Review – Long Earth – An Ordinary Life

Progressive rock is all about progress, right? To a certain extent that is correct but not when we have progress for the sake of it and some times small changes and progressions make more of a difference than huge ones.

With their third album, ‘An Ordinary Life’, Long Earth have moved the game on from their sophomore effort ‘Once Around The Sun’, an album I greatly enjoyed, not in a big way but subtlety and this has produced a beautiful, heartwarming collection of songs that add up to one of the brightest releases of 2024 so far.

Before we delver further into the record, let’s have a bit of history;

Long Earth is a prog rock band from Scotland, four decades in the making. All seasoned campaigners of the Scottish music scene, they came together through a shared love of progressive music.

In 2017 Long Earth released their debut album ‘The Source’, popular with prog fans, DJs and rock writers alike, and began building a local audience at their gigs around Glasgow. ‘The Source’ was a serious statement of intent, showcasing the instrumental and songwriting prowess of the band. However, their identity was not fully formed until the arrival of Martin as the band’s new vocalist in 2018 during the writing sessions for the second album, the album that was to become the critically acclaimed ‘Once Around The Sun’.

In March 2020, Once Around the Sun was released on CD and download to critical acclaim. Widely regarded as a significant step up from its predecessor, it has received regular worldwide airplay throughout the year, and features heavily in many DJs and listeners’ “album of the year” lists.

The band line up is:

Mike Baxter – Keyboards, Martin Haggarty – Vocals, Renaldo McKim – Guitar, David McLachlan – Bass and Alex Smith – Drums.

The album opens with Fight The Hand That Bleeds You and a keyboard refrain that could be from a 1980’s Neo-Prog album, a feeling enhanced by the energetic rhythm section, Renaldo McKim’s stylish guitar playing (check out the fiery solo) and Martin Haggerty’s direct vocal delivery. It’s done with aplomb and class and has an up to date, polished edge. A high energy start to the album that makes you take notice, especially the catchy chorus. I have to be honest, while I’m as big a fan of excellent Neo-Prog done well as the next man, I was hoping for a bit more from these talented Scots (although the wonderfully nostalgic sounds from the keys of Mike Baxter are a revelation to hear). I needn’t have worried as the rest of the album is wonderfully crafted and really doesn’t sit in any one genre, although, if I had to pick one, it is definitely progressive rock oriented in flavour. The next two tracks, Morpheus and Life show us that Long Earth have not stood still since releasing ‘Once Around The Sun’. They are both deep and meaningful with gorgeously wistful vocals from Martin and a nostalgic sound that reminds me of the great songs that have graced the charts for years. Renaldo’s guitar on Morpheus just echoes in the background gracefully and the drums from Alex Smith and David McLachlan’s bass both have a cultured, jazzy feel to them. It is music for the mind and soul and, for me, that is some of the best music you can get. Thoughtful, contemplative and with a wishful yearning, Life just bleeds emotion from it’s elegant, piano led, introduction and the melancholy vocal, Martin is seriously on top form on this bewitching piece of music. An elegant musical journey that takes you through the full gamut of emotions and delivered by a group of musicians working at the height of their powers. Sand delivers a much harder, defining edge to the band’s sound with a crunching guitar intro and more forthright vocal delivery. It’s a fluid, punchy track more focused on hard rock but still with the polished feel you’d expect from Long Earth. Renaldo gets to do his best guitar hero impression with some fine riffing and a rather tasty solo and the bass and drums feel hewn from pure granite. It’s a focused and direct song that really leaves its mark and one I really enjoyed.

The longest song on the album, Shadows sees the band in storytelling mode in the best progressive fashion. There’s elements of folk rock at play here, Renaldo’s delicate guitar playing and Mike’s vocal, almost balladeering in style, give a touch of medieval to the sound. This refined piece of music draws you into its embrace with its introspective feel and, at times, pensive and sombre tone. I can believe that this track could become a staple of the band’s live set, it has that involving atmosphere that the audience could feel enveloped and included in. One of my favourites on an album full of superb tracks, The Arc sees Long Earth on their progressive, reflective path and has a feel of Talk Talk to my ears, the deliberation that goes into every word and note and Martin’s vocal has big similarities to Mark Hollis. A big claim I know but one I feel is justified on this fantastic five minutes of music and one of the best songs I’ve heard this year. Moscow is big in sound and in scope, creating a widescreen, dramatic musical experience that touches on the band’s progressive roots. Another immersive musical journey that you gladly participate in, swathes of elegant keyboards and the dynamic rhythm section lay the foundations for Martin and Renaldo to lay out the story in fine style. Symphonic prog maybe but it is just great music delivered by an exceptional band. The album closes with Empty Shore, Renaldo’s echoing guitar and Mike’s subdued keys followed by the soulful vocal of Martin Haggerty on this charismatic and impassioned track. A real slow burner of a song with a pent up, brooding tension that feels ready to erupt at any moment and one that brings proceedings to a close in a very satisfying fashion.

All great albums are the product of an intensive creative process and, in ‘An Ordinary Life’, Long Earth have given us the highly impressive fruits of their artistic labours. A wonderfully immersive musical journey that will have you coming back for more, it is a highlight of what is becoming an extraordinarily outstanding year for new music.

Released 5th July, 2024.

Order direct from the band here:

Long Earth – Music & Merchandise (longearthmusic.com)

Order from bandcamp here:

An Ordinary Life | Long Earth (bandcamp.com)

NICK MAGNUS: ‘A Strange Inheritance’ (Magick Nuns Records) – Released 16th September

“It was a strange inheritance, unexpected, an oak chest bound with iron straps come into my possession, from a relative of whom I knew nothing…

Nick’s seventh progressive rock album takes us on a cinematic voyage; a swashbuckling tale of love, loss and revenge. An unexpected bequest reveals the story of a young woman whose misplaced love condemns her to the grim streets of 18th century London. She is deported, travelling across the high seas to the New World where imperialism and injustice rule, and an island paradise that is not what it seems.

Watch the video for Bloody Money, featuring John Greenwood and Tony Patterson:

Pre-order now:

Nick Magnus, Keyboards, Composer, Producer (magnus-music.com)

Composer, keyboard player and producer Nick Magnus is best known for his work with ex-Genesis guitarist Steve Hackett from 1978 to 1989, providing his keyboard talents to at least twelve of Hackett’s albums to date, as well as extensively touring Europe, the UK and the US.

Nick started his musical career in early 1976 with the cult symphonic rock ensemble, The Enid. At the end of that year, he left The Enid to spend two years with the progressive rock band, Autumn. In 1999 Autumn released a CD of their material originally recorded in 1977 entitled ‘Oceanworld’, subsequently re-issued in 2019 on vinyl. He has released six solo albums of his own compositions: ‘On Till Morning’ (1994), ‘Inhaling Green’ (1999), Hexameron’ (2004), ‘Children Of Another God’ (2010), ‘N’monix’ (2014) and ‘Catharsis’ (2019). A live album with John Hackett was released in March 2011.

The latter half of the 1980’s included session work with many diverse artistes such as China Crisis, Renaissance, George Martin, Mungo Jerry, Carl Wayne (The Move), Johhny Mars, Cilla Black, Jose Carreras, Brian May (Queen), Richie Havens, Bonnie Tyler, Mike Batt, Classix Nouveaux, David Essex, Pete Bardens (Camel), Duncan Browne, Chris Rea, and Colin Blunstone.

Nick’s skills as keyboardist, producer and writer are frequently in demand, with recent contributions for artists such as United Progressive Fraternity, Amanda Lehmann, John Hackett, Dik Cadbury, Damanek, The Rocking Horse ClubTony Patterson & Brendan Eyre and the ‘Harmony For Elephants’ project. Nick is also a regular contributor to music technology magazine, Sound On Sound.

A Strange Inheritance is packaged in a 6-panel gatefold digi sleeve, with a 24-page full-colour booklet of photographs and lyrics.

All music composed and arranged by Nick Magnus, all lyrics by Dick Foster.

Nick Magnus – keyboards, synthesisers, percussion, tongue drum, production.

Album Tracks:

An Almost Silent Witness 10.07 

Blood Money 4.45

Philadelphia 5.16

At Sea at Night 5.54

Four Winds 8.14

Welcome To The Island 5.19

Black and Scarlet 5.22

To Whom it May Concern 5.36 

Total Running Time: 50.45

Guest Artists (bios on website) 

Tony Patterson, Andy Neve, John Greenwood, Louise Young, Ginger Bennett and Steve Hackett

Album teaser video: