‘The Years Roll By’ is the first of two music videos from the band’s new concept album.
The Years Roll By is the opening track on Glass Hammer’s At The Gate concept album —set for release on October 7th, 2022.
Bandleader Steve Babb said the following about the new album: “At The Gate completes our sword and sorcery inspired trilogy that began with 2020s Dreaming City. We followed that up with last year’s Skallagrim—Into The Breach.”
For the uninitiated, he went on to explain. “It’s the story of a scarred and battered thief, Skallagrim, who’s had his memory stolen along with the love of his life. He’s got to fight unimaginable horrors and slay hideous creatures and sorcerous villains if he’s ever to reclaim either. Finally, at the end of the last album, his memory is returned, but he finds himself cursed to wait one thousand years for a chance to find his lost love! At The Gate picks up at the end of his tale as he prepares to face the ultimate challenge of his life—to finally rescue his girl and defeat the evil being who has imprisoned her.
“Of course, as with any Glass Hammer concept album, there is more to it than a simple plot. On the surface, it appears to be about magic swords and heroes, but it’s actually a story about confronting evil, how to survive it, and how to face despair and heartache.
And most importantly, it’s about why the pursuit of profound and lasting joy in an often joyless world is worthwhile, even when all available evidence suggests it cannot be found.”
Babb says he chose to open the album with a ballad. “…something ethereal, something reminiscent of what our fans call classic Glass Hammer. The Years Roll By fits the bill, I think. Of course, there’ll be plenty of metal and prog on the new album. The next music video I plan to release hits really hard!”
Watch the video here:
Autographed copies of At The Gate are available for pre-order on the Glass Hammer Store website. www.glasshammer.com
Legendary Italian progressive rockers Banco del Mutuo Soccorso celebrate their 50th anniversary in 2022, with the release of possibly their most ambitious concept album since their debut. “Orlando: Le Forme dell’Amore” will be released on the 23rd September 2022, and today they launch the second single ‘La Pianura Rossa’. Watch the lyric video here:
Vittorio Nocenzi comments:
“’La pianura rossa/Red plain’ was actually the very first song composed for this new album some 9 years ago as we started conceiving and writing ‘Orlando : le forme dell’amore/The shapes of love’. That is the reason why this song has a very special meaning to us. It was originally titled “The War” as it describes the battle for water between Christians and Saracens in a dried out Mediterranean Sea. A parallel with the story narrated in the Ludovico Ariosto’s poem Orlando Furioso. This second single comes ahead of the album release on the 23rd September and after such a long time since the beginning of this journey we are so excited to have all our fans to listen to this new material.”
Listen to the first single ‘Cadere O Volare’ here:
Vittorio Nocenzi has been working on this new album’s musical concept for years together with his son Michelangelo and lyricist Paolo Logli. Narrating a real XVI century poem through different songs and describing the facts and the ideals was a mountain to climb.
The result of the immense work in the studio is fully represented in an epic album that will set new parameters for progressive rock fans. Undoubtedly Banco has always been strongly related to their roots, but “Orlando: Le Forme dell’Amore” is a definitive proof of how traditional prog rock can evolve in a modern new blend of sound and spirit.
The choice of singing the tracks on this album only in Italian (as before on “Transiberiana”) confirms the band’s will to stay loyal to what they’ve been doing from the very beginning. In order to help the fans understand and follow the lyrics better on a track by track basis, English translations of the lyrics will be included in the artwork, along with the original Italian lyrics. In addition to that the band will post a detailed explanation of the whole concept and the album’s narration on their website. The album will be available as a Limited CD Digipak, Gatefold 180g 2LP+CD & Digital Album. Pre-order now here: https://bancodelmutuosoccorso.lnk.to/Orlando-LeFormeDellAmore
As mentioned, the band celebrate their 50th anniversary, with the bands first two albums originally released in 1972. The band is already celebrating this occasion with an intensive live tour. Look out for more information in the coming months.
Legendary guitarist Steve Hackett is pleased to release ‘Genesis Revisited Live: Seconds Out & More’, the visual document of his 2021 UK tour celebrating the classic Genesis live album. Available today as CD/Blu-ray, CD/DVD & Digital Audio (vinyl will be released 25th November), it sees Steve and his band perform ‘Seconds Out’ in full & in sequence, as well
as a selection of solo material including tracks from his most recent studio album ‘Surrender of Silence’.
To celebrate, they are launching a clip of their performance of ‘The Lamb Lies Down on Broadway’. Watch it now here:
‘Genesis Revisited Live: Seconds Out & More’ is available as Limited 2CD + Blu-ray & Limited 2CD + DVD, both including 5.1 surround sound, behind the scenes documentary & promo videos. Steve Hackett and his band comprise Roger King, Rob Townsend, Jonas Reingold, Nad Sylvan & Craig Blundell, and they were joined by Amanda Lehmann as special guest on the night.
12. I Know What I Like (In Your Wardrobe) 00:08:20
13. The Lamb Lies Down On Broadway 00:05:10
14. Musical Box (Closing Section) 00:02:51
15. Supper’s Ready 00:24:49
16. The Cinema Show 00:10:35
17. Aisle Of Plenty 00:02:03
18. Dance On A Volcano 00:04:24
19. Los Endos 00:06:35
In September and October 2022, Steve Hackett & band will present their ‘Foxtrot at Fifty’ 25-date tour in the UK. Full list of dates below. To buy tickets go to HackettSongs.com
Tickets for Steve Hackett Genesis Revisited – Foxtrot at Fifty + Hackett Highlights are on sale from hackettsongs.com and myticket.co.uk
About Steve Hackett
Steve Hackett joined Genesis at the beginning of 1971 and gained an international reputation as the guitarist in the band’s classic line-up alongside Peter Gabriel, Tony Banks, Mike Rutherford and Phil Collins. Hackett’s intricate guitar work was a key element of Genesis’ albums from Nursery Cryme (1971) to Wind And Wuthering (1977) including the classic Selling England By The Pound.
After leaving Genesis at the end of 1977, Hackett’s solo career, which now spans more than 30 albums, has demonstrated his extraordinary versatility with both electric and acoustic guitar. Hackett is renowned as both an immensely talented and innovative rock musician and a virtuoso classical guitarist and composer and this was recognised in 2010 when he was inducted into the Rock Hall Of Fame. He has also worked alongside Steve Howe of YES in the supergroup GTR.
Hackett’s compositions take influences from many genres, including jazz, classical and blues. For his later studio works The Night Siren (2017) and At The Edge Of Light (2019) Hackett has explored the influences of world music. Recent tours have seen Hackett celebrate his time with Genesis including a spectacular 2018 tour in which he realised a long-held ambition to perform the works of Genesis live with his band and an orchestra.
The lockdown enforced by the 2020 global pandemic has proven to be a particularly creative period for Hackett. He began by releasing Selling England by the Pound & Spectral Mornings: Live at Hammersmith, a live recording of 2019’s hugely successful tour celebrating that Genesis classic together with the 40th anniversary of one of his most-loved solo albums. Lockdown also gave Hackett the opportunity to write and record two new studio albums, the UK Classical Chart hit Under A Mediterranean Sky and the forthcoming Surrender of Silence.
Five years after his last release Human Not Machine, Kalin Tonev is back with new material, which will result in a full blown album somewhere in 2023 (title TBA). This time Tonev has chosen to enter the vast territories of vocal music, introducing different singers in his music. The forthcoming new production promises a great variety of sound, style influences, form and arrangements, still retaining in its body several instrumental tracks (the core of Kalin’s previous work) under the big hat of progressive rock. The first single – SIDES – features Nikola Zdravkov as a vocalist.
Having released his first project – TravelHouse (with it’s sole album ‘Mind Mapping’ – 2008) and his solo album ‘Machine Years’ (2017) – both received good reviews in the main progressive rock sites and radio stations ( Prog Archives, Prog Radar, Morow, Friday Night Progressive, Aural Moon, Delicious Agony,etc.), and still being the author and presenter of the only one progressive rock radio show in Bulgaria (Oasis – part of the Bulgarian National Radio program Horizon), Kalin Tonev is one of the important local prog rock figures.
The legendary King’s X, comprised of dUg Pinnick, Ty Tabor & Jerry Gaskill, recently announced the release of their 13th studio album ‘Three Sides of One’ on the 2nd September 2022, representing their first new music in 14 years.
Today the band are pleased to launch the video for, ‘All God’s Children’, the third track taken from the forthcoming album, “Three Sides Of One”.
When asked about his thoughts on the song and subject material, Tabor, simply answered; “I have nothing to say about it. The song is what I have to say about it”.
‘Three Sides of One’ will be available as Limited CD Digipak, Gatefold 180g 2LP+CD+LP-booklet & as Digital Album. There will also be a Limited Deluxe 180g Orange/Red Marble 2LP+CD+LP-booklet that also includes a poster and a hand-numbered print, as well as an exclusive variant of the front cover artwork. Pre-order now here: https://kingsx.lnk.to/ThreeSidesOfOne
During 2019, the members congregated at Black Sound Studio in Pasadena, CA with Emmy Award-winning producer Michael Parnin to bring ‘Three Sides of One’ to life. Despite consistent touring, they hadn’t cut a new LP since 2008. Nevertheless, the guys picked up where they left off. Creative confidant and collaborator Wally Farkas rolled through, and they channelled their incredible chemistry on tape.
Of the new album, dUg Pinnick comments:
“When I think of it, King’s X feels like a couple of old best friends coming together, shooting the shit, and having a good time, it’s instinctual. When I would listen to demo tapes of Jerry and Ty for the record, it gave me a great perspective on how blessed I am to be in King’s X. What they did on Three Sides of One sounded so good. For as familiar as it is, it’s like I’m in a new band.”
Ty adds:
“This time, we sat around, listened to each other’s ideas, and would collectively say, ‘Let’s work on that’. It was the most enjoyable album I’ve personally ever recorded in my entire life, period.”
Jerry continues: “I’ll cherish what we did in my heart forever. Everything lined up perfectly.”
King’s X background:
Along the way, they architected a catalog of seminal releases. KERRANG! famously scored their 1988 full-length debut, Out of the Silent Planet, with a rare “5-out-of-5-stars.” On its heels, the landmark Gretchen Goes To Nebraska continues to inspire think pieces with Ultimate Classic Rock going as far to proclaim, “no one else has crafted anything remotely like it.” They notably appeared on the soundtrack to Bill & Ted’s Bogus Journey, and Guitar World christened the self-titled King’s X one of “The 30 Greatest Rock Guitar Albums of 1992” (a year notably highlighted by Pantera’s Vulgar Display of Power, Alice In Chains’ Dirt, Megadeth’s Countdown To Extinction, Dream Theater’s Images and Words, and many more). Following Dogman, the group graced the stage of Woodstock 1994 and toured with everyone from Pearl Jam and AC/DC to Mötley Crüe and Iron Maiden. They also attracted one of the most diehard fanbases in music with Ear Candy [1996], Tape Head [1998], Please Come Home… Mr. Bulbous [2000], Manic Moonlight [2001], Black Like Sunday [2003], Ogre Tones [2005], and XV [2008].
Their first full-length studio offering in 14 years, Three Sides of One, represents the culmination of this trip and of a bond forged way back in 1979.
Los Angeles’ enigmatic songwriter and multi-instrumentalist DRAAGYN, known for her critically lauded, genre-bending blackened metal and cryptic persona, has revealed her first new music in 2 years in the form of a new EP titled “Bent Rib.” Out now, the 3 song record runs the gamut of musical design, incorporating experimental elements of black, doom and progressive metal among others that could be described as a turbulent orchestra of beauty and decay.
Commenting on the EP, Draagyn states:
“We all just want to belong. So we fool ourselves. We let others’ view of who we are become our purpose. We are convinced this hall of mirrors is the true path of souls. This cuts us off from life. The cosmos. The greater powers to which we are all connected. But there is a cord. We can find it and pull ourselves back or choose to watch it slowly strangle us. I wrote ‘Bent Rib’ as an incantation. To release myself from a world I do not belong. To weave the yarns of fate and call it my own. Man has no power over me. He does not determine me. Draagyn is the light, and is the dark. Draagyn is the good, and is the evil. Draagyn is world creator and its destroyer. It matters not whether you understand. What is important is that there is a purpose.”
DRAAGYN’s debut EP, “Bent Rib,” is an aural three-headed serpent of cacophony, “Appetite of Man,” “Beating Heart Cadaver” and “Bent Rib,” each with their own mystifying identity and slithering scales of sonic perplexity that lure you in with enchanting whispers then set you ablaze in an inferno of furious rage.
About DRAAGYN: From her previous releases, Draagyn has been coined a “genre-bending blackened tour de force” by Decibel and Brooklyn Vegan. As songwriter and multi-instrumentalist, Draagyn’s sound straddles the spectrum of light and dark, bridging delicate emotions with the raw force of metal and rock in a truly singular style. Her songwriting guides other musical outliers into masochistic darkness, and yet, in stark contrast, just as quietly whispers to the wretched and heartbroken, offering refuge in her tender melodies. And while the foundations of Draagyn’s music remain rooted in rock, she does as she pleases. She may choke it with blast beats, crush it with proggy groove, or drown it in folky, pensive vocals. But the recipe works. The deep musicality of her approach is undeniable, and for those both patient and brave, her songs lure listeners to another world, free of expectations and genre constraint. Draagyn threatens us with her tumultuous vision of death and musical rebirth.
The legendary King’s X, comprised of dUg Pinnick, Ty Tabor & Jerry Gaskill, recently announced the release of their 13th studio album ‘Three Sides of One’ on the 2nd September 2022, representing their first new music in 14 years.
Today sees the release of the second track taken from the album, and you can listen to ‘Give It Up’ here:
dUg comments: “After I turned 71, death was on my mind every day, Chris Cornell killed himself, and I was thinking of that. Lyrically, it’s about not giving up until you naturally die. I want to ride it out until it’s over. I’m laughing about how I haven’t gotten a will yet, but I should have one. Musically, I wanted it to be really simple, so you can dance to it.”
‘Three Sides of One’ will be available as Limited CD Digipak, Gatefold 180g 2LP+CD+LP-booklet & as Digital Album. There will also be a Limited Deluxe 180g Orange/Red Marble 2LP+CD+LP-booklet that also includes a poster and a hand-numbered print, as well as an exclusive variant of the front cover artwork. Pre-order now here: https://kingsx.lnk.to/ThreeSidesOfOne
During 2019, the members congregated at Black Sound Studio in Pasadena, CA with Emmy Award-winning producer Michael Parnin to bring ‘Three Sides of One’ to life. Despite consistent touring, they hadn’t cut a new LP since 2008. Nevertheless, the guys picked up where they left off. Creative confidant and collaborator Wally Farkas rolled through, and they channelled their incredible chemistry on tape.
Of the new album, dUg Pinnick comments:
“When I think of it, King’s X feels like a couple of old best friends coming together, shooting the shit, and having a good time, it’s instinctual. When I would listen to demo tapes of Jerry and Ty for the record, it gave me a great perspective on how blessed I am to be in King’s X. What they did on Three Sides of One sounded so good. For as familiar as it is, it’s like I’m in a new band.”
Ty adds:
“This time, we sat around, listened to each other’s ideas, and would collectively say, ‘Let’s work on that’. It was the most enjoyable album I’ve personally ever recorded in my entire life, period.”
Jerry continues: “I’ll cherish what we did in my heart forever. Everything lined up perfectly.”
The full track-listing is as follows:
1. Let It Rain 04:28
2. Flood Pt. 1 03:03
3. Nothing But The Truth 06:03
4. Give It Up 02:59
5. All God’s Children 05:32
6. Take The Time 03:45
7. Festival 03:30
8. Swipe Up 03:46
9. Holidays 03:22
10. Watcher 03:43
11. She Called Me Home 03:57
12. Every Everywhere 02:40
King’s X background:
Along the way, they architected a catalog of seminal releases. KERRANG! famously scored their 1988 full-length debut, Out of the Silent Planet, with a rare “5-out-of-5-stars.” On its heels, the landmark Gretchen Goes To Nebraska continues to inspire think pieces with Ultimate Classic Rock going as far to proclaim, “no one else has crafted anything remotely like it.” They notably appeared on the soundtrack to Bill & Ted’s Bogus Journey, and Guitar World christened the self-titled King’s X one of “The 30 Greatest Rock Guitar Albums of 1992” (a year notably highlighted by Pantera’s Vulgar Display of Power, Alice In Chains’ Dirt, Megadeth’s Countdown To Extinction, Dream Theater’s Images and Words, and many more). Following Dogman, the group graced the stage of Woodstock 1994 and toured with everyone from Pearl Jam and AC/DC to Mötley Crüe and Iron Maiden. They also attracted one of the most diehard fanbases in music with Ear Candy [1996], Tape Head [1998], Please Come Home… Mr. Bulbous [2000], Manic Moonlight [2001], Black Like Sunday [2003], Ogre Tones [2005], and XV [2008].
Their first full-length studio offering in 14 years, Three Sides of One, represents the culmination of this trip and of a bond forged way back in 1979.
NEW SINGLE ACCOMPANIED BY MOVING FILM FROM CINEMATOGRAPHER GABRIEL STANGER
South London ambient post-rock project VLMV have shared new single ‘There AreMountains (Underneath Us)’ via Nice Weather For Airstrikes. A moving composition with an accompanying video from acclaimed cinematographer Gabriel Stanger, the song follows previous releases Steady, Thyself, For Empire and The Navigator in anticipation of their album release ‘Sing With Abandon’ next month. Featuring guest vocals from Anja Madhvani (Her Name is Calla) and Claire Knox (A-Sun Amissa), ‘There Are Mountains…’ is a creeping and beautiful piece of music, building carefully and slowly to a triumphant but melancholy crescendo.
London based cinematographer Gabriel Stanger has created an enigmatic video. A beautiful monochrome treatise, tells the story of mother and son coming together – open for interpretation of their family bond and connection. The serenity in the video fits perfectly with the track, an emotive and poignant video to accompany closure in both music and visual.
An ambitious yet concise album, ‘Sing With Abandon’ was born as songwriter and producer Pete Lambrou explored navigating life in the pandemic, multiple lockdowns and a country deciding to break up with its loved ones. Lyrically focused on feelings of isolation and separation, from our shared collective human experience to the deeply personal and everything in between, ‘Sing With Abandon’ touches on the isolation found within the communal experience of a country locked down and in crisis.
Formed in early 2015 by songwriter & producer Pete Lambrou (Codes In The Clouds, Monsters Build Mean Robots), VLMV released their debut mini album via Fierce Panda Records in August 2015, along with ‘Remixes & Reworkings’, a digital overhaul of their esteemed debut shortly after. Described as “heartachingly beautiful” by Prog Magazine, VLMV shared the follow up, ‘Stranded, Not Lost, in 2018, earning a nomination at the Prog Awards alongside critical acclaim.
Hailing from London, VLMV have received widespread praise for their immersive live shows, gaining them slots across the UK and Europe including ArcTanGent, Dunk! Festival, Portals Festival, Post In Paris and many more.
VLMV will play The Lexington, London for their one and only UK headline show this year Friday 26th August.
‘Sing With Abandon’ will be released August 19th via Nice Weather For Airstrikes and can be pre-ordered now
Pete Lambrou on ‘ There Are Mountains (Underneath Us)’:
“The album has been a long process for us after delays with session musicians and studio restrictions. We ended up going back and forth; writing and rewriting; taking a step back and coming at it from different angles so it feels comforting to know it’ll be out in the world so soon! The drum beat / synth loop was actually created by happy accident on my Korg ArpOdyssey. After manipulating lots of incoming audio, it spat out a chopped up beat with the tempo of 61.2567bpm. And that was that…”
British Progressive Rock Luminaries JETHRO TULL released ‘The Zealot Gene’ earlier in 2022, their first new studio album in over 18 years. Garnering critical acclaim, as well as the bands first UK top 10 album since the 70’s, it also saw the band entering high in the charts in Germany, Finland, Switzerland, Austria and more.
With the band now back out on the road in Europe, they recently added the fan-favourite new track ‘Mine Is The Mountain’ to their live set. To celebrate, a new video for the track has been commissioned, created by Tom Hicks who previously did the clip for ‘Shoshana Sleeping’. Watch the video now here:
Of the track, Ian Anderson comments: “Mine Is The Mountain is, perhaps, a late-life partner to the Aqualung album song My God. I had, as usual, a strong visual reference at the core of the lyrics. A miserable, committed trudge up Mount Sinai by Moses to face an angry maker before he must deliver the goods to his followers below is a powerful image, best imagined unless you are a wilderness trekker and much younger than I.”
Jethro Tull have a busy live schedule over the next few months, visiting countries across Europe. Find the full list of dates here: http://jethrotull.com/tour-dates/
“Ripe with fresh inspiration and resonant of past glories, it belongs high in the Tull canon.” – Prog Magazine
“The music is light, bright, tight and recognisably Tull” – Classic Rock Magazine
A record that began to take shape as early as 2017, ‘The Zealot Gene’, in many ways, seeks to defy convention during a time when the business of being a touring and recording artist has never faced more uncertainties. Tull bandleader Ian Anderson holds no reservations about the role for which the mythos and themes of Biblical storytelling played in the lyrical content of the new album, saying:
“While I have a spot of genuine fondness for the pomp and fairytale story-telling of the Holy Book, I still feel the need to question and draw sometimes unholy parallels from the text. The good, the bad, and the downright ugly rear their heads throughout, but are punctuated with elements of love, respect, and tenderness.”
Looking back on the earth-shaking disruption of the Coronavirus pandemic, which ultimately ended the band’s touring plans and hopes of a 2020 release for ‘The Zealot Gene’, Anderson shares, “It was so sudden. Amidst the concerns and warnings of the scientific community and a few more enlightened politicians, we all retreated in disbelief to our homes to wait out the storm.”
With more than 30 albums to their credit and sales totaling more than 50 million, Jethro Tull are one of the most successful rock bands of all-time with a catalog that contains classics that still resonate today. Led by Ian Anderson, Tull still continue to tour throughout the world, entertaining audiences of all ages.
The band currently consists of:
Ian Anderson – Flute, acoustic guitar, harmonica, vocals
Steve Howe, legendary guitarist with Yes, is pleased to announce the release of ‘Lunar Mist’ – the second collaboration with his late son Virgil Howe who tragically passed away in 2017. Continuing his journey that is fueled by the love and energies he draws from his wife Jan and their family, a passion for the guitar, and of course, the never-ending drive to create and perform music, ‘Lunar Mist’ will be launched on the 23rd September 2022. Watch the video for the album’s title track here:
Crafted using Virgil’s unreleased material that had a connection in spirit to their debut collaboration ‘Nexus’, Steve compiled everything together in January 2021 to start work. Stemming from an unreleased bonus track, titled ‘Lunar Mist’, from their debut album, Steve worked at expanding on Virgil’s musical ideas. As Steve explains: “I started by writing chord charts for all the other tunes, before adding guitars and bass guitars to embellish them and bring them to completion. In the most part I kept them as he’d written them but sometimes I expanded them with further ideas and improvisation.”
The result is an album that is unique in both musicians body of work. “Virgil shows some different musical characteristics here that were such a joy to play on. There’s more of his great drumming and a broader inventiveness in his compositions” says Steve.
The album will be available on Limited CD Digipak, 180g Black LP + CD & Digitally, all adorned with a front cover painting by Virgil’s daughter Zuni. Pre-order the album here: https://vshowe.lnk.to/LunarMist
1. Lunar Mist 03:52
2. More Than You Know 03:05
3. Plexus 04:09
4. Mariah’s Theme 03:16
5. A Month In The Sun 04:39
6. As If Between 02:43
7. Never Less 02:55
8. Lothian’s Way 03:06
9. Free Spirit 02:45
10. Eternal 03:09
11. Dirama 02:38
12. Pinnacle 02:02
13. Pagoda 02:19
14. Martian Mood 03:59
Music has been a constant in Steve Howe’s life. In the sixties, he made a name for himself as guitarist of psychedelic pioneers Tomorrow. Joining Yes in the seventies, he helped propel that band to progressive rock superstardom. The eighties found Steve at the top the charts once again as a founding member of supergroup Asia, and later, GTR. Concurrently, Steve developed a brilliant solo career, performing and honing his skills as a producer, releasing more than twenty albums. Together with wife Jan, he’s raised a family, and steered side projects with son Dylan in The Steve Howe Trio.
Steve Howe’s creative passion has put him on a lifelong journey on pathways, ranging from jazz, blues and classical, to folk, bluegrass and rock. His prolific solo career defies easy categorization, making each new album a venture into genre-bending territory that always bears his inimitable imprimatur. Always pushing forward with studio craft and virtuosity, each of his albums reflects the insights he has gathered along the way.
