritual experience and expression so that it can be almost dreamlike. Which is an interesting construct as opposed to the traditional long slog of love that most folks experience. I guess it is all in how you approach it and also how much you value and appreciate your loved one. It is a journey that you take together and that is reflected in how you experience and express it for yourself. The album closes with the epic Skies Fall which is about near death experiences. This song is a slow burner with its strong use of bass, drums and keyboard interjections along with some harder metal edged guitar power chords. It slips into an almost eastern sounding mid section with more great guitar lines and that solid rhythm section holding everything together. There are great lyrics to this song too and, as the song builds in power, a great guitar break draws the song to its conclusion in style, including an effects pedal that changes pitch in a most dynamic way to fine effect.
So that’s it, a highly impressive sounding album full of memorable songs, strong choruses and excellent musicianship. If you get the chance to hear this album then you really must take it as it is certainly one of the years strongest releases and the band are more active touring wise these days too. So watch out for them as live this material will be fantastic!
Back in 2022 I wrote an extensive review of the debut album from Ruby Dawn as I was very much taken by it, hailing it to be one of my albums of the year and recommending it very highly. Well, it’s now two years later and a lot has happened since that first review. Ruby Dawn have a new album emerging onto the prog world stage in this month and it promises to be equal, if not superior, to that stunning debut album.
So let’s dig in, as they say, and see if that album was a fluke or whether this album can create something equally as captivating as the debut proved itself to be.
Initial impressions certainly bode well as the album has a very striking cover, very Hypgnosis in style and could easily be a Pink Floyd sleeve, such it is simple elegance and it is one that definitely catches the eyes. Comprising of eleven tracks ranging from the shorter Maker of Me to the lengthier epics Chronicles of a Celestial Soul and Juliet, both over seven minutes in duration. This is an album of feelings, of impressions and one that is firmly rooted in real life experiences. Experiences that have been faced and dealt with in the past few years by Carola Baer and her supportive crew of musicians, and also her own family members.
Whilst I know some of the background to this album, I don’t feel it is for me to lay wide open the headaches behind the music, except to say that Ruby Dawn have risen above the challenges to make an album of real strength, beauty, integrity and resilience, superbly deep recording. Opening with a steady drum beat before Carola’s suitably breathy vocals arrive, Juliet kicks off the album off in style. This track has a very meaty sound to it with solid and fluid guitar work from Dave Salsbury, whose playing is on fire here. This is an exciting and satisfying opener and proves how well the band gel. It also shows just how much the band have grown and have developed their own musical style in the two years since the debut album.
It also proves that the first album was no fluke and that this album will not suffer the Second album syndrome that has affected and derailed many a group over the years. Arms Of Love is a song about realising how together we are strong, being able to cope with whatever curve balls life may throw at us and also how it is better to be loved than left out in the cold, alone. With Alice Come Home we again have a very dense sounding track with great musical support, strong bass playing from IanTurner and more fine guitar tones and soloing from Dave Salsbury, whose fretboard must have the grooves burnt into it from it from the ferocity of his playing across the whole album!
Title track Blood on Water is a slow, brooding song with an increasing level of intensity mixed in amongst its strong power chords. I really like this track, it’s honesty and integrity shine strongly here as Carola seeks to makes sense of her world as it now is, different. This has to both be realised as such and responded to in a totally new manner. Social Disaster follows with another excellent guitar part from Dave and strong supportive bass from Ian, along with the suitably robust drumming of Adam Perry, whose sterling backbeat holds everything tightly together in a most marvellous manner. Easy Feels is a highly atmospheric track and one that would appear to deal with the difficult area of loss of control and how that affects a family unit. This has a very Dave Gilmour style guitar break at it’s heart and it certainly impresses greatly.
This is an album that was borne out of painful, heartbreaking challenges and situations encountered and having to be dealt with. This theme of overcoming adversity is woven throughout all of the songs. Yet, despite its darkness there is also a ray of hope and light that still shines through. This alone gives the album much of it’s emotional depth and rawness, along with its honesty. For that boldness alone, I applaud this deeply rewarding and emotionally haunting album.
The centrepiece of the album for me is the sprawling epic that is Chronicles of a Celestial Soul, which elaborates on the issue of suffering and the uncertainty that goes along with it. Again, we encounter Resilience and bravery as the situation is stared down and faced and confronted with courage and commitment.
The album is a triumphant statement of intent and a testimony to not giving in, instead choosing to face things head on with a confidence that may not actually be felt, yet somehow arises to battle the situation and fight until it ends. This album is actually life affirming and is a declaration of the power and value of love, teamwork and steadfastness in the midst of adversity and the promise of hope and also the recognition that better times lie ahead. Such is the beauty of hope that a new and different dawn will rise and life will continue.
