Review – Fanfare For The Uncommon Man – The Official Keith Emerson Tribute Concert 2CD/2DVD – by John Wenlock-Smith

Keith Emerson needs little or no introduction, he was a monster keyboard player for Emerson, Lake and Palmer of course, though he was also successful in his own right as a composer. Sadly, as he grew older Keith lost some of his astounding dexterity and, despite operations to his hands, sadly felt that his abilities to perform had become diminished significantly. This resulted in him falling into in severe bouts of depression and even alcoholism, which all became too much for him and he took his own life by gunshot on 11th March 2016 in Santa Monica, California. The world was shocked that one of the finest keyboard players of recent times was no more.

Well, that was five years ago now and his life was celebrated in style in 2016 when an all-star band of LA’s finest musicians assembled at the El Ray Theatre in Los Angeles to play his music and remember and acknowledge the inspiration that he had been to many of them over the years. The upshot of this is a concert movie and 2CD set of the event being released this year by Cherry Red Records in a lavish package with simply amazing artwork and production values, along with interviews with the various band members and photo galleries of Keith and his life and times, all of which together chronicles this very special and memorable night for posterity.

The list of musicians featured is mighty impressive including members of Toto and Dream Theater along with Eddie Jobson (UK and Roxy Music), Jeff Baxter (Doobie Brothers and Steely Dan), Brian Auger, Rachel Flowers, C J Vanston and many others, like Marc Bonilla of Keith’s old band and his close friend who was a major mover in getting the show together. The event also featured Emerson’s son Aaron, and members of his solo band and his Three Fates Project group.

The CDs capture live recordings of all the songs featured in the movie although sometimes in a truncated version. The sound is excellent throughout and the material is largely drawn from the first Four ELP albums, with four songs from the self-titled debut, two from ‘Pictures at an Exhibition’, three from ‘Tarkus’ and three from ‘Trilogy’ plus Karn Evil 9: First Impression – Part 2, Touch and Go (from ‘Emerson Lake and Powell’) and Fanfare For The Common Man in two versions, one with brass orchestration and the other with Blue Rondo A La Turk improvisation.

I have to say that, whilst this is a fabulous set, there are a few pieces that I would have liked to have seen covered, namely Jerusalem, Trilogy and Piano Concerto to name but three, also there is a marked lack of anything from the latter days’ reunion period, but this is most probably me just nit picking. What is here is perfectly fine and has some incredible musicians performing some extraordinarily complex pieces with skill, style and panache. Everything is played in a very sympathetic manner, with great respect to Keith, who was obviously a much loved, and now sadly missed character.

Marc Bonilla sings very well indeed throughout, as do the other vocalists, Marc also delivers some great guitar lines on here, mirroring and adding to what the various keyboard players are playing. The Performances are all exceptionally good indeed, those of C J Vanston and Rachel Flowers shine especially. Brian Augers interpretation and improvisation on Fanfare For The Common Blue Turkey is quite different and really captures one’s interest. Another highlight is the delight of seeing Eddie Jobson playing the modular Moog synthesizer on Lucky Man.

Jordan Rudess of Dream Theater delivers a powerful performance on the 20 minutes plus rendition of Tarkus, a track he gleefully states as a major influence on his playing. Here he revels in the performance of this in a suite of songs where Tarkus is the penultimate track before the encores are offered, namely Lucky Man/The Great Gates of Kiev and Fanfare For The Common Man, with Are You Ready Eddy? concluding the show.

I know in some quarters that ELP have become a dirty word full of excessive showmanship and not offering much for the listeners of today. However, I disagree completely and suggest that this music needs to be rediscovered again and given its rightful place in the annals of progressive rock. 

So, if you like the music of Emerson, Lake and Palmer or Keith Emerson then this set offers you both two excellent CDs and a full length DVD (plus a second DVD of bonus features) that captures this magnificent concert in all is spectacle and power, just sit back, turn the volume up and let the Moogs fly again. Best played loud, just as Keith would have wanted, this certainly is a most enjoyable stroll down memory lane, if you have 3 hours or so to spare. Brilliantly filmed, well presented and produced, the music offered on these discs reminds us of just how great a keyboard player and composer Keith Emerson truly was, along with why he should be remembered as such. I applaud all who took part for the great music they made and are now are able to share with us, sit back relax and enjoy this again and again.

Released March 19th 2021

Order from Cherry Red Records here:

Fanfare For The Uncommon Man: The Official Keith Emerson Tribute Concert, 2CD/2DVD Edition – Cherry Red Records

FROST* return with fourth studio album ‘Day And Age’

Frost* are returning with their first new studio album in 5 years on the 14th May 2021. ‘Day And Age’ is the band’s fourth record, and features Jem Godfrey once again joined by John Mitchell & Nathan King, as well as 3 guest drummers: Kaz Rodriguez (Chaka Khan, Josh Groban), Darby Todd (The Darkness, Martin Barre) & Pat Mastelotto (King Crimson, Mister Mister). The album also features actor Jason Isaacs.

Jem Godfrey comments of the new album: “2020 was the year of the studio for obvious reasons. As a result 2021 is going to be a bumper year for new music I think and we’re very happy to be riding that wave too into what I hope will be a better year for everybody.”

 ‘Day And Age’ was recorded over the course of 2019 and 2020, featuring 8 tracks and striking cover artwork by Carl Glover of Aleph Studios (Steven Wilson, Marillion, Steve Jansen). The full track-listing is below:

1.         Day And Age 11:49

2.         Terrestrial 5:13

3.         Waiting For The Lie 4:31

4.         The Boy Who Stood Still 7:33

5.         Island Life 4:14

6.         Skywards 4:13

7.         Kill The Orchestra 9:27

8.         Repeat To Fade 6:14 

The album will be released on Limited 2CD (including a bonus disc of instrumentals), Gatefold 180g 2LP + CD (with etching on Side D), and as Digital Album. Pre-order starts 19th March.

In September 2019 Godfrey and Mitchell rented a cottage for a week in Helford, Cornwall and set about converting it into a recording studio. Day one saw them write and record “Skywards”, “Island Life” was written on day two. On day three, the duo wrote what was to become the title and defining track of the new album, “Day And Age”. 

The following January, the band setup a new temporary studio for a further week in a converted coastguard tower at Dungeness in East Sussex. “We were 30 feet by the sea, next to a nuclear power station and a lighthouse, in midwinter. So there was hardly any daylight and the weather was dreadful”, laughs bassist Nathan King, “We wrote “Terrestrial” and “Repeat To Fade” there and you can definitely hear the bleak isolated oppression having an effect on us. The songs we wrote were far darker – the wind howling round the building at night, the power station generating crackles on the audio, a huge lighthouse next door sweeping light into the fog every 30 seconds and John screaming “ENJOY YOURSELVES YOU SCUM” into a microphone. It was absolutely brilliant!”.

In November 2020, Frost* released the career-retrospective collection ‘13 Winters’ which featured all their studio albums to date, plus live material, b-sides & last years ‘Others’ EP, all packaged in a beautiful artbook. 

Frost* was formed in 2004 by keyboard player and singer Jem Godfrey, Released in 2006 the band’s debut album “Milliontown” was an instant success and is regarded by many as a classic in the modern prog rock genre featuring John Mitchell on guitar, John Jowitt on bass and Andy Edwards on drums. The band quickly followed it up with “Experiments In Mass Appeal” in 2008, in many ways the antithesis of “Milliontown” featuring a much more stripped back sound, more concise songs and a new band member and singer in the form of Dec Burke. 

The live album “The Philadelphia Experiment” followed in 2009 and the a long gap followed before 3rd album “Falling Satellites” was released in 2016 with a new line-up of Nathan King on bass and Craig Blundell on drums, plus returning guitarist and singer John Mitchell on guitar who also co-wrote much of the album with Jem Godfrey.

Q&A With Jon Davison of Arc of Life – by John Wenlock-Smith

John Wenlock-Smith partakes in a Q&A with Jon Davison about the new Arc of Life project for which Jon is the vocalist.

1/ Arc of Life is a new project, how did to come into existence?

While on the road with YES a few years back, Billy and I found a mutual inspiration to start writing during the long drives on the tour bus. Jay was soon involved, supplying his creative input and positive perspective. We then unanimously felt Jimmy was a natural fit.

2/ Who suggested Dave Kerzner for the keyboard role?

Again we unanimously agreed, as with Jimmy, that Dave would bring the perfect musical ingredients into the Arc fold. We were all thinking the same thing in a sort of collective consciousness, but to answer your question accurately, I believe it was Billy who first gave voice to the idea.

3/ What are the main themes to the album?

The most prominent theme is the evolution of mankind. The concept of an arc of life signifying the rise in man’s consciousness and eventually leading to a far greater understanding, passed all political power play and the greed and indifference which plague and sustain the inequalities of our world. Through this ascension of evolution, man’s intelligence will become highly developed, revealing technological advancements beyond our wildest imaginations.

4/ Were you tempted to get a named producer in for the album or Roger Dean for the cover? 

We did seriously consider both at one early point.  We discussed the idea of working with Hugh Padgham, but eventually agreed that producing ourselves, with Billy’s skills at the helm, meant ultimately having complete creative freedom.

By choosing to not work with Roger Dean we thought we might minimize the Yes comparisons. I suppose they are inevitable anyway, but we certainly didn’t want to add to them (lol.)

5/ Aside from Yes, what other influences are apparent?

Back to Padgham and The Police sound. Another influence was Peter Gabriel, particularly in a song like, Talking With Siri.

6/ Is this a one off project or can we expect to hear more new material and, if so, is there a time frame for this?

We actually have a lot more material already in the works that will eventually surface on the next record. We have no time frame as of yet for ARC II. More importantly for now, we have so much to look forward to with this record.

7/ This band could have great potential for the live arena, could there be live shows post covid? Could you tour with Yes for example?

We want to be out on the road, sharing our music with as many people as possible, worldwide. We are totally keen to the idea of opening for a bigger arena type band. The only way it would be right touring with Yes is if each member of Yes also performed in the context of their respective solo and side projects. An event highlighting the current day Yes family tree, if you will, followed by a headline performance by Yes.

8/ I think the overall response has been overwhelmingly positive?

That is great to hear. The album has been a long time coming and it’s rewarding to finally witness its coming to light and the enthusiastic reaction of so many.

9/ What’s happening with Yes, is there any progress on new material yet?

We’ve been creating and recording since the pandemic hit and have our sights set on a new album. The rest I’ll leave as a surprise.

10/ What’s the story behind the album cover?

The album cover is symbolic of the dawning of enlightenment just off in the horizon as mankind perceives its light at the end of the long and treacherous tunnel through which we have journeyed – to reach at last the exit of the deep cave of darkness and ignorance. What can I say… I’m an optimist (lol!)

‘Arc of Life’ was released on February 12th 2021.

Order the album here:

ARC OF LIFE – Arc Of Life – CD Jewelcase | Frontiers Music Official Shop

JON GOMM SHARES NEW VIDEO FOR ‘THE GHOST INSIDE YOU’ TO COINCIDE WITH THE LAUNCH OF NEW IBANEZ SIGNATURE MODEL GUITAR JGM10

NEW ALBUM ‘THE FAINTEST IDEA’ OUT NOW ON KSCOPE 

Jon Gomm, the UK based acoustic guitar virtuoso, has shared the video for latest single ‘The Ghost Inside You’ taken from his recent album on Kscope, The Faintest Idea.

As with the previous videos in the series, Jon has collaborated with The Samsara Collective to film in the stunning setting of Niamos Radical Arts Theatre, Manchester, to showcase the immersive and expressive emotional quality of his music.

The instrumental video features the new JGM10 guitar Gomm has developed with Ibanez Guitars: A company he grew up admiring as the designers of electric guitars for his teen guitar idols. 

“To have been on this adventure with my childhood dream guitar company, to design a guitar perfect for modern fingerstyle guitar playing… I do not deserve it.”

Gomm becomes the first ever acoustic guitarist to develop a signature model with them.

When most people look at an acoustic guitar, they see exactly that – a wooden box with strings. As one of the pioneers of the modern fingerstyle sound, however, Jon Gomm has a rare gift for turning one instrument into what feels like an entire orchestra…

The Blackpool-born singer-songwriter’s 2003 home-recorded debut, Hypertension, was nothing short of a musical revelation: drumming beats, tapping chords and striking harmonics on his acoustic underneath that warm, soulful voice. 

Perhaps one of the greatest surprises with The Faintest Idea is how it contrasts the incredible human warmth of Gomm’s acoustic articulation with more icy affairs, thanks to the synth parts and production work from Australian musician Andy Sorenson. Instead of a war between man and machine, the collaboration delicately cross-pollinates simple honesty with more forward-thinking atmospheres. It is a contemporary masterpiece – rich in its sense of paths travelled and roads taken, while also daring to gaze into the unexpected future.

The album is complimented by the delicate hand drawn pen and ink cover art created by Lee Zimmerman

The Faintest Idea is out now on CD, double LP, digital and as a stunning limited edition deluxe 3 disc hardback book edition which will feature – CD1 – The Faintest Idea album, CD 2 – The Naked Artist Mix – a stripped back version of the album; a DVD containing 6 exclusive performances filmed in a medieval church, guitar technique presentations,  a 35 minute Jon Gomm interview, song description videos  and The Faintest Idea in high resolution stereo audio. The beautiful book features Lee Zimmerman illustrations, song descriptions, hand written lyrics and full track tablature for the song “Check You’re Still Breathing”Jon’s reaction to the deluxe edition can be see in this latest unboxing video here.

All formats are available to order now https://jongomm.lnk.to/TheFaintestIdea

WATCH THE VIDEO FOR PREVIOUS SINGLES: COCOON / DEEP SEA FISHES / DREAM FACTORIES

Faintest Idea UK/Eire Tour

Oct 2021 

1 – Dublin, Academy 2 

8 – Haverhill, Arts Centre 

9 – Birmingham, Hare & Hounds 

10 – York, Crescent 

15 – Trowbridge, Emmanuel’s Yard 

16 – Swansea, Sin City 

17 – Cardiff, The Globe 

21 – Bristol, Thekla 

22 – Milton Keynes, Craufurd Arms 

23 – Nottingham, Rescue Rooms 

29 – Huddersfield, The Parish pub    

30 – Glasgow, Oran Mor 

31 – Newcastle, Cluny 

Nov 2021 

4 – Liverpool, The Leaf Café 

5 – Blackpool, Bootleg Social 

6 – Preston, The Ferret 

13 – Guildford, Boileroom 

14 – Southampton, Joiners 

15 – Brighton, Komedia 

27 – London, Bush Hall

Dec 2021 

4 – Manchester, The Bread Shed 

5 – Leeds, Brudenell Social 

16 – Runcorn, Brindley Theatre

OLIVER WAKEMAN and CLIVE NOLAN Announce Tales By Gaslight – 3CD Box Set includes re-issues of Jabberwocky & The Hound of The Baskervilles

Oliver Wakeman reunites with Clive Nolan after 20 years to issue a 3CD Box Set – Tales By Gaslight featuring remastered versions oftheir ‘future prog classics’ Jabberwocky and The Hound Of The Baskervilles along with a new disc Dark Fables

The Tales By Gaslight box set, comprising 3CDs each with a 16-page booklet and 3 individual Art prints of the three covers, will be released by Burning Shed on 23rd April.

Clive Nolan (Pendragon, Arena) and Oliver Wakeman (YES, Strawbs) first combined their considerable keyboard and compositional talents to create two rock opera/concept albums.

Jabberwocky, released in 1999, was based on the famous Lewis Carroll poem. It was followed by The Hound of The Baskervilles (2002), inspired by the Sherlock Holmes novel penned by Sir Arthur Conan Doyle. The project was always intended to be a trilogy of musical interpretations of literary classics, but an album inspired by Mary Shelley’s Frankenstein was shelved because of a lack of record company funding.

This box set package also includes a third disc, featuring previously unreleased pieces that were intended to complete the trilogy. This third disc, Dark Fables, contains over 30 minutes of music conceived for the abandoned Frankenstein album.

Nolan and Wakeman also found pieces which were unused from The Hound of The Baskervilles. These include The Man Called Sherlock which was the original version of the Overture and 221B, inspired by Sherlock Holmes’ famous address.

Unusually for the time, the first two albums featured a host of guest performances, including narration by Wakeman’s father Rick and actor Robert Powell. Former YES guitarist, the late Peter Banks, Magnum vocalist Bob Catley and singer Tracy Hitchings appeared on both albums. Ayreon mastermind Arjen Lucassen lent his talent to The Hound of the Baskervilles along with members from the bands IQ and Threshold. The unique artwork was created by Rodney Matthews for the original Jabberwocky release. Peter Pracownik was the creativity behind The Hound of The Baskervilles artwork 20 years ago and has returned to this trilogy by lending his talents to the new Dark Fables artwork. 

In keeping with the spirit of the two previous albums, the new recordings feature the talents of, amongst others, Gordon Giltrap, Paul Manzi (Arena, Oliver Wakeman Band, Sweet) Andy Sears (Twelfth Night) and David Mark Pearce (Oliver Wakeman Band). Also included is an original reading of the Jabberwocky poem by Rick Wakeman.

The Tales By Gaslight box set contains 3 CDs each with 16-page booklets including lyrics, previously unseen art work and many stories behind the creativity from both Wakeman and Nolan. The first 250 box sets will also include a 4th limited edition numbered art print of the box set cover signed by Clive Nolan and Oliver Wakeman. Tales By Gaslight will be released by Burning Shed on 23rd April. Pre-order this here: https://burningshed.com/store/oliverwakeman

About Oliver Wakeman
Eldest son of prog legend Rick, Wakeman filled the keyboard role, once held by his father, with YES from 2008 to 2011. His work with YES includes the triple live album in In The Present – Live From Lyon, Fly From Here and the From A Page box set featuring recordings from his time in the band released in 2019. During his tenure with YES, Wakeman also toured and recorded as a member of The Strawbs.

Wakeman’s debut album (1997) Heaven’s Isle was inspired by the island of Lundy, and he has since released a number of solo and Oliver Wakeman Band albums. He has also released several collaborations with renowned musicians, including Steve Howe, band mate to both Oliver and his father in YES for The Three Ages of Magick album, as well as uniting with another guitar legend Gordon Giltrap for the award-winning Ravens & Lullabies album. Both of which are set to be part of an upcoming boxset.

About Clive Nolan
Aged just sixteen, multi-instrumentalist Nolan became the youngest musician (at that time) to gain an A.L.C.M. composition diploma from the London College of Music. At university he studied composition, orchestration, musical arrangement and conducting, gaining a B Mus and M Mus. He has played a prominent role in the development of progressive music, as a member of Pendragon since 1986 and as a member of Shadowland (1992 – present), Strangers on A Train (1993 – 1994) and by forming his own band Arena in 1995.

Nolan’s interest in rock opera extends beyond his collaborations with Wakeman. In 2008 he wrote She, based upon the novel by Sir H Rider Haggard, and two musicals Alchemy and King’s Ransom. This year will also see the release of a new ‘Viking Inspired’ album Song of the Wildlands, as well as the new Arena album The Theory of Molecular Inheritance.

LIQUID TENSION EXPERIMENT – Release video for first single “The Passage of Time”

Album ‘LTE3’ due out March 26th, 2021

LIQUID TENSION EXPERIMENT, the legendary supergroup comprised of Mike Portnoy (Transatlantic, Sons of Apollo), John Petrucci (Dream Theater), Jordan Rudess (Dream Theater), and Tony Levin (King Crimson, Peter Gabriel) recently announced their return with a new album titled ‘LTE3’, due to be released March 26th, 2021 via InsideOutMusic, twenty-two years after the bands’ last studio album.

The band are pleased to share the first video from the album for the single “The Passage of Time.”  You can watch the video, created by Christian Rios, here:

“’The Passage of Time’ was the very first song we composed together when we reunited this past summer. It was so exciting to be back in a room creating together again after so long (22 years for all 4 of us and over 10 years for the 3 of us since being together in DT).

This serves as a great first taste for the listeners as it combines so many of the musical elements that makes LTE unique”

-Mike Portnoy

“This was the first song we worked on and when it was done, we all knew once again how amazing it was to be working together. We knew we were on to something and that this was going to be a really amazing album. Nothing about the passage of over two decades could’ve done anything to change that. To me this song truly reflects the collaborative songwriting efforts of all four of us.”

-John Petrucci 

There is an undeniable chemistry that happens when the four of us are together.  Entering the studio and starting work on ‘The Passage of Time’ after 22 years literally gave me a whole new perspective on these important musical (and personal) relationships and the way time is so relative. We just jumped right in, it was like no time had passed at all, and we created a song that has so many of the elements that make LTE unique. Not a day has gone by since our last release when I wasn’t asked, “When is LTE getting back together again?” Now we can finally deliver, and I can’t wait for everybody to hear our creation.”

-Jordan Rudess

“From the murky depths of the lockdown, LTE has re-emerged, galvanized, dripping with ideas, and taking no prisoners. ‘The Passage of Time’ is just the beginning.”

-Tony Levin 

The pre-order has now started and the album will be available in the following formats:

•Limited deluxe hot pink 3LP+2CD+Blu-ray Box Set (incl. a poster and 4 artcards, Blu-ray incl. a 5.1 surround mix with visuals, and full band interview from the studio)

•Limited 2CD+Blu-ray Artbook

•Limited 2CD Digipak

•Gatefold black 2LP+CD

• Digital album (2CD)

You can pre-order ‘LTE3’ now here: https://liquidtensionex.lnk.to/LTE3/

Tracklisting: 

1. Hypersonic (8:22)

2. Beating The Odds (6:09)

3. Liquid Evolution (3:23)

4. The Passage Of Time (7:32)

5. Chris & Kevin’s Amazing Odyssey (5:04)

6. Rhapsody In Blue (13:16)

7. Shades Of Hope (4:42)

8. Key To The Imagination (13:14) 

Bonus Disc: Includes almost an hour of improvised jams. 

Progradar Top Ten Albums of the Year 2020.

It’s that time again, that time when we supposed musical journalists put together a (subjective) list of our favourite albums that were released in 2020.

This list is very subjective and may have been different a few weeks ago, it is a list of ten albums that have touched me in any way in the previous 12 months and ones that I go back and listen to often.

There have been some that have been very close to my top ten, ‘Breaking Point’ by Jump, ‘Foxholesque’ by The Foxholes, ‘Brave New World’ by Built For The Future, ‘Dreaming City’ by Glass Hammer and ‘Beyond’ by Hibernal are just a few that were knocking on the door of my top ten and would definitely be included in a top twenty but just where do you stop!

So, here it is, my list of my top ten albums for 2020, they are in no particular order, apart from my number one and I’m sure most of you can guess what that is…

Pendragon – Love Over Fear

Intelligent and insightful lyrics and four musicians at the very top of their game are great ingredients to have when you create a new album, however Pendragon have added a dash of magic that is rarely seen in modern music nowadays. There is no such thing as the perfect record, musicians are always striving to concoct something better than has gone before but “Love Over Fear” is as close to perfection that you can get, the best album of the last twenty years in fact and, in my humble opinion, and that is a very rare beast indeed!

Released 14th February 2020

The Tangent – Auto-reconnaissance

The Tangent are a British progressive rock institution and every new album is eagerly awaited by the fans and, while every fan will have their own opinion, ‘Auto Reconnaissance’ is my favourite album from the band yet. Andy is on top form, his song writing is as sharp and clever as ever and he has gathered around him a group of musicians who seriously have no peers. A superb release and one which cements The Tangent’s already exalted reputation.

Released 21st August 2020

Blue Rose Code – With Healings Of The Deepest Kind

When it comes to music that salves the soul and gives joy to the heart, this album has few peers. An utter musical joy and one that everyone should listen to at least once, it has an honesty and innocence that is rare in the music industry these days.

Released July 17th 2020

Jon Gomm – The Faintest Idea

When most people look at an acoustic guitar, they see exactly that – a wooden box with strings. As one of the pioneers of the modern fingerstyle sound, however, Jon Gomm has a rare gift for turning one instrument into what feels like an entire orchestra, with this new album he has found new emotional depths in immense melodic pop landscapes.

Released 16th October 2020.

Lunatic Soul – Through Shaded Woods

On album number seven Mariusz Duda, the multi-instrumentalist, vocalist, and mastermind behind Lunatic Soul is extending his musical explorations to include dark Scandinavian and Slavic folk referencing bands like Heilung or Wardruna. Following the heavily electronic sound of previous albums Fractured and Under the Fragmented SkyThrough Shaded Woods is completely devoid of electronics and is the first album in Duda’s discography, on which he plays all instruments.

Duda appears to have put the personal darkness that inspired his previous albums behind him, as more optimistic elements shine through in his new music. The album becoming musically “brighter” as it progresses – from the atmospheric introduction of “Navvie” through to the title track, which leads the listener to a melodious, trance like “Oblivion”, echoing the style of Dead Can Dance

Released 13th November

Airbag – A Day At The Beach

Airbag have returned with a complex release, musically and emotionally. A serious album and one that is seriously impressive, combining ethereal soundscapes with their signature guitar driven progressive rock. They have created a mature, powerful sound that inspires on many levels, delivering one of the most sophisticated releases of the year.

Released June 19th 2020

Dyble/Longdon – Between A Breath And A Breath

This is an album that you must listen to or you miss it at your peril. I cannot recommend this highly enough, I think it is one of my albums of the year. Indeed the beautiful music and the grace that the album offers make this worthy of a place in any albums of the year listing. Yes, it is that good, truly remarkable in fact!

(Words by John Wenlock-Smith)

Released 25th September 2020

Fish – Weltschmerz

The legendary Scottish singer’s last studio release is one of his finest and his best since ’13th Star’ (in my opinion). Grandiose in scale and delivery, the music has a maturity and melodrama missing in most of what you will hear nowadays. Fish’s songwriting abilities are as strong as they have ever been and the unique dulcet tones of his Scot’s brogue herald some of his mightiest compositions yet. A highlight of a very stellar career.

Released 25th September 2020

Silent Skies – Satellites

In this year where we have all been touched by the horrific effects of the pandemic, Vikram and Tom have given us something quite magical, an ultimately uplifting collection of beautiful songs that leave a lasting touch on our hearts and souls. ‘Satellites’ gives a feeling of hope and calm reflection that we can take into 2021 and will leave you with a smile on your face and love in your heart.

This release has jumped straight into my top 5 of the year, in fact, I love it that much I have just bought the vinyl…

Released 11th December 2020

So, here it is, my number one album of 2020 and I’m sure it will come as no surprise…

Abel Ganz – The Life Of The Honey Bee And Other Moments Of Clarity

How to sum up my feelings? I have a very close connection with Abel Ganz but that has not made any difference to how I have reviewed this album. Put simply, it is not just the best album I have heard this year, it is one of the best albums I have ever heard in my 52 years. More than just a collection of songs or even stories, it is part of the band member’s very souls and when they put all of that into making a record, you are going to get something very special indeed.

Released 6th July 2020

First Karisma Records Release of 2021 Announced – Meer – Playing House

The Norwegian 8-piece alternative progressive pop orchestra MEER is welcoming you with a massive sound, fabulous melodies, awesome harmonies and quite a few surprises.

MEER started out as a duo in Hamar, Norway in 2008, and since then the duo has expanded considerably to become what it is today – an eight-piece eclectic collective whose music is a mix of orchestral pop, classical music and progressive rock.
With their grandiose string arrangements and polyphonic vocals, MEER’s sound is far from minimalistic and flows in seemingly constant motion.

Today’s line-up comprises Johanne Kippersund on vocals, Knut Kippersund on vocals, Eivind Strømstad on guitar, Åsa Ree on violin, Ingvild Nordstoga Eide on viola, Ole Gjøstøl on piano, Morten Strypet on bass and Mats Lillehaug on drums. 


If you like your progressive rock symphonic, orchestral, melodic, catchy and with lots of energetic spurs, you should enjoy “Playing House” with MEER.

Review – Back Street Crawler – The Atlantic Years 1975-1976 – by John Wenlock-Smith

This set has been a long time in coming, especially if you consider that the main attraction of Back Street Crawler, namely one Paul Kossoff, died way back in 1976 (some forty four years ago). This compilation collects all the recordings the band made for the Atlantic label over a brief two year period. Kossoff was, of course, the guitarist in seminal British rock band Free and his fluid, soulful guitar fuelled the albums they made for the Island label.

Included in this retrospective are the ‘The Band Plays On’ (1975), ‘2ND Street’ (1976) and the ‘Live at Fairfield Hall, Croydon’ set from shows recorded in 1975 that were released after Paul’s death in 1976. The fourth disc is from Paul’s final show on 3rd March 1976 at the Starwood Club, Los Angeles, although this is an illicit (bootleg) recording along with studio outtakes and two unreleased tracks.

Paul was a not only a great talent, he was also a troubled soul, gentle at times and fiery at others. His lack of height and his red hair made him more volatile than others. The fact that he was also a drug addict made him unpredictable and unreliable but he was also in poor health as a result of his addictions. Back Street Crawler was his attempt to regain what he’d lost since the demise of Free in 1973. After Free parted company he made a solo album that Back Street Crawler was named after, he’d also been a part of the Kossoff, Tetsu, Kirke and Rabbit project (also in 1973) that had released one self-titled album on the Island label. 

Back Street Crawler were a five piece band featuring Kossoff on guitars and Terry WilsonSlesser (ex Beckett) on vocals, Mike Montgomery (keyboards), Terry Wilson (bass) and Tony Braunagel (drums), releasing their debut album, ‘The Band Plays On’ in 1975. The debut is actually rather good in parts, it certainly has Paul playing well, even if the material is generally not really very strong or as good as it could be.

There are some sparks on songs like It’s A Long Way Down To The Top and The Band Plays On, to name just two. Singer Terry Wilson-Slesser is a strong and versatile vocalist who gives his all on this album, the generally broody music allows Paul’s guitar to shine through and he plays lots of his trademark solo’s wailing suitably over strong backing from his bandmates. The album would be considered short now but was of its time. One thing this album does have is some great piano for Paul to play off, especially on the funkier tracks like Stealing My Way, which sounds like it could be a lost Free track as it has their bluesy swagger to it. 

Disc 2 contains the album ‘2ND Street’, issued in 1976. However, Paul had been unwell and was only featured on certain tracks. These were a far better representation and vehicle for his unique talent kicking off in good form with the track Selfish Lover on which Paul’s incisive guitar slices through, sounding typically startling and oozing with emotion.

I’m writing this review in the week that that other great British Blues talent Peter Green has left us. In his own way Paul Kossoff was equally as stunning, when Koss played people listened, his tone and his playing were all about making each note speak. This was a talent that was very different to others. Why play 100 fast notes when one well placed note can say it all? that was his gift to music.

Blue Soul is another of his tracks, again he soars on this one. Sweet, Sweet Beauty is another excellent track, as is Some Kind Of Happy.  This album is a far mellower proposition than the harder edged debut and it has its own charm because of that fact, it certainly acts as a graceful tribute to the genius that was Paul Kossoff. This is an album of songs that act as a tribute to a man and fallen friend whose days were numbered and would sadly end before the album was even released.

Whilst ‘2ND Street’ marked he end of Paul Kossoff’s recording career and he may have gone, his legend and his skill remained. His presence was still there in the influence he has been on many contemporary guitarists, many citing him as such, or a hero even. However, there was more to come because recordings had captured Kossoff in fine form at Fairfield Hall in June of the previous year (this is presented here on disc 3).

The live albums here are very interesting, especially Fairfield Hall as it was recorded on one of Pauls better nights where his playing is hot, fiery and exciting, bringing the songs from the debut to life onstage. He also adds covers of Free’s The Hunter and his own Molten Gold. This live disc features all ten tracks from ‘The Band Plays On’ but here they are imbued with the power of a live performance. Obviously touring had consolidated the group significantly and these live versions are vibrant and vital, bristling with an energy that the studio versions somehow seemed to lack.

The sound is clear and full well mixed and captured in full flow, it’s a great joy to hear this show all these years later, one weeps for the loss of Kossoff. Standout tracks also include It’s a Long Way Down To The Top and The Band Played On, where Koss is all over the song, adding frills and stepping out to take some incendiary solos. This is everything the debut wasn’t as a studio release and validates the bands existence. I sadly missed the chance to see this tour at Birmingham Town Hall and I really wish I had made the effort I think I Missed something special, ah the folly of youth eh?.

Disc 4 is also of interest as it contains Paul’s last ever performance at the Starwood Club in Los Angeles. This being a bootleg tape the quality is fairly raw and rough sounding but its certainly listenable and featuring Free’s Common Mortal Man is a nice touch. Opening Who Do Women is a good entrance but the sonic limitations of the recording dilute the power of the performance. Although you can hears Koss’s guitar clearly, the rhythm section sound a bit muffled and clipped. The swagger of Stealing My Way is next and you cant believe that you are hearing such a historical and monumental performance. Sadly Paul would pass away on an airplane between Los Angeles and New York from a pulmonary embolism just 15 days later, the legend was gone but, as this set clearly attests, his talent would live on forever.     

I’ve not seen the finished box set of these discs yet but, in any event, these reissues by Cherry Red/ Esoteric bring to life again that tragically short period of Back Street Crawler featuring Paul Kossoff and the final period of his life. Back Street Crawler continued with Geoff Whitehorn replacing Kossoff and released 2 further albums for Columbia, namely ‘Crawler’ and ‘Snake, Rattle and Roll’. After the band split in the late 1970’s, Whitehorn joined Procol Harum where he remains to this day.  

Released 16th June 2020

Order from Cherry Red Records here:

https://www.cherryred.co.uk/product/back-street-crawler-atlantic-years-1975-1976-4cd/

Review – Randy California & Spirit – The Euro-American Years – by John Wenlock-Smith

This reissue may be a tad obscure to some, especially as it has been some 23 years since Randy California died in the pacific ocean whilst rescuing his son Quinn from a riptide near his mother’s home in Hawaii, Quinn Survived by sadly Randy did not and passed away at the age of 45.

Randy lived a very eventful and colourful life and he left a wealth of recordings, many of which are only now seeing the light of day thanks to the incredible efforts of Mick Skidmore, who painstakingly strives to keep Randy’s memory and legacy alive through the work of the The Randy Craig Wolfe Trust. Mick has gone to extraordinary lengths to bring several albums up to a good level of fidelity.

These include ‘Spirit – Live From The Time Coast’, ‘Spirit – Two Side Of A Rainbow – Live At The Rainbow’ and ‘Spirit – Tent of Miracles’, all of which have surfaced in the past few years, massively overhauled and much expanded with unreleased and live cuts (often in the form of complete shows). Take the extensive booklets and photographs, all of which add to this latest collection of 6 CDs (including almost 3 discs of previously unavailable / unheard live recordings of both Spirit and the Randy California Band recorded between the years 1979 to 1983) and make it a most welcome addition to that growing vault of releases.

The thing that becomes clear very rapidly is that this was a difficult time for Randy, and he struggled to find his niche and a genre in which his undeniable talents could be best shown. This fascinating set includes early demos from 1979 in London, the whole ‘Euro-American’ album and ‘Shattered Dreams’ live EP and tracks from the Potato Land project, portrayed through live recordings made in both the UK, Europe and the USA. This material is often excellent, sometimes patchy but always worth a listen and this comprehensive set is an excellent and accessible way in which to trawl through this particular period of Randy’s Career.

The sound is generally particularly good, there are occasional lapses but, generally, this is all perfectly listenable, you can certainly hear significant snatches of Randy’s brilliance when he gets to stretch out or really let fly. You hear this especially on the longer live tracks where he can really play to his strengths, confident in the backing his fellow musicians create for him to work from.  

The sets fall as such, Disc 1 and 2 – The Euro American album, Demos and Shattered Dream EP and Unreleased Tracks. Disc 3 is Spirit Live in 1980/1981 at various venues in both Europe and the US on what were essentially Promo tours for the Potato Land album that had been released by Beggars Banquet.

Disc 4 is more demos and also soundboard recordings of a festival show at Ayr in Scotland from October 1979 supporting Ian Gillan of Deep Purple fame. This show is an attempt at a harder sound that works very well. Disc 5 is a show from Spirit taken from Greensboro North Carolina in 1981 and this is the 3 piece version really giving a fantastic performance with three lengthier tracks at the end really giving them a chance to shine.

The Final disc (disc 6) is The Randy California Band live at the Reading Festival in 1982 and from the Glastonbury Festival in 1982, both being soundboard recordings

This set is very extensive and will keep you happy for many hours, as the entire set lasts for just short of 9 hours, with each disc coming out at 79 plus minutes per disc, so it is a value packed set and, although there is some duplication, there is enough variation to still make this set worthwhile.

Personally I applaud the efforts of both Mick Skidmore and Mark and Vicky Powell of Esoteric for bringing this remarkable time capsule to the table. I just hope that they have a reissue for the fabulous ‘Restless’ album (that has been out of print for many years) lined up, for that was another remarkable album that was widely ignored by the record buying public and is surely due for re-evaluation once again.

This a reissue that I can certainly recommend to fans of Spirit, psychedelic rock or simply good, strong music with some fabulous playing, Randy was truly a unique musician as this excellent boxset testifies wonderfully. 

Disc 1 Kingsway Demos 1979, You stole my Heart 4:43,California Man 4:12, Thinking Of You 2:58, Song For Laura 5:05, Magic Wand LA Sessions 1981 Reeling IN The Night3:33,Lani By The Sea3:43,Shattered Dream Long 45 Mix 5:38,Rock Of Ages 2:13, Magic Wand 3:32.Original Euro American Album 1982 Toy Guns 2:56, This Is The End (Unedited)2:57, Mon Ami (Unedited) 2:44, Rude Reaction 3:22,Calling You 3:11,Wild Thing 4:02,Easy Love (12@ Mix)3:39, Fearless Leader 4:24,Five In The Morning 3:01 Skull And Crossbones 5:31, Breakout 2:28 Post Euro American Track recorded Abbey Road 1982 Man At War 2:13, Write You A Letter 3:10.

Disc 2 Hand Guns 2:44,Come On Woman 3:18,Trouble In Mind 6:54, Cabin De Telephone5:51, Shane 3:56, All along The Watchtower 2:57 (UK EP Release),Don’t Bother Me 5:02,Brittany 3:47, Downer 3:19, Second Child 4:57,Man At War 4:29.Killer Weed 4:27,Radio Man AKA Same Old Naturally 2:56, Superchild 4:23 Run To Your Lover 3:42, Love’s Not A Game 4:41, Love Is War 2:31,Childhoods End 6:01,Ove3rloaded Ships Sink 4:06.

Disc 3 Spirit Live Various Venues 1980 and 1981, 1984 3:29,Turn To The Right 3:53,Five In The Morning 3;59,Hungry Driver 8:19, I Want Somebody 2:12, Give A Life Take A Life 3:40,Hey Joe 6:45 German 12 Inch Single, Shattered Dreams 9:19, So Little Time To Fly 3:33,Fish Fry Road 4:07, Magic Wand 10:31,Come On Woman 4:02, Breakout 5:02,Downer 3:37, Song For Laura 4:21, Wild Thing 3:53.

Disc 4 Grossscher Herrscher (German Language version Of Fearless Leader 4:27, His Spirit Is Travelling On 3:53, PT 109 1:26,Whispers From Heaven 3:35, Trying To Get Closer To You 3:26, Since She’s Gone 2:51, Past Love 4:07,Stepping Son 3:30,Otter In The Sea 3:56, California Man 3:10, Childhoods End 3:39, Randy California Band Soundboard Tape Ayr Scotland October 22nd 1979 Downer 6:32,You Stole My Heart 5:41, Move On Up 5:10, California Man 5:06, Rebels Flight 6:30, Breakout $:10,Song For Laura 6 55.

Disc 5 Spirit Louis Rock City South, Greensboro April 3rd 1981 1984 4:00, Turn To The Right 3:43, Animal Zoo 3:15,Magic Wand 7:16,Nature’s Way 3:20, Five In The Morning 3:05 So Little Time To Fly 3:35, Mr. Skin 3:00, Come On Woman3:53,All The Same 10:35, I Got A Line On You 2:45, Fish Fry Road 4:07,Wild Thing 7:09, Like A Rolling Stone 8:55, Come And Get It (Magic Spirit) 6:22.

Disc 6 Randy California Band Reading Festival Board Tape 1982 Second Child 5:55,Downer 3:25 Man At War 4:24, Like A Rolling Stone 6:26, All Along The Watchtower 3:31, Come On Woman 3:58, Natures Way 3:16,Killer Weed 6:36, Run To Your Lover 3:14,I Got A Line On You 2:42, Song For Laura 5:13<Wild Thing 5:10 Glastonbury  Festival 1982  Partial Soundboard Tape Hand Guns 2:57,Lisa 5:24,Don’t Bother Me 5:47,Rebel On Attack 3:12, Killer Weed 8:25.

Released 28th August 2020

Order from Cherry Red Records here:

https://www.cherryred.co.uk/product/randy-california-spirit-the-euro-american-years-6cd-remastered-boxset/#:~:text=Hand%20Guns%202.%20Come%20On%20Woman%203.%20Trouble,Childhood%E2%80%99s%20End%2019.%20Overloaded%20Ships%20Sink%20%28Previously%20Unreleased%29