Month: April 2018

The Pineapple Thief’s Bruce Soord checks in from the studio and reveals details of their new studio album Dissolution

UK & European Headline Tour Announced

Bruce Soord, The Pineapple Thief’s composer, lyricist and driving force, has checked in from the studio with an update on the progress of the band’s new album, the follow up to 2016’s acclaimed Your Wilderness.

“After 5 intensive months of song writing and recording, the new The Pineapple Thief album is almost done!  We’ve once again been joined by Gavin Harrison, but this time from day one.  It’s been a real collaborative journey between the 4 of us writing and recording this record, with the songs taking on a life of their own.  When everyone pulls in the same direction, amazing things can happen.”

Bruce also reveals more about Dissolution, the title of the forthcoming release ““The new album, will be out later this summer. Broadly speaking the title reflects the disintegration of relationships and the undoing of our social fabric.  We’re living in a time when supposedly we are more connected than ever before, but, I personally am at my happiest when I unplug that connection. 

Reflecting more on the creative process between the band members – Gavin Harrison, Jon Sykes & Steve Kitch, Soord explains “ I would come up with ideas, jamming them on a guitar with a rough vocal, but instead of locking myself away and finishing the demos like I usually do, I would send them to Gavin for him to play around with in his studio.  Gavin has one of the best sounding drum rooms I have heard, and he can produce incredible sounding drum mixes. He would then lay down some drum ideas, chop things around, add some drum sections here and there before sending it back to me to take forward. It’s as close to having a jam in studio as you can get whilst being 200 miles apart!  Jon would then lay down his bass from his studio and Steve would do his thing from his mastering studio in Devon. We are just settling down now to the do the final mixes. Gavin is mixing the drums, Steve and I are mixing the rest. I am definitely looking forward to having that celebratory beer when we send the masters away!”

Gavin Harrison adds “It’s been fantastic to collaborate with these guys again – especially as this time I’ve been involved from the ground up. It’s been a most inspiring effort and I think it will prove to be the best yet. The emotional investment that you place in an album is immense and we’re all excited about getting out there and playing these songs live. “

The Pineapple Thief have announced they will be taking  Dissolution on the road starting in September 2018 which will include their biggest show to date at London’s prestigious Shepherds Bush Empire – tickets are on sale now and selling fast: http://www.pineapplethief.com/tour/

Sep 15 – FR – Paris – La Maroquinerie

Sep 16 – BE, Brussels-  La Madeleine

Sep 17 – DE, Bremen – Schlachthof

Sep 18 – DE, Hanover – Musikzentrum

Sep 19 – DE, Berlin – Lido

Sep 21 – PL, Warsaw – Stodola

Sep 22 – CZ, Olomucany – S-Club

Sep 23 – CZ, Prgaue – Rock Cafè

Sep 25 – AU, Wien – Szene

Sep 26 – DE, Munich – Backstage Werk

Sep 27 – DE, Aschaffenburg-  Colos-Saal

Sep 28- DE, Cologne – Live Music Hall

Sep 29 – NL, Amsterdam – Melkweg

Oct 4 – UK, Edinburgh – Liquid Rooms

Oct 5 – UK, Sheffield – Leadmill

Oct 6 – UK, London – O2 Shepherds Bush Empire

 

The Slyde announces new album “Awakening”

Following up with 2017’s EP release “Back Again”, Canadian melodic proggers The Slyde return with their first full length effort titled “Awakening”.  The band (formerly known as just Slyde) will add six tracks to Back Again’s four, of the intricate, contrapuntal prog rock they’ve honed over the last decade, on May 18 2018.

In true prog fashion, The Slyde stays true to their mission statement with their quirky arrangements, aggressive edge, and ominous lyrics.  The result is a thought provoking, high-octane album for fans of Rush, Dream Theater, Haken, Coheed and Cambria, and Megadeth.  Driven by Nathan Da Silva’s elegant vocals, Sarah Westbrook’s powering keyboard skills, and the powerful rhythm section of bassist Alberto Campuzano and drummer Brendan Soares, the band are to catch the ears of any technically minded melodic prog rock fan.

The Slyde has played over 160 shows on the Eastern Canadian circuit, including support for Protest The Hero, Ottawa Bluesfest, Canadian Music Week, IndieWeek, and Wacken Metal Battle Canada.

Catch the band on the road for their Album Release shows:

05.23.2018 – Peterborough ON, The Red Dog
05.24.2018 – Toronto ON, Hard Luck
05.25.2018 – Hamilton ON, This Ain’t Hollywood
05.25.2018 – Niagara Falls ON, The Geekery Pub
06.06.2018 – Kingston ON, The Mansion
06.07.2018 – Montreal QC, Les Katacombes
06.08.2018 – Ottawa ON, Cafe Dekcuf
06.09.2018 – Cornwall ON, Lola’s
TRACK LISTING:
1-Awaken
2-Walk With Me
3-In Silence
4-These Wars
5-Awakening
6-So Blind
7-Fading
8-Join The Parade
9-Divide
10-Back Again

STEVE HACKETT TO HEADLINE THE SATURDAY OF BE PROG! MY FRIEND 2018 / SWEDISH PROGRESSIVE METAL BAND BURST TO REFORM AT THE FESTIVAL

Be Prog! My Friend have announced Steve Hackett as the 2nd headline act for the festival next year. The former Genesis guitarist will close the festival on the Saturday while A Perfect Circle headline the Friday. The organisers add:

‘Steve Hackett is coming to Be Prog! My Friend 2018 and will be playing a mix of tracks from the Genesis back catalogue as well as his solo material. Hackett has released more than 30 solo albums in addition to the 7 he did with Genesis. His set is not to be missed! Musicians playing with Steve will be Roger King (keyboards), Gary O’Toole (drums & percussion), Rob Townsend (saxes & flutes), Nick Beggs (bass) and Nad Sylvan on vocals. 

The festival have completed the line-up for next year with the addition of Swedish progressive metal outfit Burst, who split in 2009 but will reform to perform at Be Prog! My Friend for a special Burst reunion show. The festival organisers comment:

‘We wanted to see Burst at Be Prog! We needed to see Burst in Poble Espanyol. Although they broke up in 2009, following their masterpiece ‘Lazarus Bird’ we decided that this didn’t matter. Burst will join forces again to play for us.  Despite their short life as a band, they have one of the finest discographies for fans of progressive music. You will love Burst.  They are just the perfect band to complete 2018’s line up and we could not be more happy and honoured for having Burst play such a special show for Be Prog! My Friend 2018.’

The complete line-up for Be Prog! My Friend 2018 now features A Perfect Circle, Steve Hackett, Sons of Apollo, Baroness, Pain of Salvation, Burst, Plini, Gazpacho, Oranssi Pazuzu and Persefone.

Named as ‘Event of the Year’ at this year’s Progressive Music Awards the Barcelona based festival, sponsored by Inside Out Music, has played host to the likes of Opeth, Steven Wilson, Anathema, Devin Townsend, TesseracT, The Pineapple Thief, Magma, Agent Fresco, Camel, Meshuggah, Katatonia, Riverside, Ulver, Animals as Leaders, Ihsahn, Alcest, Jethro Tull and Marillion and will take place on 29th and 30th June this year.

Held in the beautiful open air surroundings of Poble Espanyol – a huge stone built architectural museum – the site is one of the most important and striking landmarks of tourism in Barcelona. Whilst by day the Catalonian hotspot may play host to some of Barcelona’s most interesting historical articles, by the end of June it will instead play host to some of the world’s finest progressive artists.

Tickets are on sale now priced at 130 Euros alongside exclusive hotel deals from the festival website:

 

Review – Shadowlight – Stars Above The City – by Progradar

A little known fact is that UK based alternative rock band Shadowlight are the main reason you are now reading this review on a website called Progradar. I liked their 2012 release ‘Twilight Canvas’ that much that I really (and I mean REALLY) pushed it on social media as well as creating some Youtube videos for the tracks. All this really whetted my appetite to take my amateur music journalism a step further. This new album has been a long time coming and I was eagerly awaiting its arrival.

Suffice to say I have not been disappointed in any way, shape or form. James Hodkinson (guitar, vocals), Mark Wilson (keyboards, vocals) and Ed Williamson-Brown (bass) have delivered in spades and I must now have listened to ‘Stars Above The City’ over twenty times and it hasn’t lost any of its wonderful lustre.

This album is chock full of edgy, sharp-suited alternative rock with a thoughtful intelligence. Clever riffs with more than a touch of heaviness and some soaring guitar solos are joined by the traditional swirling Hammond keyboard sound to deliver insightful, intelligent and enjoyable music with a tip of the hat to such luminaries as Riverside and Porcupine Tree.

There’s a lovely nostalgic nod to ‘Twilight Canvas’ in the opening intro Adrenaline Bomb before the album gets going properly with the thumping riffs of Gravity. This new album is still full of what made the last one (and the ‘Winter’ EP) so good, especially the expertly harmonised vocals, but there’s a much heavier feel and a maturity to the band’s sound with its added complexity, dynamic, sharp-edge riffing and cool as you like solo.

The trio of Summerfade, Dusseldorf and Stars Above The City take the signature Shadowlight sound and mould and evolve it into something that is still connected but now has a sophisticated and perceptive intelligence and I could listen to that sound all day long. Captivating choruses and addictive melodies are key to this new direction but there’s also a grittiness and edginess to James Hodkinson’s guitar sound that gives it something else, the guitar led intro to the title track is a great example of this.

Things just keep getting better with November and Fractured, two songs that really showcase the superb keyboard skills of Mark Wilson, his ability to switch from the heights of swirling Hammond organs to the subtleties of a beautiful piano note is delightful. You find yourself being enveloped by the music, it’s soothing and involving qualities are prime to you feeling part of the album rather than a spectator.

The final song on the album, Unending, sees the band deliver their most progressive piece of music yet, coming in at just under twelves minutes of complex and intricate music with meaningful vocals and a pensive thoughtful feel. A contemplative and introspective work that holds your attention throughout and one where each of the musicians comes to the fore to deliver an outstanding song that, to me, is Shadowlight’s best yet and a worthy ending to this stellar album.

I know you could say I’m a bit prejudiced but this new album from Shadowlight is everything I hoped it would be and so much more as well. They say if it ain’t broke then don’t fix it but, what the band have done with ‘Stars Above The City’ is take what made ‘Twilight Canvas’ such a great debut album and enhance it in subtle ways to deliver a real progression of their music and something which can hold its head high in this crowded world of new music that we live in today.

Rating – 93/100

Released 7th April 2018

Download from all the usual suspects:

 

 

 

Single Review – Sleeperman – Keeley Really – by Progradar

Like a never ending musical production line staffed with working class heroes from the 50’s and 60’s, those folks at Chippy Records have released the fourth Sleeperman single of 2018 and, once again, it is a humour filled triumph of social commentary and the lives that normal people lead.

“Aged eight she was going to join the ballet, at 16 she went to Spain and shared a chalet, at 24 she’s got three kids from men she didn’t marry.”

The witty and pithy lyrics in Keeley Really seem to come from a well that never seems to run dry and the jovial, traditional music delivery adds a real down to earth feel to everything that these talented guys touch. John Hilton’s vocal delivery is almost spoken as well as sung and it adds a narrative feel to the song. Neil Scott’s jangly guitar sound echoes with hues of 50’s rock n’ roll with its Duane Eddy twang and Steve Skinner and Phil Sharp are the perfectly chilled rhythm section that glue everything together.

“She reads them stories every night, she brings her kids up right. Her shoulders tattooed with their names; Diesel, Magaluf and James.”

These guys just seem to get how I feel about music spot on every time, a real soundtrack for my generation.

As ever, with their faux 45rpm style, there’s a B-side and The Places That We Knew Before Are Not Those Places Anymore shows a more melancholy side to the band and the songwriting.

“Remember swimming naked in the ship canal because we’d seen it in a film…”

It’s a sepia tinged wistful look back at younger days when anything seemed possible and any ambition was attainable. As the saying goes, nostalgia isn’t what it used to be but the bitter sweet lyrics and music are delivered just about perfectly.

Sleeperman have done it again, this is becoming a series that is as addictive as anything that Sky, Amazon or Netflix can deliver and, if you haven’t already, come join us on this incredible ride.

Released 4th April 2018

Check the band’s Facebook page for how to get your hands on the single in CD and digital form here

Progradar Recommends – Episode 5 – Frequency Drift, Hillmen, Deafening Opera & Weend’ô

Here we go again folks, another episode of my recommendations and have we got some pretty powerful and intense stuff for you this time so, without further ado…

Frequency Drift – Letters to Maro

Intense and complex cinematic art rock with a heavy progressive feel, that has been the core of German band Frequency Drift’s sound for a long time. Their previous album ‘Last’ (2016) is a case in point. With a penchant for the dramatic and sophisticated these impressive musicians have always delivered very emotive albums.

‘Letters to Maro’ takes that succesfull format and builds on it impressively with the addition of the soulful vocals of Irina Alexa to the core of Andreas Hack, Nerissa Schwarz and Wolfgang Ostermann. Irina also adds a subtle influence with her writing style and lyrical implementation.

Where ‘Last’ was underpinned by the heavy guitars, this new album is much more rounded sonically and there’s an inherent melancholy and lightness to the soulful and emotive music and it results in a vivid, melodramatic musical experience that will leave a long lasting impression on you.

‘Letters to Maro’ is more than just a collection of songs, it is a hugely involving, artful and immersive experience that everyone one should experience at least once.

Rating – 87/100

Released 13th April 2018

Order ‘Letters to Maro’ from bandcamp here

Hillmen – The Whiskey Mountain Sessions Vol. II

“Recorded in a smoke filled private studio high in the coastal mountains of Southern California, ‘The Whiskey Mountain Sessions Vol. II’ is forty minutes of contemporary instrumental music at its dynamic best. Hillmen features the talents of Peter Hillman (Kiss The Frog) on drums, Gayle Ellett (Djam Karet) on keyboards, Jeff Smith (Insects vs. Robots) on bass and Lito Magana Jr. (Mestizo Beat) on guitar.” – so says the press blurb for this intriguing album of so-called Free Improvisation music.

This is raw, unfiltered music written without even a score and recorded in one literal ‘jam’ session. Opener The Long Way Home is full of psychedelic guitar, dreamy Minimoog synth stylings and incredibly laid back jazz drumming. Whiskey soaked, smoke filled bar nights come to mind on this super laid back track. Rhodes electric piano, Minimoog, vintage guitars and amps are combined with state of the art recording technology to generate a warm, unique sound.

The vibrant feel continues throughout the rest of the album and leaves a permanent grin on your face, nostalgic and yet forward looking this release showcases the magic that can come from improvised music, music that can grow and evolve over time.

Get your hands on this exceptional and singular release, you won’t regret one minute of it!

Rating – 80/100 

Listen to an edit of The Long Way Home here

Released 16th march 2018

Order the album from bandcamp here

Deafening Opera – Let Silence Fall

I was a fan of the last Deafening Opera album ‘Blueprint’ which was a real progressive feeling record so I was very happy when this new release popped through my letterbox. ‘Let Silence Fall’ promised to be an evolution in every regard which did make me a bit nervous but after the first listen this excellent German band had delivered superb musical theatre once again.

With a more modern, even symphonic, delivery this concept album is a rich musical tapestry of passionate vocals and thunderous guitar riffs entwined with more delicate and emotive pieces to give an all-encompassing theatrical musical experience.

Showing a maturity and sheer complexity and depth, Deafening Opera not only prove themselves to be very proficient musicians but master storytellers as well as this involving dramatic piece of work ebbs and flows effortlessly. Showmanship as much suited to the stage as to a recorded work, it is a highlight of the year for those of a symphonic rock persuasion.

Rating – 81/100

Released 17th March 2018

Order the album direct from the band here

Weend’ô – Time of Awakening

There’s some really good music coming out of France. I’d heard of Weend’ô but it wasn’t until I’d made their acquaintance at last year’s Summer’s End Festival that I really got to see and hear how good they really were.

A group of talented and consummate musicians fronted by the amazing vocal talent of Laetitia, a singer heavily influenced by Anneke Van Giersbergen and one who has completely transcended any such comparisons now. The band’s sound has previously been described as falling somewhere between Pink Floyd’s more ambient moments and the modern riffs of Tool, a fair comparison although I feel they are ploughing their own unique musical furrow nowadays.

Atmospheric rock music with prog-tinged hues and a real under current of the blues to the fluent guitar playing, I find it totally addictive and fronted by Laetitia’s sultry rock voice it takes on a whole life of its own. ‘Time of Awakening’ is a call to humanity to keep faith and hope despite the appalling events currently afflicting the world. Discussed in the wistful and ethereal hymn Elea, nothing can stop the true evolution…

Seven songs, forty-three minutes long, this deeply engaging album will immerse you in Weend’ô’s singular musical world and it is a place you may find exceedingly difficult to leave. This wonderful album is definitely my unexpected find of the year so far for 2018.

Rating – 88/100

Released 30th March 2018

Order the album from bandcamp here

 

 

 

GAZPACHO RELEASE NEW VIDEO FOR “EXIT SUITE” FROM NEW STUDIO ALBUM SOYUZ

Ahead of the release of their brand-new studio album, Soyuz, on May 18th Norwegian Art-rock progressive outfit Gazpacho have revealed their visually stunning and emotive new video for the track “Exit Suite”

Gazpacho’s Thomas Andersen explains the song’s creative birth “Exit Suite is the cinematic sounding result of a night playing with matches in the studio. It is a song about the fear of dawn and the passing of the old day.  The matches were supposed to be our short flickering lives in the dark universe and we ended up making a rhythm out of them and building a song on that rhythm.”

Andersen continues on the creation of the video clip “The short film accompanying the song was made by Dewi Allen from the University of South Wales, Cardiff and we loved it. We had lots of ideas on what the film should be like and he had the wisdom to ignore everything we said and do it his way. It’s perfect, speaks for itself and showcases his very special talent. I hope you all agree.”

Gazpacho have become synonymous for their distinctive art rock that balances tense and beautiful arrangements, sinister and soulful melodic lines, Soyuz furthers their experimental output. With a holistic approach to the album writing process, imbuing each with a captivating concept – in Soyuz the concept was born from the idea of how beautiful moments pass and cannot be “saved for later”, so within Soyuz are interconnected tales of people and lives “frozen in time”. Taking inspiration from a multitude of eras and subject matters, including the doomed Russian space capsule Soyuz and its iconic captain Komarov; the Tibetan Buddhist funeral practice in “Sky Burial”; the inclusion of the oldest recording of the human voice from 1860 and the Hans Christian Andersen inspired “Emperor Bespoke”.

Recorded at Krypton Planet & St. Croix Fredrikstad in Norway, engineered by Thomas Andersen, Kristian Torp and Mikael Kroemer, mixed by John Rausch and mastered by Sonovo Mastering’s Thor Legvold. The artwork, designed by painter Antonio Seijas, is inspired by Russian Cold War colours and fonts from the Soyuz One flight era.

Soyuz will be released on CD / LP and digitally (with pre orders receiving “Soyuz One” and “Exit Suite” as instant downloads) and is available to pre-order HERE

Gazpacho have confirmed they will be taking Soyuz on the road this summer with a series of headline shows and an appearance at Be Prog! My Friend Festival in Barcelona, with more dates to follow 

Soyuz Tour 2018
 
24/05 – NL –  Maastricht, Muziekgieterij,
25/05 – NL-  Uden, De Pul
26/05 – NL-  Zoetermeer, De Boerderij,
28/05 – UK – London, The Dome
31/05 – DE – Aschaffenburg, Colos-saal
01/06 – DE – Cologne Die Kantine,
02/06 – NL – Leeuwarden, Neushoorn,
23/06 – NO – Oslo, John Dee
30/06 – ESP – Barcelona, Be Prog Festival

For tickets see www.gazpachoworld.com

Gazpacho are:

Jan Henrik Ohme (vocals)

Thomas Andersen (keyboards, programming)

Jon-Arne Vilbo (guitars)

Mikael Krømer (violin, mandolin)

Kristian Torp (bass)

Robert Risberget Johansen (drums & percussion)

Follow Gazpacho online:

https://www.facebook.com/Gazpacho.Official.BandPage

www.gazpachoworld.com

The Sea Within – Roine Stolt, Daniel Gildenlöw, Jonas Reingold, Tom Brislin & Marco Minnemann – announce self-titled debut album

The Sea Within – the new art-rock collective comprising of Roine Stolt(Transatlantic, The Flower Kings), Daniel Gildenlöw (Pain of Salvation), Jonas Reingold (Steve Hackett, The Flower Kings, Karmakanic, The Tangent), Tom Brislin (Yes Symphonic, Renaissance, Spiraling, Deborah Harry) & Marco Minnemann (The Aristocrats, Steven Wilson, UK, Joe Satriani) – have announced that their debut self-titled album will be released on June 22nd,  2018.

Let’s get one thing straight from the start. The Sea Within is more of an amalgamation of some serious talents, than a regular “supergroup”. These musicians have come together to create a unique album.  Guitarist/vocalist Roine Stolt, bassist Jonas Reingold, keyboard player/vocalist Tom Brislin, drummer/vocalist Marco Minnemann and vocalist/guitarist Daniel Gildenlöw have a vast reservoir of experience. Look at the portmanteau of artists with who they’ve worked: The Flower Kings, Transatlantic, Jon Anderson, Steven Wilson,The Aristocrats, Joe Satriani, Yes, Steve Hackett, Renaissance, Pain Of Salvation, Deborah Harry, Meatloaf, Karmakanic … that of itself tells you this is something very special.

“I suppose it all began to take shape in the autumn of 2016,” explains Stolt. “I had a chat with Thomas Waber, the boss at InsideOut Music, about the idea of putting together a new band.  I wanted to move in a fresh direction with new collaborations. So Thomas gave me the ‘go ahead’ to seek musicians for a new project.”First on-board was  The Flower Kings bass player Jonas Reingold.- “He is a long time bandmate and friend and we were also very keen to get keyboardist Tom (Brislin) involved – after seeing his synth pyrotechnics with legends Yes ‘Symphonic’ and with Camel. Then we have been a fans of ‘Aristocrats’ drummer Marco for a long time; I first heard of him 15 years ago and he is a brilliant drummer, unique energy. Then when we discussed ideas for singers, Daniel’s name came up, he has such a great range and dynamic voice and we’ve worked together on and off over the years.” Also added later to the bands line-up for live shows was vocalist & guitarist Casey McPherson of ‘Flying Colors’ & ‘Alpha Rev’, who also sings a couple of songs on the album.

Initially the band went to Livingston Studios in London last September to begin the process of assembling all the material and recording it for the debut album.“Most of the material you’ll hear are really band compositions. Of course, ideas were triggered by all of us. Sometimes Jonas would come up with a  part, chord sequence or tune  and  then I or Tom would write melody &  lyric and some new riff section and Marco enhancing  with further  musical metric twists and developments – then Daniel would add or  rewrite some of the lyrics, change or add  more  melodies. Overall, the vast majority of the tracks have been worked on and developed by all of us in one way or another.”

The entire recording situation took about six months, and the band also have some very special guests featured on the album. “We have got Jordan Rudess from Dream Theater playing piano on one song. The legendary Jon Anderson sings on another track, while ‘wind ace’ Rob Townsend, who plays saxophone and flute with Steve Hackett, is also on the record. Each of them brings a different flavour to the music.” 

“People have asked me how I would describe what we have done, and it is almost impossible. I would have to say it sounds like…us, ‘The Sea Within’. Our tastes are very eclectic – from prog to jazz to classical, to heavy rock, folk, punk, electronica and pop. We all come from a different background – so here everything goes. This has been about putting those diverse influences into the music. I feel you will hear all that’s good about pop – with great melodies and hooks – plus the rawness of metal, improvisations, symphonic and movie soundtracks. We also left room for each of us to take off on flights of instrumental jamming. That was the basic idea, anyway. But until we all got together, we had no idea where it would lead or if it would actually work.” The band have ended up recording close to two hours of music, and will be releasing it all in June on what will be a self-titled album.

The Sea Within as a music collective have plans to perform live, and will make their stage debut at ‘Night Of The Prog’ in Loreley, Germany which happens from July 13-15 and will bring special guests for that evening. “As far as I am concerned, we will try do as much touring as possible. We have a great band, great label and our agent Rob Palmen on-board.  We have great artwork by Marcela Bolivar, all looks bright.  However Daniel will not be able to join us for touring now, as he has commitments with main band Pain Of Salvation. With Casey taking the vocal spot, now with us live, we can go out on the road and play this album and beyond and grow as a band. We have so much to offer musically, on record and on stage and I am sure we will develop a lot over the next few years.   But ‘The Sea Within’ album is a great start. I am excited for everyone to hear what we have done and am now thrilled to start working on the songs for the live show.”

The album will be available as a special edition 2CD digipak, gatefold 2LP vinyl + 2CD & as digital download. You can find the full track listing below:
Disc 1:

1.Ashes of Dawn
2.They Know My Name
3.The Void
4.An Eye for an Eye for an Eye
5.Goodbye
6.Sea Without
7.Broken Cord
8.The Hiding of the Truth
Disc 2:
1.The Roaring Silence
2.Where Are You Going?
3.Time
4.Denise

As mentioned, The Sea Within has recently announced their first confirmed live date, taking to the stage at Night of the Prog Festival 2018 at Loreley, Germany on the weekend of 13-15th July 2018. Tickets are available now here: http://www.nightoftheprogfestival.com/en/home-2/

Only Echoes Remain Release New Live Single Monolith -Sophomore Album Due Late 2018

London prog/post rock quartet Only Echoes Remain have today released emotional and heavy live single Monolith, their first since last summer’s acclaimed debut concept album ‘The Exigen’t, filmed live at their recent Chaos Theory show with Godspeed-collaborator thisquietarmy.

The band says “the new record definitely feels like a natural evolution for us. There’s a lot more riffs and some heavier sections, while keeping the delicate moments we’re known for, but then further developing the melodic interplay we started to explore in songs like Aurora last year. Monolith is almost the perfect transition between the records, as it has a feel of The Exigent about it yet our sound has clearly moved on from that – I think we learned a lot about each other musically while on the road last year and are really starting to make the most of that.”

We at Progradar thought that ‘The Exigent’ shined in a sky full of  instrumental stars and glimmered brightly enough to be picked out from among the hundreds that shone on a daily basis.

Monolith takes that wonderful post-rock feel of the first album and adds massive doses of crunching, monolithic guitar riffs that give the band’s music some welcome added bite and grit and should make their forthcoming new long player a definite force to be reckoned with. Intelligent and thoughtful instrumental music with enough energy, and power to appeal to a wide kaleidoscope of music fans.

When asked if the next record will also be a concept album, guitarist Arran Oakes said “while it won’t tell a full narrative like The Exigent did, there is a concept that ties the next record together, loosely covering the events and times leading Earth to the position where the Exigent mission became necessary, so on that level it’s a sort of prequel to the last album. It’s a lot more energetic than the last one though – even louder too, somehow!”

“We’re very excited about the next chapter for OER!”   

Only Echoes Remain’s sophomore album will release in late 2018, meanwhile see their captivating live show:

13/4 – Urban Bar, London
8/5 – The Star Inn, Guildford
14/5 – The Exchange, Bristol (supporting Toundra)
16/6 – Portals Festival, London
/16/8 – ArcTanGent Festival, Bristol

https://onlyechoesremain.bandcamp.com/

Band picture courtesy RIFF.Underground

DREAM THE ELECTRIC SLEEP ANNOUNCE RELEASE OF ‘LOST’ 2008 ALBUM ‘THE GIANTS NEWGROUND’

KENTUCKY PROGGERS ALSO SHARE FIRST SINGLE ‘WE SMELL THE BLOOD’

Dream The Electric Sleep have announced details of an unheard ‘lost’ 2008 album ‘The Giants Newground’ which will be released on 18/05/18 via 7Hz Productions and shared the first single to be heard from the album We Smell The Blood.

Dream the Electric Sleep officially formed in 2009 but in 2008, Matt Page and Joey Waters decided to write and record an album together. It was the first time Page wrote the lyrics and took over the lead vocal position in a band, and the first time Page and Waters were the sole writers of a project. “After years of playing together, Joey and I were ready for something different… a new direction, and honestly at that time, a last attempt to find a way forward together as a band. We had played with so many different people and never found a line up that captured what we wanted so this was it! We were attempting to reconceive our efforts together and this album represented that departure” explains Page. 

When the album was completed in 2008, it had a limited regional release and it happened to land in the hands of bassist and songwriter, Chris Tackett. He was living in Huntington, West Virginia at the time but had just accepted an art directorship at a company in Lexington, Kentucky where Page and Waters lived. After Tackett heard the album, he was impressed and intrigued. Through a mutual friend, he found out Page and Waters were looking for a bass player. Waters and Tackett set up try out rehearsal and after the first song, Page and Waters were sold. Chris Tackett would be the new bass player on this new journey. Page, Waters, and Tackett had no band name at that point and rehearsed the songs from the recently released album to start playing some regional shows. It didn’t take long for the trio to begin writing new material. That new material became the band’s first official release, ‘Lost and Gone Forever’.

Dream the Electric Sleep never played songs from that first unofficial album that brought them together.

Discussing the looming presence of the lost release, Matt Page explained: “Over the years I thought about that album a lot. It haunted me a bit. The album meant so much to me on a personal level but I knew we had to move forward, not return to something old. In the summer of 2017 I realized it had almost been 10 years since that album came to fruition. It occurred to me it would be a great time to revisit the material and put together a 10th year anniversary release. It’s a way for the band to reflect on our origin and share that with all those who have supported us over the last decade. That album was the springboard for what would become Dream the Electric Sleep.”  

The album titled, ‘The Giants’ Newground’, was revisited, re-tracking some guitars, bass, vocals, and drums, mixed with many of the original takes from 2008.

“We wanted to update the album some but leave the original feel. We worked over the summer of 2017 and are finally ready to release this 10-year anniversary album! It feels good knowing this album can go into the world and become part of the DTES catalogue where it belongs. I felt like it was a homeless album for so long and now it will have a place to live. I can finally move on from it knowing it is out in the world.” 

‘The Giants’ Newground‘ is based on a series of Appalachian Jack tales that Page’s mother read to him when he was young. “They were these dark, old, mysterious stories that had a deep impact on my imagination. The book that we had in our house was old and falling apart and had been in the family for a long time. The stories always revolved around the main character, Jack, and his constant wandering and leaving. That idea of drifting from place to place, living on the edge, constantly on the run, felt familiar to me when I was in my mid 20’s and it’s the reason I decided to use those stories as inspiration to write an album. It’s a modern re-telling of Jacks search for home, something I too was searching for. A place to find shelter from the storm of my life and mind.”

‘The Giants’ Newground’ will be released worldwide on May 18th 2018 via 7Hz Productions (ADA) and will be a precursor to a brand new album being presently recorded and due for release in 2019.

Tracklist:
 
Home
We Smell The Blood
Father Francis
This Is My Crowd
We’ll See
The Stage
One Last Fix
It Will All Be Over Soon
Black Ink
The River Current
Sounds Like Magic
Interlude
Soulful
Astray
Head Out of the Clouds
Dirt Under Your Feet