Not having the time pressures of a “proper music journalist” means that I have the opportunity to mull and digest an album I am given for review as I’m not on a specific dead line most times. Occasionally I am asked to get one done quickly but thankfully I am not on this album. I have played this one through a couple of times a night through headphones while reading since it was sent to me. You could call it a longevity test or the fact It makes great night time listening while immersed in a novel. Both are true in this case as the album will take repeated listening and doesn’t become tiresome in any way.
Most people who know me are aware I am fascinated by the human condition and people politics and this album ticks those boxes and then some. The band describe the album thus;
“Black Science is a musically powerful progressive rock album that thematically explores the dark side of humanity and technology.”
I would agree that it is thematic rather than a concept as the songs do connect and flow excellently and explore modern life and the challenges that are very prescient in the minds of many. Yet I would say it will not become dated in any way.
Opening with a short track Armistice Day, highly reminiscent of a Roger Waters’ vocal style, it’s a doom laden post apocalypse electronic minute and a half that drops straight into Weimar, with a truly ‘Prog’ keyboards, piano and guitar symphonic introduction followed by a very open vocal . It’s very odd as I read this as a narrative close to the series “Handmaidens Tale” currently unsettling the public on Channel 4. There are musical hints of a backward baroque Harpsichord in the vocal breaks then a huge rocking out of synths and general guitar indulgence. Time and key changes rip through this 10 minute mini-epic, a treatise on society’s misogyny and patriarchal dominance. One caveat with this is my reading of the song and I may be off the mark and seeing something that the band don’t.
Cannons Cry opens with a heavy riff and a martial theme that warns of the rise of fascism and the use of propaganda to drive towards an oncoming war of the destruction of common values and principles. These guys are fans of classic Waters/Gilmour Floyd and though this is obvious but not in any way that is derogatory, only complimentary, to the music.
Hi Emma. This is Craig from Machines Dream. Thanks for the review. Your caveat was dead-on for Weimar by the way!!
I’ll pass that on to Emma Craig – Martin