Maschine – ‘a progressive rock band without boundaries’ is the bands tagline and ‘Naturalis’, the second album from Luke Machin, Daniel Mash, Marie-Eve De Gaultier, Elliot Fuller and James Stewart, definitely pushes the envelope beyond ‘Rubidium’ which was a cracking album in itself and one that showed much promise for the future.
This album is primarily a vehicle for Luke’s compositions and stretches his writing in variance and styles as well as having a core concept to the album that speaks of mankind and how we sit uncomfortably alongside the earth and nature as a species. ‘Naturalis’ is grand in its aspiration and design and I believe that Maschine achieve those goals very well.
We are introduced to the album with Resistance, a full-on epic of traditional Prog proportions in what can only be called a ‘classical 70s’ style. It begins with analogue keyboard sounds and a tension creating guitar riff reminiscent of Jimmy Page which then goes on a full musical journey reflecting the uncomfortable fit man has with his environment. There is much light and shade here designed to mirror how humanity is trying to come to terms with something he cannot control and, yet, still believes he can have authority over. Coming in at a tad under 12 minutes this epic alone would satisfy any progger but this is just the start.
Night and Day is the story of Robert Cain and his experiences of the Battle of Arnhem. His story is of finding unnatural resources fighting beyond human limits long into the battle. This as close to a ‘sound’ for Maschine as you could get, as you could say it combines all the elements of the band in a perfect balance.
A personal favourite of mine on this album is Make Believe, it istands out as being quite an ethereal song and Marie-Eve comes out into the spotlight with a haunting voice that reflects a cynical back story of the political exploitation of resources. It is a genuinely beautiful track.
The finale and closing epic Megacymais a modern epic, the other end of the musical time line from Resistance. Production and writing that fits 2016 so well, you can smell the ozone of the electricity used during the recording. This is the tale of one man’s experience in the centre of a huge Tsunami fighting for survival through every second of the 12 minutes of the song. It is a very powerful song that looks at how small one man is in relation to the planet and the forces it has at its disposal.
This album has taken 4 years to write and record and it is interesting to see how Luke has developed as a writer and composer and his desire be a strong writer of songs. Being a virtuoso guitar player in demand in various places (be it The Tangent, Damenek, Kiama, or Karmakanic) or guesting on numerous albums must surely be an asset, giving him a chance to experience a variety of styles and other musicians.
If you like “Rubidium” then get this, it’s a guaranteed winner for you. ‘Naturalis’ has good quality songs with a good level of complexity but not at the expnse of structure. The album as a couple of live tracks as a bonus which are not on my pre-release download. The artwork looks excellent and there are the usual extras with pre order.
“Music is moonlight in the gloomy night of life.” – Jean Paul
“Since there is nothing so well worth having as friends, never lose a chance to make them.” – Francesco Guicciardini
There are two things that are the foundations of my life and they are music and friends. I certainly wouldn’t be the person I am today without either. To me music is not just something you listen to, it is an essential part of what makes me tick and what makes me want to get out of bed in a morning. I only became a music writer because I wanted more people to feel the way I did about certain notes, songs and albums that have become essential listening in my life. Music is what fills those unseen gaps in my universe and makes it complete.
We all need friends in our life and I have been blessed to know some wonderful people and call them friends. Since I started getting involved with music my list of friends has grown immensely and I don’t mean just those people who I’ve never met on Facebook. I have had the pleasure of meeting many musicians and supporters in the flesh and am proud to call them true friends now.
One of the first musicians I met through my reviews and interviews was the vocalist Marc Atkinson, also known as the voice of Riversea. I first met Marc in March of 2014 when he was performing his solo acoustic show in Whitby and where I interviewed him for Lady Obscure Music Magazine and have been firm friends ever since.
Therefore it was a no-brainer when Marc asked me if I would write an early review of his new solo release ‘Homegrown’, in fact I consider it an honour that he came to me first.
Marc Atkinson is a solo acoustic singer/songwriter. He is also ‘The Voice’ of Riversea and has previously sung with Nine Stones Close, Gabriel, Frontier and Expressions, as well as lending his vocals to the Mandalaband project. He continues to gig heavily in the North of England playing his one man, ‘human juke box’ acoustic shows.
‘Homegrown’ is Marc’s fifth solo album and, along with the help from his partner Tamsin, daughter Enya, friends Andy ‘Rob’ Swann, Bob Fleming, Jack Burge and Brendan Eyre who all contributed performances on the album, it was finally finished in October 2016 and will be released on the the 21st of November 2016. Alongside Brendan Eyre and Dave Clements, Marc is currently working on the 2nd Riversea album, entitled ‘The Tide’, which is due for release in spring 2017.
Marc has written an intro for the CD booklet and, so as not to spoil it for those who have ordered the new album, I have just taken the first paragraph from it:
“As you may have guessed from the album title, this is a ‘home made’ album. It’s songwriting in its most ‘basic’ form. It could almost be called a ‘demo album’, I think…And that was the concept for it right from the beginning. In an alternative universe maybe this album exists produced by a ‘top’ producer, in a hi-tech studio with amazing musicians lifting the songs to new heights with their ear for detail and unique talents. This, obviously, is not that album. This as as ‘Home Grown’ as they come… “
“Take all these melodies away, Free them from my soul, They’ve been haunting me for days, It’s good to let them go…”
The opening track A Portrait immediately gets you into the soul of this great singer/songwriter. The music is gentle and whimsical and leaves you feeling touched by a world of calmness and peace. Marc’s voice is full of pathos and emotion and leaves you waiting upon every syllable of every word as it washes over you with a spiritual grace. There is a touch of folk to the song with the delicate strings that hover in the background, a beautiful start to the album that leaves you wanting to hear more.
“Take all of the dreams that you’ve had, Make them come true right before your eyes, take all that sorrow away, It’s a brand new day…”
The beautifully harmonised choral opening to Raise Your Voice gives way to an upbeat track driven on by the acoustic guitar and the uplifting vocals. This is a track full of joie de vivre and has a feel-good factor that just leaves you on a high. The catchy chorus has you singing along with gusto and on a spiritual high. This is definitely a song that will have a live gathering singing and clapping along to every note and left me with a big smile on my face.
‘When days are like shattering glass, They’re so fragile they don’t last, It’s like chasing waterfalls…”
I know Marc is a very spiritual person and Just Between God And Me could be his own personal thoughts on the events that are happening around the world as we speak, the hardships and trials and tribulations of those who aren’t in a position to help themselves. It’s a sober, solemn and thoughtful song that asks some pretty important questions. The vocals are full of heartfelt sentiment and really struck a chord with me, balanced against the sparse instrumentation as they are. The harmonised backing voices give a sense of wisdom to the track and you are left looking up at the stars and wondering whether there is any judgement to be had in the heavens.
“Remember days that used to be, with one big happy family alive, Driving through the countryside, With your Dad by your side tonight…”
Hands Of Time is a very poignant track dedicated to the life of Marc’s long term partner Tamsin’s father and is a beautifully written and touching tribute. It’s about the bitter sweetness of happy memories tinged with the sadness of lost loved ones. The wistful music, piano and violin especially, leave you in a bit of a melancholic mood, the memories will be there forever but you can’t turn back the hands of time. An emotional, moving song where Marc’s vocals really stand out and one that, ultimately, leaves you in a reflective mood thinking of the joy and pain that the past can bring.
“Daddy will you sing for me, Daddy will you sing with me, Riding through the streets with my little girl, Pedals going round as her hair unfurls…”
A lovely song written for Marc and Tammy’s daughter Enya and one that sees her appear on backing vocals, My Little Girl is a touching little ditty that is full of love and devotion and you can hear it in the timbre of Marc’s voice as he delivers this ode to his ‘little girl’. The gentle music has a cathartic feel to it and imbues this track with a simple grace and tenderness. Marc’s voice is what inspires Enya to sing and this song is as much a thankyou to him as it is dedicated to her.
“In or out, What the hell’s it all about?, Black or white, Why do we find the need to fight…”
When The English Rose is, in essence, a protest song about Brexit, racism and everything that is rocking our country at the moment. Because it comes from a singer/songwriter it has none of the angst that a punk band or hardliner like Billy Bragg would give it but it is because of that fact that it perhaps hits home a bit harder. An edgy riff from Marc’s guitar and a touch of anger in his voice give vent to his true feelings and the timeless question to which none of us seem to have the answer, “Surely we are stronger together, Surely it’s ‘Divided We Fall’…”
“Caught inside a landslide, In our topsy-turvy world, somewhere in-between us, We’re screaming to be heard…”
Still In Love With You is just under three minutes of delicate charm and beauty. Marc sings of a love lost and the found again and the pain and then joy that ensues. The exquisite music and ethereal timbre of the vocals just give the whole song a feeling of dignity and finesse with a profound honesty at its heart.
“It was 33 years ago, When I first put the words in a song, My friends said just give it a go, And soon they were singing along..”
A journey through Marc’s career to date with subtle hints in the radio style introduction (River sea’sOut Of An Ancient World anyone?), Whatever Happened… is wistful and nostalgic with the wispy tendrils of the music subtly insinuating themselves into your thoughts and Marc’s voice dictating his move from being in a band to a solo career and back again. It is actually a very moving song and the music has a real haunting capacity to it, plaintive and thoughtful which is only enhanced by the fantastic vocals.
“Caught in the spotlight, The Road always ahead, I drive by moonlight, To the comfort of our bed…”
A song about the endless hours Marc spends on the road touring the North of England to play his acoustic shows and how all he ever looks forward to is going home to his partner, Go is a mesmerising track full of the warmth of the affection that he has for Tammy. The music starts quite laid back, tender and mellow, the bass really coming to the fore and Marc, once again, delivers an impassioned vocal performance full of subtle highs and lows. In duet with the exquisitely fragile piano, you can almost imagine him driving back to Cumbria in the early hours of the morning. The understated guitar solo and poignancy of the piano that close the track are utterly delightful.
“Talking to myself never felt so real before, ‘Cos everything I say you seem to ignore…”
A song about relationships and the difficulty of communicating, Am I Getting Through has a nervous energy to it from the off. Marc’s voice has an urgency and seriousness to it that is matched by the tempo of the music and the guitar riff. When I listen to this song I can envision him sat on his stool singing to the audience at one of his shows, it has that immediacy to it. There is a pressing pace to the song, an imperative insistence and, ultimately, it turns a negative into a positive and changes fractious feelings into hope for the future, a message we could all do with following, whether it was meant to be subliminal or not.
“When each new day greets me, Your the first soul I see, Lying there next to me, In harmony…”
Make no bones about this song, it is a love song from Marc to Tammy and you almost feel churlish for invading into their personal space. A pared back folk-infused piece of music, beauty lies deep in the heart of this captivating track, the graceful guitar and hushed tones of the vocals give it an ethereal grace and you are held transfixed by its sheer grace.
“Lay your head on me, Hold my hand in unity, Rest in me and I’ll rest in you, One love between the two, So lay your head on me…”
Another song written from his heart for the love of his life, Marc really gets my heartstrings going and a tear in my eye with the sheer emotive finesse, charm and power of Lay Your Head On Me. It brings back all the wonderful memories of the times we spend together in a relationship. Love is a powerful emotion when put into music and here it takes your heart and lifts it up, soaring to the heavens on a wave of tender music and the utterly beguiling vocals of Marc Atkinson. The graceful guitar solo is delightfully mesmerising and you are left in a place of utter peace and calm and one from which you never want to leave.
“All that I dreamed of came true, The first time I ever saw you…”
Plucking at those heartstrings again, Eternally bewitches and charms with its heavenly charm and its sublime grace. The guitar and vocals combine to give the song a humble and yet exquisite feel and one which guides though any rough waters to a sheltered bay of calm serenity. There is a well of love, affection and devotion deep inside this talented musician and Marc lets it flood out on these last three tracks leaving you in doubt of where his inspiration comes from.
“Don’t be looking back on yesterdays, They’ve been and gone their separate ways, Keep looking forward with that gaze, It’s gonna be alright, it’s gonna be alright…”
There’s a line in This Is The Future that goes ‘Hear the melody of life, Take it hold it deep inside..’ and that, to me, is what music is all about, it is the melody of life and no more so than in this collection of songs. Another great upbeat song that tells us not to look back but to keep staring forward, we can’t unmake what has gone before but we can decide our own destiny. The uplifting music and Marc’s optimistic and encouraging vocals enforce that mantra and you find yourself agreeing with him wholeheartedly. A song of hope and promise that in a year of disappointments for me, really matches my mood now I, myself, have found that person whose arms I can run into.
“When I need somewhere to go, There’s a little place I know, And best of all it’s homegrown…”
This endearing album closes with the fiercely dignified title track Home Grown. This speaks of Marc’s home studio, a ‘Little box in which we could create sounds to break the silence.” It’s almost a short biopic of the making of the album and is delivered to us in a wonderfully cultured fashion with the acoustic guitar and piano providing the soundtrack over which Marc’s distinctive and refined vocal provides the narrative. There’s no rush to the telling of this musical tale, let the world fly past while the music that can last a lifetime is crafted with loving care, forever to stand testament to the heart and soul of this wonderful musician.
To me, this is what makes writing about music worth every single minute I take. I have been involved in this long musical journey in some small way from start to finish and when you hear the finished article, it is almost like welcoming a newborn into the world. Marc Atkinson will have agonised about every single word and note on this album and to my ears it has been worth every single second he has taken. This is music that takes over your mind and soul and which you can relate to on a very personal level. Fifteen songs that are extremely personal to this gracious man and we should be glad that he has released them for us to enjoy. A great album and one that I have no doubt is the complete pinnacle of Marc’s solo career to date, I am extremely proud to be able call him a friend.
“My heart, which is so full to overflowing, has often been solaced and refreshed by music when sick and weary.”
― Martin Luther
Music is and always will be a soundtrack to my life. I live and love surrounded by songs that mean a hell of a lot to me at the deepest emotional level. Music can be my solace when I am feeling low and my celebration when I am feeling happy.
Having been through a difficult and emotionally challenging period of my life recently it was music that helped me get over the pain and sorrow and when , happily, I embarked upon an exciting new relationship, it has accompanied me and my new love every step of the way.
One of the albums that spanned both recent periods of my life was the new solo release from former Genesis front man Ray Wilson and ‘Makes Me Think Of Home’ has been a constant companion for the last three months.
‘Makes Me Think Of Home’ is the 6th solo studio album from former Stiltskin and Genesis frontman, Ray Wilson and comes hot on the heels of ‘Song For A Friend’, an acoustic album released earlier this year and which garnered great reviews.
This new albumis a mix of pop, rock and prog which showcases Ray’s remarkable voice. The title track sees Ray looking back to his days living in Scotland, a country he left after finding love with a Polish dancer. He moved to Poznan 8 years ago, and in this ambitious and very moving track he reflects on his years trying to find peace and happiness in Edinburgh.
The album also contains subtle humour; particularly in the first single Amen To That. The track is accompanied by a multi-layered video production in which Ray showcases his acting skills as he takes on multiple characters in a range of unusual professions. The intense 7-day shoot produced what is undoubtedly the best video of Ray’s career and which takes the instantly memorable Amen To That to another level, throwing in some unexpected twists along the way.
The album also touches on complex contemporary Scottish issues such as The Scottish Referendum with They Never Should Have Sent You Roses, exploring how it divided families and a nation. Also, widespread alcoholism, which affected one of Ray’s close family members, is challenged in The Next Life, and having to fight these demons alone in Anyone Out There.
He also has time to pay homage to one of the world’s best-loved cartoon strips with Calvin and Hobbes.
Reflecting on his latest work, Ray says, “Makes Me Think of Home encompasses the joy of freedom we have all come to enjoy and perhaps take for granted as well as the fear of solitude. It highlights the many imperfections that make us special and reminds us not to fear them, but to embrace them. In the words of Leonard Cohen. “There is a crack in everything. That’s how the light gets in”.
Ray Wilson has an incredible voice and that can be heard throughout this new album, opening track They Never Should Have Sent You Roses, written about the Scottish Referendum, is a heartfelt and melancholy song which seems to look back at would could have been. The gentle instrumentation matching Ray’s genuine vocals perfectly. The chorus is one that sticks in your mind and music envelops you in a warm, cordial glow but there is a sombre feeling always there in the background. A wistful and thoughtful opening to the album. The Next Life is a song about changing your life and cleaning up your act before it is too late and was written after Ray’s producer and co-songwriter had a stroke during the recording of the album. A deeply emotional song with Ray’s passionate vocals delivered over a strident acoustic guitar. There is a serious depth of feeling and empathy at the core of this track and it is this excellent singer’s vice that imparts all the pathos and poignance that really gets you deep at your core and the guitar and saxophone solo adds to this to leave you drained and emotionally spent.
There is a more serious side to the lively and animated country music feel that opens Tennessee Mountains. A song about searching and waiting for the one he loves in isolation and solitude of his surroundings and the battle he has with his emotions while he is there. I really like the beautiful guitar note and delicate percussion that add nuances to Ray’s husky vocal delivery and the chorus is just delightful and full of love and longing, add in the rocking solo and it really lifts my mood and puts a smile on my face. The story continues into Worship The Sun, a track with a much more serious face on and another superbly written song. The solemn tone of the vocals and the thoughtful and meditative feel of the music lay a blanket of contemplative determination over everything and this is one of my favourite tracks on the album. A sincerity runs through the chorus and leaves you thinking about your own life and loves, the saxophone adds gravitas and I am just left in a contemplative mood, looking inside at my own weaknesses and strengths.
(Photo Jan Pawlak)
Title track Makes Me Think Of Home is a song that has resonated deeply with everyone I know who has heard it, including me, for whatever reason it seems to connect with you on a deep, subliminal level. The song highlights Ray’s memories of his life back in Scotland and the many fights he had with his own emotions over the years before moving to Poland. The track builds slowly from the haunting piano note with Ray’s hesitant and yet emotive vocal and draws you into its embrace. You are on the edge of your seat, waiting on every single note and word before the drums and guitar add substance and solidity. There is a bare, harsh feeling as he fights with his inner demons and you cannot move, transfixed by the savage beauty of this utterly compelling song as it moves to a break in the middle. Then a gentle acoustic guitar appears out of the darkness, followed by a haunting flute and you feel the hairs on the back of neck rise just as the powerful and irresistible solo breaks out, low and menacing. The sax solo that follows is dynamic, hypnotic and yet chaotic and full of angst, seeming to match the feeling of the song perfectly. A complete antithesis to the dark and sombre feel of the previous song, Amen To That is written about a city guy who decides he needs to get out of the rat race and buys a house in the Scottish Highlands in order to discover his own self. The uplifting acoustic guitar and inspirational vocal delivery really give this song a feelgood factor that is off the scale. You just cannot help yourself from singing along with the totally addictive chorus and tapping your toes to the incredibly catchy, hook infused, music. A song about escaping the ever increasing pressure and drudgery of a 9-5 life and living a life of freedom that most of us can only dream about.
A song about total self-destruction with the positive underlying message, “A life worth living, is worth living…”, Anyone Out There is a track with a harsh message that is delivered with sentiment and poignancy. The vocals drip with intense fervor and yet have a warmth deep in side and the music just seems to want to hold you in its comforting embrace until the world is a much better place to be in. An intense and potent chorus hammers each word home, a song initially dark that opens up to deliver a message of hope, highlighted by the wonderful sax at the end, powerful stuff! Don’t Wait For Me talks about someone who is totally obsessed with you and won’t let go, to the point of madness. A resolute and earnest song with an underlying urgency, the music has a sober feel to it to match the austerity of the vocals. There is an almost dreamlike feel to this track in places, as if you are watching yourself from outside of your own body. To me, it is a good song but one which lacks the utterly compelling and intense nature of most of the rest of the album.
I grew up with the comic strip ‘Calvin and Hobbes’ by Bill Watterson, I bought every anthology and have passed them around my friend’s children so they could enjoy these delightful comic strips that celebrate life through the eyes of a child so I was really happy to see that Ray is a fan too and had recorded Calvin and Hobbes, written by his friend Scott Spence, about these two wonderful characters. The song was written for Scott’s daughter who is a huge fan of the two and is about how imaginative life can be through the eyes of a child where you can be a space explorer, travel through time and where everything is possible and everything is fun. A wonderfully nostalgic song, beautifully written and wonderfully performed. The gentle piano and vocals just invoke images of a life where everything was just better, long summer days filled with fun and adventure. The graceful chorus just leaves a lump in my throat as this powerfully sentimental song brings back memories of my childhood when life was so much simpler and I feel a slight sense of something lost as this enchanting song comes to a close. The final song on the album, The Spirit, is in some ways a homage to ELO’s Wild West Hero and the feeling of escaping on and endless journey that Ray got when listening to it as a child. Another song full of wistful nostalgia and one with a guitar note that does bring back memories of the westerns that I used to watch as a child. There is a definite mood of escapism throughout the song, a feeling of being taken back in time and dropped in the middle of America’s Wild West and I, for one, certainly wish I was a Wild West Hero…
Ray Wilson has taken us on a deeply personal musical journey full of hope, despair, pain and, ultimately, salvation and I was hooked on every word, every note. This is music at its very best, written from the heart and full of the passion and soul of the artist. This is an album that I will return to again and again, no matter how much new music crosses my path and is surely a collection of songs that can, and will, stand the test of time.
Yes, I know this website is called ‘Progradar’ but in my last incarnation as a reviewer for Lady Obscure Music Magazine I often wrote about Hard Rock, AOR and Heavy Rock and this is the music I actually grew up with.
Recently, those lovely people at Frontiers Records have released some superb albums that drop neatly into those genres and from some great artists who have been on the scene since the 80’s and before.
So, here is my round up of six new albums released in October and early November that should be on any rock music fan’s wish list….
Hardline – Human Nature
Hardline evolved from being a sunset strip sensation featuring brothers Johnny (vocals) and Joey (guitar) Gioeli to a supergroup of sorts featuring former Bad English members Neal Schon and Deen Castronovo, before finally becoming a band showcasing the incredible talents of the fabulous singer Johnny Gioeli with the production and songwriting skills of Alessandro Del Vecchio (Rated X, Resurrection Kings, Revolution Saints), the shredding talents of guitarist Josh Ramos (The Storm), and the powerful rhythm section made up of bassist Anna Portalupi (Tarja) and drummer Francesco Jovino (Primal Fear, Jorn). All these musicians have an impressive pedigree, but what makes Hardline special is how well their unique and different talents blend together.
The goal for their new album was to have a heavier and updated version of the original Hardline sound. Think debut album, 1992’s ‘Double Eclipse’ updated for the 21st Century, with a grittier and more straight ahead sound. Anthemic, hard rocking songs are what you can expect from this record and hook after hook, riff after riff, you’ll find yourself wowed by this absolute monster of an album!
As an original purchaser of ‘Double Eclipse’ this new release had a lot to live up to and I am happy to report that it does exactly what it says on the tin. A rocking, rollercoaster ride of melodic hard rock from beginning to end, it’s not reinventing the wheel but it does what it sets out to do with aplomb
Rating (out of 5 P’s) – PPP1/2
Glenn Hughes – Resonate
Vocalist/bassist/songwriter Glenn Hughes is a true original. No other rock musician has carved such a distinctive style blending the finest elements of hard rock, soul, and funk. That astonishing voice is Hughes’ calling card. He’s known as a singer’s singer. Stevie Wonder once called Hughes his favorite white singer!
With a career that started in 1970 with the band Trapeze, Glenn left his indelible mark on several musical endeavours and bands, including Deep Purple’s MK III and IV, Hughes/Thrall, his collaborations with Gary Moore, Black Sabbath’s Tony Iommi and most recently with Black Country Communion and California Breed, just to name a few. With eleven original solo albums under his belt and countless collaborations with rock’s greatest names, Glenn Hughes is a musical icon of our times.
From album opener, “Heavy” to the very last chords of the closer, “Long Time Gone”, it is a powerhouse of hard rock that will literally blow you away. It features his live solo band members, Soren Andersen (guitars & co-producer), Pontus Engborg (drums) and newcomer to his band, Lachy Doley (keys), in addition to long-time friend and drummer, Chad Smith (Red Hot Chili Peppers), who joined them in the studio for the opening and closing numbers. It is definitely most heavy sounding of his solo albums, but as is his trademark, musical diversity shines through and as Glenn commented upon completion of the new recording, “this album is the first kind of a complete Glenn album”.
What makes this record stand out thoughout though is the fact that ‘The Voice of Rock’ emphatically still has the magical ‘it’, just check out “My Town” to see what I mean, impressive stuff!
Rating (out of 5 P’s) – PPPP
Graham Bonnet Band – The Book
Legendary rock vocalist Graham Bonnet is back with a new band and an exciting new album titled ‘The Book’.
The ‘Graham Bonnet Band‘, features of course Graham Bonnet on lead vocals, Beth-Ami Heavenstone on bass, South American guitar sensation Conrado Pesinato on lead guitar, ex-Alcatrazz man Jimmy Waldo on keys and Mark Zonder (known for his acclaimed work with Warlord and Fates Warning) on Drums.
The Graham Bonnet Band has spent the last 12 months touring solidly around the world, with performances at several major European festivals including an acclaimed set at Sweden Rock 2016. The debut Graham Bonnet Band album ‘The Book’ sees Graham returning in fine form, with an album that is his best in decades: 11 new tracks that will blow heavy rock fans away!
Also included with the new album is a 16 track cd of re-recorded classic tracks from Graham’s career.
Right, unfortunately this is a record of two halves, the new songs have been written to fit Graham Bonnet‘s vocals and, as such, they are pretty powerful stuff but, the re-recorded tracks really show the limits that he has at this late stage in his career and he struggles to hit the highs he did with Rainbow on classic songs such as ‘All Night Long’ and ‘Since You’ve Been Gone’, to be honest, I’d leave that disc alone.
Rating (out of 5 P’s) – PPP
Roth Brock Project – S/T
John Roth (Winger, Starship, Giant) and Terry Brock (Strangeways, Giant, Leroux) join forces to bring you the Roth Brock Project! John and Terry first met in 2009 while working on Giant‘s “Promise Land” record. They soon developed a unique song writing chemistry and musical bond which all these years later has led to their debut release for Frontiers Music. Powerhouse vocals and thundering guitars are at the forefront of this stellar collaboration from two of rock’s most seasoned and underrated veterans.
John Roth landed his first gig at the age of 19 with Southern boogie rock legends Black Oak Arkansas in 1986, and soon found himself in demand for recording and touring with the likes of Jimi Jamison (R.I.P.) of Survivor, and 80’s rock legends, Winger. Terry Brock’s first job in the music business was as a vocalist on the Kansas album “Drastic Measures” in 1983, which was soon followed by a tour with the Steve Morse Band and two albums with Strangeways (who were signed to BMG/RCA Records). Terry is currently on tour with Louisiana’s Leroux, while John is on tour with Starship featuring Mickey Thomas.
This is an album of hard rock infused with some heavy blues influence, the vocals have that grit and determination that the best rock singers have and the guitars really bring a smile to my face. Again, not an album to break convention but one that you will enjoy listening to again and again. Down and dirty blues rock with style!
Rating (out of 5 P’s) – PPP1/2
FM – Indiscreet 30
30 years on FM announce that they have decided to record a modern-day version of their now classic debut album ‘Indiscreet’. The band was asked many times to consider re-recording some of these tracks using today’s modern technology and recording techniques and giving the songs the sound of FM as it is today.
The band realises what an iconic album this is to so many fans so they have always steered clear of tampering with it too much but whilst in the studio recording the follow-up to ‘Heroes & Villains’ one night at the end of a session FM decided to put down a backing track to “That Girl” to see how it would sound with the huge sounds they were getting at the time. It gave the song a new dynamic and power that it was not possible to achieve in the 80’s.
Whilst playing it again the following morning FM decided it would be great to hear all these classic songs with this new lease of life. “We are not trying to recreate the original but this is our interpretation played by FM as we are today with the sound of FM 2016” says FM’s bass player Merv Goldsworthy.
In addition to the re-recording of the original album, ‘Indiscreet 30′ also features seven bonus tracks including brand new song “Running On Empty” and a new recording of “Let Love Be The Leader”.
For old and new fans of this iconic British hard rock act ‘Indiscreet 30’ is a superb slice of nostalgia and features one of the best voices in rock in Steve Overland, a vocalist who just seems to get better and better. A classy and cultured collection of songs that will take you back to the 80’s on a wave of sepia-tinged memories.
Rating (out of 5 P’s) – PPPP
Tyketto – Reach
After five years of relentless touring that included playing on some of the most prestigious stages on the planet, Tyketto took their revitalized energy in to the studio in the spring of 2016. The sessions took place at the legendary Rockfield Studios in Wales (Queen, Rush, Oasis).
Lead vocalist Danny Vaughn comments, “Although we only had planned on recording ten songs for ‘Reach’, we were so pleased with everything, we decided to keep all twelve songs on the record. We unanimously decided on ‘Reach’ as the title of the album, as it defines who this band is in 2016. We have a new energy, some incredible new members, and a fresh outlook toward the future. All of us have pushed each other beyond our limits to make what we feel is a pinnacle record in our catalog.”
Drummer and founding member Michael Clayton Arbeeny adds, “Many bands who have been out as long as we have feel they need to fit into a preconceived notion of what their fans expect to hear. Following in the footsteps of icons such as Queen, Led Zeppelin, and Prince, we have decided to expand our musical boundaries and introduce our friends around the world to Tyketto 2016. Rest assured that all the songs on ‘Reach’ still carry the trademark melodies and choruses our fans have grown to love over the decades. The band is feeling stronger and performing better than ever and we can’t wait to share this music with the world.”
In addition to Vaughn and Arbeeny, the unstoppable 2016 lineup includes Chris Green (guitars and vocals), Ged Rylands (keyboards and vocals) and Chris Childs (bass).
An album of cracking AOR tracks with a bit of a Hard Rock edge, Tyketto have taken the classic sound of the 80’s and brought it bang up to date. From the title track to the hard rocking ‘The Fastest man Alive’ it is a non stop grin-fest of powerful guitars and superb vocals.
Rating (out of 5 P’s) – PPP1/2
All the above releases can be ordered through the Frontiers Records website here
TILT have released the HD edit of the video for ‘Against the Rain’, taken from their recently released album, ‘Hinterland’. The video features Tara Nowy – daughter of Fish – reprising her mother’s role in in the classic Marillion video for ‘Kayleigh’.
TILT have also just released a Pledge Music campaign in order to get ‘Hinterland’ released on vinyl. The band aims to release the album on heavy weight double album format in a gatefold sleeve featuring the original CD artwork in all it’s glory. ‘Hinterland’ has garnered great praise from all corners of the Prog community and the band can’t wait to see the vinyl version released.
Bassist Steve Vantsis said,
“It’s been a great ride so far with the album and we’ve had a fantastic response from press and fans alike. The vinyl release is another red letter day for us as far as I’m concerned. As an old school rocker I can’t wait to see the album in it’s full gatefolded glory!”.
There are lots of exclusives to be had including signed CD’s and LP’s, T-shirts and bespoke items such as signed lyric sheets and band equipment used in the making of ‘Hinterland’.
The latest album of Luca Turilli’s Rhapsody, ‘Prometheus, Symphonia Ignis Divinus’, was chosen to be the first studio album in music history to be remixed in Dolby Atmos. Renowned producer/mixing engineer Chris Heil (David Bowie, Bryan Adams, Scorpions) mixed the entire masterpiece in Dolby Atmos – the mindblowing result will be submitted for the 2017 Grammy nominations. This unique package will be completed by two brand-new live CDs, which were produced by Luca Turilli and Alex Landenburg, mixed by Christian ‘Moschus’ Moos at Spacelab Studio (Grefrath, Germany) and mastered by Simone Mularoni at Domination Studio (San Marino). ‘Prometheus, The Dolby Atmos Experience + Cinematic And Live’ will be released on December 9th via Nuclear Blast.
Today, the first live track has been revealed. Check out ‘Rosenkreuz (The Rose And The Cross)’:
Blu-ray – ‘Prometheus – The Dolby Atmos Experience’ (Audio Blu-ray!) – Tracklisting:
Nova Genesis (Ad Splendorem Angeli Triumphantis)
02. Il Cigno Nero
03. Rosenkreuz (The Rose And The Cross)
04. Anahata
05. Il Tempo Degli Dei
06. One Ring To Rule Them All
07. Notturno
08. Prometheus
09. King Solomon And The 72 Names Of God
10. Yggdrasil
11. Of Michael The Archangel And Lucifer’s Fall Part II: Codex Nemesis
‘Cinematic And Live’ – Tracklisting:
CD1
01. Nova Genesis
02. Il Cigno Nero [Reloaded]
03. Rosenkreuz (The Rose And The Cross)
04. Land Of Immortals
05. Aenigma
06. War Of The Universe
07. Of Michael The Archangel And Lucifer’s Fall [Extract]
08. Excalibur
09. The Ancient Forest Of Elves
10. Son Of Pain
11. Prometheus
12. Drum Solo
13. Knightrider Of Doom
14. Warrior’s Pride
CD2
01. The Astral Convergence
02. The Pride Of The Tyrant
03. Tormento E Passione
04. Demonheart
05. Bass Solo
06. Warrior Of Ice
07. Of Michael The Archangel And Lucifer’s Fall Part II – Of Psyche And Archetypes
08. Dark Fate Of Atlantis
09. Dawn Of Victory
10. Quantum X
11. Ascending To Infinity
12. Emerald Sword
13. Finale
Progressive metalcore band CARCER CITY have announced their Infinite // Unknown headline tour across Europe in support of their new album.
Released this September via Stay Sick, Infinite // Unknown is the band’s highly revered sophomore album, which Rock Sound called ‘their strongest release yet’.
Check out the video ‘Sovereign’:
Support on the mainland dates comes from melodic hardcore outfit CREATE TO INSPIRE, who released their Home Is Where My Heart Dies EP via Basick Records earlier this year.
Check out ‘Don’t Let Go’:
UK
26.11 Manchester – Satans Hollow
27.11 Worcester – Marrs Bar
28.11 Glasgow – Broadcast
EU w/Create To Inspire
01.12 Luxembourg (LU) – Rocas Cafe
02.12 Frankfurt (DE) – Elfer Club
03.12 Maasmechelen (BE) – Alibi
05.12 Milan (IT) – Rock n Roll
06.12 Verona (IT) – Il Blocco
07.12 Vienna (AT) – Das Bach
08.12 Lustenau (AT) – Rocks Bar
09.12 Dresden (DE) – Konk Klub
10.12 Brno (CZ) – M13 Club
11.12 Budapest (HU) – Durer Kert
12.12 Prague (CZ) – Cross Club
13.12 Cologne (DE) – MTC
“A warm series of piano-driven songs that combine the dynamics and vocal delivery of Kate Bush with Tori Amos piano-gymnastics…” FOLK RADIO UK
When choosing a suitable name for their band this London based
trio certainly gave themselves something to live up to. Beatrix, from
the Latin Viatrix, is a name that in its various forms has been
previously bestowed upon self-sacrificing martyrs and self-denying
mystics, royal consorts and Holy Roman empresses, Balzac
heroines and Tarantino assassins. No small irony then, that a name
so often chosen by tragedians for their characters literally means
“she who makes happy”.
Through their enchantingly dark and evocative melodies, expansive
arrangements and empowered orchestral sound BEATRIX PLAYERS tell stories of real life and fantasy. Citing influences as diverse as Michael Nyman and Regina Spektor and drawing comparisons to the likes of Kate Bush and Einaudi Ludovico; this London-based, all female trio combine elements of Folk, Jazz, Progressive and Classical music. In 2015 the band (Amy Birks, Jess Kennedy and Amanda Alvarez) took their unique sound – a beautiful combination of vocals, piano and cello – into the studio to record their self-produced debut album, which has been mixed by two-time BBC Folk Award winner, Jim Moray. That album, titled ‘Magnified’, is scheduled for release in 2017.
Lady of The Lake is the stunning first single to be taken from Beatrix Players debut album, with the single launch being held at the Green Note in Camden on Tuesday 22nd November. This first release tells a story of disconnect, difference of opinion and the demise of a relationship.
“In the video we used a mystical figure to portray how the male perceives the female in the relationship,” explains lead vocalist Amy Birks. “She is seen as seductive and somewhat dismissive in character, although the lyrics are written sympathetically towards her”. The powerful chorus tells of torment “although the man knows it’s over, he is still drawn to her qualities” explains pianist and co-writer Jess Kennedy. The listener is taken on a journey through the powerful & emotive expression of the music, whilst the delicate, almost hypnotic vocal counter melodies add to the unearthly and ethereal sound of the track.
