Review – Red Bazar – Blood Moon – by John Wenlock-Smith

Red Bazar are the band that Peter Jones uses when playing band shows as Tiger Moth Tales, in return for which he adds keyboards and vocals to their songs and elevating them in the process with his excellent voice and his deft keyboards. It’s a symbiotic relationship as both parties gain significantly from it’s existence.

‘Blood Moon’ carries on from 2022’s excellent ‘Inverted Reality’ and has eight tracks of fine, if slightly heavier, material from the band.

The album begins with Fall On Your Own Sword, which is a strong opener driven  by the sturdy bottom end bass of Mick Wilson, who has since decided to move on with his place being taken by Roman Dubrovsky. The track is an epic one in style with a storming guitar riff, strong Bass and Peter’s always impressive vocals. It has a harder edge to its sound interspersed with lighter sections and parts. I really like this song and it is a strong opening track. When The World Burns is a softer piece which centres on an acoustic guitar motif and subtle keyboard textures. It’s an emotion laden song with a fine guitar solo from Andy Wilson. High Velocity is a brooding instrumental with driving bass, surging guitar parts and strong synth lines all conspiring together to make a really urgent and driven track. There’s a fine keyboard solo from Peter before the track returns to the main riff and melody, gathering intensity in the process. This is a standout for me and I loved it when it was released online last year as a taster for the full album. Start Again opens gently with an acoustic guitar and delicate keyboard flourishes. The song is about a relationship and the opportunity to redress the balance by starting Again. It’s a tender track of impassioned vocals and mood and it captures the dynamic of the relationship fully in a thoughtful and yet sensitive manner. This song impresses greatly with it strong melody and performance.

Baron’s Eyes is based on the Sherlock Holmes story ‘The Illustrious Client’ and is another interesting track talking about revenge for wrongs done to a client by the Baron. There are great synth lines to this bristling track. Fighting Force is another instrumental tour-de-force with a strong guitar line and  a very upfront bass part, alongside more excellent keyboard textures from Pete. Penultimate track Over is awash with superb guitar playing and swirling synths. It’s a brooding piece of music that builds in drama and dynamism. A powerful and engaging song that could be straight from one of the great 1990’s hard rock albums. The final track of the album is title track Blood Moon, another very strong track. Although I have to confess that, without the lyrics, I don’t really know what the song is trying to convey. I believe a blood moon is significant on several levels, including the end of the world. However on this occasion, you’ll just have to enjoy the song like I did and decipher its meaning for yourself!

So, in summary, another strong album from Red Bazar which I must recommended to all especially if, like me, you are a fan of Peter’s immense talents which are well showcased here alongside the other highly skilled members of the band.

Released 28th March, 2025.

Order direct from the band here:

https://www.redbazar.co.uk/shop

Review – Solstice – Clann – by John Wenlock-Smith

Solstice are currently on a noticeably upward trajectory and this new album from the veteran proggers certainly agrees with that statement as it isa most uplifting and positive album of some very fine music indeed.

The album has a mere six tracks (if you include the bonus), all around the 5 or 6 minute duration, along which there is a near fourteen minute epic in Twin Peaks.

The overall impression is that Solstice have found a rich vein of inspiration that they are digging deep into. In this instance that vein is a very uplifting and joyful one, maybe it’s a response to the current tough times in which the world finds itself with  global madness on the geopolitical stages and an almost demented leadership that seems to be looking after the rich and ignoring everyday folks. This promotes division and accelerates discord while throwing out all the mechanisms that help govern. Onto this disquieting stage steps Solstice and this album that instead of moaning offers the listener a very uplifting escape from all that misery, instead offering some really positive sounds of joy that extoll gratitude and promote an air off togetherness. Even it’s title, ‘Clann’, speaks of building a team of togetherness and family or clan.

The opening track is Firefly, which sets the tone for the whole album, starting with a very upbeat synthesiser line and with the surging vocals of Jess Holland, who has a very distinct and clear voice which, when blended with the rest of the band, sounds extremely fine and very strong. Above all of this lies the splendid violin of Jenny Newman which is the icing on this exceptional cake. Andy Glass’ guitar lines weave magic everywhere, bringing the music together tightly. Andy is a fine player who is extremely melodic in style. There’s no wonder why he won this year’s Prog Magazine award so convincingly! Life, again, has a jaunty melody that accompanies the music, the song having both a looseness and a sparseness to it that works in a  most attractive manner. There’s a lot happening throughout its six plus minutes duration as it builds in its intensity with Andy’s liquid guitar lines providing a great sonic tapestry of textures and sound. Plunk is a very funky number with a strong rhythmic drive and fine organ sounds. It is played in an unusual time signature which adds to its effectiveness, as does the brass embellishments that are employed during the song. This track is definitely a punchier little number that would work well live, I’m sure. An excellent guitar solo from Andy further enlivens things significantly, his playing whilst flashy and furious, is just right for the track as he doesn’t overplay it but it all works for the maximum impact of the song.

Frippa has more than an element of 1980’s King Crimson to it, especially in the main guitar riff. This track also benefits from the versatile and athletic violin of Jenny Newman who dances all over it, blending in well with both the angular guitar work by Andy and excellent keyboard work of Steven McDaniel. The precise drums of Peter Helmsley and the subtle yet strong bass lines from Robin Phillips are mightily impressive and when this dynamic rhythm section combines with the sweet, clear vocals of Jess Holland and backing vocalists of Ebony Buckle and Dyane Crutcher, you are a totally compelling and captivating close. The epic Twin Peaks has nothing to do with the David Lynch series of the same name, rather this is a sprawling track that works on every level with its gradual building and brooding intensity and sweet violin lines. It is a journey that keeps you enthralled throughout its near fourteen minute duration. There is not a moment wasted or surplus to it, it really works as an extended showcase for all that is good about the fine band and this great album. The bonus track Earthsong is a revisitation of a song that appeared on the first Solstice album ‘Silent Dance’ from 1984, here it is given a 2024 treatment by the current incarnation of the band. It opens with ringing guitar tones from Andy and some subtle bass lines from Robin, as I’ve never heard the debut version I can’t comment on this reworking except to say that it fits in well with the rest of the album and a delicate yet dynamic vocal from Jess works well and brings the album to a stately finale.

To be honest, what I like about this album is that it makes you happy, it’s upbeat and uplifting and, in a time where all we read and hear is downbeat, it’s great to have something that lifts you up, for a while at least! This album does that across its six tracks. Remember when music was a source of joy for you? Well, this music returns that feeling to you and so it is highly recommended from here.

This is a great album from a band who have weathered many storms and difficult times and seasons to re-emerge stronger, bolder and with much to offer in today’s world. I have no hesitation in commending this most wonderful release from Solstice.

Released 4th April, 2025.

Order the album here:

https://essentials.progrock.com/product/solstice-clann

Coloured vinyl here:

https://fairsound.com/product/solstice-clann-rusty-red

Black vinyl here:

https://fairsound.com/product/solstice-clann-black

The Gift To Release ‘Sweet Bird Of Youth’ On 14/4/25, New Album, ‘Seven Seasons’ Out Late Summer 2025.

The Gift was all set to release their fifth album, the conceptual ‘Seven Seasons’, by early autumn last year. But life (as John Lennon so aptly put it) ‘is what happens when we’re busy making other plans’! Stef Dickers (bassist of ten years’ standing) was the last remaining original member aside from Mike Morton. He was reluctant to leave the lineup, but was forced to for personal reasons. At the same time, Gabriele Baldocci (the band’s long-serving and hugely talented keyboard player) simply found balancing his jobs as piano professor in three music schools with playing in a band too much to manage, so he bowed out with both regret and good grace.

The next 5 months were spent searching for replacements. After multiple auditions and a few false starts, The Gift finally found a solution within ex-BEM label mates The Far Meadow. Mainstays of the outfit, Eliot Minn (keyboards) and Keith Buckman (bass) agreed to join. It is a very sweet experience to combine forces with musicians whom they both like and have full respect for. Now, regrouped and revitalised, The Gift is in the final stages of tracking, mixing and mastering for their imminent realise, the story of a life. It is due to finally emerge in late summer of this year.

On Monday 14th April, the single Sweet Bird Of Youth will be released as a taster for what’s to come.

You can order the track here:

https://thegiftuk.bandcamp.com/track/sweet-bird-of-youth

SWALLOW THE SUN – STREAM AND WATCH THEIR NEW LIVE OFFERING ‘INNOCENCE WAS LONG FORGOTTEN (LIVE AT HELLSINKI METAL FESTIVAL 2024)’

SHINING OVER EUROPE” TOUR STARTS NOW

TICKETS ON SALE NOW

Finnish doom metal icons SWALLOW THE SUN are dropping their digital-only SHINING DARK DELUXE today, along with a new live release, “Innocence Was Long Forgotten (Live At Hellsinki Metal Festival 2024)”. This exclusive edition offers fans an immersive, atmospheric experience, featuring fresh renditions of selected studio tracks that highlight the band’s signature somber tones and raw live intensity.

STREAM THE SINGLE “INNOCENCE WAS LONG FORGOTTEN (LIVE AT HELLSINKI METAL FESTIVAL 2024)” Here:

https://swallowthesun.lnk.to/ShiningDeluxeEdition

Watch the visualiser here:

SWALLOW THE SUN Shining Over Europe – After dominating North America, the band is preparing for a massive European tour with Before The Dawn and Stam1na. The tour kicks off this next Monday in Antwerp, Belgium on April 14th and will make its way through major cities, concluding in Hamburg, Germany on May 6th.

GRAB YOUR TICKETS NOW! → http://swallowthesun.net/tour

VIP UPGRADES AVAILABLE! → https://www.swallowthesun.shop/

Swallow The Sun – Shining Over Europe 2025

14.4.2025 Belgium, Antwerp – Zappa

15.4.2025 Germany, Koln – Gebaude 9

16.4.2025 Germany, Berlin – Cassiopeia

17.4.2025 Poland, Poznan – 2PROGI

18.4.2025 Czechia, Prague – Futurum

19.4.2025 Slovakia, Bratislava – Randal

20.4.2025 Hungary, Budapest – Barba Negra

22.4.2025 Austria, Vienna – B72

23.4.2025 Germany, Munich – Backstage Halle

24.4.2025 Switzerland, Aarau – Kiff

25.4.2025 Italy, Milan – Legend

26.4.2025 France, Marseille – Le Molotov

27.4.2025 Spain, Barcelona – Razzmatazz 2

29.4.2025 Spain, Madrid – Copernico

30.4.2025 France, Toulouse – Le Rex

01.5.2025 France, Nantes – Le Ferrailleur

02.5.2025 France, Paris – Backstage Btm

04.5.2025 Netherlands, Tilburg – 013 Next

05.5.2025 Netherlands, Amsterdam – Melkweg

06.5.2025 Germany, Hamburg – Logo

12.12.2025 UK, Belfast – Limelight

13.12.2025 Ireland, Dublin – Opium

14.12.2025 UK, Glasgow – Cathouse

16.12.2025 UK, Manchester – Rebellion

17.12.2025 UK, Bristol – Thekla

18.12.2025 UK, London, 02 Academy Islington

19.12.2025 UK, Wolverhampton – KK’s Steel Mill

20.12.2025 UK, Nottingham – Rescue Rooms

Order SHINING and SHINING DARK DELUXE:

https://swallowthesun.lnk.to/ShiningDeluxeEdition

Shining Dark Deluxe – Tracklisting:

1. Innocence Was Long Forgotten

2. What I Have Become

3. MelancHoly

4. Under The Moon & Sun

5. Kold

6. November Dust

7. Velvet Chains

8. Tonight Pain Believes

9. Charcoal Sky

10. Shining

11. Innocence Was Long Forgotten (Live at Hellsinki Metal Festival 2024)

12. What I Have Become (Live at Hellsinki Metal Festival 2024)

13. Innocence Was Long Forgotten (Innocent Edit)

14. MelancHoly (Holy Edit)

More than two decades of despair, beauty, and heartache have not only shaped but fueled Finnish melancholy torchbearers, the chart-topping and Finnish Grammy winner Swallow The Sun. Formed in Jyväskylä in 2000, the quintet has enjoyed numerous fan-lauded music videos (10+ million YouTube views) and streaming dominance (50+ million Spotify plays), while also embarking on a four-continent, 900-show run over the course of their 25-year career. Their new music, however, is the group’s first step on the new path to the unknown.

SWALLOW THE SUN line-up:

Juha Raivio – Guitar, Keys 

Juho Räihä – Guitar

Mikko Kotamäki – Vocals

Matti Honkonen – Bass

Juuso Raatikainen – Drums